Fantasy Books

A Fort of Nine Towers is one of the rare memoirs of Afghanistan to have…

The post Love of Family & Land in “A Fort of Nine Towers” by Qais Akbar Omar appeared first on LitStack.

From the publisher: “Ali Dawson and her cold case team investigate crimes so old, they’re frozen – or so their inside joke goes. Most people don’t know that they travel back in time to complete their research. The latest assignment sees Ali venture back farther than they have dared before: to 1850s London in order…

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

Emily Wilde’s Compendium of Lost Tales by Heather Fawcett

Mogsy’s Rating: 4 of 5 stars

Genre: Fantasy

Series: Book 3 of Emily Wilde

Publisher: Del Rey (February 11, 2025)

Length: 368 pages

Author Information: Website

Having followed Emily and Wendell’s journey through the first two books of this series, I was excited to see how the trilogy will end, especially now with the weight of a faerie realm hanging in the balance. I’m happy to say Emily Wilde’s Compendium of Lost Tales delivers a satisfying and enchanting conclusion that offers the perfect balance between adventure, scholarly curiosity, and whimsical charms—all the things that made me fall in love with this series in the first place.

Before we proceed, a mild spoiler warning for the previous books if you haven’t caught up yet. The story finds Emily Wilde and her fiancé, Wendell Bambleby, coming to terms with their new roles as rulers of Wendell’s ancestral kingdom in Faerie. As someone who has dedicated her life to dryadology, or the study of faeries, Emily has always preferred learning about her beloved subject from the safety of university classrooms and libraries. This new development, however, will thrust her out of her comfort zone and into the dangerous politics and intrigues of the fae world. And things are not exactly stable right now in Wendell’s realm!

Before vanishing, Wendell’s spiteful and ruthless stepmother Queen Arna had placed a curse on the land, leaving it clinging onto life. To lift the curse and return the realm to normal, Emily leaps into her role as the new queen not only to support Wendell, but also to stay true to her academic roots, resolving to find an answer in her rich knowledge of faerie stories. In this world, she may feel like a fish out of water, but when it comes to fae lore, there is no greater expert. If there’s even a grain of truth in these legends, or a clue that may help, our protagonist is determined to find it.

For a sequel that picks up right after the previous book left off, Emily Wilde’s Compendium of Lost Tales gets off to a relatively slow start. For the first half of the book, it feels as if barely anything happens. Sure, Wendell has to face up to his new responsibilities as king, going through the motions of posturing and winning a few duels here and there. But for the most part, we don’t move past much past the central conflict that his realm is under threat. Emily also plays her role as an outsider, perhaps a bit too well. This section sees her without much agency, being tossed around the court, doing wherever her new duties as acting queen requires of her. She’s meek, she’s unsure, and she spends a lot of this time either going with the flow or simply staying out of the way.

That said, there is a silver lining. We’ve spent most of the last two books in Emily’s sphere of influence, but we’re in Wendell’s now. And what we learn is that sweet, easygoing Wendell can in fact be very scary if the need calls for it. The interactions become so much more interesting in this new dynamic, for while the relationship and banter between our two main characters remain light and airy, we can tell Emily is still getting used to seeing Wendell in his new role. Of course, she is still important to him, and the romance between them is alive and well.  But with his kingdom and his people in peril, there are other things to occupy his attention. It’s a significant adjustment— not just for our protagonist, but for me as a reader as well.

Perhaps not coincidentally, the story picks up at around the same time Emily regains some of her confidence reflected in the passion for her work. That’s when both the novel’s pacing and the world’s imagination come alive again. Emily’s no-nonsense intellect takes over, making some headway into finding a solution, all the while giving readers a chance to indulge in delightful fae lore. As she delves deeper, the book’s vibe shifts to weaving in intrigue and danger, with the tensions building to a satisfying conclusion.

In the end, Heather Fawcett gives us fans the gift of a strong final installment in Emily Wilde’s Compendium of Lost Tales. This ending might have been heartfelt and bittersweet in its poignancy yet still felt just right—a fitting farewell to our unforgettable couple, Emily and Wendell.

More on The BiblioSanctum:
Review of Emily Wilde’s Encyclopaedia of Faeries (Book 1)
Review of Emily Wilde’s Map of the Otherlands (Book 2)

Westerns by Edgar Rice Burroughs: The Bandit of Hell’s Bend and The Deputy Sheriff of Commanche County (Ace Books); Apache Devil and The War Chief (Ballantine Books). Covers by Boris Vallejo, the Brothers Hildebrandt, and Frank McCarthy.

Like many pulp writers of his day, ERB dipped his toes into the western genre. He wrote four: two pretty standard ones and two that incorporate the Native American experience. He knew something of what he wrote, having worked on his brother’s ranch in Idaho at age 16, and having served with the 7th cavalry in Arizona in the late 1890s.

His first standard western was The Bandit of Hell’s Bend (1924), followed by The Deputy Sheriff of Commanche County in 1940. Both of my copies are later printings from Ace with very cool Boris illustrations. I like these better than many of Boris’s paintings because they seem less static. He does a good job of portraying action here.

In Bandit, we have a disgraced ranch foreman and a young woman who has inherited the ranch, and various villains who want to steal the ranch from her because they know there’s silver on it. The foreman, Bull, has to rise to the occasion. There’s great action and pretty good plotting, although you’ll probably figure it out pretty soon. And, as always, ERB creates sympathetic heroes and dastardly villains.

In Deputy Sheriff, a cowboy named Buck Mason is suspected of a murder he didn’t commit, and he has to run and hide until he has a chance to prove his innocence. This plot is not as good as Bandit but it gets the job done to showcase ERB’s lightning paced tale.

ERB’s other two westerns are connected and center very strongly on the Native American experience. The hero, though, is a white boy who is taken captive by Apaches and raised as Geronimo’s adopted son. He is given the Apache name of Shoz-Dijiji (Black Bear), for having killed one at a young age, and he grows up hating whites.

These books are The War Chief (1927), and Apache Devil (1933). Although there are some stereotypical elements to these books, they show that ERB had very strong sympathies for the Apache and disapproved of the way they had been treated by whites.

I found all of these books well worth reading, though the Apache books have stayed with me the longest. The cover art for The War Chief is magnificent and is by Frank McCarthy. The Apache Devil cover looks to be signed by Hildebrandt.

The Rider, The Oakdale Affair, The Mucker, and Return of the Mucker (Ace Books). Covers by Frank Frazetta.

ERB wrote a three book series generally called The Mucker. They were first published in magazines in the mid to late 1910s, but I have much later reprints, of course, from the 1970s. All of mine, shown here, are from Ace books with Frazetta covers. I particularly like the first book cover, although all are cool.

The Mucker (1914). Billy Byrne is born on the mean streets of Chicago and grows up a criminal. After being accused of murder, he flees to San Francisco and ends up shanghaied. A shipwreck leaves him and a beautiful high society girl stranded in an east Asian jungle and she needs rescuing. I really liked the development of the character here. Through love, Billy learns how to be a decent human being and becomes quite a hero.

The Return of the Mucker (1916). This book finds Billy trying to clear himself of his previous murder charges and failing. He ends up in Mexico in the midst of a revolution. And it so happens that his love interest from the first book, Barbara, is also there. The Mucker was a very fine novel but the sequel is pretty weak. Coincidences pile upon coincidences until it’s pretty hard to suspend belief. But it still has the action rolling. This one could easily be counted as one of his westerns given the setting.

The Oakdale Affair (1918). I’m not sure what ERB was striving for with this book. It’s got mystery elements, gothic elements, horror elements, western type elements. He put everything and the kitchen sink into this one. But it worked and I enjoyed it. It is only peripherally related to the Mucker stories in that it features a hobo character that appeared in The Return of the Mucker.

I included ERB’s The Rider here because of the Frazetta cover and because it was at one point published in a double with The Oakdale Affair. But it’s not part of the Mucker series. It involves a bandit called “The Rider” who exchanges places with a prince (Boris) who is about to be married to the princess of another European duchy (neither of whom want to marry the other). Chaos ensues. ERB crammed a lot of action and plot twists into this short work.

The Efficiency Expert (Charter, 1979) and The Girl From Hollywood (Ace Books, 1977). Covers by John Rush and Boris Vallejo

My favorite genres are Fantasy, SF, Westerns, Horror, and Thrillers. I don’t read a lot of straight mysteries and read relatively little “mundane” fiction. By mundane, I mean fiction set in a modern world where the happenings are portrayed as realistic. After reading ERB’s westerns and everything he wrote with fantastic elements, I was left with three books: The Girl from Hollywood, The Efficiency Expert, and The Girl From Farris’s.

They were also among the more difficult ERB books to find and were expensive, but I wanted them because they were… well, ERB. I got both Girl and Efficiency in 1970’s paperback form but couldn’t get Farris and finally ordered it in a modern paperback printed from public domain materials. Here are my capsule reviews.

The Girl from Hollywood (ACE, 1977, Boris Cover) is not quite a western. It takes place in the 1920s, but much is set in a western landscape and involves many western tropes. The plot involves a fine western family whose lives become entangled with Hollywood types. Some of these are basically good and recover from their evil natures while others never do.

As is typical of ERB’s work, there are coincidences that help the plot along, and there’s actually very little action compared to his typical story. However, the sheer narrative drive that ERB was able to bring to his tales keeps you reading. I finished it in one day, if not quite one sitting. Not my favorite work by him by far, but still enjoyable.

The Girl from Farris’s (CreateSpace edition, 2017). Cover by Frank Frazetta

The Girl from Farris’s (Public Domain, from CreateSpace, 2017). The cover is by Frank Frazetta. An editorial note names Taylor Anderson as editor, and claims the publisher is Odin’s Library Classics. The text appears to be intact but the print is small and there are no indented paragraphs. I actually read this in ebook version, though, so I’ll just stick it on my shelves. I rather like the cover but don’t know where it came from.

“Farris’s” is a house of ill repute and June Lathrop a lady of the evening who is trying to escape it. She meets a young man — Ogden Secor — who wants to help her and fate keeps throwing them together. It’s a tale of redemption, which is an element in all three of these novels. One particularly interesting point is that Ogden is a failed Chicago businessman who tries to make a new life for himself in Idaho. ERB himself fled the business world of Chicago for his brother’s Idaho ranch. They say, “write what you know.”

The Efficiency Expert (Charter, 1979, cover by John Rush) is the last Burroughs book I’ve read, and very nearly the last one to exist that I hadn’t read. I left these three to last thinking they weren’t much up my alley. None of them have any fantastic elements. Efficiency Expert is a straightforward and realistically based story of a young man of quality who is down on his luck but never succumbs to corruption and wins out in the end. I was engrossed throughout. There’s certainly plenty of coincidence featured in the plot but I didn’t mind it much and even without a lot of action happening, it had narrative drive and kept my attention.

I’d rate Efficiency the best of the three, followed by Hollywood and Farris’s.

We’ll wrap up Burroughs next time with a look at his Hollow Earth tales.

Previous installments in this series include:

The Fiction of Edgar Rice Burroughs, Part I: Sword and Planet
The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot

Charles Gramlich administers The Swords & Planet League group on Facebook, where this post first appeared. His last article for Black Gate was The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot.

 

Taken by an Immortal Elf(Elves Among Us: Forbidden Love #0.5)by L.E. Sunwick
What is it about:My captor sees me as one of those destroying his sacred forest. I see him as the most gorgeous male on earth.So handsome. Those muscles. That athletic self-confidence. He is an immortal elf more than a century older than I. He calls me a lioness because I stand up to my wealthy uncaring parents - and him. Ours is a forbidden attraction. He is an elf of legend. I am a mortal duchess and a human he does not trust. We cannot be together.But I would sacrifice my happiness to save his sacred lands from my parents’ greed. My brief time with him was a lifetime’s worth. If I don’t do something, lives - and our budding love - may be lost. Even the courage and prowess of a hundred real lionesses may not be enough. But for a tiny chance at true love, I am willing to find out.
What did Voodoo Bride think of it:I recently participated in one of those 'Stuff your Kindle' events, and got signed up for tons of newsletters because of it. One of them was the newsletter of L.E. Sunwick. When there was a call for ARC/early readers for a rewritten book 1 in this series I got curious, signed up, and dug through my Kindle app what story of L.E. Sunwick I downloaded. It turned out to be this prequel story, so I decided to immediately give it a try.
And this turned out to be such an enjoyable read, that has several things I can't resist in my romances.
Hunky immortal elf: check!Heroine I liked from the start: check!Forbidden Love: double check!
This is a short story (82 pages), but it feels complete, and has romance, action, steam, and sacrifice. I finished this in no time at all, and you can be sure I'm already looking forward to reading more in this series. Each book can be read as a standalone as well I've been told, so I might check out book 2 soon.
Why should you read it:It's a very enjoyable Fantasy Romance read

The Ninth Gate (Summit Entertainment, 1999)

Last week’s article on Angel Heart not only resulted in a lot of fun and insightful comments from all of you, but it got me thinking about another film that I appreciate in a similar way. It will be twenty-six years old next month and having given it a re-watch last weekend, I wondered what your thoughts would be on this one.

The Ninth Gate, directed by Roman Polanski and starring Johnny Depp, was released in March 1999. Polanski was co-writer on the screenplay which was loosely (and I do mean loosely) adapted from the book, The Club Dumas (1993) by Arturo Pérez-Reverte.

The Club Dumas by Arturo Pérez-Reverte (HarperVia, May 1, 2006)

In the film, Dean Corso (Depp) is a New York book dealer with a reputation for unscrupulous methods. When Boris Balkan (Frank Langella), a wealthy collector of rare books on the occult, hires him to authenticate a mysterious tome called The Nine Gates of the Kingdom of Shadows, Corso embarks on a journey across Europe.

The book, rumored to summon the devil when used correctly, exists in three copies, but only one is authentic. Corso’s task is to examine the three editions and uncover the truth. As Corso delves deeper into his investigation, strange deaths and supernatural occurrences begin to haunt his steps. Along the way, he is joined by a mysterious woman (Emmanuelle Seigner), whose true nature seems tied to the book’s sinister secrets.

In parallel with Angel Heart, The Ninth Gate presents a dark journey into the unknown by a skeptical protagonist who is in over his head but doesn’t know it. The memorable visuals created by Darius Khondji, who is known for his work on Se7en, are well synchronized with the puzzle elements of the story and Polanski’s signature direction is evident as well. From dusty bookstores to candlelit castles, the cinematography oozes occult suspense all over the place.

I frankly love The Ninth Gate all the way up until its final few moments.

[Minor spoilers ahead.]

The film does a fabulous slow burn to what can only be described as an enigmatic conclusion, and this is why Angel Heart is still my favorite of the two films. While we aren’t at all confused as to what will become of Harry Angel, The Ninth Gate leaves viewers in the maddening position of wondering whether Dean Corso has unlocked forbidden knowledge, become ensnared in a deadly conspiracy, or gone to literal Hell – maybe all three. I remember screaming “NO!” at the screen when the credits rolled since all the fabulous creepiness that built through the entire film, simply went off a cliff at the very end, without resolution.

Johnny Depp in The Ninth Gate

That sent me straight to the source material to see if Polanski was being a jerk by leaving us with such an unsatisfactory conclusion. I immediately went out and bought a copy of The Club Dumas assuming that it would fill in some, if not all, of the missing pieces.

Nope.

While The Ninth Gate is based on The Club Dumas, it omits substantial portions of the novel, particularly a subplot about a lost chapter of The Three Musketeers. The film focuses solely on the occult storyline, which, by the way, is a sub, SUB plot of the book. If anything, the ending of the book was even more obtuse, with themes centered on literary puzzles and human obsession rather than a definitive supernatural climax.

Interestingly, the titular tome at the center of the film, called De Umbrarum Regni Novem Portis, or The Nine Gates of the Kingdom of Shadows, is a fictional text. Its design plays a significant role in the plot, with eerie and violent illustrations which are gruesomely brought to life in the form of the demise of several characters. The engravings within The Nine Gates book, which were painstakingly designed for the film, serve as the visual centerpiece of the story. Each engraving contains subtle differences across the editions, forming cryptic clues for Corso and the audience to unravel. For movie prop collectors, it is a highly recognizable and sought-after addition.

Emmanuelle Seigner and Johnny Depp in The Ninth Gate

I used to have visions of owning my own copy of The Nine Gates, however, a well-made replica with a leather cover can go for upwards of $1200 or more. If you’re interested in a more attainable version, an engineer named Michael F. Haspil has created a detailed tutorial including the printable text and illustrations you’ll need to build one yourself, which you can find here.

Ultimately, The Ninth Gate received mixed reviews at the box office and made a rather crappy $58M against a $38M budget – so basically a bomb by Hollywood standards. Though critics praised its style, it was criticized for its pacing and lack of resolution. Despite that, The Ninth Gate has aged well with viewers like me who enjoy slow-burning mysteries and subtle horror. Depp delivers a restrained performance, grounding the fantastical story in a world of skepticism and pragmatism, while Frank Langella’s portrayal of Boris Balkan adds recognizable vice as a man consumed by his quest for power, at the peril of his soul.

The Ninth Gate’s blend of literary intrigue and supernatural tension makes it a film that (mostly) stands up over time. Whether you’re a fan of Polanski’s work, a lover of occult mysteries, or simply curious about the interplay between literature and cinema, The Ninth Gate is worth revisiting.

Thoughts?

The Antidote is a gripping dust bowl epic about five characters whose fates become entangled…

The post Spotlight on “The Antidote” by Karen Russell appeared first on LitStack.

 

A Web of Obsidian(The Obsidian Sisterhood #1)by Lydia M. Hawke
At 69 years old and with two martial arts black belts to her name, Sister Monica Barrett has never been one to back down from a fight. But the one that just landed on the ragged front lawn of the women’s shelter she runs may be more than she’s equipped to handle.
At first glance, the assailant in pursuit of a young woman seems like an all-too-familiar story. But this attacker has powers—he moves with uncanny speed, strikes with brutal accuracy, and isn’t after the woman at all. Instead, he wants what she has: a flat, black stone with a spider’s web embedded in it.
The instant Monica touches the stone, her world is turned upside down. Power surges through her and destroys her adversary—the kind of supernatural power that should belong only to the God she serves. A horrified Monica is determined to rid herself of the stone and whatever it holds, but with more attackers coming after her and the women she shelters, she needs to move fast.
Can Monica find where the stone came from before it falls into the wrong hands? Will it be safe to return it to its rightful place? Or has a nun of a certain age just inadvertently become the keeper of a dark power no human should wield?

Expected publication February 25, 2025

Mystery

When Claire returns home from work she discovers her parents, lying in bed, murdered. While investigating the murder Bree Taggert uncovers family secrets and a shocking motive. 

Every now and then an author stumbles upon the magic sauce that makes a series great. Robyn Carr found it with Virgin River, Patricia Briggs with Mercy Thompson and Kendra Elliot nailed it with Mercy Kilpatrick. Bree Taggert is kind of like that. Melinda Leigh’s other series’ were good, even great, but Bree Taggert got everything right. 

And when you hit that sweet spot there is a lot of pressure to keep going. Robyn Carr kept going with Virgin River way past its best before date. I wonder if Patricia Briggs is also approaching that point with Mercy Thompson. And in some ways this book feels like that. It’s good. Every bit as good as some of her other books, but it also feels like maybe the series has run its course and maybe it’s time to explore new ideas. 

Overall, this book was good but not great. But there were opportunities in this book which were not explored and I hope Melinda Leigh planted those seeds to be explored in her next project. 

 

Buy The Devils

OFFICIAL AUTHOR BIO: Joe Abercrombie was born in Lancaster, England, studied psychology at Manchester University, and worked as an editor of documentaries and live music before his first book, The Blade Itself, was published in 2006. Two further installments of the First Law trilogy, Before They Are Hanged and Last Argument of Kings, followed, along with three standalone books set in the same world: Best Served Cold, The Heroes, and Red Country. He has also written the Shattered Sea trilogy for young adults, the Age of Madness trilogy for old adults, and Sharp Ends, a collection of short stories. He lives in Bath, England, with his wife and three children. The Devils is his thirteenth novel.

FORMAT/INFO: The Devils will be released by Tor Books on May 6th, 2025. It is 560 pages. It will be released in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: When Brother Diaz is summoned to the Sacred City, he's sure he is finally landing a prestigious position that will reflect his hard work and dedication. But instead of a noble, glorious assignment, he finds himself in charge of the Chapel of Holy Expediency, an arm of the wing the Church doesn't even officially acknowledge. Brother Diaz is now responsible for dangerous individuals, ranging from a blood-thirsty werewolf to an arrogant necromancer. Their current assignment: escort a lost princess across the continent and install her as the rightful empress of a neighboring empire. In their way: four dangerous cousins who want the princess eliminated so they can take the throne instead.

The Devils is another fantastic fantasy novel featuring that signature blend of Abercrombie: violence, crassness, and a host of memorable characters. Unsurprisingly, my favorite part of the story was the characters themselves. There are several POVs in this book, and every chapter felt like it had a distinctive voice. You could tell when it was a princess chapter versus a werewolf chapter versus a necromancer chapter. All these POV chapters provide insights into the characters themselves, which allows the readers to grapple with a real question: How dangerous are the members of the Chapel of Holy Expediency? Are they being unnecessarily prosecuted? Or has the Church accurately determined that these people are a clear and present danger to society if left unchecked? There is not a cookie cutter answer that applies to all of these characters, and it was intriguing to unpick their backstories and make my own judgement about them.

Speaking of the Church, let’s discuss the setting itself. The Devls is set in an alternate medieval Europe; while you’ll find references to familiar locations like England and Barcelona, you’ll also find the populace lives in fear of another invasion of cannibalistic elves. The Church is Christianity-adjacent, in that it worships one God, but they use different iconography, and their Savior is a woman, resulting in much of the upper Church leadership being women. All of this is in service of a VERY thinly veiled satirical critique of organized religion. It is a constant theme throughout the book, to the point of being slightly overdone.

The story itself was a blast to read. Our characters must journey from essentially the Vatican to Troy to return the lost princess to her throne. In their way are four royal cousins who want the throne for themselves, resulting in multiple attacks, traps, and attempts on the princess’s life. While individually, each fight is well done and distinctive, it did start to feel slightly repetitive by the end of this 500+ page book.

CONCLUSION: That doesn’t stop The Devils from having one heck of a gut punch as the story concludes. While the mission of this particular book, returning the princess to her throne, is wrapped up by the end, there are multiple tantalizing hooks dangling that foreshadow things to come. I myself cannot wait to see these characters come back and grapple with a new problem, and see how events from book one have (or haven’t changed) their outlooks. In short, The Devils is a fantastic opening for a trilogy that is sure to be thrilling and engaging journey.

 Cover Reveal: Special Delivery by Rex Burke

OFFICIAL BOOK BLURB: A dangerous mission. A second chance.

Actually, scratch that. No chance.

Dix’s career as a trooper in the Federation army is unblemished – until the day he disobeys a direct order and strikes an officer.

Now Dix has a choice. Face a life of hard labour that promises to be brutal and short. Or accept a mysterious invitation to join a black-ops mission in hostile terrain.

The plan sounds simple, if horribly dangerous. Fetch a fearsome weapon from a secret location and deliver it to a distant planet, whose population is under the chilling yoke of the Federation’s rival empire, the Axis. Do it without getting caught, or implicating the Federation, and Dix’s transgressions will be forgiven.

But the weapon turns out to be unlike anything he could have expected, and Dix’s troubles have only just begun.

'SAS Rogue Heroes' x 'Starship Troopers' – Special Delivery introduces a ragtag crew of misfits and malcontents on a mission with more holes than a blaster-riddled corpse. It’s a fluid, easy-reading, military-action Sci-Fi adventure, perfect for fans of Tanya Huff and John Scalzi.

Intriguing? Let's look at the cover, designed by: Chris Hudson

PREORDER your copy of Special Delivery here
OFFICIAL AUTHOR INFORMATION: Rex Burke is a SciFi writer based in North Yorkshire, UK.

When he was young, he read every one of those yellow-jacketed Victor Gollancz hardbacks in his local library. He’s sure there are still thrilling SciFi adventures to be told – even if he has to write them himself.

When he’s not writing, he travels – one way or another, he’ll get to the stars, even if it’s just as stardust when his own story is done.

Website: https://rexburke.com/

Contact: rex@rexburke.com

BlueSky: @rexburke.bsky.social

Let's hear from the author about how he came up with the idea from the book:

"Ideas for books come to me in all sorts of ways – the first germ of what became Orphan Planet was a disastrous camping trip one of my sons went on; The Wrong Stop came out of a lifetime spent travelling around Europe on trains, and wondering about the people I met on board. 

And sometimes a single thought is enough, and on one such train, early last  year, two fully formed sentences popped into my head, unbidden. Here they are:

†'Their unit, OneSquad, had been fighting hard all day across difficult terrain. The planet was a squelching, crater-filled shithole, and Dix was covered in mud – at least, he hoped it was mud – but orders were orders.'

Those two sentences begin the book that is Special Delivery, which will be published in April. 

I never set out to write a hard-edged Sci-Fi story about space troopers on a secret mission, but that's what my next book is – though you should be reassured that it's also full of banter, laughs, scrapes and mysteries. A traditional Rex Burke book, in fact, but this time set entirely in space, and with added fights, guns, blood, intrigue and betrayal."

Here are 7 Author Shoutouts for this week. Find your favorite author or discover an…

The post 7 Author Shoutouts | Authors We Love To Recommend appeared first on LitStack.

Eight years ago, in the wake of the 2016 election, I penned a piece for Black Gate that I called “Reading for the End of the World”, in which I listed a dozen books I thought ideal for helping us get through the four years of turmoil and uncertainty that loomed ahead. I wrote it, posted it, and moved on with my life, little suspecting that coping with that particular cultural earthquake was not a one-time job like getting a vasectomy, but would instead turn out to be an onerous recurring chore like mowing the lawn or doing the laundry.

Well, if He did it again, I suppose I should too. Therefore, once again, “In the spirit of the incipient panic, withered expectations, and rampant paranoia that seem to dominate our current national life, I offer twelve books to get you through the next four years (however long they may actually last): a reading list for the New Normal.” (Groundhog Day is a movie, not a book; that’s why it’s not here.) In 2017 I hoped that the books I discussed would provide some much-needed insight or diversion, and that’s my hope for these twelve additional volumes. Some things have changed after the passage of eight years, however, so now I suppose I should also state that these books were neither written nor selected with the help of A.I. (Of course, that just begs the larger question — how do you know that “Thomas Parker” is a real person? Short answer: you don’t. Then again, I don’t know if any of you are real people, either.)

1. All the King’s Men by Robert Penn Warren, 1946

Generally considered the greatest American political novel (though Robert Penn Warren denied that he had any explicit political intent in writing it), All the King’s Men follows the rise and fall of Willie Stark, who begins as an idealistic backcountry lawyer and ends as the extraordinarily powerful and ruthless governor of his state. That state is Louisiana, and Willie Stark bears more than a coincidental resemblance to the real-life governor of Louisiana from 1928 to 1932, Huey Long, who maintained an iron grip on the state even after he left the Baton Rouge statehouse to become a United States Senator and presidential aspirant. Long’s career ended with his assassination in 1935, just as Willie Stark’s life is also cut short by an assassin’s bullet. However, the book is more than just a political roman à clef, more than an incisive portrait of an unscrupulous demagogue or a warning about the dangers such a person can pose for a democracy; fundamentally, it’s meditation on the mysterious conjunctions of character and history, and an examination of the myriad ways personal (and often petty) passions mesh in unforeseen and unpredictable ways, powering the huge, seemingly impersonal processes we all find ourselves caught up in.  All the King’s Men (which has been filmed twice, first in 1949, winning Broderick Crawford a Best Actor Oscar for his Category 5 portrayal of Willie Stark, and less successfully in 2006, this time with Sean Penn in the lead role) is a book which will always have something to say to those who want to gain some measure of understanding (if not tranquility) by taking a step back and viewing the storm from a distance.

2. Stayin’ Alive: The 1970’s and the Last Days of the Working Class by Jefferson Cowie, 2010

Stayin’ Alive (the irony of the title becomes increasingly apparent through the course of the book) sheds a bright light on our current condition by chronicling how “The social and political spaces for the collective concerns of working people — the majority of the citizenry — disappeared from American civic life when the nation moved from manufacturing to finance, from troubled hope to jaded ennui, from the compromises and constraints of industrial pluralism to the jungle of the marketplace.” The progression of the key players — labor leaders like Jimmy Hoffa and George Meany and politicians like Hubert Humphrey, Robert and Edward Kennedy, Richard Nixon, George McGovern, George Wallace, Jimmy Carter, and Ronald Reagan — illustrates the shift from a working class that defined itself by its material conditions (wages, benefits, working conditions, freedom to unionize) to one that defined itself by positions on so-called “cultural” issues (busing, abortion, “patriotism” loosely defined.) Cowie also has time to look at television, movies and music, from Bruce Springsteen’s album Born to Run, with its message that working class life can’t be transformed but only escaped, to the film Dog Day Afternoon, which says that even escape is impossible. The book’s analysis is brilliant and persuasive, and though Cowie tries to hold out some hope for the future, the picture painted is a bleak one, depicting as it does a landscape of diminished economic opportunity, truncated rights, and withered hope — pretty much the world we live in today, which is a direct result of the 70’s, a decade by the end of which “working people would possess less place and meaningful identity within civic life than at any time since the industrial revolution.”

3.Singular Travels, Campaigns and Adventures of Baron Munchausen by R.E. Raspe and Others, 1948

Think carefully before you answer — who is the greatest liar in history? You’re right, of course — it’s Baron Munchausen! In the picaresque novel by Rudolph Erich Raspe, first published in 1785, the nobleman is a nonstop raconteur, spinning stories of his adventures and exploits as a military man and world traveler. Such memoirs were fairly common in the eighteenth century, but few ex-soldiers ever (successfully!) wrestled a forty-foot crocodile, visited the moon by climbing up a beanstalk, rode a flying cannonball over enemy lines, or got swallowed by a great fish while bathing in the Mediterranean (Munchausen freed himself by dancing the hornpipe in the creature’s stomach, which caused it to thrash about and head for the surface, thus attracting the attention of a ship, which harpooned it, hauled it on board, and began cutting it up. “As soon as I perceived a glimmering of light I called out lustily to be released from a situation in which I was now almost suffocated. It is impossible for me to do justice to the degree and kind of astonishment which sat upon every countenance at hearing a human voice issue from a fish, but more so at seeing a naked man walk upright out of his body: in short, gentlemen, I told them the whole story, as I have told you, whilst amazement struck them dumb.”) The actual Baron Munchausen, who fought for Russia in various campaigns against the Turks, spent his retirement entertaining people by telling tall tales about his exploits. Raspe heard some of these yarns and put them into his book along with other outrageous lies of his own invention, which infuriated and humiliated the real Baron, who was driven into seclusion by the ridicule of all Europe. To think that sheer embarrassment could make someone retire from public life; 1785 was a long time ago, was it not? (If you want to read these wildly entertaining adventures, make sure you get an edition that has the original illustrations by Gustave Doré; they are just as funny and delightful as the Baron’s fabulations.)

4. The Iron Dream by Norman Spinrad, 1972

Alternate-history stories come in many varieties, from The Man in the High Castle to Bring the Jubilee to Pavane to Harry Turtledove’s infinitely expanding oeuvre, but few of them are as audacious and original as Norman Spinrad’s foray into the genre, The Iron Dream. The inside-cover blurb lets you know what you’re in for: “Let Adolf Hitler transport you to a far-future Earth, where only FEREC JAGGAR and his mighty weapon, the Steel Commander, stand between the remnants of true humanity and annihilation at the hands of the totally evil Dominators and the mindless mutant hordes they completely control.” That pretty much sums up the plot of the novel (which, once you get past the book’s cover, actually turns out to be titled Lord of the Swastika), and the alternate-history aspect is taken care of by an “About the Author” note at the beginning of the book and an “Afterword to the Second Edition” at the end, purportedly written in 1959 by a New York University academic named Homer Whipple. The bio tells us that after serving in the Great War and briefly dabbling in “radical politics”, Adolf Hitler emigrated to New York in 1919, where he first became a successful science fiction illustrator (for Amazing, no less) and then a science fiction writer himself, the author of such classics as Savior from Space, The Thousand Year Rule, The Master Race, and Tomorrow the World. In the afterword, Whipple chronicles Hitler’s literary career up until his death in 1953, afterwards analyzing Lord of the Swastika and finding in its fetishistic imagery the source of the book’s lasting appeal to hardcore science fiction fans, who awarded Hitler a posthumous Hugo in 1954… so what we have here is not a novel about an alternate history — it’s a novel from an alternate history. How is Lord of the Swastika? (Spinrad reportedly wanted the book to be published under that title, with only Hitler’s name on the cover, but was stymied by his publisher.) Well, based on my own reading about Der Führer (primarily the Bullock and Kershaw biographies, Speer’s memoirs, and Richard Evans’ history of the Third Reich), Spinrad is disquietingly successful at transmogrifying Hitler’s pathological obsessions and rigid, paranoid worldview into pulp science fiction, and one of the most remarkable things about the book is its uncomfortably pointed demonstration of how perfectly the themes and devices of pulp sf suit a violent, authoritarian imagination. In any case, being locked up inside Adolf’s head, even for satirical purposes, isn’t all that enjoyable, and well before the book ends, distaste begins to outweigh novelty, and you’re eager for the “author” to… well, blow his brains out. Spinrad may have been just a little too clever, and The Iron Dream might be one of those books that would be twice as effective at half the length. Still, it’s quite a ride, and I can’t think of another novel like it.

5. Spider Kiss by Harlan Ellison, 1961

Harlan Ellison was one of our best short story writers, but he produced only a few genuine novels. Among that handful, though, is one of his best works, his rock-and-roll novel Spider Kiss (which was originally published by Gold Medal — the mark of quality! — as Rockabilly). Country boy Luther Sellars has an abundance of musical ability and a limitless desire to push, claw, and gouge his way to the top, a vicious, elemental drive unmediated by any trace of scruple. After changing his name to Stag Preston, he succeeds in climbing to the pinnacle of pop music success, becoming the idol of millions. Stag’s unholy combination of ferocious ambition, demonic talent, and unbridled appetite (especially his sexual one) finally lead to his downfall, and after his scandalous excesses (which include some genuine and serious crimes) send him careening to the bottom, he ends his days playing is a sleazy strip joint, far from the big money and the bright lights, mercifully forgotten. Ellison clearly knew the great 1957 Elia Kazan film A Face in the Crowd, in which Andy Griffith excels as Larry “Lonesome” Rhodes, a folksy entertainer whose good old boy demeanor conceals a very nasty streak and who plays out a rise-and-fall story very similar to Stag’s. Stag is, if anything, even worse than Rhodes, and the book is a riveting portrait of a driven and near-sociopathic personality. Ellison later retrofitted many elements of Stag’s character and story onto his script for the 1966 film The Oscar (in which the amoral user is an actor named Frank Fane), a movie so godawful it’s divine.

6. 85 Days: The Last Campaign of Robert Kennedy by Jules Whitcover, 1969

We’ve gotten used to some wild presidential elections over the last decade and a half, but few campaigns in American history were as chaotic, divisive, and ultimately tragic as the one all the way back in 1968. When President Lyndon Johnson announced that he was not going to run for re-election, Robert Kennedy at first publicly said that he wasn’t going to seek the nomination himself, a decision that went against all of his political instincts. It galled him to leave the field to Hubert Humphrey (Johnson’s vice-president and a man likely to continue LBJ’s war policies) and the upstart anti-war candidate Eugene McCarthy, but when McCarthy’s surprising early success showed the potential strength of an anti-Vietnam War candidate, Kennedy threw his hat into the ring. A frantic campaign followed, with RFK scrambling to put together an organization, enter primaries, and make up an enormous amount of lost ground. Along the way, Kennedy earned the animus of McCarthy (for stealing his thunder — and his young, anti-war voters) and Johnson (for opposing his policies), made Kennedy history by losing one primary (Oregon), gained some momentum by winning others (South Dakota, Nebraska), and was called on to help the country weather the shock of the Martin Luther King jr. assassination, a bare eight weeks before his own death at the hands of Sirhan Sirhan on the night he won his greatest victory in California — all in eighty-five days (three weeks less than Vice President Harris had in her own truncated campaign). Whitcover’s book is a definitive account of one of the most dramatic political contests in our history, a kind of combat-photographer snapshot taken at a moment when the country seemed hurtling toward the apocalypse — and not for the last time.

7. The Last Policeman Trilogy (The Last Policeman, Countdown City, World of Trouble) by Ben H. Winters, 2012-2014

If you think things are bad now, take heart — they could be worse. The world could be ending literally rather than metaphorically; there could be a ginormous asteroid on a collision course with earth that will extinguish human civilization on impact, which is the situation faced by Hank Palace at the beginning of The Last Policeman trilogy. The first volume, The Last Policeman, begins with the asteroid (named “Maia”) still six months away and the chances of impact rising but still less than one hundred percent. Before the end of the book, doom has become a mathematical certainty and Palace and everyone else on earth are faced with the Big Question — what do you do when everything is coming to an end? You keep doing your job, of course; it’s that or go crazy in one of a thousand different ways. There’s no shortage of people going that route, but Palace chooses the first option; despite knowing how ultimately futile his efforts are, he continues to get up every morning and show up for work as a Concord, New Hampshire police detective, spending his dwindling stock of days trying to keep his small part of the world from falling to pieces. Through the course of the three books, Palace investigates murders (in a world where the innocent and the guilty alike are about to experience maximum punishment) and a strange disappearance (in a world where increasing numbers of people are walking away from the rubble that’s all that’s left of pre-Maia society) and most personally, trying to find his troubled sister Nico, who has vanished into the chaos; he has some things to settle with her before the end. What does any of it matter? Well, Winters has said the theme of the trilogy is, “Why does anybody do anything?” Each volume (almost each chapter in each volume, in fact) is more involving than the one that preceded it (increasing tension is built into the premise) and aside from being a gripping read, the series really does prompt reflection on the meaning of human actions when the actors are faced with unavoidable death — which we all are, asteroid or no asteroid.

8. 1876 by Gore Vidal, 1976

Electoral chicanery is as old as the republic itself, and who better to describe perhaps the greatest example of it in our history than Gore Vidal, America’s premier historical novelist? In this, the third novel in his six-volume Narratives of Empire series (following Burr and Lincoln in internal chronology), Vidal fictionalizes the centennial election of 1876, when the presidency was stolen from the Democratic candidate Samuel Tilden (remember him? Of course you don’t!) by the Republican Rutherford B. Hayes, or at least by his faction. Post-Civil War bitterness (the tactic of “waving the bloody shirt” to brand all Democrats as crypto-Confederate traitors reached new heights during the contest) led to outrageous underhandedness and outright fraud across multiple states. In South Carolina, for example, 101 percent of all eligible voters voted (take that, electoral apathy!) and many of the things that we’ve become drearily familiar with reared their ugly heads, such as disputed electors, confusing or deceptive ballot designs, and rancorous squabbles about the counting and certifying of electoral votes. With Inauguration Day approaching and the results a snarl beyond untangling, Congress headed off increasing financial and political chaos (to say nothing of threats of violence — Hayes’ home was shot at shortly after Election Day) by creating a special bipartisan electoral commission to reach some kind of resolution, with the result that the Republican candidate became the nineteenth President of the United States… by one electoral vote. (Tilden’s consolation prize was winning the popular vote; I’m sure that kept him warm at night.) All of Vidal’s virtues are on display here; no one depicted drawing-room politics (or any other kind, for that matter) with more elegant irony or acerbic wit. This Jamesian comedy of manners has the kind of effortless style that makes it easy to miss the cold-steel scalpel in the author’s hand, and he uses the knife to mercilessly dissect the corruptions and hypocrisies of Hayes’ and Tilden’s time, and, by implication, our own.

9. The Autumn of the Patriarch by Gabriel García Márquez, 1975

In The Autumn of the Patriarch Gabriel García Márquez uses the techniques of magical realism that he employed in One Hundred Years of Solitude to portray the life and (maybe) death of the archetypal figure of a military tyrant or Caudillo, embodied in a nameless Caribbean dictator. Instead of using the tools of objective realism to depict the surface of his dictator’s reign, García Márquez employs symbol, metaphor and dream to place us in the lightless mind of his radically isolated protagonist. The book (the English translation is by Gregory Rabassa, who also did the magnificent translation of One Hundred Years of Solitude) is not for the faint of heart — it has one sentence that’s fifty pages long. Most of the novel consists of a stream of consciousness that runs so deep you can easily drown in it, but the method yields dividends that couldn’t have been gained in any other way; in one extraordinary, hallucinatory scene, in his greed and callousness the monomaniacal “General of the Universe” (his official title) sells off the Caribbean Sea to the Americans who keep his regime propped up; the Gringos send helicopters to fly off huge sections of the Sea, which has been cut up into numbered squares, leaving only a desiccated, sea-bottom desert behind. The book exuberantly chronicles the General’s flagrant excesses — political, military, familial, financial, rhetorical, sexual — but García Márquez’s greatest triumph is that his art moves us beyond mere externals, imprisoning us in the free-floating abattoir that must have been the mind of a Somoza, a Stalin, a Franco, a Mao.

10. Advise and Consent by Allen Drury, 1959

Though the current confirmation battles roiling the Hallowed Halls of the Capitol may seem especially contentious and nasty, the process of getting even a mildly questionable nominee through the Senate has always been a bloodsport. If you doubt that, just read Allen Drury’s Pulitzer Prize-winning novel, Advise and Consent. (The title comes from Article II, Section 2, of the Constitution, which gives the President the power to appoint various federal officers and officials with the “Advice and Consent of the Senate.”) When liberal golden boy Robert Leffingwell is nominated by the president for Secretary of State, the confirmation process is expected to go smoothly, and it does — until a witness surfaces with evidence that Leffingwell had once been a communist (a charge that the nominee has unequivocally denied under oath). Those in favor of Leffingwell (a group that still includes the president) and those opposed to him begin to frantically maneuver for advantage, working night and day to discredit whatever evidence and witnesses are presented by the other side. Before the drama’s end, the president himself will be involved in blackmailing Utah Senator Brig Anderson, who has proof that Leffingwell’s testimony was a lie. Anderson had a homosexual encounter in his past, and the prospect of that incident becoming public knowledge drives him to commit suicide in his Senate office (a plausible outcome in 1959 — and something very much like it had actually happened in 1954). In the wake of this tragedy, the evidence against Leffingwell gets out, along with the president’s role in its suppression, with the result that the nomination goes down to a decisive defeat. Allen Drury (whom Richard Nixon believed to be secretly gay himself) was a seasoned Washington reporter who knew all the back-room details of how the sausage was made, and after over sixty years, Advise and Consent still deserves its reputation as one of the greatest of American political novels. Drury must have agreed — he wrote five more books carrying the story and characters forward into a shrewdly speculative political future. Otto Preminger directed an excellent film version in 1962, with Henry Fonda as the flawed nominee and Charles Laughton (in his final role) as Senator Seab Cooley, Leffingwell’s most intractable opponent.

11. The Loneliest Campaign: The Truman Victory of 1948 by Irwin Ross, 1968

Everyone loves an incredible comeback staged by a tenacious underdog, right? Well, um… maybe not everybody. But if you crave a candidate wielding a pugnacious (and sometimes profane) campaigning style to present himself as a battler for the common man against out-of-touch elites, if you delight in baffling and egregious polling errors, if you yearn to see a complacent national press stunned by an unexpected outcome that they find simply incomprehensible, then have I got a story for you! No, not that one; it’s not necessary to look back just a month or two, because our grandparents (or great-grandparents!) saw it first back in 1948, when Harry Truman, unanimously written off by the media as a comically inept buffoon, came roaring from behind to defeat supposed shoo-in Thomas E. Dewey for the presidency. Truman, the low-class ward-heeler, the Missouri machine politician who was tapped for vice-president when Franklin D. Roosevelt decided to jettison his previous running mate, the increasingly problematic Henry Wallace, became president when FDR died three months into his fourth term. Shackled by foreign policy problems and an unstable economy, Truman (often derided as “His Accidency”) ended his slightly-shortened first term with near-historically low approval ratings. Good thing polls are never wrong. Dewey, brimming with confidence, decided that it wasn’t necessary to win the presidency; he just had to be careful not to lose it. He therefore confined himself to bland, noncommittal statements that were so general as to be essentially meaningless. The Louisville Carrier-Journal mercilessly (but accurately) said that Dewey’s major speeches “can be boiled down to these historic four sentences: Agriculture is important. Our rivers are full of fish. You cannot have freedom without liberty. Our future lies ahead.” Truman, meanwhile, fought his way off the ropes with a no-holds-barred, bare-knuckle exuberance that, fairly or not, laid all of the country’s ills squarely at the feet of Dewey’s Republican Party. When the dust settled, Harry Truman had won one of the unlikeliest second terms in American history, though it’s probably dropped from first place to second in that regard. The Loneliest Campaign is an engaging look at one of the most colorful presidential contests ever, and the book’s conclusion, written in 1968 about the election of 1948, is just as valuable today: “In the end, the most salutary consequence of 1948 was probably a renewed awareness of the contingent quality of events, of the unpredictability of both leadership in a democracy and of the choices that voters make in the privacy of the voting booth. Not for a long time afterward were politicians likely to take the American voter for granted.” We can hope that recent events have provided a much-needed refresher course in that uncomfortable truth.

12. The Road by Cormac McCarthy, 2006

What do you do when nothing is left of all that you and those who went before you have built but charred rubble and blackened ashes? You hold on tightly to the one most precious to you and make your way through whatever lies ahead one day at a time, trying to keep alive a spark of belief that one day, things will get better. In Cormac McCarthy’s post-apocalyptic novel, a father and a son (we never learn their names; in this place names are needless encumbrances, relics of a dead past) painfully make their way through a shattered world, looking for somewhere they can rest and find peace, knowing that such a place almost certainly doesn’t exist. We don’t know what happened to the world and neither do they. What does it matter? The only reality is trying to keep their bodies and souls alive in a world implacably inimical to both. Most of the devices of the standard post-apocalyptic story are here, images and incidents that have become familiar (even shopworn) through their use in countless books, movies and television shows: searching for uncontaminated water or a slightly better piece of clothing, picking through dead buildings for canned food, exchanging a word or two with other scarecrow-like wayfarers, the dazed, the dead-eyed, the demented, and hiding from other creatures that were once human but that the universal catastrophe has rendered nothing but feral beasts without mercy or compassion. As they push their shopping-cart (their most precious possession, bearing the few pitiful belongings that are everything they own) through this hellscape, “carrying the fire” (an image for preserving and protecting the human that recurs through much of McCarthy’s work), the vision is almost unendurable in its pitiless extremity — but only almost. It is true that no blows are softened, but we are kept going by two things: the bleached beauty of McCarthy’s extraordinary prose and the desperate love of the father and son, who are, quite literally, all the world to each other. Along the way, we get things no other writer could have given us, like the scene where the pair briefly take refuge in a well-stocked underground bunker that they discover, where the father gives his child a drink, a draught from a world and a life that have vanished forever — Coca-Cola. The father’s delight at his son’s stunned amazement at this drink that seems almost alive, followed immediately by his sadness at knowing that his boy will never taste it again, are emotionally overwhelming, as is the book as a whole. The Road will make you weep; it will make your heart ache unbearably before breaking it in pieces, but this bleak journey ends with the fire still burning; at the end, against all odds, the father has passed the flame on by saving his son, and when you finish this remarkable novel, you will feel that light and heat burning anew in yourself.

Of the twelve books I’ve listed here, only The Loneliest Campaign is currently out of print, but it’s relatively easy to find used on Ebay or from other sources; the other books are all readily available in physical or electronic formats.

So, (again repeating my words of eight years ago), “there you have it: a dozen histories, actual and alternate, maps of action or aids to contemplation, to help you get through all the days of farce and folly that lay ahead, as we do our best to cope with the real history that we’re all trapped in.”

Oh, one more thing — I’m damn sure not doing this again in 2028 (or, God help us, 2032)!

Thomas Parker is a native Southern Californian and a lifelong science fiction, fantasy, and mystery fan. When not corrupting the next generation as a fourth grade teacher, he collects Roger Corman movies, Silver Age comic books, Ace doubles, and despairing looks from his wife. His last article for us was Say It Ain’t So

 

Wolf Games (Granite Lake Wolves #3)by Vivian Arend
What is it about:

After seven years of total denial, Maggie Raynor s body and her inner wolf are in full revolt. Weak and shaky, she literally falls into the very large and capable arms of the Granite Lake Beta, Erik Costanov. The last thing she wants is a mate, particularly when just looking at another wolf scares her to death. And one as big and sexy as Erik? Really bad idea, no matter what her libido says.
Erik expected to meet Maggie in Whitehorse to escort her to the home of her sister, his pack s Omega. Sheer chance puts him in the right place at the right time to catch her, but the realization that hits him with the force of a full body shot is no accident. She s his mate. An even bigger shock? She wants no part of him not until she resolves her issues.
She ll have to work fast, because they re both selected to represent the pack during the premier sporting event for wolves in the north. Not only will she have to work as a team with Erik, she ll have to face down her fear of wolves. Let the Games begin."
What did Voodoo Bride think of it:This is the third story in the Granite Lake Wolves series and so far my favourite! It's got all the thing that I liked in the first two stories and more. Where in the first two stories the romance won out over the action storyline, here it's a perfect balance and the characters are even more defined than in the earlier stories. There's also more interaction with other characters and that makes the world that Arend build even more lifelike. All in all I can't wait for the last story in this series.
Thoughts on rereading:I still love this story the most out of the Granite Lake Wolf series. There's just something about big, strong, but gentle men that I can't resist. And I really like learning about the bigger world that's painted in this story. I'd also forgotten about TJ, who is a really fun character, and gets his own romance in book 4. Time to dig up my print version of book 3 & 4, as the ebook version of book 4 is probably on my old ereader.
Why should you read it:Romance, action and one big, hunky werewolf!

From Page to Screen, The Godfather Aced Percy Jackson and the Olympians From Lightning to…

The post Triumph and Travesty – 2 Megabuck Page To Screen Adaptations appeared first on LitStack.

ABOUT THE AUTHOR: Rachel Aaron lives in Colorado with her family. She has graduated from University of Georgia with a B.A. in English Literature. She has been an avid reader since her childhood and now has an ever-growing collection to show for it. She loves gaming, Manga comics & reality TV police shows. She also posts regularly on her blog about publishing, books and several other intriguing things.
Find Rachel online: website
By a Silver Thread links: Amazon, Goodreads
ESMAY
Monsters, magic and mayhem abound in By A Silver Thread, a fast-paced urban fantasy romp that practically bleeds with action, trauma and emotional turmoil. Somehow, Aaron manages to put a refreshing spin on the familiar fairy changeling lore, resulting in a uniquely twisted story that is both bloody dark and bloody fun all at the same time.

After falling in love with Rachel Aaron’s writing in the Tear Down Heaven series, I was beyond excited to jump into the interconnected DFZ world for more urban fantasy fun. That said, I was a bit nervous when SPFBOX forced me to start with By A Silver Thread instead of with the Heartstrikers series in in-world chronological order, but I should never have worried.

Within just a few chapters, I felt very immersed in this near-future magical Detroit setting (especially with the backdrop of Halloween), and I never felt like I was missing context from the previous series. Moreover, Lola quickly proved to be a very compelling protagonist as a shape-shifting changeling monster, even if she felt a bit younger than her 27 years. I really liked exploring her intense inner conflict and heavy trauma, and the ticking time clock element due to her rapidly decreasing stash of pills that helped subdue her fairy monster nature added such an addictive air of urgency and looming dread to the narrative.

At the same time, I do think the breakneck pacing of By A Silver Thread ended up hindering my personal enjoyment a bit, as we never fully got to appreciate all the cool world building or just take a moment to breathe and sit in everyone’s tumultuous feelings. While I was never bored, my emotional investment was unfortunately about as thin as a thread, and I really found myself wanting more depth from this intriguing cast of side characters, be they the loveable goodies or deliciously hateable baddies.

The enigmatic Rider was the only character who really stood out to me, and I loved seeing him and Lola (trauma) bond throughout this wild adventure. There is no denying that their unexpected romance developed quite quickly and felt rather rushed, but at least their tender scenes together made me feel some feels, so I welcomed it with open arms.

While most of the big twists and revelations in By A Silver Thread weren’t as shocking or surprising to me as they seemed to be to Lola herself, I did quite like the potential this ending showed for the characters’ journeys in the rest of the series. I will definitely be back to explore the unique DFZ world further, even if it might be in a different series first, and I would highly recommend this action-packed urban fantasy adventure if you want an easy, engaging read that you can effortlessly breeze through in just a few sittings.

ŁUKASZ

Rachel Aaron kicks off her DFZ Changeling trilogy with By A Silver Thread, a fast-paced urban fantasy set in her ever-evolving Detroit Free Zone. It’s a solid start, full of cool magic, intriguing lore, and a likable main character. To me it doesn’t quite hit the heights of her best work, but for the sake of the competition I shouldn't compare it to Rachel's books I read and loved, but as a single entry.

The story follows Lola, a faery changeling trapped under the thumb of her blood mage master, Victor. Bound by magic and dependent on his pills to keep her human form intact, she’s left scrambling when Victor vanishes. Without the pills, she risks dissolving into nothing—and worse, taking her sister down with her (now, the sisterhood is not typical and it's best to understand it by reading the book). We get a tense, fast-moving mystery as Lola races to survive, solve Victor’s disappearance, and confront her own monstrous nature.

Lola is a great protagonist, likable and relatable, and I think Aaron has written her well. I appreciated her struggle to maintain her humanity despite years of abuse, and her rebellious spirit. Her shapeshifting abilities, which depend on belief to hold their form, are creative and cleverly tied to her story. However, her characterization can feel a bit surface-level at times—her growth is satisfying but predictable, and she doesn’t quite stay in your mind the way some of Aaron’s past leads do.

The world-building is, as always, a highlight. Aaron’s DFZ feels alive, and the addition of faery lore fits the setting. Longtime fans will appreciate the nods to her previous series, while new readers should still find the story accessible, though they might miss some of the nuance.

That said, the book stumbles a bit in its pacing. The tension builds well thanks to the countdown mechanic with Lola’s pills, but the plot can feel a little rushed, and some supporting characters—like the enigmatic Black Rider—don’t get enough space to shine.

Overall, By A Silver Thread is an entertaining, if slightly uneven, start to the series It’s not Aaron’s strongest work, but with its creative magic and heartfelt moments, it’s well worth a read for fans of the DFZ or urban fantasy in general. A solid 7.5/10-good, but not unforgettable.

MIHIR

Rachel Aaron’s books are like a soothing balm to my soul, they are full of fun scenarios, charismatic characters, incredible magic systems and plots which are ingenious to say the least. Since Rachel first introduced us to the DFZ world nearly nine years ago, I along with a ton of other readers were hooked on to the crazy, multi-genre story. Plus dragons just make everything epic and that was indeed the case here as well.
Since the completion of the Heartstrikers saga, Rachel had written a sequel trilogy that was more grounded but fun nonetheless. But this time around Rachel while taking another trip back, is going a little more in-depth into the lore of the world. So begins By A Silver Thread, the first book in the DFZ Changeling trilogy and we are yet again brought in to the world of the DFZ to explore another angle and a different type of magic. This book is set nearly five years after the events of The D.F.Z. trilogy and immediately in the beginning; the readers are introduced to Lola, a faery changeling that was exchanged with a human child.
By A Silver Thread introduces a DFZ world wherein human magic is now on the upswing thanks to the events of the Heartstrikers saga & DFZ trilogy. This book is set twenty five years after the events of Last Dragon Standing & five years after Night Shift Dragons, Lola is a changeling with some really cool powers but in thrall to an evil blood mage named Victor Conrath. He keeps her on a short leash with his blood that allows her to maintain her human form as otherwise she will revert to being a literal monster (a state which she abhors). She is also linked by a magical silver thread, which encircles her left wrist and is magically connected to the human girl whom she replaced (whom she calls and believes to be her real sister).
The main plot starts with the abrupt disappearance of her blood mage master and her frantic search for him as she has only a few pills remaining to keep herself human. Lola is forced to figure who truly is behind her master’s disappearance while desperately trying to keep herself from dissipating without the support of his Blood Magic. By A Silver Thread does something masterful with its subject matter as it’s about Lola’s will to survive and not become what she absolutely is terrified of. However, the main genius of the story lies within the fact that it introduces Faeries and Fae magic to the world of the DFZ. It also is done in such an elegant manner that it does not break any magical rules and the history that has been set up by the preceding eight titles that have been released so far. This was truly amazing from a reader’s perspective and a tip of the hat to the author for keeping her world mythos precise.
The main gist of the story is all about mysteries. Who or what is Lola exactly, who has kidnapped or killed her master? What will happen to her when she runs out of her pills? Who are the Fae and what is their eventual aim? All of this and more is gloriously revealed in this new trilogy opener and once again we are charmingly brought back in to the world of DFZ. Lola as a main character is such a fascinating one and she’s probably the first non-human protagonist  that Rachel Aaron has focused upon (Yes I’m aware she has a novel set in space under her Rachel Bach pseudonym and technically Devi is a human from a different planet). But what sets Lola apart is that she’s a magical thing who isn’t supposed to exist. She however does and adopts a human form in honour of her lost sister. She’s empathetic and strong under a lot of duress. She has been psychologically abused by her master and yet he has been unable to strip her of kindness and humanity. This was such a refreshing thing to read and while Rachel has written optimistic characters before. Lola here seems to be a special case based on all that she has endured.
A plus about this book was the villain and I have to hand it to the author. She has created a very detestable character, possibly the worst one she has written so far amidst the 24 titles she has released. That’s something special as usually Rachel Aaron almost always makes her villains not entirely evil to a hilt. But here we finally get a proper, horrid person whom everyone can rightfully hate.
Another cool aspect of the story was the rapid plot pace and the tension that was strewn throughout. The author did a cool reverse countdown with the chapters about the remaining pills that Lola had. I really liked it as it reminded me a lot of Jeffrey Deaver’s thrillers wherein there’s a similar countdown that ratchets up the plot tension. Lastly the ending is a proper emotional one. I distinctly connected with Lola’s struggles and I wish for her to succeed. However the stakes are deeply against her. I can’t wait to see in the sequels what happens and how it all unfolds. There are also some cute nods and messages about the previous stories’ characters and they are there for the fans to enjoy.
By A Silver Thread is a superb return to the world of the DFZ. This is a heroic story that is in parts heartwarming, in parts mysterious and just a fantastic read all the way. I know at this point, it’s hard for me to keep coming up with superlatives for Rachel Aaron’s books but trust me, this is the start of a special story. Grab a copy now and join me in finding out why Lola deserves all of your attention and love.
OFFICIAL SPFBO SCORE

 

“You…you know?”“Not in as many words. He has not said it to me.” She broke off a piece of bread on her plate and fiddled with it idly.

(page 99, The Unseelie Throne by Kathryn Ann Kingsley)
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Teaser Tuesdays is a weekly bookish meme, previously hosted by MizB of Should Be Reading. Anyone can play along! Just do the following: - Grab your current read - Open to a random page - Share two (2) “teaser” sentences from somewhere on that page BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!) - Share the title & author, too, so that other TT participants can add the book to their  TBR Lists if they like your teasers!

Image by Gerd Altmann from Pixabay

Good afterevenmorn, Readers!

Language is fun. The way words can mean more than one thing, depending on where the stress is placed, or its location in a sentence, and where that sentence lies within the tale. It is a playground. A song devising its own music. A melody murmured that can delight not just the eyes, but the ears. How many have paused a read simply to revel in the words just read? To read and reread a sentence? To bask in the brilliance of a cleverly turned phrase?

Image by Лариса Мозговая from Pixabay

Yet so many decry the joy in that play. Brevity, they proclaim, is king. Only he shall rule the pages, painted words slinking away beneath his stern gaze. That is good writing. The only good writing.

In truth, he is but a soldier, which, like his fellows, when craftily deployed becomes a part of a larger song. The short notes like bombs, delivered with precision to inspire fear, or awe. To drag at the breath, stealing it away. To raise the pulse; a rapid fire of words – rat-tattat-tat!

Ah! But the exhaustion of battle needs reprieve. Across the trenched-scarred fields where fearful clouds of pale green gas linger still, hugging the ground as a jealous devotee, there must be some tenderness. Some beauty. Some gentle caress that reveals a painted sky, a lone flower refusing to bow before the fire, to linger ever so longingly on a lover’s heart.

These, too, deserve their time to shine. To dance in the light. Frivolous! come the cries. Pointless! Indulgent! Foolish! What purpose could frills and silks fill that isn’t achieved with more utilitarian cloth?

Beauty, my loves. Beauty is the point. To paint with words. To make poetry of prose. To fill the pages with images that transcend description. To make the words felt instead of merely read. To revel in the wonder of words, and the music they can make if we indulge them ever so slightly. For, before they were written, they were said; every syllable deliberately placed to please, to create a rhythm, to dance with the flames beside which they were uttered.

There is no crime in returning to that fire, though the words reach an audience of naught but one. In reclaiming that dance. In revealing the beauty of words and the myriad of ways they can be put together.

Play, my dears. Play is the point. What fun to toy with meaning and expectation, to weave and weft! To delight in triplets trickling from tickled tongues. To find the fun; to splash in the sun-dappled stream of language and chase the meanings swimming lazily beneath the surface. For language can be such a joy if we let it, if we break free from the tyranny of Brevity for its own sake.

There is no sin in letting the words play. In delighting at their twisting, joyous clamour. To dance with them their strange magical rites.

So many tangled tales have been met with distaste from one, only to be adored by another. Many a phrase has stopped an artist in their tracks, struck by the beauty, only to be scorned by the scholar.

In truth, there is no proper way to present prose. Dance or do not. Play or do not. Let the tyrant Brevity reign over the page, or place him back down into the ranks to work in concert with his fellows, or abandon him altogether. It is all correct. It is all true. It is all right.

But turn not away from the colour purple because some fool said you must. Like Brevity, it has its place and its purpose, even if that purpose is simply to be frivolous, existing for nothing else but the music it makes.

Or maybe even to inflate a word count. Ahem.

Alright, I’m done playing now. Mostly. Though I’ve been terribly tongue-in-cheek with this post, the sentiment is true. I do love reading books where the author has permitted themselves to revel in the language they use; when it’s clear that they’re going not for strict adherence to the rules and order, but to create an image, to paint, to evoke an emotion.

Yes, learn the rules. Of course.

And then smash them to pieces.

Is it possible to mess it up? Yes. Perhaps it doesn’t quite work. But that’s the wonderful thing about words. They’re much like painting in oils. You can massage the colours, work them across the canvas until they form the pleasing shapes you were aiming for. Or simply scrape teh canvas clean and start again. But don’t be so afraid of messing it up that you never attempt to paint at all. Take the time to play with words. Have fun.

Know that there will be a reader who will love your “purple” prose. It will likely be me, since I love how wonderful and musical language can be.

What about you? What writing styles do you like? There are no wrong answers in this case, only differing opinions. And I love hearing them!

When S.M. Carrière isn’t brutally killing your favorite characters, she spends her time teaching martial arts, live streaming video games, and cuddling her cat. In other words, she spends her time teaching others to kill, streaming her digital kills, and a cuddling furry murderer. Her most recent titles include Daughters of Britain, Skylark and Human. Her serial The New Haven Incident is free and goes up every Friday on her blog.

ABOUT THE AUTHOR: Rachel Aaron lives in Colorado with her family. She has graduated from University of Georgia with a B.A. in English Literature. She has been an avid reader since her childhood and now has an ever-growing collection to show for it. She loves gaming, Manga comics & reality TV police shows. She also posts regularly on her blog about publishing, books and several other intriguing things.
Find Rachel online: website
By a Silver Thread links: Amazon, Goodreads
Thank you for agreeing to this interview. Before we start, tell us a little about yourself.
Absolutely! I’m Rachel Aaron for most of my titles, but I also write Science Fiction under Rachel Bach. I got my start as a writer with my debut Fantasy novel, The Spirit Thief, published by Orbit Books in 2010. It’s a fun, fast paced romp about a wizard thief and it’s still one of my favorite stories I’ve ever written. After eight books with Orbit, I decided to try my hand at self publishing with my cyberpunk/Urban Fantasy mashup novel Nice Dragons Finish Last about dragons in a futuristic magical Detroit. It was an amazing experience and I’ve been self publishing ever since!
Do you have a day job? If so, what is it?
Nope, I’ve been writing full time since 2012. I keep waiting for the day I have to get a real job again, but so far so good!
Who are some of your favorite writers, and why is their work important to you?
If we’re talking about authors that heavily influenced me as a writer, it’s gotta be the books I stole from my mom’s bookshelf. We’re talking Peter S. Beagle, C.S. Lewis, Ursula LeGuin, Elizabeth Moon, Marion Zimmer Bradley, and of course Tolkien. (My mom is a giant LOTR fan). More recently, I’ve absolutely fallen in love with T. Kingfisher and Naomi Novik. Those ladies write some beautiful books!
What do you like most about the act of writing?
The pure joy of creation. I call myself a method actor writer because I get totally swept up in my stories. That feeling of being in a different world where I get to be god is the reason I do this. I’m one of those writers who can’t help but write. Even if no one wanted to read my stuff, I’d still have to write it because I can’t not write. At this point, I’m pretty sure I’m going to be doing this until I die.
Can you lead us through your creative process? What works and doesn’t work for you? How long do you need to finish a book?
You’re not going to like this answer, but it really is different for every story. I’ve written first drafts in as little as 13 days and as long as 16 months. Every story is its own unique world of problems. Sometimes I know exactly what I’m doing and the whole thing comes out right on the first try. Other times I have to keep failing forward until I flop over the finish line by dint of sheer determination. I always make a plan, but no plan survives the first encounter with the enemy, so I just do my best and keep bashing my way forward until the book is good. (It HAS to be good. Rule #1 of publishing: books can be late for six months but they’re bad forever. NEVER put out something you’re not proud of to meet a deadline.)
What made you decide to self-publish By A Silver Thread as opposed to traditional publishing?
It’s kind of mercenary, but the money. I loved working with Orbit Books, but I’ve got a family to support and self publishing pays authors way better than publishing contracts do. I’m also a control freak who loves handling her own business and marketing decisions, so it was a natural fit for me. I also like that I can make my titles cheaper for readers while still earning a decent living. I know I hate paying $13.99 for an ebook, and making sure my books are never in that position is a big part of why I publish independently.
What’s your favorite and least favorite parts of self-publishing?
Favorite: having total control. Least favorite: having total control.
Every screw up is my fault and there’s no one else to do the work. There’s a lot of days when I hate having to wear every hat, but I also love it when I get to pick exactly the right cover I want for the title. It all balances out!
Why did you enter SPFBO?
Because Mihir at Fantasy Book Critic told me to! He’s been reviewing my books since the very beginning. He’s amazing and always knows what’s cool. I’ve never gone wrong taking his advice, and since I’m here in the finals, I’d say his streak has held true. Thank you, Mihir, for encouraging me to enter!!
How would you describe the plot of By A Silver Thread if you had to do so in just one or two sentences?
A fairy changeling must break free of her abusive father figure and use her shapeshifting magic and knowledge of the dangerous fairy courts to save her lost sister in a magical future version of Detroit.
What was your initial inspiration for By A Silver Thread? How long have you been working on it? Has it evolved from its original idea?
I actually came up with Lola’s story long before the DFZ was a thing. I actually wrote the first version of her book back when I was still working on my Orbit titles, but I could never get the story to work and eventually abandoned the project. Then, over a decade later, I was brainstorming up new ideas for the DFZ when I realized I hadn’t written a story about a blood mage yet. The idea was first mentioned by Marci in Nice Dragons Finish Last, but I’d never gotten a chance to do anything with it. Since I’d originally stolen the idea from Victor in that abandoned novel, though, this got me thinking about Lola again and the whole series just snapped together like it was meant to be!
This is why you never throw away old novels. You never know when those words will come back to be useful!
What genre does it belong to?
Definitely Urban Fantasy, but the genre has been so invaded by Paranormal Romance that most people get confused when I tell them I don’t write about werewolves and vampires. It really is an Urban Fantasy, though, because there’s dragons and the city itself is a speaking character.
If you had to describe it in 3 adjectives, which would you choose?
Fast, dark, and fun. I typically write lighter stuff, but you can’t write about abusive blood mages without getting a little dark, so I went where the story took me. It still has a happy ending, though. Real life has too much suffering already to write tragedies.
Is it part of the series or a standalone? If series, how many books have you planned for it?
By a Silver Thread is the first in the DFZ Changeling trilogy, which is a (completed!) stand alone series set in the same city as my Heartstrikers and DFZ books. All the series share a setting and sometimes characters do cameos, but they’re all designed to be read independently in any order.
Who are the key players in this story? Could you introduce us to By A Silver Thread’s protagonists/antagonists?
The heart and soul of By a Silver Thread is Lola, our changeling main character, but the mover and the shaker is Victor, her blood mage master, primary antagonist, and all around nasty customer. Their battle is as much an emotional fight as a literal one, and I had a really fun time writing a downtrodden, underestimated girl finding her power and taking a swing at an arrogant, emotionally abusive asshole. The whole process was very cathartic and I really enjoyed it.
I also loved writing the Black Rider, Lola’s sometimes ally, sometimes enemy. He was a fun pile of problems to tackle.
Does your book feature a magic/magic system? If yes, can you describe it?
I can’t really describe it without spoilers or making this interview 100,000 words long, but I will say that I’m a writer who’s also a gamer. If you value consistent, carefully designed magical systems where even the heroes have to follow the rules and be clever rather than just power-batteling it out, I’m your author!
Have you written the book with a particular audience in mind?
I write every book for myself. I’m always my first customer because I’m the only reader I can totally understand. Fortunately for me, I’m a giant nerd who likes fast-paced, dramatic stories with charming characters, creative twists, and plenty of dragons, which is a great space to write books in!
What’s new or unique about your book that we don’t see much in speculative fiction these days?
Honestly, I’d say genre blending and being unpredictable. With so many books on the market, we’re seeing the rise of a lot of titles that are very firmly in the ruts of their genres. There’s nothing wrong with that--I also love a perfectly executed Epic Fantasy that hits all my favorite topes--but sometimes you find the best experiences off the beaten path.
If you’re looking for a new story with characters and plot twists you haven’t already read a hundred times, that’s where my books shine. Nothing I’ve ever written fits neatly on a shelf. They’re all these crazy genre-blending fusion stories, so if you’re the sort of reader who likes to try new things, I hope you’ll give my stories a go. If nothing else, I promise it’ll be a hell of a ride!
Cover art is always an important factor in book sales. Can you tell us about the idea behind the cover of By A Silver Thread and the artist?
Doing my own covers is one of the best parts of being an indie. I was actually a graphic designer before I became a writer and I’ve always loved art. I spend a lot more than other indies on my cover images precisely because I want them to be art. I want covers that are also paintings because I know I pick up books with amazing covers.
Basically, if my book is going to be judged by its cover, I want to make sure I’m always making the best impression possible, which is why I’ve been working with Luisa Preissler for years. She’s an amazing artist and a consummate professional who’s worked with big publishers for years. She’s also a genuinely lovely person who reads my books, listens to all my harebrained concepts, and turns them into amazing covers. It’s my honor to be part of her portfolio!
What are you currently working on that readers might be interested in learning more about, and when can we expect to see it released?
Right now I’m 3 books into a totally new Urban Fantasy series about demons teaming up with a witch to fight a guerilla war against a very unpleasant Heaven in modern-day Seattle. The first book is Hell for Hire and it’s got the best cover I think Luisa’s made for me yet! It’ll be five books in total with book 3 coming out in March. If you like Urban Fantasy action, sword fights, and wild, inventive magic, you should definitely give it a try!
Thank you for taking the time to answer all the questions. In closing, do you have any parting thoughts or comments you would like to share with our readers?
Just thank you for reading/listening to my work. You’re all the reason I’ve gotten to work the best job in the world for the last fifteen years. It is my honor and pleasure to get to write for you, and I really hope you enjoy the stories!

A.G (Angela) Slatter’s Sourdough Universe offer readers a doorway into a gothic, haunted world of witches, vampires, and a unique folklore. The series is largely set up that any of the books can provide an entry point, such is the case with The Crimson Road. This tale centers on Violet Zennor, who has inherited a…