Fantasy Books

 

Locked In (Zombie Bedtime Stories #1)by Thea Isis Gregory
What is it about:Haley is enjoying her new job as a paramedic on a beautiful summer’s day. Not even her dour and sullen partner, Frank, can deflate her enthusiasm for life. Responding to a routine call near her former high school, she is excited to see her old hang-out spot, the park. On arrival, something is clearly wrong, and Haley is attacked by one of her old friends. Soon, she begins to experience disturbing changes in her personality and food preferences, until she wakes up a zombie. Her consciousness is suspended in a body that she can't control, and she needs to find a way to escape.
What did I think of it:I'm always on the lookout for a good zombie story, so when I encountered the author on Social Media and she mentioned zombies I immediately got hold of her Zombie Bedtime Stories series and read the first book as it's only 18 pages.
And what a cool read!
It's told from the perspective of someone who has been infected and it's so well done! I was immediately hooked and wondering how this could and would end. Those 18 pages flew by. I was very glad I immediately got the whole series of short stories, because this one tastes like more!
You bet you can expect a review of the secons book real soon!
Why should you read it:This is an amazing zombie read! 

 

From the BLURB: 
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met.
They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. 
What they had in common was the year of their murders: 1888. 
Their murderer was never identified, but the name created for him by the press has become far more famous than any of these five women. 
Now, in this devastating narrative of five lives, historian Hallie Rubenhold finally sets the record straight, and gives these women back their stories. 
⦾
The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold, read on audiobook by Louise Brealey. 
“Poor women were expendable …”
I listened to the audiobook of this, via my library's BorrowBox app - even though I've also owned the B-format paperback since about 2020, I could just never bring myself (or my heart) to pick it  up and read it of my own volition, but on audiobook I tore through it. And under the talent of Brealey's narration, who could bring out various regional accents to really help things along - it was superb. 
This was such a tough listen but I’m really really glad that I finished this book and I found it to be an extraordinary non-fiction work and by far one of the best non-fiction books I’ve read in a long time. 
I was completely upended, however to discover that this book has pissed off so many people and specifically “Ripperologists” to the point that Hallie Rubenhold has been horribly abused and harassed because she did to research into the canonical five victims of Jack the Ripper - and put fourth credible evidence that not all of them were prostitutes as the sick lore of this madman murdering spree dictated for so long. 
Her book is a gracious and human examination of what it meant to be a woman in the 1880s and the impossible position that they were put in to either be Madonna or whore. She digs into the Victorian mindset of the time that insisted that their murders had to somehow be prescriptive to the wider public and so they were painted as Scarlet women. Their stories absolutely broke my heart and patterns did emerge in all of them — domestic violence, alcoholism (if only to have some alleviation from the drudgery of being a woman at the time) …  the way people were kept impoverished and women in particular who had to bear the burden of childbirth and child rearing. Lack of education being the lightning rod overarching issue for so many people of this time. Just an incredible historical examination of everything never said about these women that I found to be so touching and crucial.
As I was reading, I was repeatedly struck by the realisation of how true it is now - just as it was in 1888 - that all it takes is a bad bout of luck, illness or injury for any one of us to experience houselessness and our fate to be completely undone. I thought that about each of these women at so many points in their life as Hallie unpicked them for us ... and my god, did my heart go out to them - across space and time. 
The very final chapter in the book is the Author listing all of the items found on four of the victims upon their death; in one of their pockets was one red mitten — and that visual is just touching and heartbreaking, as was the entire book.
5/5

 

From the BLURB: 

A BOY MEETS A GIRL. THE PAST MEETS THE FUTURE. A FINGER MEETS A TRIGGER. THE BEGINNING MEETS THE END. ENGLAND IS FOREVER. ENGLAND MUST FALL. 

In the near future, a disaffected civil servant is offered a lucrative job in a mysterious new government ministry gathering 'expats' from across history to test the limits of time-travel. 

Her role is to work as a 'bridge': living with, assisting and monitoring the expat known as '1847' - Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed expedition to the Arctic, so he's a little disoriented to find himself alive and surrounded by outlandish concepts such as 'washing machine', 'Spotify' and 'the collapse of the British Empire'. With an appetite for discovery and a seven-a-day cigarette habit, he soon adjusts; and during a long, sultry summer he and his bridge move from awkwardness to genuine friendship, to something more. 

But as the true shape of the project that brought them together begins to emerge, Gore and the bridge are forced to confront their past choices and imagined futures. Can love triumph over the structures and histories that have shaped them? And how do you defy history when history is living in your house?

'The Ministry of Time' is the debut novel from British-Cambodian writer and editor based in London, Kaliane Bradley. 

So, this may well be my favourite book of 2024. WOW-ee. What an enjoyable read, especially for a low-science fiction girly whose particular proclivity is time-travel tales (those are always my fave 'Doctor Who' episodes, the back-in-time ones). So, some random observations; 

⦿ I am very fond of 2005 YA novel 'The White Darkness' by Geraldine McCaughrean, which is about a teenage girl who is genuinely in love with (the long-dead) Captain Lawrence 'Titus' Oates from the doomed Terra Nova Expedition. So when I read the blurb for 'The Ministry of Time' about Britain having harnessed time-travel and successfully bought six travellers from various eras to the modern-day, including Commander Graham Gore from the doomed Franklin expedition - I was all in. *Especially* when the blurb hinted that Gore's present-day "bridge" - the protagonist of the novel who is tasked with helping him acclimatise and who maybe starts to develop feelings - I was *ALL IN*. 

⦿ Time-travel has always been my bag. Modern-day women falling for out-of-time men is my particular favourite sub-genre ... I know exactly when this started; 'Playing Beatie Bow' by Ruth Park, and the time-travelling Abigail falling for Judah in the 1800's. This was particularly cemented when I read 'Outlander' by Diana Gabaldon as an 18-year-old; WWII army-nurse Claire passing through the stones to Jamie Fraser in the 18th century. No doubt there's some Marty McFly 'Back to the Future' Michael J. Fox appreciation thrown in there too. But this sub-genre of sci-fi and time-travel is my jamboree. And 'The Ministry of Time' gave it to me in HEAPINGS of timey-wimey goodness. The romance is slow-burn but makes up for it because our protagonist (whose name we don't know, but we get an intimate first-person account from) crushes HARD on Gore and that amps up the burn. But I was also very sucked into the mechanics and politics of the time-travel itself, so it wasn't like I was ever cooling my heels and checking my watch for the low sci-fi to get good ... it was ALL good. 

⦿ The politics of time-travel in this book reminded me of the Norwegian sci-fi series 'Beforeigners', about people from different time-periods suddenly randomly appearing in Oslo, becoming refugees of time that the Norwegian government has to deal with. It's also a little bit like the (brilliant) Aussie TV series 'Glitch' set in a small outback town where; 'Seven people from different time-periods return from the dead with no memory and attempt to unveil what brought them to the grave in the first place.' I like this connection in particular because there's a shady organisation linked to the raising of the dead, a big-pharma laboratory called "Noregard" (best in-universe name for a corporation, ever.) It's also a wee bit like the 2001 rom-com starring Hugh Jackman and Meg Ryan, 'Kate & Leopold' about an English Duke from 1876 falling for a modern-day New Yorker when he's unceremoniously dragged into the future. If any/all of those recs are your picnic; this book is for you. 

⦿ He filled the room like a horizon ... the writing was sumptuous, and gorgeous at times. Sometimes Bradley had a turn-of-phrase of description that made me go "ohhhhh." When something changes you constitutionally, you say: ‘the earth moved,’ but the earth stays the same. It’s your relationship with the ground that shifts. 

⦿ I actually first heard about this book, in a Guardian round-up of British debuts to look out for, and the description of Kaliane Bradley's idea made my spine sizzle and then I Googled her even more and found that she partly wrote the idea for 'The Ministry of Time' during Covid and lockdowns and because she kinda fell in love with the only photograph of Graham Gore. No, really. 'Kaliane Bradley Fell in Love With a Dead Man. The Result Is The Ministry of Time' ... if that's not an *amazing* sales-pitch I don't know what is. 

⦿ I just loved this. It's extremely cinematic and I wouldn't be surprised to find it is being developed into a movie or limited-TV series. It both feels appropriately head-nodding to plenty of other fabulous low-sci-fi time-travel that will make aficionados happy, but also sparkly-unique enough to keep adding to the conversation about the space-time continuum. Even if I guessed the small twist that comes, I did so because I know this sub-genre so well and expected certain markers along the way and Bradley did not disappoint. I loved this so much, I was only one-chapter in when I knew it'd give me the best bookish hangover and be hard book to follow-up, probably throwing me into a reading-rut.

5/5

 

From the BLURB: 

Nova Weetman’s unforgettable memoir reflects on experiences of love and loss from throughout her life, including: losing her beloved partner, playwright Aidan Fennessy, during the 2020 Covid lockdown; the death of her mother ten years earlier; her daughter turning eighteen and finishing school; and her own physical ageing. Using these events as a lens, Nova considers how various kinds of losses – and the complicated love they represent – change us and can become the catalysts for letting go.

This is a moving, honest account of farewelling a partner of twenty-five years, parenting teenagers through grief, buying property for the first time at the age of fifty, watching Aidan live on through his plays, and learning to appreciate spending hours alone with only the household cat for company. Warm and wise – and often joyful – Love, Death & Other Scenes ultimately focuses on the living we do after losses and what we learn from them.

At one point while reading Nova Weetman's memoir, I said out loud to the empty room; "Geez, you're good Nova."

Such was the power and force of certain sentences, ideas, inflections and offerings throughout. "As writers, we are stealers of other peoples memories, bowerbirds of story," she writes at one point - and then puts that ability to collect on full display throughout as she recounts the life she built with her partner, playwright Aidan Fennessy, who battled and then died from prostate cancer in 2020 during Melbourne's numerous lockdowns and waves of Covid.

I know Nova as a colleague, a fellow middle-grade author and someone I greatly admire, and whose books I truly - hand on heart - believe helped me in tapping into my own voice for this age group. I think it's a little odd that I feel like I know-her, *know* her now after reading 'Love, Death & Other Scenes,' though. And especially because I have a tangential understanding of the loss she and her two children experienced in 2020. My uncle died after his third bout of cancer - having beat the other two, it was pancreatic in the end, third time unlucky - and unlike Nova's partner who had the option but didn't use it; my uncle chose Voluntary Assisted Dying and went out on his own terms, at home, December 2020. We were all there. I'm both surprised and not at all by how much reading Nova's perspective of a death like that during Covid - which I watched my aunt and cousin go through, one of the helpers minding children and looking for ways to ease their pain - I needed to reexamine and feel.

But I'm also surprised at how beautifully romantic this book was too, as Nova writes about how she and Aidan first met - how she fell first, and pursued ... how so much of their relationship felt like it needed balancing, especially in their creative exchange; ‘He introduced me to albums I’d never heard, to singers dead before my time, and the way that songs stain your memories giving them meaning they don’t have in silence.'

In this too, I feel weirdly intimate to the story because Nova writes about Aidan's final play he ever wrote - 'The Heartbreak Choir' - finally being staged, but only after his death. His final work he never got to see fully-realised. It's because I know Nova and am a fan of hers, that I was aware through social media what she was going through - and when tickets became available for 'The Heartbreak Choir' debut performance in Melbourne, I snapped them up for both myself, my mum, and my aunt - also knowing that she in particular may find some comfort in both the story, and its background. And she did - we all did. I saw 'The Heartbreak Choir' in May 2022 and loved it! A play my Aunt still talks about, has triggered her love of theatre to the point that she and my mum will now spontaneously ask me to check out what's on and what's coming up, book something for us all.

'Love, Death & Other Scenes' feels like another chapter to that play, in a way. How apt, that Nova muses towards the end of her memoir; ‘And it is in words that I can find him,' and it's in both her words and his that I feel something being unlocked, and another story I want to share with my family. That I want to press this book into their hands and say; 'It's us, a little bit.' We're not so alone, I think.

5/5

 

From the BLURB: 

A seriously FUNNY, seriously CLEVER history of our early kings and queens by one of our favourite comedians and cultural commentators.

This will be the most refreshing, entertaining history of England you'll have ever read.

Certainly, the funniest.

Because David Mitchell will explain how it is not all names, dates or ungraspable historical headwinds, but instead show how it's really just a bunch of random stuff that happened with a few lucky bastards ending up on top. Some of these bastards were quite strange, but they were in charge, so we quite literally lived, and often still live, by their rules.

It's a great story. And it's our story. If you want to know who we are in modern Britain, you need to read this book.

 ♛ ♛ ♛

This just *delighted* me and had me running to find any other audiobooks of David Mitchell's on my Library's BorrowBox app (and yes, I am forever disappointed when somebody says "David Mitchell" and means the bloke who wrote Cloud Atlas. I want 'Peep Show' David Mitchell, 'Upstart Crow' David Mitchell - and this book proves why!)

I listened to this while I walked the dog, and I must have looked like a King George III-level maniac laughing and guffawing as I picked up his poo (with a bag) and walked blithely along, nodding and laugh/crying ... but it was truly just *that* good!

David Mitchell's injections and rants are next-level (at one point he manages to tie in the absurdity of awards for art; like the year that the theme song for 'Shaft' was up against 'The Age of Not Believing' from 'Bedknobs and Broomsticks' for best song at the Oscars, to which he says you may as well compare a fish-finger to a ladder for all the good it does to categorise and quantify two pieces of art like that ... and he's not wrong!)

Mitchell only takes the book up to King James-ish because he says that was the last time that monarchy had true, absolute power before Parliament, Prime Ministers, foreign Governments and such started interfering with what the royals had bamboozled England into thinking was "divine rule," ... I do hope he decides to write a second-book about the waning royals (is it too much to ask that he give a full-throated debate on why a Republic would be better? Throughout the listening of this I could feel his tension to rein in what could have been an 11-hour long rant on the subject!)

As such, this was perhaps the most enjoyable new read I've encountered this year so far. Amazing!

5/5

 

From the BLURB: 

Legend goes that long ago a Flores woman offended the old gods, and their family was cursed as a result. Now, every woman born to the family has a touch of magic. 

Sage Flores has been running from her family—and their “gifts”—ever since her younger sister Sky died. Eight years later, Sage reluctantly returns to her hometown. Like slipping into an old, comforting sweater, Sage takes back her job at Cranberry Rose Company and uses her ability to communicate with plants to discover unusual heritage specimens in the surrounding lands. 

What should be a simple task is complicated by her partner in botany sleuthing: Tennessee Reyes. He broke her heart in high school, and she never fully recovered. Working together is reminding her of all their past tender, genuine moments—and new feelings for this mature sexy man are starting to take root in her heart. 

With rare plants to find, a dead sister who keeps bringing her coffee, and another sister whose anger fills the sky with lightning, Sage doesn’t have time for romance. But being with Tenn is like standing in the middle of a field on the cusp of a summer thunderstorm—supercharged and inevitable.

I am a seasonal reader, and that’s a very hard thing to be in Melbourne at the moment where we’re swinging between heatwaves and downpours. So I find it interesting that in a bit of a reading slump, I randomly decided to reach for a witchy book that includes a character whose mood can change the weather … 

This is my first read by Gilliland - and it’s her third book, but first adult romance. Her second YA book - ‘How Moon Fuentez Fell in Love with the Universe’ - won and was shortlisted for a slew of awards, and was already on my radar. But TikTok actually put me onto ‘Witch of Wild Things’ - about a Mexican woman who returns to her hometown where her dead sister haunts her, another curses her, and the boy who made her swoon over AOL until he broke her heart has grown into a hot man with forearm tattoos.

The fact that we come from dirt, and eventually turn to dirt, is spooky and incredible to think about it at the same time. My sister is dirt by now, surely. All of our ancestors are, too. This must make dirt holy, holy enough for the old gods to walk upon it from time to time. Holy enough that Nadia gives it a little cup of espresso to drink every single morning.

 I’m so glad I started with this book because it *hit the spot* - was lovely and spicy, but also made me weepy and tender-hearted. Our protagonist Sage has a particular story-arc about being the oldest sibling to her two sisters, and defaulting to a parental responsibility role that’s so rarely explored in fiction like this … imagine Luisa Madrigal’s ‘Surface Pressure’ song from ENCANTO, made into a novel. 

It’s also very ‘Practical Magic’ by Alice Hoffman (BUT - it’s actually more of the 1998 Sandra Bullock/Nicole Kidman classic movie ‘Practical Magic,’ with its cottagecore-comfy and whimsy, whereas the book is … not? It’s darker. So if you prefer movie ‘Practical Magic’ then *this* is the book for you … not the actual Hoffman book, FYI and lol) 

You can *kinda* tell that this book struggled to find a strong plot, however. And Gilliland hints at this in her acknowledgements, where she talks about a severe bout of writer's block from which this story was borne, from the scraps of an abandoned and unworkable idea. It does have a little bit of that feeling, like; she was immersed in this town and this family, the universe, and an actual strong through-line of story had to be somewhat shoehorned in. 

So while I loved this - I maybe would have liked a few threads to be more deeply explored and wrapped up, and *maybe* it got slightly too easy by the end … but those are minor quibbles in an otherwise very sparkly and lovely book.

4/5

 

From the BLURB: 

When Yael Silver’s world comes crashing down, she looks to the past for answers and finds solace in surprising places. An unconventional new friendship, a seaside safe space and an unsettling amount of dairy help her to heal, as she wrestles with her demons – and some truly terrible erotic literature. 

Funny and tender, Everyone and Everything is about friendship, grief and the deep, frustrating bond between sisters. It asks what makes us who we are and what leads us onto ledges. Perfect for fans of Meg Mason, Nora Ephron and Victoria Hannan, this is an intimate, wry and wise exploration of one woman’s journey to the brink and back.

---

'Everyone and Everything' is the 2023 debut by Australian author, Nadine J. Cohen - from Pantera Press.

I've just come off an absolute roll with a certain type of new (millennial?) women's fiction. I've been calling it 'Fleabag'-esque. I don't like the term "well-dressed and distressed," for how some of the covers are often stylised - but I'd take "Women's Fiction with Bite." So I was in a bookshop the other day with a legit legend bookseller (Jaci from Hill of Content) who knows I have devoured 'Crushing' by Genevieve Novak, 'A Light in the Dark' by Allee Richards,' and 'Search History' by Amy Taylor ... when we were browsing the shelves and she just gently placed Nadine J. Cohen's debut into my hands and said; "Trust me," and reader - she was right. 

This is the story of Yael Silver who joined the 'orphan's club,' far too young, and when the book begins has just made an unsuccessful attempt to end her life because of her latent grief over the deaths of both her parents and Nanna, an f-boy who emotionally wrecked and ghosted her and a general feeling like she's become a burden to her older sister, Liora. 

Yael is on a long and slow pathway to recovery that largely begins in earnest when she starts regularly visiting the McIver's Ladies Baths in Coogee - perched on a cliff-face and offering her a scenic place to cry and read bad erotic fiction in peace. Until she meets older woman Shirley and they form an odd and healing friendship. 

At one point Liora asks Yael; 'Is that what it's like in your head all the time?' after she shares another random and disturbing thought, to which Yael replies; 'Yup.' And this is essentially the book, too. Chapters are broken down by months spanning a whole year, but they're made up of almost vignette fragments; wisps of memory and tangents (sometimes deeply emotional, recounting her childhood or the lead-up and come-down of her Nanna, mother and father's deaths - other times pop-culture heavy; "Pacey Witter cures all ills.") It's all cogent, I must stress, and brilliantly done for reading like a patchwork of a healing mind, and the memory-squares amounting to so much insight as to who Yael is as a person. She's deeply funny and relatable (from Cher Horowitz praise to 'Gilmore Girls' marathons, she reads like a friend) but also very broken and fragile, and I found myself both smiling and crying in equal measure. 

Jewish identity is also tenderly touched on in this book in a way that I really don't feel like I've read much in contemporary Australian fiction. Like how Yael looks back on her Nanna, mother and father's mental states at various times in their lives - how she retrospectively wonders what her grandparents being Holocaust survivors must have done to those lines of generational trauma;

I think about her often fraught relationship with mum, who, like all children of survivors, grew up with irrevocably damaged parents, and six million ghosts. 

... and musing on how comfortable Jewish people are with death, compared to gentiles. 

I absolutely adored this book. It wasn't easy, but it was beautifully wrought and Yael was a fine companion.

5/5

 

From the BLURB: 
Gwen, the quick-witted Princess of England, and Arthur, future lord and general gadabout, have been betrothed since birth. Unfortunately, the only thing they can agree on is that they hate each other. 
When Gwen catches Art kissing a boy and Art discovers where Gwen hides her diary (complete with racy entries about Bridget Leclair, the kingdom's only female knight), they become reluctant allies. By pretending to fall for each other, their mutual protection will be assured. 
But how long can they keep up the ruse? With Gwen growing closer to Bridget, and Art becoming unaccountably fond of Gabriel, Gwen's infuriatingly serious, bookish brother, the path to true love is looking far from straight …

'Gwen and Art Are Not in Love' by Lex Croucher is; "an outrageously entertaining take on the fake dating trope."
I know, I know - I am forever forgetting about my first bookish social platform love, my blog. I can't promise I'll be any better about updating on here in 2024, but I don't want to let the cobwebs entirely take over so I wanted to at least shout out a *little* something.
This 2023 YA historical queer title is my first Lex Croucher read, but it won't be my last by the British author because I absolutely fell head-over-heels in love with this book! 
It exists in a post-King Arthur world, where the legend of Camelot and the Round Table still live on as myth and legend and the latest crop of teenage young royals are dealt the unfortunate blow of being politically and patriotically moulded into the second-coming of that once-great reign. Down to the political marriage alliance between princess Gwen and wealthy Lord, Arthur - who have been betrothed since childhood, and hated each other since then too. 
Their feelings towards each other are particularly clouded because both are queer and develop feelings for others throughout the timeline of a tournament that Gwen's father has thrown to highlight the prosperity of new Camelot. 
For Arthur, it's Gwen's brother and the next King of England - Gabriel - who perhaps feels the weight of Arthur Pendragon more than anyone. For Gwen, it's the only female knight competing, Bridget LeClair. 
I cannot stress enough how much I loved this book; not least for the wide themes it addresses about weight of expectation, what history highlights and hides, and how much of courage takes fear. 
'To be truly brave, first you must be afraid—and to be afraid, you must have something you cannot bear to lose.'  There's also plenty in here about how cruel families can be, and how your chosen family can come to mean more and see you so much clearer than you see yourself; 

‘You know … fathers aren’t always right, just by virtue of being fathers. Or even … just by virtue of being king.’

This was also a deeply, deeply funny book. One of my favourite character's was Arthur's steward, Sidney and the brotherly/jovial relationship they had with one another. 
But hands-down, the romances are stand-out. I was swept up in Bridget and Gwen, Arthur and Gabriel and every heart-palpitating glance, kiss, up-against-a-wall make-out session ... all of it! I actually loved them all so much, I'd have been fully onboard had Croucher announced this as an ongoing series following the foursome as they stand to rule over a very new England. 
Alas, she's moving on to another queering of a beloved myth next; Not for the Faint of Heart, a Robin Hood re-do! *squeeeeee*!

I can't wait! 
5/5

Daughter of The Moon Goddess ( The Celestial Kingdom #1)bought on Audible
Synopsis from Goodreads
Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind.
Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor's son, mastering archery and magic, even as passion flames between her and the prince.
To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos.
A captivating debut fantasy inspired by the legend of Chang'e, the Chinese moon goddess, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm. Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.
8.5/10* * *
This turned out surprisingly good! I started the book rolling my eyes hard at sugary romance between the prince and his companion. Classic xinxia setup! 
However, they both proved me wrong with their level of maturity. Basically, both ML and FL got over themselves pretty quickly and went on with their lives like adults. 
The secondary romance developed so fast I must have blinked and missed its onset, but it definitely added tension and depth, especially when two men had to work together. * snort* Oh, the antagonism!
I'd say the action sequences were the most interesting and best written and I wished the author elaborated more about Xingyin's missions in the army as I was entertained the most with their descriptions.
Overall, a solid four star read. Will be checking out the next book in the series. 

 

From the BLURB: 

Full-cast BBC Radio 4 dramatisations of the first five Falco novels by Lindsey Davis, starring Anton Lesser as Marcus Didius Falco.

The Silver Pigs:

 One fine day, AD 70, Sosia Camillina quite literally runs into Marcus Didius Falco on the steps of the Forum. It seems Sosia is on the run from a couple of street toughs, and after a quick and dirty rescue, PI Falco wants to know why. Hoping for future favours from Sosia's powerful uncle, Falco embarks on an intricate case of smuggling, murder, and treason that reaches into the palace itself.

Shadows in Bronze:

 Rome, AD 71. Against his better judgment, Marcus Didius Falco secretly disposes of a decayed corpse for the Emperor Vespasian, then heads for the beautiful Bay of Naples with his friend Petronius. But this will be no holiday: they have been sent to investigate the murderous members of a failed coup, now sunning themselves in luxurious villas and on fancy yachts in Neapolis, Capreae, and Pompeii. 

Venus in Copper:

 A small accounting error has left Marcus Didius Falco sharing a cell with a large rat. But the Roman Empire's most hard-done-by investigator is finally bailed out and promptly accepts a commission to help a family of freed slaves fend off a professional bribe....

The Iron Hand of Mars:

 Falco is dispatched to one of the most hostile parts of the empire to deliver a new standard, an iron hand, to one of the legions. Germania is cold, wet, dismal and full of dark forests inhabited by bloodthirsty barbarians, but Falco has an even bigger problem to worry about: he has forgotten Helena Justina's birthday, and she is being pursued by the Emperor's son Titus Caesar. 

Poseidon’s Gold:

 Returning to Rome after his mission to Germania, Falco finds that his mother is being harassed by a centurion named Censorinus, who says he is chasing a debt owed to him by Falco's late brother, Festus. When Falco refuses to cough up the money, he and Censorinus end up fighting...and later, the centurion turns up dead. Under suspicion of murder, Falco must confront his past and uncover his brother's secrets before he can clear his name and solve the mystery.

These funny and fast-moving adaptations are a treat for all Falco fans.

***

Ahhhhh!!

Okay, I started listening to the first X5 'Marcus Didius Falco' books by Lindsey Davis, adapted for BBC radio (Dramatised by Mary Cutler, Directed by Peter Leslie Wild) because my library had them on the BorrowBox app.

I'd been vaguely aware of this series as a great recommendation of a Historical Crime - but given that they were first published in 1989 and there's currently 32-instalments across two series, it just seemed like a huge investment of time, money and resources .... step in local library and BorrowBox, not to mention how entertaining and *wonderful* this condensed BBC Radio Play was!

I think this series is absolutely brilliant; a gumshoe Roman-noir detective series set in AD-70 and featuring a wiry, jaded and sleazy 30-something ex-soldier who is somewhat scarred from his time fighting against the Boudica-uprising.

The first book in the series 'Silver Pigs' has Falco getting entangled with a Senator's family with a missing daughter whom Falco stumbled across and tried to help ... this has him becoming embroiled in a far great conspiracy scandal against the Roman Empire that Falco finds himself being hired to investigate (difficult, since he's also an avowed Republican - given he still has memories of Rome under psychotic Nero).

From the first book he meets the missing girl's cousin, Helena Justina - and she becomes his HEA and one-true-love throughout the rest of the series. I absolutely *love* this aspect, since I can only get invested in ongoing crime-series if there are relationships and romances established from the jump (hello, Karin Slaughter) and I rather love that Helena is far too good for Falco (and he knows it) but she sees and brings out the best in him, and the two spar and sizzle on the page.

Lindsey Davis does a marvellous job of bringing Rome to life and moulding her crime-of-the-week plot-lines around fascinating tidbits of Roman history; from their Legions to their love of art and culture, all within the seedy underbelly of Rome - the literal centre of the universe and first Empire. It has actually made me want to visit Italy for the first time, if only because the history Davis paints is so vivid I feel compelled to reach out and touch what's left of it ...

The BBC Radio Play truly is marvellous, and with a rich acting list;

Falco — Anton Lesser

Helena — Fritha Goodey/Anna Madeley

Petronius — Ben Crowe

Ma — Frances Jeater

Pa — Trevor Peacock

Vespasian— Michael Tudor Barnes

Titus —Jonathan Keeble

I cannot even begin to tell you how awks it is that I found Anton Lesser's voice to be so sexy in this (he who played Qyburn in 'Game of Thrones') and now that I'm getting deeper into Falco fandom, I also appreciate that many of them Fan-Cast Andrew Scott in the role, if it is ever adapted (and that is *spot-on*!)

I do know some fans were disappointed that to condense the books down to 2-4 hour radio-plays, much of Falco's interiority got cut for pacing - and that's apparently where he truly shines, and we see his cleverness and humour - so I am most looking forward to hunting down secondhand copies of ALLLLLLLL these books (R.I.P. my wallet) and getting stuck into a book-reading of the series to properly meet un-edited Falco. I might skim-read the first 5 books, just to make sure the BBC put me in good-standing and foundation for the rest of the series, but overall I'm just so grateful that they offered me a taster into this far-reaching and epic series and now I know for sure that it's right up my alley.

5/5

 

Butterflied Lover (2023)

22 episodes, watched on Viki

Synopsis from MyDramaList

Inspired by the romance of Liang Shang Bo and Zhu Ying Tai, the story revolves around two lovers who will overcome all obstacles to remain together. 

Ling Chang Feng is an honourable general and has been in a passionate marriage with his wife for the past 3 years. 

However, a strange disturbance hits their city on their third anniversary, and "madmen" run wild in the town, attacking innocent citizens violently.

 Ling Chang Feng leaves his wife behind to protect the people, but when he returns, finds that his wife has been infected by this phenomenon. 

He refuses to reveal this, as he knows that anyone who turns mad will be killed. He keeps her by his side in secret while trying to solve the cause of this frightful phenomenon.

8.5/10

* * *

It's an exceptionally well made bite size drama, folks (each episode is only 15 mins). You can see they had a very tight budget but they used it so, so well. The plot is fresh, the scenes are carefully crafted and the cinematography is masterful. I watched other two short dramas from the same director, and they were both fantastic (The Killer is Also Romantic, A Familiar Stranger). So, please, don't hesitate to invest your time in this drama.

It starts with Chang Feng and Qian Yue happily married in a fictional Chinese city state. She keeps having a recurring dream about reliving the same day until it actually happens and she gets embroiled in a tragic attack by this world's equivalent of vampires. 

After that we are taken into the past, where it shows how Chang Feng met his future wife and how their relationship developed. As she says, her memory starts from him. So she herself is full of secrets and has no memory of her past, a woman who literally had to learn anew everything. 

Their relationship develops from him looking after her as this almost childlike creature until she slowly matures and finds her strengths turning into a woman who loves fiercely. Chang Feng himself is a reticent workaholic who keeps away from politics or anything that doesn't require him just to guard his city. Qian Yue slowly changes that, and it's very sweet to see them together.

For once, the second couple's love story here is also touching and very cute. Considering that last time I saw the second male lead, he was playing the main villain in Blood of Youth, and he started as an antihero here as well, I was ready to dislike him, but he went from one dimensional, cold man to a shy, confused and hilariously out of sorts young lover pretty fast, and this melted my resolve to not like him.

Phew, I don't know how I managed not to give you any spoilers! Here is a fan vid to show you the beauty of this drama, folks. I hope after this you will give it a chance. It was great. Humorous, humane and lovely. Two thumbs up from yours truly. 

 

I've Fallen For You (2020)

24 episodes, watched on Viki

Synopsis from MyDramaList

A story that follows the quirky female investigator Tian San Qi as she searches for her long lost 'brother' and cracks many cases along the way.

Growing up, Tian San Qi had a strange liking for performing autopsies. She had an older 'brother' who would always be by her side and they spent many good years together. One day, he mysteriously disappears. San Qi as a child promises to find her true love and vows never to marry unless it's him.

In her search, she comes across many potential candidates and forms new friendships. The gang accidentally becomes involved in several cases in the area one of which seems closely related to the disappearance of her 'brother' all those years ago. A shocking conspiracy that is 10 years in the making comes to light.

~~ Adapted from the web novel "Jin Xin Ji" (锦心记) by Han Xue Fei (韩雪霏). 

8/10

* * *

Straight away I just wanted to clarify the synopsis: "brother" here is Chinese gege/older brother which can mean both your actual older brother or an older than you male you are familiar with. Same as you would be able to call an older girl -jiejie (older sister) or an older woman who is not your mom - ayi (aunty). 

This is a very cute and engaging drama despite its silly light heartedness, and the characters are very young. I can't quite pinpoint what exactly snared me in I've Fallen For You. 

It had Esther Yu whom I love since her performance in Love Between Fairy and Devil, and she is a very, very interesting actress. She is able to pull off cutest silliest pouts with great charm in her tinny tiny voice but at the same time give an impression that this is just a mask she adopted and make her moments of brilliant intelligence and sorrowful wise stares absolutely believable.

Liu Yi Chang who plays the male character, Zhao Cuo, is adorable as well. Grumpy, rough around the edges, abrasive, throwing money around and standoffish, he is actually covering his kind and trusting nature with this behaviour like a hedgehog with its needles to protect himself from getting hurt. You really feel his tentative pure nature straight away, and because he also doesn't bother to mince words, most people find him too rude and turn away until San Qi (FL) convinced that he is her long lost childhood sweetheart bulldozes him over. 

That poor boy has no chance to withstand against her, and they go through all the phases of good relationship: partnership where they gain mutual respect for each other's abilities (she is great at solving cases, he is a brilliant martial artist), friendship (when they develop an easy camaraderie to each other), and at last, love.

The way Zhao Cuo shows his love for San Qi is especially adorable. There is a scene where she decides to leave him for another guy who she thinks is her real childhood sweetheart, and Cuo after battling his inner demons for awhile accepts it to make her happy and on the day of her departure spends all morning buying her favourite foods for the road and running after the carriage. After she takes the food and drives off he just dissolves into an ugly cry right in the middle of the road. Not a pretty staged "artful tear sliding down my cheek" sort of cry, but proper ugly, suffocating, can't breathe from heartbreak cry. That really touched me.

There were quite a few moments like this, and I surprised myself really enjoying this drama. The soundtrack was a surprise too, it was more a kdrama type, rather than typical Chinese fantasy drama OST.

Overall, despite the strong comedy vibe, this was not only an entertaining but touching and adorable short drama. Recommended!

 

A Magic Steeped in Poison by Judy I. Lin (The Book of Tea #1)

bought on Audible

Synopsis from Goodreads

 For Ning, the only thing worse than losing her mother is knowing that it's her own fault. She was the one who unknowingly brewed the poison tea that killed her—the poison tea that now threatens to also take her sister, Shu.

When Ning hears of a competition to find the kingdom's greatest shennong-shi—masters of the ancient and magical art of tea-making—she travels to the imperial city to compete. The winner will receive a favor from the princess, which may be Ning's only chance to save her sister's life.

But between the backstabbing competitors, bloody court politics, and a mysterious (and handsome) boy with a shocking secret, Ning might actually be the one in more danger.

A Venom Dark and Sweet by Judy I. Lin (The Book of Tea #2)bought on Audible
Synopsis from GoodreadsA great evil has come to the kingdom of Dàxi. The Banished Prince has returned to seize power, his rise to the dragon throne aided by the mass poisonings that have kept the people bound in fear and distrust.
Ning, a young but powerful shénnóng-shi—a wielder of magic using the ancient and delicate art of tea-making—has escorted Princess Zhen into exile. Joining them is the princess' loyal bodyguard, Ruyi, and Ning's newly healed sister, Shu. Together the four young women travel throughout the kingdom in search of allies to help oust the invaders and take back Zhen's rightful throne.
But the golden serpent still haunts Ning's nightmares with visions of war and bloodshed. An evil far more ancient than the petty conflicts of men has awoken, and all the magic in the land may not be enough to stop it from consuming the world...
7.5/10* * *
If I was breaking the rating for the two books, the first one would have 8/10 (4 stars) rating as it was more coherent and engaging than book two (3.5 stars). While listening  to the book two I caught myself drifting and missing chunks of what was happening which for me is not a good sign, hence lower rating for the duology.
The best part of this duology is its unique magic system where people with certain abilities could brew tea from any plants, herbs, berries, flowers, etc. or their combinations for different healing reactions in patients or for imbuing people with particular powers and enhancing certain reactions. This whole concept was fascinating and very well done.
Book one with its competition and much tea making was perfect in its simplicity. Ning had a goal to win and get the best medical help possible for her younger sister. She also acquired friends, enemies and a love interest along the way who rounded up the story nicely.
Getting into book two, the plot stretched itself pretty thin. Ning got bogged down in endless quests. Get to point A, grab the object X, continue to point B. And apart from the willow episode and the hike through the bamboo forest, there was nothing juicy here. Kang, the love interest, lost all colour here and quite a lot of backbone. The amount of people who got tortured and killed around him, and he, the prince of the empire, was powerless to do anything to help. I didn't like it at all. I felt like he had no spark or spine and mostly reacted to events, rather than be a force to instigate them. His father had no personality and the villain was outright cartoonish from start to finish.
*Sigh*
Overall, it's an okay listen with a refreshing magic concept. Recommended with reservations. 

 

Under The Power (2019-2020)

55 episodes, watched on Viki (you can find in on YouTube)

Synopsis from MyDramaList

Lu Yi is a cold, ruthless and authoritative high-ranking officer of the Ming Dynasty's Jinyiwei (also known as the Brocaded Guards for their elaborately embroidered uniforms). The Jinyiwei are part of the Emperor's elite bodyguards that also serve as the secret police, and Lu Yi is one of the best at his job.

He meets Yuan Jin Xia, a smart, feisty and tom-boyish female officer from the Police's 6th Division, and they clash over a case that the both of them were involved in. Their paths continue to cross unpleasantly over a series of minor cases until Lu Yi was commissioned by the Emperor to secretly investigate the disappearance of funds that have been set aside for river repairs in Yangzhou. Part of the small team accompanying him includes Yuan Jin Xia, and as the two of them work together to solve the case, they find themselves uncovering a conspiracy involving high court officials while their feelings for each other slowly change from dislike to respectful friendship to love.

~~ Adapted from the web novel "Under the Power" (锦衣之下) by Lan Se Shi (蓝色狮).

7.5/10

* * *

The rating says it all. Allen Ren (Ren Jia Lun) and Seven Tan (Tan Song Yun) is the main attraction here, and mostly it's Seven Tan. She has such a magnetic personality and can pull off the silliest, most idiotic antics for comedy value without being too much. In fact, the more I was watching this, the more I felt that recent Warm on a Cold Night drama which I abandoned half way through tried to poorly imitate Jinxia's behaviour (female lead) and ended up just looking stupid. Besides there were more similarities there.

As the male lead, Lu Yi, says half way through falling in love with Jinxia: "She is mesmerising..", so you can't help but falling into her orbit. 

Jinxia is a classic poor, tenacious, cunning little thing working in the capital's police department, cleverly solving cases and keeping herself in all the little pies she can think of to survive and make money. Her mother sells tofu on the streets and keeps trying to marry her off.

Lu Yi is a complete opposite to Jinxia in almost all the aspects. He is rich, he leads the equivalent of special police of the country which concentrates on internal investigations and keeps rich and powerful in fear. That force answers only to the emperor. Lu Yi is aloof, ruthless and doesn't have many joys or passions in life.

When he clashes with Jinxia over a case, he outdoes her with ease in direct confrontations, but while he is rich in resources and manpower, she is a great tracker and knows common people, so she catches up with him or even thwarts him in other spects. Their antagonism is fun to watch, especially when you see her ruffling his feathers more and more.

"Why not higher rating then?" you'd ask. First of all, a secondary love story is extremely boring and takes too much screen time. I had to skip past their scenes, seriously. 

Secondly, the ending episode is very stupid. Lu Yi who supposingly can plot an intricate chess game, goes and sacrifices himself for a very idiotic reason when all he needed to do is wait a few years and make a move without any danger, and everyone would have been perfectly happy with that plan as there was no urgency to act. Instead, the heroine had to save his sorry a*se again! There was no rhyme or reason in that last act.

Last problem, is that the production is low cost and it's very visible.

So, all these things detracted from my enjoyment but didn't stop me from loving the rest. Overall, a lovely, enjoyable watch! Recommended with some reservations. 

From the BLURB:  

My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing. 
On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home. 
Ronnie's going to find her, she has a plan. Lewis will help. Their friend can't be gone, Ronnie won't believe it. 
Detective Sergeant Sarah Michaels can believe it. She has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible. 
Lewis can believe it too. But he can't reveal what he saw that afternoon at the creek without exposing his own secret. 
Five days later, Esther's buried body is discovered. 
What do we owe the girl who isn't there?
I am so late to reading this novel that came out with Pan Macmillan last year, but after hearing author Hayley Scrivenor speak about it at Brisbane Writers Festival I simply had to dive in.

And - wow! - I was blown away.

This is the tale of Esther Bianchi; who goes missing from her small Australian country community, called Durton ('Dirt Town' to the local kids). We follow various characters in town - including Esther's best friend Ronnie, Detective Sergeant Sarah Michaels who has come to town to try and solve the mystery, Lewis another friend of Esther's with a big secret and abusive father ... and then interspersed throughout their accounts are the 'We' chapters - a Greek chorus of Durton children which is how Scrivenor came to write this story in the first place. She wrote her PhD in creative writing in 2016 all about collective narration, and this (from what I gathered at BWF) largely influenced 'Dirt Town' and the 'We' of Durton children who are an omniscient, playful and secretive Greek Chorus to the events unfolding ... it's an eerie and imaginative overtone to the whole tale which works so perfectly, and harmonises beautifully with the over-arching mystery.

I absolutely loved this; having listened to the audiobook via BorrowBox and narrated by Sophie Loughran, it totally consumed me for a couple of weeks and was a brilliant walking and train-riding companion.

Scrivenor is a real talent, and I'm sure she'll be compared to Jane Harper for the small-town-Australia angle ... but I think she has a particularly beautiful and distinct wandering eye to dying rural communities and claustrophobic townships, and especially the angle of how this sociology impacts the next generation. This is the real over-arching thread in the book - "what do we owe the girl who isn't there?" - and what wounds are we inflicting by our actions or silence?

I'll be so keen to read whatever Scrivenor writes next. I do wonder if it will be more Sarah Michaels or another Greek chorus overseeing a mystery as the thing that hinges her books together. But no matter - I'll be there.

5/5

 

From the BLURB; 

Getting over someone is not that difficult. All you have to do is focus on every negative thing about them for the rest of your life until you forget to stop actively hoping for their slow and painful death, then get a haircut ...

Serial monogamist Marnie is running late to her own identity crisis. After a decade of twisting herself into different versions of the ideal girlfriend, she's swearing off relationships for good. Forever. Done. No more, no thank you.

Pretty inconvenient time to meet Isaac: certified dreamboat and the only man who has ever truly got her. It's cool, though, they're just friends, he's got someone else, and she has more important things to worry about. Like who she is, what she wants, and what the hell she ever saw in the love(s) of her life in the first place.

Flanked by overwhelmed new mum Nicola, terminally single Claud, and eternal pessimist Kit, Marnie reckons with the question: who are we when we're on our own?

'Crushing' is the new adult fiction novel from Australian author, Genevieve Novak. 

I absolutely adored this book.

It was not on my radar, but I went into a cute little indie bookshop called 'Heads and Tales' in Barwon Heads (Victoria, Australia) and literally just asked "what's good?" and had 'Crushing' handed to me and THANK GOODNESS!

So ... look; I've been a romance reader for a while now. I read every genre of romance (save for, maybe, medical romances?) and I get my reading-recs from authors and booksellers I love who frequently and generously share their TBR's. Blogs ('Smart Bitches, Trashy Books' being a fave). General chatter on socials and Goodreads ... but nothing - NOTHING - would prepare me for what a garbage-fire of spicy chilis the TikTok algorithm's thoughts on "romance" would be.

I've struck out on that app with its BookTok recs so many times now - *especially* in romance. It's bad, bland, or downright disturbing (and yes, my generation had 'Fifty Shades of Grey' so everything is a wheel and Colleen Hoover's spoke is currently at the top, but hopefully it'll topple soon)

Why am I mentioning this?

Well, because I think 'Crushing' is a little sneak-attack for female readers especially, who need their imaginations subverted and stretched. And this is the book to do it, as we follow a nearly 30-something protagonist called Marnie who has just been dumped. Again. And this one has hit so hard it's made her look inward and acknowledge the ways she doesn't know herself. How she's warped and pretzel'ed herself into being the type of woman each one of her ex's wanted - to the point that alone again, naturally, she doesn't actually know herself.

Marnie decides to move in with a new roommate - the fabulous and instant-bestie Claud - and start filling her spare days not-working at a little inner-city (Pellegrini's-esque) cafe, with any amount of classes and gym routines until she begins to meet herself for the first time in decades.

The one spanner in Marnie's plan is the appearance of Isaac. A bloke who is definitely off-limits because he has a girlfriend, but who Marnie connects with instantly ... how can she juggle this need to find herself, while she's also keeping her eyes-peeled on Isaac? That's the 'Crushing' conundrum of it all.

So I feel like this is probably a book being called a Melburnian 'Fleabag' and if that wets your whistle and gets you onboard, then - YES! - it's a Melburnian 'Fleabag' revelling in what it means to be young and messy, not-feminist-enough, self-deprecating, isolated and isolating, and not know what to do and where to put all this love you have ... it's definitely that, and more Season 2 than Season 1 vibes to boot.

But god DAMN, is it more complex and fun than that too.

The fact that I want to press this book into the hands of so many female friends and family members, for the ways that Marnie's crisis of identity has her seeing clearly (for the first time) the way that other women in her life short-change themselves constantly;

She tugged on the arm she was holding, and Jesse was pulled into frame.

I felt guilt before I'd even identified why: my first thought when I saw him was Oh.

Nothing prepared you for the distinct blandness of someone else's boyfriend. After all their gushing and mooning, you began to expect a prince. Reality and more objective eyes eventually revealed that they were ... just some guy.

Which is SUBLIME and has the same energy as @hellolanemoore's September 2020 Tweet; "every one of my female friends is too good for her boyfriend. I don't know how to explain it, but even if I had a female friend who was just a pile of rats on a step ladder she'd still be too good for Brandon"

I don't think this is a romance book (but I also don't think it's a bad thing if readers come to this under that misapprehension either) I do think it's a very pure and glorious form of Women's Fiction ... one that will by its very virtue of sneak-attacking under the premise of endlessly pursuing romantic love; raise the bar for the genre and the reader. You'll be surprised, delighted, stretched and challenged reading this one - without feeling "ripped off" for no neat HEA by 'The End'. Because that's kinda the point. And it's a crafty point that Novak is making - with humour and heart in the right place.

Like I said; I want to press this book into so many women's hands.

5/5

Red Winter/  Dark Tempest/ Immortal Fire by Annette Marie
bought on Audible
Synopsis from Goodreads
Red Winter (Book 1):
Emi has spent her entire life hiding from the creatures that hunt her. The savage earth spirits are determined to kill her before she can become the living host of a goddess, so she stays hidden—until the day she saves the life of a kitsune.
Shiro isn't the harmless fox spirit she thought he was. He's mysterious, cunning, unpredictable … and now hers to command. He's sworn to pay his debt to her, but he doesn't know who she is. If he finds out, he'll kill her.
But she can't send him away—not yet. Her future isn't what she thought. The lies surrounding her fate have begun to unravel, and she needs answers before time runs out—answers that lie in the spirit realm. Shiro can take her there … if she dares to trust him.
And only then will she find out how deep the gods' treachery runs.
--Dark Tempest (Book 2):
Emi has dedicated her life to becoming the perfect vessel for the goddess Amaterasu, but the insidious betrayal of another deity has changed everything. Now Amaterasu has charged Emi with an urgent mission: to find and free the earthly gods before mankind is brought to its knees beneath divine tyranny.
At her side is Shiro, the mysterious fox spirit. When she first saved his life, she could never have imagined that behind his cunning and confidence, he was lost—his power bound by a devastating curse and his memories obscured. His veiled history is somehow tied to the missing gods, but he can't remember how or why.
As their search leads them into the murky depths of the spirit realm, the shadows of Shiro's past begin to emerge. With each brief awakening of his true self, she loses a little more of him. The fate of the heavens and earth rest in her mortal hands, and she must find the missing gods before time runs out for her world—and for Shiro.
--Immortal Fire (Book 3):
Once, Emi believed the heavenly gods were righteous and wise, while the earthly yokai spirits were bloodthirsty and evil. But with a traitorous deity poised to destroy her world, and the yokai standing as humanity's only defense, the lies of her upbringing have toppled to reveal a far more terrifying reality.​Despite the looming threat, Emi can't escape her greatest distraction: Shiro, the fox yokai who has so deftly claimed her heart for his own.
8.5/10* * * 
What an underrated gem, folks! Such a solid, engaging, original urban fantasy. For me it was bordering on 9/10 (4.5 stars) rating, it was that good!
I confess the generic cover of the first book (all three have the unfortunate covers like the first one) made me hesitate for a long time before picking up Red Winter. I associate those covers with generic books too without much substance. I know, I know, I am a book cover snob, but esthetics play a huge role in me deciding to read something or not.
The whole trilogy was so smooth on audio, with an excellent narrator, so I literally binged on it, catching the other two reads through Audible sale. 
It starts a little bit slow, but picks up pace extremely fast. I can tell you that once sped up the plot will not slow down until the end. 
I loved how deeply infused by Japanese culture and mythology the books were. So much so, that I could vividly visualise the landscape, clothes and atmosphere surrounding Emi's life at the shrine. 
I appreciated very much that Emi and Shiro, and surrounding them secondary characters were not one-dimensional. They learned and evolved with the experiences. Even the main villain did not decide to destroy human will in the world willy nilly, there was solid reasoning behind their actions and in a way it was a misguided attempt to save our planet.
Emi is a wonderful character, a strong young woman who learns fast and constantly stretches the capabilities her connection to the goddess of the wind brings her. Shiro flirts with her from time to time but it feels more as an intimidation tactics that anything else. What bonds them the most is the life or death situations and deep friendship and mutual respect they develop for each other throughout their journey. 
I want to emphasise how much respect there is here between the main characters. They actually respect each other's choices and sense of duty which guides them. It's beautiful. And Shiro, thankfully, behaves according to his age and experiences and not like a horny teenager (yes, Sarah J. Maas, this is directed to your ancient beings who can't keep it in their pants and behave like they are 15, not 500! You can tell I was scarred.)
Also, holy Moses, action scenes in this trilogy ROCK. And there are a lot of them. On par with some of Ilona Andrews' books. All I can say, wait for the giant spiders fight. Your adrenaline will be pumping! There are so many fantastic action sequences, and the scenery is beautiful.
Overall, recommended without any hesitation. Great characters, fantastic world-building, refreshing mythology. I will be checking Annette Marie's other books as well. I am very impressed. 

I received a complimentary ARC from the publisher, courtesy of Edelweiss, in exchange for an honest review

BOOK SUMMARY

In this utterly transporting reimagining of Greek mythology, the god of desire is cursed to fall for a spirited young mortal woman, but if she looks upon his face they will be parted forever—an epic adventure and love story for the ages, sure to satisfy fans of Madeline Miller and V.E. Schwab

Who said true love is a myth?

A prophecy claims that Psyche, princess of Mycenae, will defeat a monster feared even by the gods. Rebelling against her society’s expectations for women, Psyche spends her youth mastering blade and bow, preparing to meet her destiny.

When Psyche angers the love goddess Aphrodite, she sends Eros, god of desire, to deliver a cruel curse. After eons watching humanity twist his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world. But when he pricks himself with the arrow intended for Psyche, Eros finds himself doomed to yearn for a woman who will be torn from him the moment their eyes meet.

Thrown together by fate, headstrong Psyche and world-weary Eros will face challenges greater than they could have ever imagined. And as the Trojan War begins and divine powers try to keep them apart, the pair must determine if the curse could become something more . . . before it’s too late.

A joyous and subversive tale of gods, monsters, and the human heart and soul, Psyche and Eros dazzles the senses while exploring notions of trust, sacrifice, and what it truly means to be a hero. With unforgettably vivid characters, spellbinding prose, and delicious tension, Luna McNamara has crafted a shimmering and propulsive debut novel about a love so strong it defies the will of Olympus.

Psyche and Eros by Luna McNamara
352 pages, Hardcover
Published June 13, 2023 by William Morrow
My Rating: 4 of 5 Stars

  Book Review of Psyche and Eros by Luna McNamara

Luna McNamara writes a captivating retelling of the classic Greek myth Psyche and Eros. Readers can enjoy a fresh, feminist version of Psyche, a headstrong warrior princess-gone is the damsel in distress. The god Eros is also a more humanized version, as he finds himself experiencing a mortal’s emotion, love, for the first time. McNamara writes beautiful scenes shared between these two lovers, capturing the initial buildup of trust and friendship, leading eventually to love, making it easy to believe.

The story feels real and vibrant surrounded by the backdrop of The Trojan War. Here Psyche, a princess of the Mycenae, encounters the warriors, monsters, and gods and goddesses of Greek myths. From training with the warrior Atlanta to conversions with Medusa and Aphrodite, this story should appeal to readers of mythology.

My favorite parts of the book are the epic quests Psyche must complete. I would have loved even more time spent on them, but overall I found them thrilling and adventurous to read about. I also found the conversations between Psyche and Atlanta, Medusa, and Aphrodite to be some of my favorites as well.

The story easily transports you to the otherworldly realm of Greek gods, myths and monsters. With new inspirations and interpretations of the classic, this story is accessible and fun, taking its own path along the mythic way. I’m excited about this author and want more tales. Hades and Persephone, anyone?

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Nirvana In Fire (2015)

Season 1, 54 episodes, 

watched on Viki

Synopsis from MyDramaList

In sixth-century China, the Emperor of Great Liang orders the unjust execution of his brother-in-law Marshal Lin Xie alongside the Lin family, his 70,000 army soldiers, and Crown Prince Qi.

 Secretly surviving the massacre is Lin Xie's son, Lin Shu, who undergoes medical treatment that changes his appearance entirely and leaves him in a weakened state, unable to ever perform martial arts again. Lin Shu changed his name to Mei Chang Su and later became the chief of the pugilist world and established the Jiangzuo Alliance.

Twelve years later, Mei Chang Su returns to the capital with a secret plan after being sought after by Prince Yu and Prince Xian during their fight for the throne. He decides to covertly assist Prince Jing, the unfavoured son of the Emperor, and wisely rids the court of all scheming officials.

~~ Adapted from the novel "Lang Ya Bang" (琅琊榜)

 by Hai Yan (海宴).

8.5/10

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This is an old classic, folks! And it still rocks. 

I had Nirvana in Fire on my watchlist for awhile because a couple of the reviewers of Chinese drama I follow and respect look at this series as the golden standard. Mei Changsu's name (the main character) is very often thrown around as an example of how something should be done as well.

Having watched all the episodes, I can confirm that this was epic. It looks a bit outdated with makeup choices but overall it aged beautifully. 

The plot is an extremely complicated retribution story. Mei Changsu literally had to reinvent himself after surviving the betrayal and massacre of most of his clan. Being poisoned by a rare Frostfire poison 13 years ago, his treatment involved turning him into a completely unrecognisable face with no ability to practice martial arts and a weak constitution extremely susceptible to cold and with a very shortened lifespan.

However, his brilliant mind stayed as sharp as ever, and in 13 years he created an enormous intelligence network and put together a very long game to receive retribution for the family and friends he lost at the hands of the most powerful figures in Great Liang, his country.

Fortunately, once the plan is put into motion, he collects allies one by one to achieve the common goal, and many of them have insane martial arts skills. The fight scenes here, folks, are so fine, it's a pleasure to watch. No special effects apart from wire work and actor's skills. Very old-fashioned. 

The plot is  so tight as well. Every part is necessary, there are no fillers, every scene serves the overall picture. It's a type of Count of Monte-Cristo story, but it's deeper than a simple desire for revenge. Mei Changsu and his allies, many of whom recognise who he is along the way, set to cleanse their country of corruption and greed and put on the throne a good person.

One of the funniest, best characters in the drama is Fei Liu, Mei Changsu's teenage bodyguard. He is moody and childish but freakishly talented, and he is played by Wu Lei/ Leo Wu, whose many more recent dramas I've enjoyed very much because he is a really great actor (The Long Ballad or Love Like The Galaxy, for example).

At last, there hardly any stupid or silly characters here. Most of them are smart and resourceful, whether they are striving for greed and power or for benefit of the country. That's why Mei Changsu's game turns out to be so suspenseful and engaging to follow. 

I have started Season 2, but it's a different timeline a couple of generations in the future, so I have not found yet if it'll measure up to this season. Overall, much recommended! This was so good! 

 

The Midnight Bargain by C.L. Polk

bought on Audible

Synopsis from Goodreads

Beatrice Clayborn is a sorceress who practices magic in secret, terrified of the day she will be locked into a marital collar that will cut off her powers to protect her unborn children. She dreams of becoming a full-fledged Magus and pursuing magic as her calling as men do, but her family has staked everything to equip her for Bargaining Season, when young men and women of means descend upon the city to negotiate the best marriages. The Clayborns are in severe debt, and only she can save them, by securing an advantageous match before their creditors come calling.

In a stroke of luck, Beatrice finds a grimoire that contains the key to becoming a Magus, but before she can purchase it, a rival sorceress swindles the book right out of her hands. Beatrice summons a spirit to help her get it back, but her new ally exacts a price: Beatrice’s first kiss . . . with her adversary’s brother, the handsome, compassionate, and fabulously wealthy Ianthe Lavan.

The more Beatrice is entangled with the Lavan siblings, the harder her decision becomes: If she casts the spell to become a Magus, she will devastate her family and lose the only man to ever see her for who she is; but if she marries—even for love—she will sacrifice her magic, her identity, and her dreams. But how can she choose just one, knowing she will forever regret the path not taken?

8.5/10

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The Midnight Bargain reminded me of other two authors writing about magical England, Mary Robinette Kowal and Stephanie Burgis.

I listened to it on audio, and it struck me straight away at how atmospheric it was. Gorgeous world-building, almost cinematic at how vivid it is. The heroine and her friend's emotions at times felt like I was reading a middle-grade book, they were so desperate and dramatic, but it didn't detract from the validity of their feelings.

 The girls were fighting for their right to do magic and not get married which would have suffocated them and their gifts (that collar which married women were supposed to wear until they could not bear children anymore was truly horrendous). 

The love interest was sweet but didn't have as much personality as the girls, but the most delightful thing about the plot was Nadi, the lesser spirit who was helping Beatrice.

Nadi, the spirit of luck was amazing! It was her who was forcing Beatrice to be daring and get out of her comfort zone. She wanted her to dance on the sand barefoot and steal a kiss, get drunk and feel the sunrise. These were all the bargains between the two, because spirits are devoid of sensations but can feel them when riding humans. 

There were many dramatic moments and the book felt pretty fast-paced to me on audio. I am kind of gutted it's a standalone. I would have liked to read more of Beatrice and Co.'s adventures.

Overall, a lovely, magical read! I can recommend it to the readers of this blog without any hesitation.