Fantasy Books

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

 

The Fourth Consort by Edward Ashton

Mogsy’s Rating (Overall): 3.5 of 5 stars

Genre: Science Fiction

Series: Stand Alone/Book 1

Publisher: Macmillan Audio (February 25, 2025)

Length: 8 hrs and 25 mins

Narrator: Barrie Kreinik

I became a fan of Edward Ashton after his action sci-fi adventure Mickey7 impressed me with its sense of humor, even when dealing with a subject like existential dread. Naturally, when I heard about The Fourth Consort, I was curious to see what it’s all about.

The story follows Dalton Greaves, who has been living adrift ever since the death of his father. All this changes one night in a bar, when, after his girlfriend dumps him, he is approached by Neera, a representative of the Unity who offers him a job. It’s an opportunity for Dalton to forget his aimless life on Earth and become a part of something bigger, joining an organization with a mission for peacekeeping and cooperation to unite all sentient beings in the galaxy. Since there’s nothing left tying him to his old life and plenty to gain from the new gig, Dalton agrees.

However, the truth is much less glamorous. The Unity turns out to be not so noble after all, once Dalton gets a glimpse behind the curtains and sees how things really are. The galaxy’s true benefactors are in fact the Assembly, bitter rivals of the Unity who view Dalton and Neera with suspicion. After a disastrous encounter in orbit leaves the two humans stranded on a newly discovered world, Dalton suddenly finds himself separated from Neera’s protection and thrust into the clutches of the planet’s native inhabitants, whose ruling queen claims him as her consort—her fourth one, as it turns out. Meanwhile, stuck at court with him is also an alien named Breaker, a stickman who fights on behalf of the Assembly. Caught reluctantly in the politics of his role where enemies can strike from any direction, Dalton must figure out how to navigate this strange new world and survive Neera’s scheming even as she tries to rescue him.

At its core, The Fourth Consort is a quirky sci-fi novel that doesn’t take itself too seriously—definitely similar in tone to the Mickey7 series, which is good news if that’s what you were looking for. Ashton’s writing style is as sharp and efficient as ever, keeping the story moving along at a fast clip. The humor is also on point with plenty of witty banter and absurd moments, especially when alien cultures collide, often leading to Dalton trading barbs with his spicy translator AI.

But for its quick pacing and super lean prose which doesn’t bog itself down with unnecessary exposition, the story does sometimes feel a little too breezy for its own good. The world-building, for instance, is intriguing but on the lighter side, leaving many questions and difficulties envisioning the creatures and worlds being described. I never got a strong sense of the alien cultures and what makes them genuinely unique, and similarly, the political intrigue felt tacked on rather than fully integrated. Likewise, character development is another area that felt a little sparse, and although Dalton himself is a solid protagonist, he lacked agency and seemed carried along by events, robbing his personality of opportunities to shine.

This made the overall story arc feel kind of shallow and undercooked. While the plot featured conflicts aplenty, there was hardly any tension at all as I was never made to believe our protagonist was ever really in trouble. If anything, Breaker, the Assembly shock trooper, felt more developed even though we mainly got to know him through conversations filtered across broken translations. Sure, the occasional flashback to Dalton’s past helped, but many of them felt like flavor text and completely unnecessary, and I’m not sure that these little snippets featuring his pre-Unity days were quite worth the distraction.

That said, hopefully I didn’t come off as too negative, as The Fourth Consort actually turned out to be a very enjoyable and fun read, especially the audio book version whose narrator Barrie Kreinik gave a lively performance. The pacing was tight, the humor sharp, and I loved the clever dialogue. However, while the book is entertaining in the moment, I don’t think it will leave a lasting impression. If the author decides to continue Dalton’s tale, I’d be interested to see where he ends up taking things, but as it stands, this one gets a solid 3.5 stars.

The Bright Sword (Viking, July 16, 2024)

With no disrespect to J.R.R Tolkien, the King Arthur legend is arguably the  inspiration of much post World War II medieval-based fantasy. You’ve got your out-of-nowhere claimant to the throne, a magic sword, court intrigue, some side stories, romance, sorcery, betrayal but yet a kind of redemption. All the key ingredients.

Sure, Game of Thrones was based on the very real English Wars of the Roses, particularly the also very real violence and death of key personages. But let’s look at the long literary tradition of Arthurian stories: sourced from Welsh mythology and grafted into 12th century British histories more based on fancy than fact, eventually becoming the  Chrétien de Troyes romances and subsequently Thomas Malory’s Le Morte d’Arthur. From multiple sources and variations we wind our way through Tennyson’s The Lady of Shallot which in turn inspires various associated fictions, not the least of which includes Mark Twain’s A Connecticut Yankee in King Arthur’s Court. 

Fast forward to T.H. White’s The Once and Future King and its adaption by Lerner and Loewe musical Camelot (“If ever I would leave you, it wouldn’t be in summer…”).  With the assassination of John F. Kennedy, Camelot became a metaphor for “a shining moment” intervened by fate to extinguish, that nonetheless, like the Christ-like resurrection grafted on to the Arthurian mythos, may inspire future generations. (Only a cynic would make comparisons between Guenevere’s infidelity and Kennedy’s.)

So while the Arthurian narrative is heavily played out by the middle of the 20th century, there’s still more to come.  An extermely short list includes Thomas Berger’s Arthur Rex, The Warlord Chronicles by Bernard Cornwall and, of course, the Monty Python and the Holy Grail movie (inspired in part by the academically disputed contention of Python member Terry Jones that Chaucer’s The Knight’s Tale was actually a satire of a mythical chivalric code and courtly love rather than a celebration of it).

One of my particular favorites is Lavie Tidhar’s By Force Alone, a  political satire in which Arthur is a gang lord, Lancelot a martial arts practitioner, no one is noble of heart, and Arthur’s death is instead of a Christ-like hope for resurrection a comment on the existential insignificance and intransigence of power.

By Force Alone by Lavie Tidhar (Tor Books, August 11, 2020)

Particularly noteworthy is that Guinevere is no mere cardboard supporting character, but more independent woman with agency of her own. This  more modern depiction of women in the Arthurian legend is especially associated with Marion Bradley Zimmer’s The Mists of Avalon retelling from the perspective of Morgaine, who rather than as a one-dimensional evil sorceress is depicted as a sympathetic complex woman during the transition in Britain from paganism to Christianity. Published in the early 1980s and the rise of feminist voices not only in fantasy literature (though, ironically, some critics detect anti-feminist themes in Zimmer’s work, and allegations of sexual abuse by her daughter don’t help) but the larger  zeitgeist, more female-centric retellings of the Arthurian legend followed, such as, most recently, Nicola Griffith’ s Spear and Half Sick of Shadows by Laura Sebastian, as just two examples.

The Mists of Avalon by Marion Zimmer Bradley (Del Rey, May 1984), Half Sick of Shadows
by Laura Sebastian (Ace Books, July 6, 2021), and Spear by Nicola Griffith (Tor, April 9,
2022). Covers by Braldt Bralds, uncredited, and Rovina Cai

So the legend of Arthur has been retold down through the centuries and even with multiple variations and exegesis, we still have the basic uber narrative of a brief realization of an ideal doomed by historical, religious, and insidious forces to failure.  Is there still room for yet another appraisal that just doesn’t rehash the same old same old?

Apparently so. To the extent of 670 pages in Lev Grossman’s The Bright Sword. That’s a lot of Camelot.

I confess that if I hadn’t previously read The Magician’s Trilogy (which perhaps explains why the cover prominently features reference to it, leading some online cataloguers to incorrectly attribute The Bright Sword as part of that series), I might not have picked this up (as a nearly 700 page book makes it hard to do).

Indeed, Grossman himself notes:

I spent most of my life blissfully uninterested in writing anything at all about King Arthur…His story has already been told thousands of time, from every possible point of view… Arthur is also, as it happens, white, middle-aged, heterosexual, and cis-gendered, a point of view that is hardly lacking in contemporary literature.

But by focusing on how the peripheral characters of the Round Table come to grips with a new era  following Arthur’s death (or at least his transport to Avalon following his mortal wounding),  Grossman comes up with a new and fresh angle.

Collum is a gifted knight wannabe (the one character that Grossman makes up) escaping an abusive home whose first kill (and pivotal plot point) is a recalcitrant knight with successful suicidal tendencies.  This occurs as Collum is on his way to fight for a seat at (unbeknownst to him) what’s left of the Round Table band (which isn’t much) following King Arthur’s mortal wounding by his bastard (and product of incest with his sister Morgause, something the juvenile versions of Arthur kind of gloss over) son Mordred at the Battle of Camlaan. Featured surviving bit players include Sir Bedivere, whose devotion to Arthur hides unfulfilled carnal desire, Sir Palomides, a Middle Eastern pagan convert and hunter of the Questing Beast whose particular unrequited love is Iseult of Wagner’s Tristan and Isolde fame, Tristan’s close friend Sir Dinadian, and Sir Dagonet, Camelot’s court jester who is better at joking than jousting.

Don’t worry, Lancelot and Guinevere and the rest of the main cast make cameo appearances, but not as you might expect them. The narrative focuses primarily on the minor characters as they attempt to restore (as you might expect, not successfully) the glory of Arthur’s reign and intentions, with sidesteps into their backstories. As for Arthur himself, well, we already know it doesn’t end well. But it still inspires. As Grossman notes:

King Arthur’s life can only ever end one way, his doom is always waiting for him…of course even after his death Arthur himself is never quite gone. He’s been with us for 1,400 years and counting now and shows no signs of going away. Like Godot he’s always coming, but always tomorrow, never today. He waits, asleep in Avalon, the Fortunate Isle. or under Mount Etna in Sicily, as some other stories have it, dreaming eternally of his homecoming. We dream of it too.

David Soyka is one of the founding bloggers at Black Gate. He’s written over 200 articles for us since 2008. His most recent was a review of State of Paradise by Laura Van Den Berg.

Today I have two trade paperback copies of a new science fiction novella to give away to two US residents, courtesy of Tachyon Publications! Described as “a taut, ultimately hopeful story that deftly explores identity and autonomy,” Mary G. Thompson’s newest book, One Level Down, was just released on April 1. More information on the book, author, and how to enter is below. Enter the One Level Down Giveaway About ONE LEVEL DOWN: Trapped in a child’s body, a resourceful […]

The post Women in SF&F Month: One Level Down Giveaway first appeared on Fantasy Cafe.

Mapping the Interior is a spine-tingling journey through a young boy’s haunted home. About Mapping…

The post Spotlight on “Mapping the Interior” by Stephen Graham Jones appeared first on LitStack.

 

Snake-eaterby T. Kingfisher
In an isolated desert town, a young woman seeking a fresh start is confronted by ancient gods, malevolent supernatural forces, and eccentric neighbours. A witty horror-tinged fantasy, perfect for fans of Silvia Moreno-Garcia, Chuck Tingle, and Rachel Harrison.
When Selena travels to the remote desert town of Quartz Creek in search of her estranged Aunt Amelia, she is desperate and short of options. Fleeing an unhappy marriage, she has exactly twenty-seven dollars to her name, and her only friend in the world is her dog, Copper.
On arrival, Selena learns Amelia is dead. But the inhabitants of Quartz Creek are only too happy to have a new resident. Out of money and ideas, Selena sees no harm staying in her aunt's lovely house for a few weeks, tending to her garden and enjoying the strange, desolate beauty of the desert. The people are odd, but friendly, and eager to help Selena settle into her new home.
But Quartz Creek's inhabitants share their town with others, old gods and spirits whose claim to the land long predates their human neighbours. Selena finds herself pursued by disturbing apparitions, visitations that come in the night and seem to want something from her.
Aunt Amelia owed a debt. Now her god has come to collect.

Expected publication November 11, 2025

Today’s Women in SF&F Month guest is M. H. Ayinde! Her science fiction, fantasy, and horror short stories include “The Techwork Horse” (featured on the Locus Recommended Reading List), “Blind Eye” (selected for the BSFA Award longlist), “The Walls of Benin City” (selected for the BSFA Award longlist and The Best of World SF: Volume 3), and “Worst Place Ever – Avoid!” (winner of the March 2021 Apex Magazine Microfiction Contest). A Song of Legends Lost, her debut novel and […]

The post Women in SF&F Month: M. H. Ayinde first appeared on Fantasy Cafe.

You need a good laugh right now. How do I know this? I know this because I need a good laugh right now. Everyone I know needs a good laugh right now, so it stands to reason that you need one too, doesn’t it?

So… where to go for that much-needed laugh? Well, there are standup specials on Netflix and the other streamers, you’ve got SNL, there are the many late-night topical jokemeisters — all the usual suspects. Now if that stuff really makes you feel better, more power to you; there’s so much of it available these days, you’re in the enviable position of being a kid locked in a candy factory. For me, though, none of those folks can talk for two minutes without referring to you-know-who who lives you-know-where and is up to you-know-what, and I’m sorry, but all that usually ends up making me feel worse.

To maintain minimal sanity, sometimes what I need most is something that will take me to a place that Thomas Hardy (who briefly hosted the Tonight Show after Conan O’Brien was fired) called “far from the madding crowd.” I don’t want something that’s out to earn my approval because it’s correct; I want something that’s out to make me laugh because it’s funny.

Fortunately, several years ago, I found a fabulous device that accomplishes just that. It’s called… are you ready for this? It’s called a book. And that’s not the half of it. It was written by a fellow named Stephen Leacock, and this guy was… I can’t believe I’m saying this… he was… a Canadian.

How can a Canadian be funny? The answer to that is above my pay grade (could it have anything to do with the fact that for the past two hundred and fifty years, Canadians have had a south-facing front row seat at the world’s most outrageous farce… nah, that can’t be it), but I do know that Canadians are funny, and I’ve known it ever since the mid 70’s when I fell head over heels in love with SCTV, which I believe to be the greatest sketch comedy show of all time, despite the fact that it was mostly a product of Canada. I stopped watching SNL over forty years ago, but I still regularly pop in an SCTV DVD; I just watched one last night, as a matter of fact. In any case, even if Bobby Bitman and Lola Heatherton and Johnny LaRue and Bill Needle and Gerry Todd had never existed, you could still win your Canadian Comic Case by offering Stephen Leacock as exhibit A, and if you won’t take my word for it, the man was Groucho Marx’s favorite comic writer — of any nationality. Think about that — he made Groucho Marx laugh.

That’s funny – he looks funny, but he doesn’t look Canadian

And yes, he was really a Canadian; though born in England in 1869, Stephen Leacock lived in Canada from the age of six. He was a resident of Montreal and taught economics at several Canadian universities.

But what you want to know right now is the name of his book, right? The one I’m talking about (he wrote many more) is called Nonsense Novels, and it was first published in 1911. It’s currently available in a few different paperback editions, though the one I have, a nice hardcover from New York Review Books, is unfortunately out of print. I say unfortunately because hardcovers hold up better than paperbacks, and in the time that I’ve had my copy, it’s gotten a lot of hard use. I imagine the same will be true of whatever copy you get your hands on.

Nonsense Novels consists of ten short chapters (each one anywhere from ten to fifteen pages; my NYRB edition is only 159 pages long), and each chapter is a self-contained parody of a nineteenth or early twentieth century popular fiction genre, most of which have been deposited on the ash-heap of publishing, though a few are still alive and kicking. That doesn’t matter, though — the customary devices, the stock characters and situations, the tropes and cliches of each genre have long since been engraved on our cultural memory (through movies, if nothing else) and you’ll have no problem getting the jokes.

So, what we have here are spot-on send-ups of:

The Sherlock Holmesian tale of deduction and ratiocination (Maddened by Mystery or, The Defective Detective), in which the Great Sleuth masterfully assembles all of the clues and comes to the conclusion that the missing “Prince” he’s searching for is not, as he first thought, one of the crowned heads of Europe whose absence will precipitate an international crisis, but is in fact a dachshund whose presence is required at the dog show. He doesn’t locate the animal, but being a master of disguise, a solution easily presents itself to his keen mind: “Rise, dear lady,” he continued. “Fear nothing. I WILL IMPERSONATE THE DOG!!!”

The ghost story (“Q.” A Psychic Pstory of the Psupernatural). “At the moment when Annerly spoke of the supernatural, I had been thinking of something entirely different. The fact that he should speak of it at the very instant when I was thinking of something else, struck me as at least a very singular coincidence.”

A Walter Scott-style hearty historical (Guido the Gimlet of Ghent or, A Romance of Chivalry). “First Guido, raising his mace high in the air with both hands, brought it down with terrible force on Tancred’s mailed head. Then Guido stood still, and Tancred raising his mace in the air brought it down upon Guido’s head. Then Tancred stood still and turned his back. And Guido, swinging his mace sideways, gave him a terrible blow from behind, midway, right centre. Tancred returned the blow. Then Tancred knelt down on his hands and knees and Guido brought the mace down on his back. It was a sheer contest of skill and agility.”

A heart-wrenching story about the trials and travails of a spunky lower-class heroine (Gertrude the Governess or, Simple Seventeen), which begins, “Synopsis of Previous Chapters: There are no Previous Chapters.” The modest charm of the orphaned Gertrude makes her everyone’s favorite: “Even the servants loved her. The head gardener would bring a bouquet of beautiful roses to her room before she was up, the second gardener a bunch of early cauliflowers, the third a spray of asparagus, and even the tenth and eleventh a sprig of mangel-wurzel or an armful of hay. Her room was full of gardeners all the time, while at evening the aged butler, touched at the friendless girl’s loneliness, would tap softly at her door to bring her a rye whiskey and seltzer or a box of Pittsburgh Stogies.”

An inspiring Horatio Alger up-from-nothing success story (A Hero in Homespun or, The Life Struggle of Hezekiah Hayloft). “Such is the great cruel city, and imagine looking for work in it. You and I who spend our time in trying to avoid work can hardly realize what it must mean. Think how it must feel to be alone in New York, without a friend or a relation at hand, with no one to know or care what you do. It must be great!”

A Dostoyevskian drama of living-in-Russia-induced existential madness (Sorrows of a Super Soul or, The Memoirs of Marie Mushenough, Translated, by Machinery, out of the Original Russian). “How they cramp and confine me here — Ivan Ivanovitch my father, and my mother (I forget her name for the minute), and all the rest. I cannot breathe. They will not let me. Every time I try to commit suicide they hinder me. Last night I tried again. I placed a phial of sulphuric acid on the table beside my bed. In the morning it was still there. It had not killed me. They have forbidden me to drown myself. Why! I do not know why? In vain I ask the air and the trees why I should not drown myself? They do not see any reason why. And yet I long to be free, free as the young birds, as the very youngest of them. I watch the leaves blowing in the wind and I want to be a leaf. Yet here they want to make me eat. Yesterday I ate a banana. Ugh!”

A Robert Louis Stevensonish saga of Scotland (Hannah of the Highlands or, The Laird of Loch Aucherlocherty), which chronicles the tragic feud between the McShamuses and the McWhinuses: “It had been six generations agone at a Highland banquet, in the days when the unrestrained temper of the time gave way to wild orgies, during which theological discussions raged with unrestrained fury. Shamus McShamus, an embittered Calvinist, half crazed perhaps with liquor, had maintained that damnation could be achieved only by faith. Whimper McWhinus had held that damnation could be achieved also by good works. Inflamed with drink, McShamus had struck McWhunus across the temple with an oatcake and killed him.”

A Jack London-like sea story (Soaked in Seaweed or, Upset in the Ocean: An Old-Fashioned Sea Story). “By noon of the next day the water had risen to fifteen-sixteenths of an inch, and on the next night the sounding showed thirty-one thirty-seconds of an inch of water in the hold. The situation was desperate. At this rate of increase, few, if any, could tell where it would rise to in a few days.”

A heartstring-tugging Christmas story (Caroline’s Christmas or, The Inexplicable Infant) — the subtitle alone always makes me laugh out loud. “What was that at the door? The sound of a soft and timid rapping, and through the glass of the door-pane a face, a woman’s face looking into the fire-lit room with pleading eyes. What was it she bore in her arms, the little bundle that she held tight to her breast to shield it from the falling snow? Can you guess, dear reader? Try three guesses and see. Right you are. That’s what it was.”

And finally, an H.G. Wells style scientific romance (The Man in Asbestos: An Allegory of the Future): “It seemed unfair that other writers should be able at will to drop into a sleep of four or five hundred years, and to plunge head-first into a distant future and be a witness of its marvels. I wanted to do that too.” The narrator induces his centuries-long sleep by a novel method: “I bought all the comic papers that I could find, even the illustrated ones. I carried them up to my room in my hotel; with them I brought up a pork pie and dozens of doughnuts. I ate the pie and the donuts, then sat back in bed and read the comic papers one after the other. Finally, as I felt the awful lethargy stealing upon me, I reached out my hand for the London Weekly Times, and held up the editorial page before my eye.” That does it; when he wakes up it’s 3000 A.D.

These stories are all unfailingly funny, some riotously so. Leacock hits the genre bull’s-eyes every time; the absurdities of each kind of tale are instantly identified and gleefully exploited, but there’s nothing mean-spirited about these literary burlesques. To write such unerring parodies Leacock had to be well-read in the target genres, and you can see his knowledge, and even more, his affection in every chapter. The book is like a bag holding ten gleaming jewels, but not plastic fakes like the ones kids used to be able to buy at Disneyland for about ten dollars more than you had been planning to spend; every one of Leacock’s treasures is the real thing, a genuine gem sparkling with purest comedy.

Every day we’re faced with a barrage of bad news, and that makes a book as delightful as Nonsense Novels a priceless treasure indeed. Give it a try and I guarantee you’ll feel better; you’ll laugh out loud, not once, but many times, and maybe — just maybe — you’ll even save your sanity.

And by the way — if you know why Canadians are funny, send the answer and five dollars (American) to me care of Black Gate. Cash only — no checks or money orders, please.

Thomas Parker is a native Southern Californian and a lifelong science fiction, fantasy, and mystery fan. When not corrupting the next generation as a fourth grade teacher, he collects Roger Corman movies, Silver Age comic books, Ace doubles, and despairing looks from his wife. His last article for us was You Are Cordially Invited to a Dinner Party in Hell: The Exterminating Angel

Here are 7 Author Shoutouts for this week. Find your favorite author or discover an…

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What Feasts at Night (Sworn Soldier #2)by T. Kingfisher
What is it about:The follow-up to T. Kingfisher’s bestselling gothic novella, What Moves the Dead .
Retired soldier Alex Easton returns in a horrifying new adventure.
After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.
In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.
What did I think of it:After rereading What Moves the Dead I picked up the second book starring Alex Easton.
And this was yet another awesome read.
What I love about Kingfisher's horror is that it's not  jump scares or gory slaughter. Don't get me wrong: I love a good zombie gore fest, or other high octane slaughter story, but atmospheric horror, where you slowly start to realize how bad things are... Perfection!
I really love Alex, they're easy to root for and to me very relatable. Even after the events in the first book Alex hangs on to their logic, unwilling to give in to superstitious beliefs. Being familiar with a lot of folklore and superstitions I could easily see what might be going on. But surprise isn't what makes this story work, instead it's atmosphere and storytelling that carries this book, so I was glued to the pages even knowing what they would discover.
I read this book in one sitting, drawn into it and unwilling to let it go until I reached the end.
You bet I'll get my greedy trotters on the third book once released as well! In the meantime I plan to pick up other books by T. Kingfisher as well. There are two in my TBR pile already.
Why should you read it:It's a wonderful, atmospheric Horror read.

Livira is brains. Evar is muscle. But it’s Mark Lawrence’s book, so you can’t oversimplify it like that.

Sabbers had ravaged Livira’s desert village, but she survived. By sheer luck, she got a possibility to train at the expansive library in the city of Cragh. Livira’s IQ is off the charts, so she learns quicker than anyone else.
Meanwhile, Evar Eventari and his four siblings live in the library, affected by a mysterious Mechanism, capable of transforming books into tangible experiences. They’ve been trapped there for ages, untouched by time’s passage. Each of them gained valuable skills and knowledge from the books they entered, except for Evar. He only knows that something—or someone—is amiss, and so he embarks on a quest to find them.
The story is unique in its approach to romance and time; it spans years for Livira but only days for Evar. Their storylines revolve around each other but focus on many things. Maybe even too many? Anyway, the central theme of knowledge and its power to shape reality impressed me. I found Livira’s story more interesting than Evar’s but both are strong.
The issues I have with the story tie with its length and detailed world-building that slows the pace down and requires a lot of attention. It’s possible all of this will pay off in the sequels; However, I felt some parts simply dragged. The love story between the two is quite peculiar. They’re separated briefly after their first encounter, but it doesn’t stop them from getting deeply in love. Now, it’s not insta-love the way you suspect, but it felt abrupt.
That said, the story keeps personal stakes high and twists are coming left and right, keeping the suspense high. I’m not in love with this book, but I’m interested to see what happens after THIS ending.

March-April 2025 issues of Analog Science Fiction & Fact
and Asimov’s Science Fiction. Cover art by Shutterstock

The big news this month is that all three print science fiction magazines, as well as the mystery magazines owned by Penny Press, have been sold to a new buyer, a consortium of fans who have have ambitions to maintain and grow all five. Here’s an excerpt from the announcement at Locus Online.

Alfred Hitchcock’s Mystery Magazine, Analog Science Fiction and Fact, Asimov’s Science Fiction, Ellery Queen Mystery Magazine, and The Magazine of Fantasy & Science Fiction have been acquired by Must Read Magazines, a division of a new publishing company, Must Read Books Publishing. All editorial staff from the magazines have been retained in the acquisitions… Must Read Magazines is financially backed by a small group of genre fiction fans. A major investor and board advisor is Michael Khandelwal, the founder of a writing nonprofit and Virginia’s Mars Con toastmaster.

Read all the details, including quotes from Asimov’s editor Sheila Williams, Analog editor Trevor Quachri, and F&SF publisher Gordon Van Gelder, at Locus Online.

Tentatively, I’m willing to believe this is Good News. It makes sense to have all five magazines under one roof, and the recent collapse of F&SF‘s publishing schedule (only one magazine shipped last year) seemed to auger its imminent demise. Though change is rarely good with magazines, and Dell Magazines/Penny Press has been a stalwart home for Asimov’s and Analog for over three decades, since 1992, keeping the magazines healthy and alive through decades of turmoil in the magazine business.

But there’s certainly an argument to be made that the magazines could benefit from a change, and sharing a single home. I’ve seen no announcement on when F&SF will resume publication, and I eagerly await news of the first issues of Asimov’s and Analog from the new publisher, due next week (April 8). Fingers crossed the transition will be smooth.

In the meantime, we’ve got the last Dell Magazine issues of Asimov’s Science Fiction and Analog Science Fiction & Fact in hand, and they’re just as enticing as usual, with contributions from Kristine Kathryn Rusch, Nancy Kress, Marissa Lingen, Ray Nayler, T.R. Napper, Rob Chilson, Robert A. Love, Beth Goder, Anthony Ha, and many more.

Victoria Silverwolf at Tangent Online enjoyed in the latest Asimov’s.

“Weather Duty” by Kristine Kathryn Rusch takes place in the domed city of Las Vegas in a near future where citizens are required to spend time on government committees, analogous to jury duty. The main character serves on the committee that controls the weather. She and a local celebrity are attacked by thugs with high-tech weapons, for reasons that only become clear at the end.

This novella is effective as crime/suspense fiction and as a portrait of a possible future. The speculative technology and the way the government committees work are quite convincing, both in their advantages and their limitations. The protagonist, a dancer and choreographer, is a plausible action heroine, able to deal with a crisis in a believable fashion while remaining a realistic character with whom one can empathize.

“The Hidden God” by T. R. Napper alternates sections of narrative describing unpleasant and often deadly fates facing various rich and famous characters with sections dealing with a philosopher interacting with a highly advanced artificial intelligence. It soon becomes obvious that the powerful AI is attacking people whom it believes are causing enough harm to others that they should be rendered powerless or even killed. It turns out that there is an unexpected connection between the AI and the philosopher. Often as vivid and visceral as any blood-soaked thriller, this novella also raises the age-old issue of whether it is acceptable to help many by harming few. The author doesn’t pretend to solve this ancient dilemma, but uses it to delve into the character of the philosopher.

The drug mentioned in the title of “The Demon of Metrazol” by Ray Nayler is a real one, formerly used to treat mental patients by inducing violent convulsions. In the 1930’s, a woman works at a mental hospital by photographing patients before, during, and after these grim treatments. The patients always display extreme terror when the drug is administered. The story’s ending offers hints as to why this occurs. This is a subtle and unnerving horror story, using disturbing facts of the past to create a growing sense of fear.

The narrator of “The Mystery of My Death” by Rob Chilson is a time traveler who discovers his own grave in the future. He ponders exactly when he might die, goes on a mission to correct an error made in the recent past, and makes a major change in his life. Despite the title and a premise that might seem morbid, this is an upbeat, optimistic story that emphasizes life rather than death.

In “Cryptid or Your Money Back” by Misha Lenau, people can buy kits that allow them to remove their human bodies and become mythical creatures, then switch back whenever they please. The narrator becomes a chupacabra, the so-called goatsucker of Latin American folklore. Reluctant to return to human form, or to socialize with other people who have changed their bodies in this way, the narrator eventually discovers what is really desired.

Read Victoria’s complete review here.

The new Analog is reviewed by the ever reliable Sam Tomaino at SFRevu. Here’s a sample.

The new short fiction begins with the novella, “Murder on the Eris Express” by Beth Goder. Who killed Captain Jeremy on the Eris Express when the sensors of Mo, the ship’s AI were shut off? Mo, who always wanted to be a detective, investigates. Fun story to begin the issue!

“Not Optimus Prime” by Lorraine Alden. Vera is using a QR59 quantum computer to find a large prime number. She actually succeeds at that and something more, but the presence of a man delivering helium puts her in peril. Exciting story.

“It Eats Metal” by Mark Ferguson. Our narrator and his friends investigate a swamp where two students and a dog had disappeared and woman’s legs had been severely injured. What do they find? Nice mystery.

“Those Other Replicator Manufacturers Are Ripping You Off” by Jon Lasser. Some guidelines on getting replicators for your space ship. Amusing.

“Concerning the Multiplicity of Children in Central Florida’s Suburbanized Wetlands” by Ichabod Cassius Kilroy. Mori is almost nine years old and her brother, Orion, is almost five. Each morning she sees ghosts of their possible futures, some good, some bad. Interesting.

“The Code of His Life” by Owen Leddy. Ava and her friend, Alejandro, are in the grey market drug-hacking business. He is offered a job for a big legit firm and takes it. But when he drops dead, Ava knows he was murdered. She investigates and finds a way to have justice. Good story!

“Heat Death” by Kate McLeod. Detective Lidia is called in by her old friend, Chloe, to investigate a man who died of heat in the middle of the Texas desert. What she finds out is tragic. Poignant tale.

The fiction concludes with the novella, “The Return of Tom Dillon” by Harry Lang. This is a follow-up to the novelette, “Hothouse Orchids” by Harry Lang in the January/February 2023. Detective Hector Kovack returns to investigate another murder connected to the group behind the previous one. Does it have a connection to the return of an old friend working on a political campaign? Some good old hard-boiled detective stuff here. I hope I see more.

Yes, there was a crime theme to most of the stories of this issue, I almost thought I was reading Ellery Queen’s Mystery Magazine!

Read Sam’s full review here.

Here’s all the details on the latest SF print mags.

[Click the images for bigger versions.]

Analog Science Fiction & Science Fact, March-April 2025 contents Analog Science Fiction & Science Fact

Editor Trevor Quachri gives us a tantalizing summary of the current issue online, as usual.

Normally, we think of the March/April issue as something of our “humor and hoaxes issue,” in keeping with the seasonal spirit of April Fool’s Day. This time, however, we’re focusing on another important day in April: Tax Day. Yes, the only things certain in life are death and taxes, and the bulk of our stories lie at the juncture where death and money meet: crime.

Our lead story from Beth Goder, “Murder on the Eris Express,” might evoke familiar images of a mustachioed Belgian on a train, but the parallels end at the title — I promise you’ve never seen a “detective” quite like this. And there are plenty more SF/crime pieces to accompany this one, including:

“The Return of Tom Dillon,” a sequel to Harry Lang’s excellent future noir, “Hothouse Orchids” [January/February 2023]; the opposite of a locked-room mystery, in “Heat Death,” by Kate MacLeod; the definition of a gambling problem, in John Markley’s “In the Hole”; and more.

Plus, of course, we have to include at least some lighter fare, such as “A Whole Generation” by Timons Esias and “Mr. Palomar Goes to Space” by Hayden Trenholm, just for starters, plus our fact article, “Reflections on Mirror Life,” by Robert A. Love — think biochemistry, not Star Trek — and all our regular columns, as well as maybe a surprise or two!

Get your copy now!

Here’s the full TOC.

Novellas

“Murder on The Eris Express,” Beth Goder
“The Return of Tom Dillon,” Harry Lang

Novelettes

“The Code of His Life,” Owen Leddy
“Heat Death,” Kate MacLeod

Short Stories

“Not Optimus Prime,” Lorraine Alden
“Ti Eats Metal,” Mark Ferguson
“To Reap, To Sow,” Lyndsey Croal
“The Emergency Contact,” Arendse Lund
“Those Other Replicator Manufacturers Are Ripping You Off,” Jon Lasser
“Track Eats Track,” Avi Burton
“Concerning the Multiplicity of Children in Central Florida’s Suburbanized Wetlands,” Ichabod Cassius Kilroy
“Palomar Goes to Space,” Hayden Trenholm
“Echo, Write to All,” Nate Givens
“The Timecop and the Timesocial-worker,” S.L. Harris
“If the Weather Holds,” Marissa Lingen
“Murder With Soft Words,” Mike Duncan
“In the Hole,” John Markley

Probability Zero

“A Whole Generation,” Timons Esaias

Flash Fiction

In Her Element, M.t. Reiten

Science Fact

Reflections On Mirror Life, Robert A. Love

Poetry

The Dark Matter Storm, Deborah L. Davitt
Precocious Child, Alexander Senko

Reader’s Departments

Guest Editorial: Seeking Scientific Common Ground, Even On Guns, Richard A. Lovett
In Times To Come
The Alternate View, John G. Cramer
The Reference Library, Rosemary Claire Smith
Brass Tacks

Asimov’s Science Fiction, March-April 2025 contents Asimov’s Science Fiction

Sheila Williams provides a handy summary of the latest issue of Asimov’s at the website.

Our March/April 2025 issue is bursting with fiction. We have three exciting novellas stuffed into our pages. Kristine Kathryn Rusch opens the issue with a thrilling story about “Weather Duty”; T.R. Napper brings us an intense tale about a rogue AI in “The Hidden God”; and Nancy Kress bookends the issue with Part 1 of a giant novella that exposes the terrifying consequences of coexistence with “Quantum Ghosts”!

Ray Nayler reveals the true horror behind “The Demon of Metrazol”; Rob Chilson attempts to resolve “The Mystery of My Death”; new author Anthony Ha gives us “A Brief History of the Afterlife”; new to Asimov’s author Samantha Murray spins the bittersweet tale of “My Heart a Streak of Light Across the Sky”; and new author Donald McCarthy shocks us with truths about “Unidentified Aerial Phenomenon.” Zohar Jacobs returns to our pages with a tense story about what it means to be “On the Night Shift,” and Misha Lenau makes good on the promise of “Cryptid or Your Money Back.”

Robert Silverberg’s Reflections explains “The Naming of Names”; James Patrick Kelly’s On the Net considers “Spaceships of the Mind”; and Norman Spinrad’s On Books muses about “Speculative Literature?” Plus we’ll have an array of poetry you’re sure to enjoy.

Get your copy now!

Here’s the complete Table of Contents.

Novellas

“Weather Duty” by Kristine Kathryn Rusch
“The Hidden God” by T.R. Napper
“Quantum Ghosts” (Part I) by Nancy Kress

Novelette

“On the Night Shift” by Zohar Jacobs

Short Stories

“My Heart a Streak of Light Across the Sky” by Samantha Murray
“Unidentified Aerial Phenomenon” by Donald McCarthy
“The Demon of Metrazol” by Ray Nayler
“The Mystery of My Death” by Rob Chilson
“A Brief History of the Afterlife” by Anthony Ha
“Cryptid or Your Money Back” by Misha Lenau

Poetry

Intergalactic Tanka by Anna Cates
After the Chemicals Decay by Claire McNerney
Now that I Have Found You by Robert Frazier
Learning Toy by Don Mark Baldridge
All the Space We Have Left by Marisca Pichette
Hourglass by Greg Schwartz

Departments

Editorial: Magnifique! Redux by Sheila Williams
Reflections: The Naming of Names by Robert Silverberg
On the Net: Spacecraft of the Mind by James Patrick Kelly
Next Issue
On Books by Norman Spinrad

Analog, Asimov’s Science Fiction and The Magazine of Fantasy & Science Fiction are available wherever magazines are sold, and at various online outlets. Buy single issues and subscriptions at the links below.

Asimov’s Science Fiction (208 pages, $8.99 per issue, one year sub $47.97 in the US) — edited by Sheila Williams
Analog Science Fiction and Fact (208 pages, $8.99 per issue, one year sub $47.97 in the US) — edited by Trevor Quachri
The Magazine of Fantasy & Science Fiction (256 pages, $10.99 per issue, one year sub $65.94  in the US) — edited by Sheree Renée Thomas

The March-April issues of Asimov’s and Analog were on sale until April 8. See our coverage of the January-February issues here, and all our recent magazine coverage here.

Women in SF&F Month officially starts today with a guest post by Kamilah Cole! Her debut novel and the first book in her Divine Traitors trilogy, So Let Them Burn—which she described as being “about sisterhood, chosen ones, dragons, anti-imperialism, anti-colonialism, and the aftermath of war” in a post on Goodreads—was a National Indie bestseller for multiple weeks and a nominee for the Goodreads Choice Awards for Young Adult Fantasy. It was recently joined by the conclusion to the series, […]

The post Women in SF&F Month: Kamilah Cole first appeared on Fantasy Cafe.

 

"Almost done." The witch's smug superiority crawled under my skin. "Unless you prefer to keep glaring holes in my back?"

(page 1, Vexing the Grumpy Orc by Chloe Graves)

---------
Teaser Tuesdays is a weekly bookish meme, previously hosted by MizB of Should Be Reading. Anyone can play along! Just do the following: - Grab your current read - Open to a random page - Share two (2) “teaser” sentences from somewhere on that page BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!) - Share the title & author, too, so that other TT participants can add the book to their  TBR Lists if they like your teasers!

 

Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Robert Jackson Bennett is a two-time award winner of the Shirley Jackson Award for Best Novel, an Edgar Award winner for Best Paperback Original, and is also the 2010 recipient of the Sydney J Bounds Award for Best Newcomer, and a Philip K Dick Award Citation of Excellence. City of Stairs was shortlisted for the Locus Award and the World Fantasy Award. City of Blades was a finalist for the 2015 World Fantasy, Locus, and British Fantasy Awards. His eighth novel, FOUNDRYSIDE, will be available in the US on 8/21 of 2018 and the UK on 8/23.

Publisher: Del Rey (April 1, 2025) Length: 458 Formats: audiobook, ebook, hardcover

Robert Jackson Bennett has done it again. A Drop of Corruption takes everything that made The Tainted Cup great (impossible murders, weird biology, razor-sharp wit) and somehow makes it even better. There’s a new impossible crime, more unsettling biology, and, most importantly, more Ana Dolabra - the world’s strangest mind. 

This time around, Ana and her long-suffering assistant Dinios Kol are sent to the empire’s edges to investigate a treasury officer’s disappearance. And let me tell you - it’s a gruesome murder, because if there’s one thing Bennett knows how to do, it’s making sure every crime scene sticks in your brain. This one involves dismemberment, vanished body parts, and a killer who seems to walk through walls. 

Ana solves the surface-level mystery in about five minutes, but the deeper they dig, the more tangled the case becomes. The stakes turn shockingly high. If they fail, the entire empire could collapse, and leave the world defenseless against the leviathans. No pressure. Someone out there is playing a game Ana isn’t used to losing, and Din finds himself torn between his duty as her “engraver” and his growing realization that being an investigator might not be the life he truly wants.

Now, for me the series works because we follow a brilliant and fascinating character (Ana) through the eyes of a much more bland one (Din). Din is to Ana what Watson was to Sherlock - a trusted assistant with some personality but not enough charisma to carry the series. A Drop of Corruption gives us glimpses into Ana’s past and hints at what she truly is. She’s still an enigma, but things get much clearer and much more exciting. Din, meanwhile, starts questioning his place in all of this. He signed up to be Ana’s eyes and ears to pay off his father’s debts, but as he gets drawn deeper into the empire’s ugly truths, he starts to wonder if he should be fighting to save it or choose a simpler and more profitable path.

The world-building continues to impress and remains one of the most inventive things I’ve ever read. The concept of Leviathans and the horrifying ways in which their blood transforms environment is cool. Then we have the Shroud - a living, organic space with peculiar properties. And the new characters fit right into this strange, unsettling world. Mala, for example, has an enhanced sense of smell (and more), which makes her an excellent investigator but also means she’s experiencing reality in ways that most people can’t understand.

Since Bennett doesn’t do one-note villains, the antagonist is ruthless, brilliant, and broken. Their backstory is a slow-burn tragedy that creeps up on you. If I had to nitpick, I’d say that the book is sometimes too detailed and repetitive in the middle. But honestly, when the writing is this good, why would I want to nitpick?

Ultimately, I’m satisfied, impressed, and desperately hoping we get another one in the series. Because if Bennett keeps building on this foundation, we might just be looking at one of the best fantasy mystery series of the decade.

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

A Drop of Corruption by Robert Jackson Bennett

Mogsy’s Rating: 5 of 5 stars

Genre: Fantasy, Mystery

Series: Book 2 of Shadow of the Leviathan

Publisher: Del Rey (April 1, 2025)

Length: 480 pages

Author Information: Website

Last year, Robert Jackson Bennett’s The Tainted Cup was one of my favorite reads, and it appears I wasn’t alone in that sentiment based on all the love that’s been showered on the book from across the board. Naturally, its sequel Drop of Corruption became one of my most anticipated releases in 2025, and believe me, I had high expectations. Still, somehow they were exceeded in every way.

This time, Ana Dolabra and her assistant Dinios Kol find themselves dispatched to Yarrowdale, a distant canton situated on the edge of the Khanum Empire, where much of the population takes pride in its independence. Imperial authority might not hold much sway here, but when one of their treasury officers disappears suddenly, the investigators want to know how and why. But what initially appears to be a missing person case quickly turns into a murder investigation as body parts are discovered, and everywhere Ana and Din turn, mysterious forces seem bent on standing in their path.

Eventually, our protagonists determine that their missing official is not just a victim but a casualty in a far greater conspiracy. With tensions already running high in Yarrowdale over the canton’s impending integration into the Khanum, the implications of their work become even more dire. Din and Ana follow clues to the Shroud, where fallen leviathans—gargantuan monsters that live beyond the massive seawalls—are processed to harvest the rare magic within them that helps power the empire. The subsequent collapse would be devastating and wide-ranging should this major industry falter, and time is running out to get to the bottom of the mystery.

What can I say, other than I loved everything about this book! While the quality of sequels can be touch and go, Bennett took what worked in The Tainted Cup and either carried on those trends or made them even better. Nothing makes me happier than a fantasy mystery I can completely lose myself in, and A Drop of Corruption flawlessly balances its detective elements with its ever-expanding world-building to deliver a riveting plot that gripped me from the first page and never let up. Take the best parts of the epic fantasy and police procedural genres, blend them together, and this is what you get.

But as I wrote in my review for the first book, the stars of the show are Din and Ana, and that remains true. I was happy to see that the Holmes/Watson dynamic is as strong as ever, which really drives the series with their contrasting personalities. The two of them have grown closer since the beginning of their partnership, but even as some of Din’s idealism has given way to a pragmatism that makes him more competent, he still frequently suffers the brunt of Ana’s sharp wit, impatience, and complete disregard for social niceties. But if Din is the heart, Ana is the razor-sharp mind—a force to be reckoned with, and utterly fascinating to watch. And yet, for all her intellect, she is not infallible, which becomes dangerously clear as this tough case exposes the cracks in her armor.

Of course, what further elevates this novel beyond a clever mystery fantasy story is its world-building. Beyond the storytelling, A Drop of Corruption excels in expanding what we know of the Khanum Empire, in areas like politics, culture, and history. The magic system is not just window dressing; it’s infused into the very bones of these books, and into the very mechanics of our characters’ investigation. The series’ name is Shadow of the Leviathan, and it appears with each installment, we are witnessing just how integral these creatures are to everything we know about this world.

By the time we got to the resolution, I was completely sold. Robert Jackson Bennett has proven yet again what a talented storyteller he is, by gifting fantasy mystery fans with a wildly imaginative series that is as intricate as anything found in a classic whodunit. I have to say, The Tainted Cup set a high bar, but A Drop of Corruption sails over it with ease. This trilogy is shaping up to be an all-time favorite, and you can bet I’ll be first in line when the final volume drops.

More on The BiblioSanctum:
Review of The Tainted Cup (Book 1)

(THE SANGUINE SANDS COVER ART by Mansik Yang/YAM)

Preorder The Sanguine Sands over HEREAdd The Sanguine Sands on Goodreads
 Today we have the unbridled joy of revealing the cover for THE SANGUINE SANDS, book #2 of the Sharded Few series by Alec Hutson. Featuring  scintillating art by Mansik Yang (Yam) & snazzy design-typography by the under-appreciated & underrated Shawn T. King. 
The book will be releasing on April 7th & you can check out the gorgeous cover and its blurb below:


Official Book Blurb: The Heart of the Heart has been found.
In the ruined palace of the Radiant Emperor the Light shard had been hidden for a thousand years, but now a sliver of its power has entered the flesh of Heth Su Canaav. Once Hollow, he has been reborn as one of the Sharded Few. Its discovery will shake the world . . . if anyone lives to tell of its existence.
For hunters stalk the refugees from the Duskhold. Powerful Sharded, unnatural sorcerers, and creatures that they cannot yet comprehend. Deryn and Heth must flee to the ancient city of Karath, where they hope answers await about who was behind the attempt to murder Rhenna Shen, and why one of the mysterious Elowyn directed them to find the House of Last Light.
The north lurches towards war, Shadow and Storm closing around the flickering Flame, while the Blood scheme in the black ziggurats of the Sanguine City, and far away something stirs in the frozen wastes where the disciples of Ice cling to an ancient faith . . . 

This April is the fourteenth annual Women in SF&F Month here at Fantasy Cafe, starting tomorrow! For the last several years, this month has been dedicated to highlighting some of the many women doing wonderful work in fantasy and science fiction, and the site will be featuring guest posts by some of these writers throughout April. There will be new posts appearing Monday–Thursday throughout most of the month, including a book giveaway this week. As always, guests will be discussing […]

The post Introducing Women in SF&F Month 2025 first appeared on Fantasy Cafe.

The Lilac People is a moving and deeply humane story about a trans man who…

The post Spotlight on “The Lilac People” by Milo Todd appeared first on LitStack.

Readers of my weekly column (both of you) know that I quite enjoying giving my opinion on a wide range of topics. I’ll cut the normal ten down to five this time, but it’s been two months since I’ve expounded thus. And that’s at least one month too long, right? So…

So, I think that:

1) DAREDEVIL IS EXCELLENT

I didn’t like the Ben Affleck Daredevil movie back in 2003. Or the associated 2005 Elektra movie with Jennifer Garner. And a blind, lawyer, vigilante, just didn’t appeal to me. I’d never read any of the comics, so no nostalgia tie, either.

I skipped the three-season streaming series which dropped back in 2015. And after trying a couple episodes of Jennifer Jones, I passed on the whole The Defenders thing.

For some reason, I decided to watch the first episode of the new reboot, Daredevil: Reborn. Don’t know why, but I did. And man, it was terrific!!! I did the three episodes which had dropped, and I was hooked. I went back and just finished watching season one of the original series. Wow! I’ve started season two.

This show is darker than what I like to watch. And the lighting and visual tone reflects the emotional vibe. Which is in tune with a blind vigilante, I guess. But this is one of my favorite Marvel streaming series (no timeline nonsense probably helps).

And Vincent D’Onofrio as Kingpin is a home run. I liked his appearance at the end of Hawkeye. But he was a MASSIVE disappointment in Echo (as was that show itself). He was emasculated and was a touchy-feely wimp; nothing like the Kingpin I am discovering in Daredevil, and Reborn.

This was a totally unexpected surprise, and I’m really enjoying my discovery of the original show. And Charlie Cox is another actor I had no idea was British, as I watched him (Hugh Laurie, and Marsha Thomason, are two more).

2) YOU SHOULD READ JOHN MADDOX ROBERTS’ SPQR SERIES

I’ve talked about this in a couple prior posts. Roberts wrote eight of the Tor Conan books, and he’s easily one of the best – if not THE best – of the authors in that series. His Conan the Rogue is an homage to Dashiell Hammett, and my favorite Conan pastiche.

From 1990 through 2010, he wrote thirteen historical mysteries set in Ancient Rome. SPQR (Senatus Populusque Romanus – The Roman Senate and People) feature Decius Caecilus Metellus telling stories from his life, written during Caesar’s reign.

Many Romans of the time, like Cicero, Pompey, and Crassus, are characters in the stories. I think Roberts does a fantastic job of creating Ancient Rome for the reader. I don’t believe he was too free with making up things. I feel like we’re getting a pretty good look at the time.

Decius essentially solves a murder as a function of his government position at the time (they change over the years), each novel. Sadly, Roberts passed away in May of last year, and I did not start the series until shortly after that. I just finished the thirteenth and final audiobook – and I immediately went back and started the first book again, The King’s Gambit. This has become one of my favorite series’.

John Lee is the PERFECT narrator for the novels, and he reads all of them. I enjoyed listening to him narrating every single one.

There are eight short stories, which I would really like to see someone collect and put out together. I have not read any of them, so I’m kinda excited at the thought even though I’ve read all the novels, there’s still a little more SPQR out there for me.

I’ve read that he had been working on a fourteenth novel over the years. I’d certainly like to see someone with the skills, to complete it.

I like a good historical novel, but I’m more likely to read Jack Higgins, or Len Deighton. I read fantasy, not ancient history fiction (Scott Oden’s Men of Bronze is superb). But I am hooked on these and will be listening to the entire thing twice in less than a year. Check out that first novel – read or listen – and treat yourself.

3) WHEN YOU DON’T LIKE THE NARRATOR OF AN AUDIOBOOK…

I mentioned in #2 that John Lee is the perfect narrator for the SQPR books. I’ve commented a before on a couple audiobooks where the narrator ruined them for me: Even made them unlistenable.

I have been spacing out Steven Erikson’s Malazan series for well over a decade. Maybe two. I like it. But it’s deep and complex. And it’s dark. I have to be in a certain mood. I’d been on book eight, Toll of the Hounds, for several years.

I’ve talked about how audiobooks let me get to things I wouldn’t have time for, otherwise. I grabbed book eight and nine on an Audible sale. Toll of the Hounds is 44 hours long!!!

And quite frankly, I don’t like Michael Page’s narration. The whole thing feels there was a Malazan reading by the inhabitants of a senior center. Hey – I’m 58. I’m old. But 44 hours of listening to a reader you don’t like, is HARD. I still have 16 hours left.

I will finish this because I want to read the entire Malazan series. I like Ian C. Esslemont’s Malazan books as well, and I like the ones I listened to by John Banks. I wish he had read Erikson’s.

I will probably try to find the time to read book nine (I have the paperback). But reading a single 1,200 page paperback – especially a ‘heavy’ one, just isn’t on my radar these days. Even an okay narrator is workable. But when you don’t actually like the reader, it’s quite the uphill slog.

4) SHOHEI OTANI IS A THE RARE BASEBALL POP CULTURE ICON

We are used to pop icons in our culture. They change over time, of course. Whatever you may think of Taylor Swift, she is larger than life. Seventy-ish years ago, The Beatles conquered the world. It seems like it’s more likely to be a singer, than an actor, these days. Tiger Woods, Lebron James – athletes can enter this realm as well.

Baseball players don’t really hit this stratosphere. Babe Ruth was certainly one. Derek Jeter had a bright spotlight, but not Taylor Swift level. Shohei Otani is an elite baseball player. He’s recovering from an arm injury, but he is both a Cy Young caliber pitcher, and he rewrote the offense record books ls year, when he couldn’t pitch. He’s more than a generational player – he’s a century one.

But he is THE icon in Japan. People gather together in the morning, to watch Dodgers games, in Japan. MLB sent the Dodgers and Cubs to Tokyo for two official games, a few weeks before ‘regular’ Opening Day in America. Reading reports about the trip, Ohtani in Japan is like Swift in America. He is a larger than life celebrity. Ohtani is a huge star here in America, but baseball has continued to be less popular than football, and basketball. Opening week is competing with March Madness right now. But Ohtani is the biggest name in baseball. In Japan, he’s a superstar.

Fortnite rolled out an Ohtani skin last week (I bought it!). He’s in his Dodgers uniform, and he’s a baseball-themed samurai. Watching the US opener the other night, they showed the Fortnite skin on the TV Screen, and when he came up to bat, they called him Mr. Fortnite.

Shohei Otani is one of the few players that’s bigger than the game. And in Japan, he could not be a bigger cultural star.

5) CAPTAIN AMERICA: BRAVE NEW WORLD WAS WELL DONE

Hey Marvel – you can make a good movie that’s only two hours long. Thanks for actually trying it. The latest Captain America movie wasn’t fluffed out. The story was tight a just under two hours, and it didn’t feel like an effort to get all the way through.

It was a sequel to the Edward Norton Hulk (which I had never bothered to watch. Not a prerequisite, but I did watch it after, and it would have helped some. It also built out a bit from the The Falcon and the Winter Soldier.

This wasn’t ‘the biggest’ Avengers-related movie. But it was a good one. I’d like to see more shorter, focused, flicks. It had been out a month when I saw it, and my son and I were the ONLY people in the theater on a weekday afternoon. Those factors considered, I was still pretty surprised. We’re talking a Marvel movie.

6) THUNDERBOLTS LOOKS LIKE LOADS OF FUN

I don’t know anything about this group, other than the bits the movies and ‘extra scenes’ were dropping, as Julia Louis-Dreyfuss was up to something. I saw the trailer when I watched the new Captain America. Oh man, this movie looks FUN! I totally enjoyed the trailer, and my son and I will be seeing this in the theater. I’m really looking forward to it.

In fact, this trailer was far more enticing than the one for the new Fantastic Four movie. Which, frankly, looked boring. I’ve written here that I enjoyed the Jessica Alba Fantastic Four movie more than most of my friends. The sequel was meh, but still okay.

I will probably watch the new one – I still haven’t bothered with the 2015 version – at home. But the trailer didn’t intrigue me at all. I forgot it as soon as I saw Thunderbolts. Scarlett Johansson in the new Jurassic Park movie looked way better than The Fantastic Four.

Prior Ten Things I Think I Think

Ten Things I Think I Think (January 2025)
Ten Things I Think I Think (December 2024)
Nine Things I Think I Think (October 2024)
Five More Things I Think: Marvel Edition (September 2024)
Ten Things I Think I Think: Marvel Edition ( September 2024)
Five Things I Think I Think (January 2024)
Seven Things I Think I Think (December 2023)
Talking Tolkien: TenThings I Think I Think (August 2023)
A (Black) Gat in the Hand: Ten Things I Think I think (August 2023)
5 More Things I Think (March 2023)
10 Things I Think I Think (March 2023)

Bob Byrne’s ‘A (Black) Gat in the Hand’ made its Black Gate debut in 2018 and has returned every summer since.

His ‘The Public Life of Sherlock Holmes’ column ran every Monday morning at Black Gate from March, 2014 through March, 2017. And he irregularly posts on Rex Stout’s gargantuan detective in ‘Nero Wolfe’s Brownstone.’ He is a member of the Praed Street Irregulars, founded www.SolarPons.com (the only website dedicated to the ‘Sherlock Holmes of Praed Street’).

He organized Black Gate’s award-nominated ‘Discovering Robert E. Howard’ series, as well as the award-winning ‘Hither Came Conan’ series. Which is now part of THE Definitive guide to Conan. He also organized 2023’s ‘Talking Tolkien.’

He has contributed stories to The MX Book of New Sherlock Holmes Stories — Parts III, IV, V, VI, XXI, and XXXIII.

He has written introductions for Steeger Books, and appeared in several magazines, including Black Mask, Sherlock Holmes Mystery Magazine, The Strand Magazine, and Sherlock Magazine.

You can definitely ‘experience the Bobness’ at Jason Waltz’s ’24? in 42′ podcast.

Blackmark by Archie Goodwin and Gil Kane (Bantam Books, January 1971). Cover by Gil Kane

As I’ve mentioned before, I didn’t grow up with comics. They weren’t available in my small, rural town of Charleston, Arkansas in the 1960s and 70s. The first store to carry them appeared around ’74 and had a small spinner rack with a dozen or so titles. By then I was already reading regular books and the comics, while they had interesting art, had much less story than books. I bought a few but never got hooked and knew virtually nothing about any comics creator.

As an adult in my fifties, I watched a movie called The Watchmen, which was very good, and I bought the original graphic novel by Alan Moore. I was blown away by the complex storytelling and started buying other graphic novels. I finally started to learn about some of the great comic book creators over the years. I still don’t consider myself a comic book reader but I keep an eye out for items that might interest me. That’s how, in 2019, I found a cool little book called Blackmark, “by Gil Kane.”

Interior pages from Blackmark. Art by Gil Kane

Gil Kane (1926 – 2000) was born in Latvia as Eli Katz but immigrated with his family to the US at about 3. He lived in Brooklyn and started working in comics at an early age. By 16, he’d found full-time employment and quit high school.

Marvel Preview #17, containing the sequel, Blackmark: The Mind Demons (Marvel Comics, Winter 1979). Cover art by Romas Kukalis

He’s best known for helping create Green Lantern and Iron Fist, none of which I’ve ever read. In 1971, working with a scripter named Archie Goodwin, he created Blackmark (from Bantam), one of the earliest graphic novels. It’s set on a post-apocalyptic Earth and is more sword & sorcery than sword & planet, but it has that exotic S&P feel I crave.

From what I understand, Kane created the setting and characters and did all the art. He provided an outline for the script to Goodwin, who then did the writing. Each page has an illustration or two with squares of story around them. There’s a lot of story, which I appreciated.

Interiors from the Marvel Preview #17. Art by Gil Kane

The art is great but the script is just wonderful. It’s way over the top sword and sorcery prose and I enjoyed it tremendously. Here’s a taste:

Blackmark awoke to shrill, inhuman cries. Dawn had brought new horror on flapping wings.

I highly recommend Blackmark to readers of S&P fiction.

Charles Gramlich administers The Swords & Planet League group on Facebook, where this post first appeared. His last article for Black Gate was The Sword & Planet Tales of Ralph Milne Farley.