
Alright, let’s talk about science fiction novels and fantasy novels, and escape reality for a…
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I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 4 of 5 stars
Genre: Urban Fantasy
Series: Book 18 of Dresden Files
Publisher: Ace Books (January 20, 2026)
Length: 448 pages
Author Information: Website | Twitter
It’s kind of wild to think it’s been almost six years since Battle Ground came out, because Twelve Months very much feels like a sequel that has been cooking quietly in the background all that time. But instead of throwing readers straight back into the action, Jim Butcher hits the brakes to bring us a Dresden Files novel that’s much more subdued and reflective. In other words, this one is very much an “aftermath story” that explores what happens after the dust settles.
The last time we saw Harry, who is now openly operating as the Winter Knight, Chicago burned as the city became the site of a full-scale magical assault which resulted in the deaths of thousands. Though the attack was eventually thwarted and the enemy defeated, this came at an enormous cost. The supernatural world has been exposed for all to see, and Harry also lost someone very near and dear to him, only barely containing his anger and grief before he did something he’d regret. Still, given his history and his increasingly erratic and risky behavior, the White Council ultimately decided to cut ties with him, leaving our protagonist more isolated than ever.
And so, Twelve Months basically follows Harry across a year of his life as he tries to regain some sense of control and normalcy while trying to manage the crushing stress caused by grief, guilt, and an endless list of responsibilities. That said, there’s no more saving the world for Harry Dresden, at least not at this time. Right now, he’s in recovery mode, putting all his efforts into healing after loss and rebuilding the support systems around him, both emotionally and physically.
Stylistically, Twelve Months is one of the more unusual entries in the series. It’s certainly different from many of the previous sequels which saw Harry facing down supernatural foes and dealing with ever escalating threats. In this, the pacing slows down, but if you think that means the stakes disappear or the story loses its momentum, think again. The conflicts are alive and well, they’re just more intimate, and the focus turns towards character development and relationship dynamics.
Because of this, I can see this book receiving mixed reviews, but personally I enjoyed the change of pace. Having some room to breathe is a good thing, not to mention it’s also more realistic. Places don’t just bounce back from the brink of utter destruction, and neither do people. A lot happened in Battle Ground leading to significant repercussions that are going to take more than a few pages to digest, and Twelve Months gives us the chance to do a deep dive into the fallout, looking at how Chicago has changed. People are scared, resources are strained, and Butcher’s storytelling here truly drives home the point that the world of the Dresden Files is, and always has been, bigger than just Harry’s personal sphere.
There’s also a noticeable shift in the way Harry interacts with the greater world around him. He’s no longer the young, brash wizard who storms into every situation with his guns blazing. It’s been more than twenty-five years since the first book burst onto the scene, and in that time, the books have seen Harry mature and become a hardened man shaped by real-world experiences and fatherhood. Of course, he’s always been a reluctant hero, but there’s a lot more people now who look up to him and depend on him, and he’s becoming increasingly aware that his actions have consequences well beyond the here and now.
In the end, I do think there’s value in having a book like this every so often, especially in a long-running series. If nothing else, it helps break up the usual pattern and to prevent monotony. In this case, Dresden Files fans got a much calmer ride than we’re used to, but to be honest, I probably wouldn’t want too many more installments in this similar vein, and I certainly wouldn’t be too heartbroken if the next one swung back towards a more action-oriented approach. I’ll even admit I was cheering inside when the end of this book finally ramped up and delivered a genuinely exciting climax and conclusion.
In the end, Twelve Months feels very much like a transitional novel, nudging the overarching plot of the series forward, but not by too much and not in any way that’s too dramatic. By this point, Jim Butcher clearly knows his audience and trusts both their patience and their investment in Harry’s journey. In a way, this also feels like a book the author himself needed to write, since I’ve heard that so much of the emotional beats in the series are often a reflection of what he’s going through and feeling in his own life. As a sequel, this one feels necessary, giving the story a chance to decompress, while also efficiently laying the groundwork for what comes next.
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Snake-Eaterby T. Kingfisher
Raymond F. Jones was born in Salt Lake City on November 15, 1915. He studied engineer and English at the University of Utah before working as a radio engineer. He later suggested that getting an English degree is one of the worst things a writer could do. He had a reasonable amount of success as an author, with his novel This Island Earth being the work he is best known for. It was adapted into a film in 1955, starring Jeff Morrow and featuring Russell Johnson, who would go on to portray the Professor on Gilligan’s Island, and Richard Deacon, who played Mel Cooley on The Dick van Dyke Show.
According to Jones, he was introduced to science fiction in 1927 when he read H.G. Wells’ War of the Worlds. He decided he never wanted to read it again because he was afraid it couldn’t live up to the “thrill of that first contact with the realm of imagined science.”
After graduating college, he served on a mission in Galveston, Texas and worked installing telephone exchange equipment for Western Electric in Texas, but after marrying Elaine Kimball on June 27, 1940, he took a job with the Weather Bureau to cut down on travel. During World War II, he used his radio engineering degree at Bendix Radio in Baltimore before settling in Arizona after the war.
Jones’ first short story, “Test of the Gods,” was published in the September 1941 issue of Astounding, in which it was overshadowed by the cover story, Isaac Asimov’s “Nightfall.” This is a pattern that would be repeated, leading Gerald W. Page to note that while Jones was a “writer of surprising versatility. But the price of this seems to be that too often he came on the scene with a perfectly good story that was still second best to the similar works of someone else.”
Jones wrote 15 novels in addition to This Island Earth, beginning in 1951 with the novel Renaissance (which was reprinted as Man of Two Worlds).
In addition to This Island Earth, two other stories by Jones were adapted by Hollywood. “The Children’s Room,” originally published in 1947, was an episode of the anthology series Tales of Tomorrow in 1952, and 1950’s “Divided We Fall” was adapted for the anthology series Out of This World in 1962.
His 1950 story “Tools of the Trade” is believed to be the first description of 3D printing.
Jones not only wrote science fiction, he also wrote non-fiction, with four juvenile science books ranging from The World of Weather to Animals of Long Ago. He also wrote the study Ice Formation on Aircraft.
Jones was a Hugo finalist in 1967 for his short story “Rat Race,” which lost to Larry Niven’s “Neutron Star.” In 1996, his story “Correspondence Course,” was remembered by enough people to earn him a Retro-Hugo nomination, where he lost to Hal Clement’s “Common Sense.”
Elaine died on July 23, 1970 and on May 2, 1973, Jones married Lillian Wats. Jones and Elaine had five children and eighteen grandchildren. When he married Lillian, he gained five step-children.
Jones died in Sandy, Utah on January 24, 1994 after suffering from pancreatic cancer. For no reason other than the same first name, I tend to think of Jones along with author Raymond Z. Gallun (1911-1994). Coincidentally, both of their obituaries appeared in the same issue of Locus, with Jones coming in second to Gallun’s.
I reviewed Jones’ short story “Death Eternal” in 2018 as part of my Birthday Reviews series on Blackgate.
Steven H Silver is a twenty-one-time Hugo Award nominee and was the publisher of the Hugo-nominated fanzine Argentus as well as the editor and publisher of ISFiC Press for eight years. He has also edited books for DAW, NESFA Press, and ZNB. His most recent anthology is Alternate Peace and his novel After Hastings was published in 2020. Steven has chaired the first Midwest Construction, Windycon three times, and the SFWA Nebula Conference numerous times. He was programming chair for Chicon 2000 and Vice Chair of Chicon 7.
Reading Level: Adult
Genre: Cozy Fantasy
Length: 538 pages
Publisher: Self-Published
Release Date: November 4, 2025
ASIN: B0FW17TZ45
Stand Alone or Series: 1st book in the Meow: Magical Emporium of Wares series
Source: eGalley from Netgalley
Rating: 4/5 stars
“When Sable answers a too-good-to-be-true job posting—cozy bookshop, perfect espresso machine, adorable black cat, and an apartment upstairs—she thought she’d finally caught a break from her crushing student loans.
But the ink on the deal is barely dry when Sable realizes that the contract is very literal. She cannot leave. Also, her new feline companion talks, the bookstore itself is a sentient enigma with an excellent espresso machine, and magic isn’t just for storybooks–it’s woven into her new reality.
Bound to the shop as the mystical Cat’s voice and hands in the human world, the bookstore’s true purpose begins to unfold, and Sable must choose. Will she embrace the impossible magic blooming around her, or cling to the mundane life she thought she wanted, risking the fate of the shop and its curious inhabitants?”
Series Info/Source: This is the first book in the Meow: Magical Emporium of Wares series. I got a copy of this on ebook from NetGalley from review.
Thoughts: I really liked the premise behind this book and really enjoyed the day to day adventures and intriguing characters. I definitely plan on continuing the series. My only complaint is that the story started to drag some in the middle and started to feel a bit repetitive.
Sable shows up for a job interview at an amazing bookshop that appears too good to be true. The pay and benefits are wonderful, and there is an adorable cat in the store. She gets the job on the spot and can’t believe her luck. However, maybe she should have read the contract a bit better. Sable is not allowed to leave MEOW (Magical Emporium of Wares) for a year and must answer to The Cat. Suddenly, Sable’s days are filled with odd magical visitors and events and she never knows what to except next!
This book has serious cozy vibes, and I really enjoyed the characters and how you never knew what was going to happen from day to day. I loved how Sable just rolled with all the odd day to day happenings in the shop. Initially, the story starts with Sable being anxious and surprised by the next encounter each day brings, some of them fairly normal and some of them of the more magical variety. All the while, Sable is trying to figure out the mystery of The Cat and the bookshop itself. The layout of the bookstore changes, dishes are washed, and it’s all very mysterious.
Initially this is very light on characters, you have Sable and you have The Cat. However, as the book continues, we are introduced to more and more intriguing characters. I really enjoyed them all. This book has a very adventuring feel to it despite the fact that Sable can’t leave the book store, and I really enjoyed that. I also liked the glimpses I got of Sable’s family but hope we get to see more of her family as well in future books.
The only downside to this book for me was that the day-to-day format started to feel a bit repetitive despite each day being somewhat different. The story picked up towards the end of the book again as Sable learns more about The Cat and gets pulled into a broader story. So while I adored the concept and the characters, and enjoyed the story as well, I thought the pacing was a bit off. However, the way things picked up at the end really had me intrigued to read more of this series.
My Summary (4/5): Overall I really enjoyed this book it is a fun and cozy read with a creative concept, intriguing characters, and an entertaining story. It does drag a bit in the middle, but it quickly picks up again towards the end and really had me wanting to read more about this magical book store and these characters. The second book is supposed to release in early February (so very soon) and will be titled “Keeper and Kindred”. If you enjoy cozy fantasy with cats, books, dragons, and magic, I would recommend!
Terraforming Mars by Jacob Fryxelius (FryxGames/Stronghold Games, 2016)
About a year ago, I added Terraforming Mars to my collection of board games, fascinated by the premise. At the very end of the year, a local friend proposed to get together and try playing it. On 2 January, three of us sat down to a first game, using the beginner option of everyone playing a standard corporation and keeping all ten of their initial cards without having to pay for them. Four and a half hours later, we started counting up scores.
Terraforming Mars is a game about economic investment and its returns, like Race for the Galaxy, one of my long-time favorites. The premise is fairly hard science fiction: Several corporations have been granted charters by Earth’s world government to begin — as the title says — terraforming the planet Mars: raising its temperature and oxygen and giving it bodies of water. When these reach specific designated values, the game ends and score is taken. There are no violations of fundamental laws of physics such as faster-than-light travel; the departure, so far as there is one is not qualitative but quantitative, in the rapid progress of terraforming, though in some compensation, play is divided into “generations,” which implies a time scale on the order of centuries.
[Click the images to terraform them.]
Back cover of Terraforming Mars
The rule book for the game is 16 pages, but that includes introductory material, illustrations, and several game variants, including a solitaire version. The actual rules are in easily readable type and can be read through in a few minutes. Most of the complexities are strategic and are expressed in the text and graphics of game cards. Along with these cards, each player has a personal game board that keeps track of resources, and players share a larger board that’s a map of one hemisphere of Mars, where tiles can be placed to represent cities, oceans, vegetation, and other special achievements.
The map is also used to keep track of various scores and accomplishments. Reading the map is a little complicated, like watching the screen for character status in a computer game; on this first session we took a while to figure out some of its sections. But I think it can become familiar quickly.
In a way comparable to Race for the Galaxy, each generation in Terraforming Mars is divided into phases. A generation begins with each corporation receiving four cards from a deck, which represent newly acquired capabilities if the player wants to pay for them (“‘Take what you like,’ said God; ‘take it, and pay for it.'”) After that, players perform various actions, many but not all enabled by the cards, and some of which add tiles to the large board. Spatial arrangement of tiles is important and is partly restricted by the game rules.
Race For the Galaxy by Tom Lehmann (Rio Grande Games, 2007)
Some cards are used up by one action; some are kept and displayed in front of the player, and some of these can be used for a new action in each generation. All of this costs credits, and sometimes other resources! At the end of the generation, players engage in “production,” which provides more credits (based partly on their terraforming scores) and sometimes other resources that can be used to advance terraforming, directly or indirectly.
One thing that’s largely omitted from the game is violent conflict; most of the time, the various corporations are competing in an enterprise that theoretically benefits all of them (moving them toward a fully terraformed planet). There are a few moves that advance one player while imposing costs on another. An economist would call these “externalities”; a historian might call them “acts of war.” But as with, for example, Settlers of Catan (another European game), players have the option either of cutthroat competition or of deciding that that makes playing the game less fun, and avoiding it.
One of the three of us found the game rules a bit too complicated and hard to follow, so this may not be a game for everybody. It’s certainly not a casual game! But the other two of us enjoyed it a lot. In The Psychology of Everyday Things (published 1988), Donald O. Norman set out principles for ease of use, and pointed out that well designed games are deliberately a little difficult to “use” successfully (that is, to win); otherwise they become boring when the player solves them. I don’t see Terraforming Mars as likely to become boring.
Many games have an implied story. Sometimes this is very abstract, as with chess (a game about feudal warfare) or bridge (a game about capitalistic competition and cooperation); sometimes a kind of story emerges from the play of the game. (And sometimes, as with Dungeons and Dragons, telling bits of story is an actual move in the game.) Terraforming Mars has a fairly strong story aspect: It tells about how humanity moves out into the solar system and makes other planets humanly livable, in the style of classic science fiction writers (a clever joke in the rule book is to give examples of play with three players named Kim, Stanley, and Robinson!), of recent video series such as For All Mankind, or of the proposals of billionaires.
If you like that premise, or are willing to accept it, you’ll find Terraforming Mars a well thought out representation of a lot of its scientific details. I expect that as we play more games, and move on to using more than the standard starting corporations, we’ll find interesting bits of added flavor in the profiles of other corporations. And I may try playing the solo version when I have a few hours free; it seems likely to be entertaining.
William H. Stoddard is a professional copy editor specializing in scholarly and scientific publications. As a secondary career, he has written more than two dozen books for Steve Jackson Games, starting in 2000 with GURPS Steampunk. He lives in Lawrence, Kansas with his wife, their cat (a ginger tabby), and a hundred shelf feet of books, including large amounts of science fiction, fantasy, and graphic novels. His last piece for Black Gate was a review of Whose Body? by Dorothy Sayers

LitStack Spots – Other Titles by Tayari Jones Other titles we recommend by Tayari Jones,…
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Sea of Charms (Spellshop #3)by Sarah Beth Durst
Here are seven author shoutouts for this week. Find your favorite author or discover an…
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Paladin's Hope (The Saint of Steel #3)by T. KingfisherReading Level: Adult
Genre: Paranormal Mystery
Length: 286 pages
Publisher: Sittin’ On A Goldmine Productions LLC
Release Date: November 19, 2019
ASIN: B07YR6RSSH
Stand Alone or Series: 2nd book in the Mitzy Moon Mysteries series
Source: eGalley from Netgalley
Rating: 3/5 stars
“A beachside stroll. A deadly discovery. Will this psychic sleuth swim or sink?
Mitzy wishes she could turn a blind third eye to her hit-or-miss powers. Instead, while taking her fiendish feline for a walk, they make a stomach-churning find on shore. Despite her loss of appetite, she can’t help but get a closer look at the unique ink etched into the corpse.
Before she can track down the killer, Mitzy must sweet-talk her way off the sexy sheriff’s suspect list. And once again her meddling Ghost-ma is dying to interfere with the case. But when the trail leads to dangerous smugglers who shoot first and don’t ask questions, she could end up in over her head.
Can Mitzy uncover the truth, or will hers be the next body to float to the surface?”
Series Info/Source: This is the second book in the Mitzy Moon Mysteries series. I got this on Audiobook from Audible.com.
Thoughts: This is the second book in the Mitzy Moon Mysteries. I got this as a three book bundle on audiobook. Both this book and the first book were okay. They have some fun paranormal elements to them and a who-dun-it style murder mystery. They are fairly short and simple and predictable. The author keeps saying in the afterward that readers say things get a lot better and more engaging from book 3 on. Since I have the third book I will go ahead and listen to it.
Mitzy had a rough start with the police force in Pin Cherry Harbor so imagine her mortification when she and her feline find a dead body washed up on the beach. She just can’t get a break. The dead body is someone well known to the town. Of course it’s a drowning…or is it? Mitzy just can’t stay out of the mystery and uses her amateur sleuthing skills to get herself deep into trouble.
This was okay. The mystery is a bit predictable. I do enjoy the subtle paranormal aspects to the story…Mitzy can speak to ghosts and is showing some budding paranormal abilities. I am still struggling to like or relate to Mitzy as a character. She just seems really immature to me, and the constant lusting after the sheriff got old fast. I would like to say she showed a lot of character growth and started to take her life and responsibilities a bit more seriously, but she really didn’t in this book. I like a lot of the side characters better than Mitzy, but none of them have a lot of depth to their personalities.
This was a cute and quick read that was easy to listen to. I have no complaints about the narration of the audiobook. I specifically picked this paranormal mystery book pack because the books are shorter and they have solid reviews.
My Summary (3/5): Overall this was okay. It’s a cute and quick paranormal mystery read. I just also found this very forgettable. Mitzy is a pretty generic free spirited 20 something, the mystery was pretty ho-hum, and Pin Cherry Harbor could be any small town. Part of the issue is that I don’t really like Mitzy as our main protagonist; she seems really immature for her age. However, I did enjoy some of the side characters more. I do have the third book already, so I will give it a listen and see if it draws me in more than the first two books did.
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Murder at World’s End by Ross Montgomery
Mogsy’s Rating: 5 of 5 stars
Genre: Mystery, Historical Fiction
Series: Book 1 of Stockingham & Pike
Publisher: William Morrow (January 6, 2026)
Length: 336 pages
Author Information: Website
And just like that, I already have my first contender for best read of 2026 and it’s a straight-up old-fashioned whodunit. There’s just something deeply satisfying about a mystery that knows exactly what it wants to do, and Murder at World’s End absolutely nails it, delivering a treasure that feels like a love letter to the Golden Age of detective fiction.
The novel is set in Cornwall in 1910, the same year Halley’s Comet sparked widespread panic as a sensationalist media warned that all life would perish as Earth passed through the comet’s poisonous tail. Ensconced in his remote island estate ominously named World’s End, the Viscount of Tithe Hall has a plan for himself and his family to survive the apocalypse. Every window, door, and chimney will be sealed down to the tiniest keyhole, supposedly to protect the manor’s guests and servants from all kinds of dangerous gases or noxious space dust falling from the heavens.
On the eve of Halley’s expected appearance, an earnest young man named Steven Pike arrives at Tithe Hall and steps into a world of utter chaos. Recently released from prison for a crime he didn’t commit, he has come desperately in search of work, knowing how slim his chances are due to his questionable past. With the pre-comet preparations in full swing, however, the place is short-staffed and Steven is hired on the spot. He is then given the curious task of chaperoning Miss Decima Stockingham, the Viscount’s curmudgeonly and foul-mouthed octogenarian aunt who has already driven away all her lady’s maids. Warned that the old lady might not be entirely in possession of her marbles, Steven is surprised to find Miss Decima is in fact far less unhinged than her reputation suggests, with a mind as sharp as her interest in science, though her spectacular temper and lack of tact are unfortunately very real.
Obviously, the world has not ended by the time morning arrives, and the houseguests all emerge from their sealed rooms in a state of collective bemusement and relief—all except one. Sometime in the night, the Viscount was murdered, and his body is discovered alone in a room that had been sealed from the inside. On the surface, the crime appears impossible, though with the island cut off by the high tide, the only certainty is that the killer is someone already at World’s End. As the newest arrival and a former convict, suspicion immediately lands on Steven, but with the help of Miss Decima, the two set out to clear his name by solving the case.
Eccentric suspects, multiple nefarious motives, a literal locked room—The Murder at World’s End has it all. From the very first page, it had me completely hooked, and by its end, I was already giddy with excitement to find this is only the first of hopefully many more Stockingham & Pike books to come. What I loved about the story is how unapologetically classic it feels. This is a proper mystery where the clues matter, the motivations make sense, and the reader is invited to play along rather than be distracted by spectacle. Of course, there are red herrings aplenty, but in my opinion, they are fair ones where the plot never resorts to outrageous twists or last-minute revelations to force a surprise. Instead, the novel features sensible detective work that unfolds with patience and care, rewarding close attention and logical thinking, which made the ending all the more satisfying.
Also, I truly enjoyed the unlikely detective duo of Miss Decima and Steven. The latter’s gradual development is wonderfully handled, portraying his transformation from a skittish young man into a confident go-getter who learns to trust his instincts. And how I loved Miss Decima! Witty, brilliant, and having absolutely no patience for bullshit, she steals every scene she’s in and completely owns it, and yet, while she can certainly be a lot, it never feels too forced or over-the-top like it’s tipping into caricature. What really makes it work, though, is the dynamic between the two characters. Their partnership forms naturally, initially built on shared curiosity and then later mutual respect, eventually evolving into a friendship that was easily the highlight of the entire book.
Historical fiction fans will further appreciate the setting. The looming presence of Halley’s Comet and the hysteria surrounding it serve as such a cool backdrop for the story, giving it an eerie and almost mystical atmosphere. Tithe Hall itself stands as an intimidating presence, and the author uses the environment—the surrounding sea, the dark woods nearby, and even an honest-to-goodness hedge maze—to incredible effect.
In the end, The Murder at World’s End is exactly the kind of mystery I’ve been craving. I could hardly put it down, and every time I was forced to, I found myself jonesing for the next time I could pick it up again. Clever without being convoluted, charming without being pretentious, and most importantly rooted firmly in the traditions of classic detective fiction, this novel is a perfect reminder of why the genre is so beloved and enduring. I would happily follow Steven Pike and Miss Decima Stockingham into as many investigations as Ross Montgomery is willing to write.
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I’m delighted to have a guest post by Katie Hallahan to share with you today! She is the author of McKenna Ellerbeck, a contemporary fantasy series starting with The Twice-Sold Soul, which is described as a “queer fantasy romance set in a magical high school reunion” for “fans of Buffy and Charmed.” The second and newest book in her series, The Twice-Wanted Witch, is out in trade paperback and ebook today—and you can read more about some of her favorite […]
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ABOUT THE AUTHOR: Philip Fracassi is the Bram Stoker and British Fantasy Award-nominated author of the novels Don’t Let Them Get You Down, A Child Alone with Strangers, Gothic, and Boys in the Valley. His upcoming books include the novels The Third Rule of Time Travel, The Autumn Springs Retirement Home Massacre, and Sarafina.
Publisher: Tor Nightfire (September 30, 2025) Page count: 416 Formats: audiobook, ebook, paperback
I loved this book.
The Autumn Springs Retirement Home Massacre is, basically, a slasher horror set in a retirement home.
Rose DuBois is a fantastic protagonist. She’s in her late seventies, but still sharp, and tired of nonsense. She's also a little lonely, and carrying a lifetime of quiet damage she doesn’t talk about much. When residents at Autumn Springs start dying, she first mourns her friends. That's the thing with a retirement home - people die there all the time. But with deaths piling up, Rose decides to investigate.
The book is quick to read thanks to shot chapters and brisk pacing. I also enjoyed the setting. Life in Autumn Springs revolves around schedules, medications, compromises, and small social ecosystems. People know each other’s habits. They notice when someone doesn’t show up. They also know how easy it is for a death to slide by unquestioned. That tension between community closeness and institutional indifference plays an important role.
Since it's a slasher, you know there'll be violence. It's not extreme or gratuitous, but characters you'll root for will die. The violence isn’t goofy or exaggerated. It’s ugly, abrupt, and often sad. The story switches between cozy-ish mystery and slasher brutality. The investigation side, mostly driven by Rose and her friend Miller, is fun and their relationship adds warmth without tipping into sentimentality. Then the killings arrive and snap that comfort in half. The violence isn’t goofy or exaggerated. It’s ugly, abrupt, and often sad. I'll emphasize that Fracassi respects his characters too much to treat them as fodder. Most deaths sting, true, but they're well written.
The mystery holds together. You’re given enough to speculate without being led by the nose, and suspicion moves as new information comes out. The eventual reveal makes sense. There’s a light supernatural touch to it that some readers may wish were either pushed further or cut entirely.
You’ll like this if you prefer horror character-driven and if you enjoy mysteries where character matters more than clever twists, and if the idea of a slower, observant final girl appeals to you.

LitStack Spots – Titles by Will Dean Here are some titles by Will Dean that…
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Blue Beard, Red Hood (Beloved Villains #6)Rebecca F. KenneyReading Level: Adult
Genre: Paranormal Romance
Length: 368 pages
Publisher: Berkley
Release Date: January 13, 2026
ASIN: B0F4Q7YQXK
Stand Alone or Series: 3rd book in Wild Magic series
Source: ebook from NetGalley for Review
Rating: 4/5 stars
“Like her sisters, Sage and Teal, Sky Flores has a touch of magic, and it’s caused nothing but heartache. Not only did she disappear into the woods years ago and reappear with no rational explanation, she’s also more comfortable talking to animals than to people. Different and misunderstood, Sky is shunned in the small town of Cranberry.
Sky’s neighbor, Adam Noemi, has his own problems. After being laid off from a prestigious newspaper, Adam, ever the ambitious reporter, needs a big headline to redeem his career. Enter Sky, a girl with a story that news outlets have been chasing for years. Sky agrees to grant Adam an exclusive interview on one condition: that he befriend Sky, in a very public way, to prove to everyone in Cranberry that she’s not an outcast.
As Sky shares her experiences with Adam, something much bigger than a simple agreement begins to grow between them. But for love to take root, Adam will have to take a leap towards a life that defies expectations, and Sky must open her heart – full of flora and fauna and mystical energies – to his curious mind.”
Series Info/Source: This is third book in the Wild Magic series. I got a copy of this to review on ebook from NetGalley.
Thoughts: This was a well done continuation of this series. I enjoyed reading about Sky’s story. My favorite book in this series remains the first book, but I enjoyed this one as well. You really feel for Sky and all that she’s been through; I thought her autism was well represented too.
Sky has a touch of magic; she can talk to animals. Unfortunately, with her long absence, she is more comfortable talking to animals than people, and the people of Cranberry town have not been kind to her. She feels like a burden on those around her. Sage and Teal have both moved on with their lives but still feel like they have to baby Sky. Sky is doing okay though; she has her job at the library and a couple of friends. She wants more and is trying to put herself out there. After some horrible experiences in an online dating app she finally clicks with someone online. Simultaneously, she keeps running into Adam. He was horrible to her in high school and is now the big time famous reporter (who seems to be down on his luck). Him and Sky have one thing in common, his father who is struggling with onset dementia. As Adam and Sky end up spending more time together via Adam’s father, they start to find out that they have more in common than they previously knew.
This was a cute story and I enjoyed it. I was excited to finally get Sky’s story, and she is by far the most timid of the sisters. I really felt for her and her feelings of loneliness, not fitting in, and of being a burden on those around her. I enjoyed watching her grow and find her footing throughout the story.
Sky has autism and this is represented throughout the story; she is sensitive to certain sensation and fabrics, has trouble with natural conversation and reading cues but she is trying to own it. I thought Gilliland did a great job representing this throughout the story. Sky is a high functioning individual who just needs to interact with people and things a bit differently. Adam comes off as a bit of a jerk initially, but I grew to enjoy his character more as the story progressed. The two end up having excellent chemistry together.
This story felt a bit slower than the previous two books. Sky had a mystery of a secret coven that she was trying to unravel but that was very much in the background and kept being forgotten throughout the story. There just didn’t seem to be as much to drive this story forward as there were in the first two books. I also love the Flores family, but they seem very scattered in this book. They do come together at times, but Sky felt very much on her own because she was very much on her own for a lot of the book. All the other members of the Flores family had valid but different priorities (new baby, new business, etc).
This was easy to read and cute and funny. I enjoyed it and think it was a decent close to this series about these magical sisters.
My Summary (4/5): Overall I liked this and thought it was a quick, cute, and fun read. It was a bit slower than the previous two books and I didn’t click with Sky as a character quite as well. However, I did like learning more about Sky and watching her grow and get her happiness. I would recommend this series to those who enjoy paranormal magic with a cozy feel; all of these books have an emphasis on family and finding happiness. I will definitely keep an eye out for Gilliland’s future books.

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