Reading Level: Adult
Genre: Cozy Fantasy
Length: 325 pages
Publisher: Tor Books
Release Date: November 11, 2025
ASIN: B0DQJ422QX
Stand Alone or Series: 2nd book in the Legends and Lattes series
Source: Borrowed ebook from from Library
Rating: 5/5 stars
“Fern has weathered the stillness and storms of a bookseller’s life for decades, but now, in the face of crippling ennui, transplants herself to the city of Thune to hang out her shingle beside a long-absent friend’s coffee shop. What could be a better pairing? Surely a charming renovation montage will cure what ails her!
If only things were so simple…
It turns out that fixing your life isn’t a one-time prospect, nor as easy as a change of scenery and a lick of paint.
A drunken and desperate night sees the rattkin waking far from home in the company of a legendary warrior, an imprisoned chaos-goblin with a fondness for silverware, and an absolutely thumping hangover.
As together they fend off a rogue’s gallery of ne’er-do-wells trying to claim the bounty the goblin represents, Fern may finally reconnect with the person she actually is when nothing seems inevitable.”
Series Info/Source: This is the second book in the Legends and Lattes series. I borrowed a copy of this on ebook from my library.
Thoughts: This was an amazing follow-up to Legends and Lattes and follows Fern, from the Prelude book. I really enjoyed that this went from more of a cozy fantasy to an adventure fantasy (with some coziness of course). I thought Fern’s struggles felt very real and was hoping for her to find her path and happiness. It was incredibly relatable.
Fern relocates her bookstore to Thune and gets set up with the help of Viv, Tandri, and Cal. However, she isn’t happy. Fern finds herself panicking when she realizes this move to Thune didn’t fill the empty spot in her. For a solution, she has a night of hard drinking and then wanders around town, inadvertently falling asleep in the back of a wagon. Unfortunately, she wakes up on the road with a famous warrior elf, the elf’s odd captive goblin, and no money whatsoever. Now Fern is on an adventure that will test her courage and make her question what she really wants out of life.
I really enjoyed all of the adventuring in this book. It is different from previous books in this series, but I enjoyed the change. The adventure is exciting and life-threatening at times, but still stays cozy feeling too.
I also really enjoyed all of the characters here. Fern is a foul-speaking Ratkin in a tough spot but she tries to be as helpful as possible and really is struggling to find her happiness. The elf warrior she joins up with is a creature of habit, she’s been a merc for centuries and can’t imagine doing things any other way. The captive goblin is pure chaos, and it’s tough to figure out if she’s actually a captive. In the end, they all end up being what the other party members need. They all end up pushing each other out of their comfort zones. The antics here were humorous, fun, and thought-provoking.
This was very easy to read and I enjoyed it. It is quite different from the last two books in this series in format and tone, but I thought that was a good thing. It was still a cozy and thought-provoking read. This was incredibly well written, and I breezed right through it and enjoyed every minute of it.
My Summary (5/5): Overall I really enjoyed this new installment in the Legends and Lattes series. The format is different this time around with a lot more adventure, but I liked the format even better than the previous books. We do see a bit of Viv and Tandri, but the story really focuses on Fern and a cast of new amazing characters. If you enjoy thoughtful adventure fantasy with some coziness, I think you will enjoy this. If you enjoyed the other two Legends and Lattes books, I think you will enjoy this as well, just keep an open mind and go along with the adventure.
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
My Husband’s Wife by Alice Feeney
Mogsy’s Rating (Overall): 3 of 5 stars
Genre: Thriller, Mystery
Series: Stand Alone
Publisher: Macmillan Audio (January 20, 2026)
Length: 8 hrs and 58 mins
Author Information: Website
Narrators: Bel Powley, Henry Rowley, Richard Armitage
Alice Feeney is an author I can usually depend on to deliver an edge-of-your-seat thriller, and on its surface, My Husband’s Wife sounded like it would be exactly that. So, imagine my disappointment when it did not work for me the way it clearly has for so many others. Now, I’m aware I’m in the minority with this one, but somewhere along the way I felt the story just went so far off the rails that I stopped enjoying myself.
The book opens with Eden Fox, an artist about to have her career breakout moment, deciding on an evening run to blow off some steam before her first gallery exhibition. As always, she leaves all her valuables including her phone, wallet, and wedding ring at home before she heads out. When she returns, however, she discovers something very wrong. The key to her house no longer works. Someone answers the door to see what’s going on, and it’s a stranger who looks remarkably like Eden—similar build, hair, facial features—and she claims that there must be a mistake, because she lives there, not Eden. Then, a man come downstairs to investigate the commotion, and Eden is relieved because it’s her husband, Harrison. He’ll sort out this mess and kick this crazy lady out of their house! Except to Eden’s shock, Harrison stares back at her with no recognition in his eyes. He insists the strange woman beside him is his wife, and that he has no idea who Eden is but if she doesn’t leave the property, they will have no choice but to call the police. Carrying no proof of her identity, Eden is forced to flee into the night, feeling frightened, hurt, and confused.
Running alongside Eden’s story is a second one following Birdy, a reclusive woman living in London who has just received a devastating diagnosis and may only have months to live. That same night, however, she is visited by a representative of her estranged grandmother’s estate and learns she has unexpectedly inherited a house in the seaside village of Hope Falls, where her family once lived. When Birdie arrives at the property, affectionately known to all the locals as Spyglass, she discovers a letter among her late grandmother’s belongings from a mysterious corporation claiming it can predict the exact date of a person’s death. Given the timing of her diagnosis, Birdy’s curiosity is understandable, and she decides to look more closely into the company’s mission and history. As her investigation unfolds, the novel gradually stitches together these two seemingly separate narratives, linking half-truths and coincidences that may not be coincidences at all.
For the most part, this works. I’ll say this about all Alice Feeney’s books: her prose is snappy, the atmosphere is intense, and the pace is so brisk that the thought of taking a pause is nearly impossible. I was genuinely curious and looking forward to the reveals for at least the first half of My Husband’s Wife, even when I wasn’t entirely sure what the hell was going on. After all, confusion is part of the deal here, completely by design, and the plot is structured in a way to make the reader feel disoriented.
Where the story started to lose me was in the second half, with its handling of twists. Not because there were too few, but because there were too many! At a certain point, the story completely gives up on building upon its own foundations and begins pulling the rug from under itself, over, and over, and over again. Shocking revelations became less about providing answers and more about being completely unpredictable, even if it doesn’t really make sense or throws everything that we know about the characters out the window. When you realize that anything can change at any second and none of the truths that were previously established matter, it all starts to feel rather pointless.
To be clear, I have nothing against twists. It’s one of the best reasons to read thrillers and why I enjoy the genre so much. But at the same time, My Husband’s Wife was a bit much even by Feeney standards. Thing is, I don’t want to remove all thinking from the equation. I’d like to be given the chance to form coherent theories and emotional attachments to characters that could hold out to the next chapter. Without that expectation, I’m afraid it undercuts tension rather than heightens it for me.
That said, the audiobook narration is fantastic. Read by Bel Powley, Henry Rowley, and Richard Armitage, all three delivered strong and engaging performances. I’m especially a big fan of Armitage, who does incredible voice work on anything he does, not just Alice Feeney audiobooks. To be honest, even when the story frustrated me, the narration kept me listening.
In the end, I think My Husband’s Wife will be very much a “your mileage may vary” thriller. For me, the book started strong but ultimately collapsed under the weight of its need to induce whiplash, leaving me entertained but mentally exhausted and emotionally detached. But like I said, I suspect I am the outlier here, and fans who love Alice Feeney’s books despite or perhaps because of her bold, major-suspension-of-disbelief twists will probably have a great time.
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Several people asked my opinion "as a military man." They were wrong about the man part, but the thought of explaining Gallacia's sworn soldiers to a boatload of Americans was so exhausting that I needed a gin and tonic just to contemplate it, and a second one to decide that explaining would be a bad idea.
Book links: Amazon, GoodreadsOnce again, I have scoured the internet for information on speculative fiction books coming out this year and compiled a list of works I wanted to highlight. After looking through book descriptions, early reviews, and any available excerpts, I’ve put together a list of 18 fantasy and science fiction books coming out in 2026 that sound particularly compelling to me. (Of course, some of these did not require research since I had already enjoyed previous books in the series or […]
The post Anticipated 2026 Speculative Fiction Book Releases first appeared on Fantasy Cafe.Reading Level: Adult
Genre: Fantasy/Steampunk
Length: 378 pages
Publisher: Self-Published
Release Date:July 11, 2024
ASIN: B0D54FPW8Z
Stand Alone or Series: 3rd book in The Lamplight Murder Mysteries
Source: Borrowed ebook from Kindle Unlimited
Rating: 5/5 stars
“It’s the week of Hunter’s Eve, a yearly celebration of monsters, ghosts, and things that go bump in the night. But for Huntress Isabeau Agarwal, the event is a stark reminder that in her line of work, there is never a day’s rest.
Murders rock the city, and Isabeau is charged with solving them before the killer strikes again. One, a macabre accident during a dangerous magician’s trick gone awry. The other, a slain politician, his disfigured body displayed atop Lamplight’s most memorable landmark.
The deaths are seemingly unrelated, until Isabeau learns both magician and politician belong to the same mysterious social club filled with powerful paragons of the city, each with their own hidden agendas—each with a reason to kill.
And during it all, a werewolf stalks the streets, bounding from rooftop to rooftop and claiming the lives of innocent citizens. As Isabeau uncovers the city’s secrets, complications arise: the monster and the murders may be connected.
The magician. The police chief. The Ethereal Maiden. The professor. The criminal kingpin. The industrialist.
One may be a killer. One may be a werewolf. All are hiding something.”
Series Info/Source: This is third book in The Lamplight Murder Mysteries. I borrowed this on ebook from Kindle Unlimited.
Thoughts: I really enjoyed this third installment in The Lamplight Murder Mysteries. This book was a bit different than previous books in that we are let loose in the city of Lamplight rather than in an enclosed environment. I actually loved this format even more than the previous two books. I have been wanting to learn more about the mysterious city of Lamplight and this book didn’t disappoint.
There is a werewolf loose in Lamplight…and even worse a murderer loose. Isabeau and Evie are trying to enjoy a night at the theater, watching a magician, when his show goes very wrong and his assistant is killed. They quickly find out that this isn’t the only killing of the night, and Evie is called in on the case. Isabeau and Evie find out that both murders are linked to a mysterious social club, and the werewolf may somehow be linked into this all as well.
This book had a lot more action than the last couple books. I actually enjoyed this open format a lot more and really enjoyed exploring Lamplight. The things I like best about this series are the amazing world and the intriguing characters, and we get to see a lot more of both in this story. I actually am not a huge fan of murder mysteries or who-dun-it types of stories. However, I love this setting and these characters.
I also love that we learn a lot more about monsters and about Isabeau’s past in this book. Both Evie and Isabeau are growing and changing as characters which is fun to watch. There was a bit more about politics and we are exposed to more of the ghostly aspects of this world as well.
This was a very fun and easy read that I enjoyed immensely.
My Summary (5/5): Overall I really loved this book and thought that this was the best book in this series so far. I loved the more open format and venturing into the city of Lamplight. I loved how the murder mystery intertwined with other aspects like werewolves, ghostly apparitions, and politics. I really love the characters here and enjoyed learning more about their history and watching them grow. I would recommend to anyone who enjoys a creative dark steampunk-esque fantasy world with intriguing characters and a well done murder mystery.
A Court of Sugar and Spice (Wicked Darlings #1)by Rebecca F. Kenney

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Tailored Realities by Brandon Sanderson
Mogsy’s Rating (Overall): 4 of 5 stars
Genre: Science Fiction, Young Adult
Series: Anthology
Publisher: Tor Books (December 9, 2025)
Length: 448 pages
Author Information: Website
I’ve always found myself somewhat on the fence when it comes to Brandon Sanderson’s Cosmere. Don’t get me wrong, I enjoy the books themselves, but following the ever-expanding web of connections has never been a big part of my interest. I just care that the stories stand well on their own, which is why Tailored Realities, a collection of Sanderson’s non-Cosmere short fiction, felt especially appealing. As I’ve always said, he’s also one of the rare authors whose storytelling and world-building generally leave a lasting impression, whether he’s writing ten pages or a thousand.
There are a few exceptions to that, of course. The following are my thoughts on each story, though a couple have already been previously reviewed on their own, and you can search for these earlier reviews for more detail. In addition, Tailored Realities includes three brand-new stories appearing for the first time.
Snapshot (4.5 stars)
Reviewed previously, and even better the second time around.
Brain Dump (4 stars)
A very quick and clever sci-fi vignette that wastes no time getting to the point. Imagine a near future where prospective parents can literally shop for a designer child, browsing through genetic models in a showroom. While the concept isn’t especially groundbreaking, it’s the execution that makes this story work. For one thing, it embraces brevity, and though Brain Dump reads almost like a thought exercise, sometimes that’s exactly what sci-fi needs: a simple setup, a clear social question, and the restraint to step away before it becomes overly trite and pretentious. Sanderson’s trademark humor also helps make his point without bogging things down, and despite its short length, this was one of my favorites.
I Hate Dragons (3 stars)
Speaking of experimental, this story about a boy’s magical talent for smelling good to dragons as well as his ability to hear spelling and punctuation makes for a fun little tale, and not surprisingly, it was born out of a writing exercise. Not much else to say about this one, but I did find it useful as a way to show my middle schooler what effective dialogue looks like.
Dreamer (2.5 stars)
Dreamer is a horror story about body snatchers, but it’s handled in a subtle way that’s less about what’s happening on the page and more concerned with making readers uncomfortable through ideas. In a way, this conceptual approach is very typical Sanderson, messing with your mind instead of relying on shock value. That said, this story didn’t do much for me. It’s simply much too short to leave a lasting impression, and while the ideas are interesting in theory, they aren’t explored deeply enough to make them particularly memorable.
Perfect State (3.5 stars)
Perfect State explores perceived realities and asks, what if nothing is real and our brains are simply living in fully simulated worlds tailored to our wants and needs? This is the case with the protagonist of this tale, who rules a fantasy kingdom in a simulation created just for him. He can be the hero he wants to be, even if it’s only in his own virtual existence. But does it really matter? This story examines consciousness and ambition, as well as the ways one measures satisfaction and achievement. Compared to the previous entries, this one is thematically heavier and denser in its world-building, which made it a bit harder to get into. While the concept itself is fascinating, the execution didn’t quite hold my interest and ultimately felt a little too slow to fully engage me.
Probability Zero (1.5 of 5 stars)
Ugh, I hate flash fiction, so take my rating with a grain of salt, but this story exemplifies why. Again, this one is told entirely in dialogue but has none of the charm of I Hate Dragons. At under 500 words, I barely see a point in reviewing this one, but it follows a human selected by aliens to be uplifted, and aside from a clever little twist at the end, it passed by with barely a blip on my radar. I have to say, I got far more insight from Sanderson’s author’s note for this story, which ended up being more enjoyable than the story itself.
Defending Elysium (3 stars)
I love the Skyward series, so I was giddy with a fair bit of anticipation by the time I got to Defending Elysium which apparently lays the groundwork for the Cytoverse. That said, the age of it shows, and as this is early Sanderson still developing his craft, the writing can feel a bit rough around the edges, as in heavier on description and telling rather than showing. While I’m fascinated by what feels like the origin seeds for the Skyward books, the mystery plot itself was fairly underwhelming, and the storytelling occasionally drags under too much detail. Still a neat little read though, especially if you are a Cytoverse completionist.
Firstborn (2.5 stars)
This is one I wish I had enjoyed more, and maybe I would have had I been more of a short fiction fan. However, I tend to struggle with novelettes, especially when they try to cram so much into such a small space. Firstborn is about a young man who follows in the footsteps of his legendary older brother, a brilliant and admired military strategist he knows he will never live up to. With so much potential for human conflict alone, the story barely has room to explore the characters once the epic battles are factored in. Any messages about inherited talent versus personal circumstance are completely overshadowed along the way.
Mitosis (4 stars)
Previously reviewed, this mini-story takes place in the Reckoners universe after the events of Steelheart. A quick, fun read that stands alone from the rest of the novels but worth reading for the supervillain and his cool powers alone.
Moment Zero (4.5 stars)
Moment Zero is the longest story and likely the collection’s selling point as it is also a brand-new, never-published-elsewhere-before novella. Part detective story, part time travel adventure, and part zombie apocalypse, it follows two police investigators and former lovers as they try to stop the same catastrophic event from happening, but from opposite directions in time after one is transported a few days into the past while the other is thrown forwards into the future. The dual-timeline structure here is clever, but like all time travel stories, it’s probably best not to think too hard about the mechanics behind them. Still, what’s lovely about Moment Zero is its longer page length, which gives readers more time to know the two main characters. The relationship between them carries a surprising amount of emotional depth, hitting harder than I expected for a novella. This one is hands down the best story in Tailored Realities—not only the most memorable, but the most satisfying as well.
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Paladin's Strength (The Saint of Steel #2)by T. Kingfisher

OFFICIAL BOOK BLURB: When Maggie wakes up cold, filthy, and naked in a gutter, it doesn’t take her long to recognize Kair Toren, a city she knows intimately from the pages of the famously unfinished dark fantasy series she’s been obsessively reading and re-reading while waiting years for the final novel.
Her only tools for navigating this gritty world of rival warlords, magic, and mayhem? Her encyclopedic knowledge of the plot, the setting, and the characters’ ambitions and fates. But while she quickly discovers she cannot be killed (though many will try!), the same cannot be said for the living, breathing characters she’s coming to love—a motley band that includes a former lady’s maid, a deadly assassin, various outrageous magical creatures, and a dangerously appealing soldier. Soon, instead of trying to get home, she finds herself enmeshed in the schemes—and attentions—of dueling princes, dukes, and villains, all while trying to save them and the kingdom of Rellas from the way she knows their stories will end: in a cataclysmic war.
FORMAT/INFO: This Kingdom Will Not Kill Me is 480 pages long divided over four named parts with forty-three chapters, and an epilogue. In this book, narration is in the first-person, exclusively via Maggie Haley. This Kingdom Will Not Kill Me is the first volume of in the Maggie The Undying epic fantasy trilogy.
March 31, 2026 will mark the North American hardback, e-book & audiobook publication of This Kingdom Will Not Kill Me via Tor Books. Cover illustration is done by Andrew Davis.
OVERVIEW/ANALYSIS: There are authors and then there are storytellers, there are fantasy stories and then there are epic fantasy sagas. There are books which readers read and stories that become embedded in the readers’ minds & hearts. This Kingdom Will Not Kill Me by Ilona Andrews introduces us to Maggie the Undying and easily is one of the (if not THE) top read of 2026 for me (I’ve read it five times already as I write this review). This book is dedicated to readers who dreamed about getting lost in a book. I must congratulate house Andrews for the thrilling & immersive read which I experienced as I want the sequels & moar….
The story begins with our main character Maggie Haley walking up wet and naked in the city of Kair Torren, capital city of Rellas. The weird thing is until today, this was a secondary fantasy world featured in an unfinished fantasy series titled The Rise Of Kair Torren (with two published books called THE THIEVES OF THE NORTH, & THE LORDS OF THE EAST) that Maggie has been besotted with since her teenage years. Now she finds herself in that very same world and has to figure out:
- Is this real or is she hallucinating?However Maggie has a few, aces up her (currently non-existent) sleeves, she has an encyclopedic knowledge of the events that have occurred and are yet to occur within this land. Plus she knows a lot about the characters’ motivations, & thoughts: both regal & commoner, and POV & non-POV ones. This cerebral Rellaspedia will be one of her main strengths as she tries to assist certain folks to avert a huge & bloody crisis. There’s also her other magical ability to come back from death wholly no matter the manner of her passing. She doesn’t quite know the “how and the why” of her strange ability, but she will use it to her advantage whenever she can. Maggie wants to stop the tragedy that’s set to unfold within Rellas. As she realizes that she cares deeply about the people & characters who have inhabited within her mind for the last decade or so. With everything knowledge wise at her disposal, Maggie decides to tamper with the flow of events and change the fates of hundreds (if not thousands) of people.
There are many things that I could tell you as to why I’m in love with this book (and fantasy series “I say series because while the deal is for three books but I think this story can go beyond 3 books”). Primarily it’s the authorial writing style, from their Kate Daniels saga to the Hidden Legacy series to the Innkeeper volumes. Every series of theirs has given the readers fantastic characters that they can root for or rail against. The dialogue is snappy, the prose is tight and lastly their stories are the type that entertain and become epic along the way.
(TKWNKM UK Cover)Maggie The Undying is in many ways a quintessential Ilona Andrews story but it is also a different story than they have ever written before. It is EPIC, it is magical and if I had to do an elevator pitch for it, it would be ASOIAF meets Alice in Wonderland but without the grimdark edges. It’s a testament to the authors’ skills who can flesh out multiple characters within a singular POV story. Speaking of characterization, almost all the characters who get introduced within this first volume, are fully fledged and three dimensional. Coming from a singular POV story and especially from a first-person narrative, this facet of the story is exceptional. Books such as Assassin’s Apprentice, Kushiel’s Dart, Prince of Thorns, Name of The Wind, Blood Song, Kings of the Wyld, etc. are few and far in between. All these aforementioned titles have narrators who are charismatic and fall on all shades of the moral spectrum. Herein the authors do something akin to these stories while also providing a side character cast that is as fleshed out as the main character and have their own motivations to play out.
While Maggie has such a fascinating narrative voice, she’s still human and has her blind spots. To cover these blind spots, she has new allies and found family beside her. I could talk more about Raymond Karis or Solentine Dagarra or Clover or even the main antagonist but I suspect the authors have plans for almost all characters. I can’t wait to see who takes bigger roles in the future sequels. I suspect quite a few of these characters will become fan favourites and I hope akin to the Kate Daniels, Innkeeper & Hidden Legacy books, the authors provide more stories from their viewpoints.
“When the Eight Families went to war, the world burned. The Great Families had been playing musical chairs with the throne of Rellas for the last eight hundred years, and how long each dynasty lasted depended on how good they were at pitting the other seven families against each other…. the current king, had been teetering on the edge of a full psychotic break for a decade, and the tensions among the Great Families were at an all-time high.”Another beguiling aspect of this book was the worldbuilding. In this regards, this reminded me a lot of ASOIAF & Codex Alera with its varied geographical details, the royal houses that govern the various regions & the powers they possess. The authors brilliantly provide a medieval world that’s as complex as ours and then there’s the fascinating small touches with toilet paper, clothing details, LGBT/non-binary folks inclusion and naming nomenclature. I recall when I first read A Game Of Thrones, how immersive the story was due to its worldbuilding (heraldry descriptions, world history, and geographical tenets) & similarly with Codex Alera with its Romanic culture infused lands.
With This Kingdom Will Not Kill Me, I felt a similar deep immersion and while the world is a dark, medieval one. The authors have managed to brilliant thread the needle in making it realistic but not grimdark or unnecessary violent. I must also highlight Stephanie Stein’s crucial role in the expansion of the plot from a more intimate & less political story (as envisioned by the authors originally) into this genre-bending & fun story. I had read a small excerpt of the story a few years ago & this finished version is more complex, politically intriguing and something that I didn’t know I needed. So my eternal thanks to Stephanie for her editorial hand in elevating the story alongside the authors into its current amazing form.
“It would all end in blood and fire….who wanted nothing to do with the swamp that was the powerful underbelly of Kair Torren and the narrative had crushed her in the worst way possible…”The main plot of the story is about averting a political takeover which includes an event called “the night of thousand fires”, the event being as brutal and destructive as it sounds. The authors have shaped this story very much akin to a thriller, wherein the MC has certain knowledge of pre-ordained events and tries to carefully avert certain situations to change the eventual bloody outcome. This was fun to read as Maggie narrates what she knows and the readers get to know about it in real time as well. The joy is in finding out how she accomplishes with her cerebral Rellaspedia and what new consequences her actions unleash.
This story really flowed so smoothly because Maggie is very much a fan and so that resonated with me on such a deep level. Her love for the story and characters is something that all of us can keenly feel. Be it the six duchies or Westeros or Roshar or the Westlands or even post apocalyptic Atlanta, we the readers are transported in those worlds and care for it as deeply as our own. The world of Rellas is a brilliantly written one and as a reader, one can’t help but be drawn in via Maggie’s love and enthusiasm. The authors have meant this as a complement and given how re-readable their books are, I can only thank them for their venture into epic fantasy as I’ve been clamouring for them to do since the last decade.
Herein the book follows a semi-traditional epic fantasy plot structure but has enough twists within to differentiate it and make it fresh. I’m purposefully being vague because of spoilers but there’s a murder plot, a serial killer plot , soap-making as well as a missing person(s) mystery. Plus not to mention all the various story set-up for events that will happen in the sequels. All in all, there’s so much happening and none of it feels extraneous or excessive.
I would describe this as an epic fantasy with dark undertones as funnily the story within the Rise Of Kair Torren books is a gritty & grimdark one. But herein the authors smartly blunt those edges while still maintaining the dark feel. What I mean is that authors have provided a story that's about a dark world but the reading experience is a comfortable one. I also have to highlight that the authors are fans of David Gemmell’s heroic fantasy stories and there’s some wonderful character similarities to be found within. From the grizzled veteran to the mercenary family to the head of the assassin guild, these grey characters are so fascinatingly written that one can’t help but care for them and watch out for what they do next. There’s going to be a lot of fan favourite characters for every type of reader to root for. The action sequences are more of the personal kind except for the climax which is a mass affair. There’s no big battles as such but the climax will provide succor to the most ardent action fantasy fan.
The prose is very solid throughout and while nobody will be calling it purple. I found it to be solid and very geared to make the readers’ experience a fascinating one. The authors’ have a knack for writing comedy and there’s just the right amount interspersed within. Another thing I wish to highlight for IA fans who have read their various series is about the epic fantasy genre. While this book is very much paced properly, readers who are more accustomed to the urban fantasy genre will have to understand the more laid-back nature of epic fantasy and the worldbuilding involved. In most (if not all) epic fantasy books, the author must worldbuild alongside laying out the story and character arcs. This leads to a seemingly slower pace as compared to urban fantasy stories wherein the worldbuilding exercise is far less intensive as the world is usually our own.
Many readers might disregard this as a romantasy book and they would be very, very wrong. This book has a tendril of romance but it’s ensconced within the story in a neat fashion. For those readers who are wanting a spicy romantic read, they won’t find this book to be that either. The authors have tried really hard to make this story into its own thing and I applaud them for it.
(Stelka picture courtesy of the authors' website)One thing I must note is that this book & story is very, very cinematic. I could very easily visualize this as a TV series akin to Game Of Thrones with a Maggie voiceover ala Dexter. The same, charming narrative voice that Michael C. Hall so smoothly provided can be done herein. Albeit with an actor who can bring Maggie’s brilliance and spunk alive. I was thinking a young Willa Fitzgerald would have been terrific with this. I seriously hope that someone from Hollywood does consider this book series as it would make a for a thrilling, fun & addictive show.
CONCLUSION: Filled with mesmerizing characters, a medieval fantasy world that defies genre trappings and a hope-filled story that evokes joy. This Kingdom Will Not Kill Me is the exact type of exceptional fantasy that I’ve been dying to read. This Kingdom Will Not Kill Me is easily my top read of 2026 & it will be nigh impossible to top it IMHO. Get ready to meet Maggie The Undying as that’s a name you won’t be forgetting soon after March 31st 2026.
The Apple-Tree Throneby Premee MohamedThis week, I did something I hadn’t done in a really, really long time. I began work on a new novel. Not a media tie-in. Not work-for-hire set in someone else’s world. This novel is mine through and through. And it felt great.
So far, I haven’t gotten a lot written. I never do at the outset of a new project. It usually takes me a couple of weeks to find my pace and start churning out pages the way I like to. On the first day, though, I got a thousand words written. Good words. Words I like. Long words, short words, fat words, skinny words, words that climb on rocks, yes, my friends, even words with chickenpox….
Seriously, it felt wonderful. I have found myself thinking about this new book all the time, daydreaming ideas for descriptive passages and plot twists even when I’m far from my computer. I can’t tell you how long it’s been since I did that. At least a couple of years.
No, this is not a continuation of any series you’ve read before. It’s something entirely new, utterly different. I won’t say more than that for now.
I am sure that my enthusiasm for the project will wax and wane, as it does with all projects. There will come moments when the writing is nothing but a slog. There will be days when I curse the book and its characters, when I want nothing more than to chuck the whole thing. That is part of the process. Even my favorite books piss me off at times. I have never written anything that was a joy start to finish. Writing just isn’t that easy. To my knowledge, no artistic pursuit is. Nothing worth doing is.
And life will get in the way now and then. That happens, too. Just yesterday, I spent the whole day dealing with homeowner stuff — annoying, distracting, ultimately, I expect, very expensive. That is part of being a writer as well. Stuff gets in the way.
The story remains, though. The world and plot and characters will be there when I get back to them. They’ll be impatient, miffed at me for leaving them in stasis for a day or a week or whatever. A good book, though, stays fresh, even during the interruptions. This one is no different.
Yes, my hiatus from writing was a byproduct of my grieving process. My return to writing is not an indication that my grief is spent. It never will be. I will grieve my darling Alex for the rest of my life. As I’ve said before, I wouldn’t have it any other way. Grief is an expression of love, and my love for her was limitless. But she wouldn’t want to be the reason I stopped writing forever, any more than she’d want me to give up on happiness or love or life because she’s gone.
Writing is part of who I am, and after a long absence I feel that I am ready to be me again, for good or ill. Alex would approve, I believe.
So, I ‘m back at it, and I will keep you updated as I work my way through this newest manuscript.
Enjoy the rest of your week. And Happy New Year.
Spicy Little Cursesby J.T. Geissinger


From the BLURB:
A BOY MEETS A GIRL. THE PAST MEETS THE FUTURE. A FINGER MEETS A TRIGGER. THE BEGINNING MEETS THE END. ENGLAND IS FOREVER. ENGLAND MUST FALL.
In the near future, a disaffected civil servant is offered a lucrative job in a mysterious new government ministry gathering 'expats' from across history to test the limits of time-travel.
Her role is to work as a 'bridge': living with, assisting and monitoring the expat known as '1847' - Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed expedition to the Arctic, so he's a little disoriented to find himself alive and surrounded by outlandish concepts such as 'washing machine', 'Spotify' and 'the collapse of the British Empire'. With an appetite for discovery and a seven-a-day cigarette habit, he soon adjusts; and during a long, sultry summer he and his bridge move from awkwardness to genuine friendship, to something more.
But as the true shape of the project that brought them together begins to emerge, Gore and the bridge are forced to confront their past choices and imagined futures. Can love triumph over the structures and histories that have shaped them? And how do you defy history when history is living in your house?
'The Ministry of Time' is the debut novel from British-Cambodian writer and editor based in London, Kaliane Bradley.
So, this may well be my favourite book of 2024. WOW-ee. What an enjoyable read, especially for a low-science fiction girly whose particular proclivity is time-travel tales (those are always my fave 'Doctor Who' episodes, the back-in-time ones). So, some random observations;
⦿ I am very fond of 2005 YA novel 'The White Darkness' by Geraldine McCaughrean, which is about a teenage girl who is genuinely in love with (the long-dead) Captain Lawrence 'Titus' Oates from the doomed Terra Nova Expedition. So when I read the blurb for 'The Ministry of Time' about Britain having harnessed time-travel and successfully bought six travellers from various eras to the modern-day, including Commander Graham Gore from the doomed Franklin expedition - I was all in. *Especially* when the blurb hinted that Gore's present-day "bridge" - the protagonist of the novel who is tasked with helping him acclimatise and who maybe starts to develop feelings - I was *ALL IN*.

⦿ Time-travel has always been my bag. Modern-day women falling for out-of-time men is my particular favourite sub-genre ... I know exactly when this started; 'Playing Beatie Bow' by Ruth Park, and the time-travelling Abigail falling for Judah in the 1800's. This was particularly cemented when I read 'Outlander' by Diana Gabaldon as an 18-year-old; WWII army-nurse Claire passing through the stones to Jamie Fraser in the 18th century. No doubt there's some Marty McFly 'Back to the Future' Michael J. Fox appreciation thrown in there too. But this sub-genre of sci-fi and time-travel is my jamboree. And 'The Ministry of Time' gave it to me in HEAPINGS of timey-wimey goodness. The romance is slow-burn but makes up for it because our protagonist (whose name we don't know, but we get an intimate first-person account from) crushes HARD on Gore and that amps up the burn. But I was also very sucked into the mechanics and politics of the time-travel itself, so it wasn't like I was ever cooling my heels and checking my watch for the low sci-fi to get good ... it was ALL good.
⦿ The politics of time-travel in this book reminded me of the Norwegian sci-fi series 'Beforeigners', about people from different time-periods suddenly randomly appearing in Oslo, becoming refugees of time that the Norwegian government has to deal with. It's also a little bit like the (brilliant) Aussie TV series 'Glitch' set in a small outback town where; 'Seven people from different time-periods return from the dead with no memory and attempt to unveil what brought them to the grave in the first place.' I like this connection in particular because there's a shady organisation linked to the raising of the dead, a big-pharma laboratory called "Noregard" (best in-universe name for a corporation, ever.) It's also a wee bit like the 2001 rom-com starring Hugh Jackman and Meg Ryan, 'Kate & Leopold' about an English Duke from 1876 falling for a modern-day New Yorker when he's unceremoniously dragged into the future. If any/all of those recs are your picnic; this book is for you.

⦿ He filled the room like a horizon ... the writing was sumptuous, and gorgeous at times. Sometimes Bradley had a turn-of-phrase of description that made me go "ohhhhh." When something changes you constitutionally, you say: ‘the earth moved,’ but the earth stays the same. It’s your relationship with the ground that shifts.
⦿ I actually first heard about this book, in a Guardian round-up of British debuts to look out for, and the description of Kaliane Bradley's idea made my spine sizzle and then I Googled her even more and found that she partly wrote the idea for 'The Ministry of Time' during Covid and lockdowns and because she kinda fell in love with the only photograph of Graham Gore. No, really. 'Kaliane Bradley Fell in Love With a Dead Man. The Result Is The Ministry of Time' ... if that's not an *amazing* sales-pitch I don't know what is.

⦿ I just loved this. It's extremely cinematic and I wouldn't be surprised to find it is being developed into a movie or limited-TV series. It both feels appropriately head-nodding to plenty of other fabulous low-sci-fi time-travel that will make aficionados happy, but also sparkly-unique enough to keep adding to the conversation about the space-time continuum. Even if I guessed the small twist that comes, I did so because I know this sub-genre so well and expected certain markers along the way and Bradley did not disappoint. I loved this so much, I was only one-chapter in when I knew it'd give me the best bookish hangover and be hard book to follow-up, probably throwing me into a reading-rut.
5/5

From the BLURB:
Nova Weetman’s unforgettable memoir reflects on experiences of love and loss from throughout her life, including: losing her beloved partner, playwright Aidan Fennessy, during the 2020 Covid lockdown; the death of her mother ten years earlier; her daughter turning eighteen and finishing school; and her own physical ageing. Using these events as a lens, Nova considers how various kinds of losses – and the complicated love they represent – change us and can become the catalysts for letting go.
This is a moving, honest account of farewelling a partner of twenty-five years, parenting teenagers through grief, buying property for the first time at the age of fifty, watching Aidan live on through his plays, and learning to appreciate spending hours alone with only the household cat for company. Warm and wise – and often joyful – Love, Death & Other Scenes ultimately focuses on the living we do after losses and what we learn from them.
At one point while reading Nova Weetman's memoir, I said out loud to the empty room; "Geez, you're good Nova."
Such was the power and force of certain sentences, ideas, inflections and offerings throughout. "As writers, we are stealers of other peoples memories, bowerbirds of story," she writes at one point - and then puts that ability to collect on full display throughout as she recounts the life she built with her partner, playwright Aidan Fennessy, who battled and then died from prostate cancer in 2020 during Melbourne's numerous lockdowns and waves of Covid.
I know Nova as a colleague, a fellow middle-grade author and someone I greatly admire, and whose books I truly - hand on heart - believe helped me in tapping into my own voice for this age group. I think it's a little odd that I feel like I know-her, *know* her now after reading 'Love, Death & Other Scenes,' though. And especially because I have a tangential understanding of the loss she and her two children experienced in 2020. My uncle died after his third bout of cancer - having beat the other two, it was pancreatic in the end, third time unlucky - and unlike Nova's partner who had the option but didn't use it; my uncle chose Voluntary Assisted Dying and went out on his own terms, at home, December 2020. We were all there. I'm both surprised and not at all by how much reading Nova's perspective of a death like that during Covid - which I watched my aunt and cousin go through, one of the helpers minding children and looking for ways to ease their pain - I needed to reexamine and feel.
But I'm also surprised at how beautifully romantic this book was too, as Nova writes about how she and Aidan first met - how she fell first, and pursued ... how so much of their relationship felt like it needed balancing, especially in their creative exchange; ‘He introduced me to albums I’d never heard, to singers dead before my time, and the way that songs stain your memories giving them meaning they don’t have in silence.'
In this too, I feel weirdly intimate to the story because Nova writes about Aidan's final play he ever wrote - 'The Heartbreak Choir' - finally being staged, but only after his death. His final work he never got to see fully-realised. It's because I know Nova and am a fan of hers, that I was aware through social media what she was going through - and when tickets became available for 'The Heartbreak Choir' debut performance in Melbourne, I snapped them up for both myself, my mum, and my aunt - also knowing that she in particular may find some comfort in both the story, and its background. And she did - we all did. I saw 'The Heartbreak Choir' in May 2022 and loved it! A play my Aunt still talks about, has triggered her love of theatre to the point that she and my mum will now spontaneously ask me to check out what's on and what's coming up, book something for us all.
'Love, Death & Other Scenes' feels like another chapter to that play, in a way. How apt, that Nova muses towards the end of her memoir; ‘And it is in words that I can find him,' and it's in both her words and his that I feel something being unlocked, and another story I want to share with my family. That I want to press this book into their hands and say; 'It's us, a little bit.' We're not so alone, I think.
5/5

From the BLURB:
A seriously FUNNY, seriously CLEVER history of our early kings and queens by one of our favourite comedians and cultural commentators.
This will be the most refreshing, entertaining history of England you'll have ever read.
Certainly, the funniest.
Because David Mitchell will explain how it is not all names, dates or ungraspable historical headwinds, but instead show how it's really just a bunch of random stuff that happened with a few lucky bastards ending up on top. Some of these bastards were quite strange, but they were in charge, so we quite literally lived, and often still live, by their rules.
It's a great story. And it's our story. If you want to know who we are in modern Britain, you need to read this book.
♛ ♛ ♛
This just *delighted* me and had me running to find any other audiobooks of David Mitchell's on my Library's BorrowBox app (and yes, I am forever disappointed when somebody says "David Mitchell" and means the bloke who wrote Cloud Atlas. I want 'Peep Show' David Mitchell, 'Upstart Crow' David Mitchell - and this book proves why!)
I listened to this while I walked the dog, and I must have looked like a King George III-level maniac laughing and guffawing as I picked up his poo (with a bag) and walked blithely along, nodding and laugh/crying ... but it was truly just *that* good!
David Mitchell's injections and rants are next-level (at one point he manages to tie in the absurdity of awards for art; like the year that the theme song for 'Shaft' was up against 'The Age of Not Believing' from 'Bedknobs and Broomsticks' for best song at the Oscars, to which he says you may as well compare a fish-finger to a ladder for all the good it does to categorise and quantify two pieces of art like that ... and he's not wrong!)
Mitchell only takes the book up to King James-ish because he says that was the last time that monarchy had true, absolute power before Parliament, Prime Ministers, foreign Governments and such started interfering with what the royals had bamboozled England into thinking was "divine rule," ... I do hope he decides to write a second-book about the waning royals (is it too much to ask that he give a full-throated debate on why a Republic would be better? Throughout the listening of this I could feel his tension to rein in what could have been an 11-hour long rant on the subject!)
As such, this was perhaps the most enjoyable new read I've encountered this year so far. Amazing!
5/5
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