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Read FBC's SPFBO11 First Update (Lukasz's batch)
Read FBC's SPFBO11 Second Update (Jack's batch)

Aah SPFBO, we are back in a new time period for the start. I got my batch of six titles and I was off. With all six books, I read 20% of them before deciding whether to read each title in its entirety. For me, this time all six titles were very cool looking. Mine is the third batch to be read and you can read what Lukasz and Jack thought of their batches in the links above.

My thanks to all six authors for their submission and being brave to submit their babies for being reviewed by unknown people. It takes a special kind of mental fortitude to toil away in creating these stories and then setting them free into the world for being read and judged. I applaud you all.

So here are my thoughts on all of them:

Chalmach Chronicles by Torbjørn Øverland Amundsen – I started my SPFBO read with this book because I found the blurb to be very intriguing. In my previous years in SPFBO, I read a book like this, and I had enjoyed it immensely. The Chalmach Chronicles follows on in this manner, and I very much enjoyed it. Each story was a different one and highlighted the magic present within the world as well as the different aspects of the city. I really enjoyed how the author showcased the city’s geographical aspects within each story as it added to the story’s depth. The stories also reference characters from the other stories, and this adds to the plot depth.

Overall I would really recommend this book as I very much enjoyed it for its ingenuity, and I will be buying the sequel as well.

 

Night of The Illumination by Jacob Montanez – Night Of The Illumination is an epic fantasy that has dark edges and great prose. I enjoyed reading this book but had to DNF it around the 50% mark as the book’s pace had slowed down significantly. This book had a lot of epic feel to the main plot, it was also very dark. The world settings are constantly hinted at but never properly revealed

I think I wasn’t the right reader for this story. The writing style is very in-depth and while it isn’t the purple kind, it has beauty to it. Overall, this would be great for those who are looking for something different. Think along the lines of Mark Lawrence, Michael R. Fletcher and Brian Staveley, Jacob Montanez is a writer with a unique voice and style.

 

The Golden Scarab of Balihar by Michael Grayford – The Golden Scarab was a fun and fast read set in a world that’s reminiscent of South-West Asia. The writing was very succinct, and the pace of the story was smooth. Overall I enjoyed this story wherein the female MC uses her wits  and the world has a very Arabian nights feel. This story flowed quickly and was a bit predictable but that’s not a knock on the book or the author. The humour quotient especially with the Jinn is a solid factor for the enjoyment of the story and alongside the brilliant and plucky protagonist is a plus for the story. 

This is a good effort, and it's a fun twist on the Aladdin fable but it’s also geared for newer fantasy readers and older/experienced fantasy readers might not find anything new within bar the settings. I would easily see this story be in much demand for younger (tween and teenage) readers and would make a great animated show or movie. This 

 

The Dragon of the Dread Deep by C.D. McKenna – This was a book which I was most excited for as it featured nautical fantasy and pirates. I finished this book as quickly as I could as it featured dragon riders, action and magic. For me however, this book had a very slow start but the characters, especially the main protagonist Cassian was enticing enough for me to continue. As I read on, I realized this book while a standalone is set in the world of the Vorelian Saga books. There might have been nods to the main events but because I haven’t read those works, I couldn’t tell.

The story kicks into proper gear by the middle and from there it’s all about battles, treachery, dragon magic and being decent in a cutthroat world. I wouldn’t call this world grimdark but it occupies the space nicely between dark and grimdark fantasy. There’s not a lot of good people, just folks with various plans and agendas and some who are trying to do the decent thing. The world introduced within is a complicated one and for fans of high fantasy, will be very pleased.

The Dragon of the Dread Deep is a dark fantasy that explores how doing the right thing can lead to more problems. Full of magic, action, betrayals, TDOTDD is a book for those looking to get lost in a complex world.

 

The Sins of Steel and Shadow by Steve Pannett – The Sins of Steel & Shadow was another title which beguiled me with its blurb. This is a world wherein humans and vampires co-exist with simmering tensions and navigating these landmines is out protagonist Bail Neren. He is deemed a Turned, not entirely Vampyr but far away from a human. Hated by one and deemed lowly by other, Bail often stays in the shadows for his safety.

TSOSAS is a dark, gritty story with strong focus on characters.  For me, I enjoyed the slow reveal of the world, Bail’s cautious wanderings in the world and his alliances within the city. There’s a proper mystery afoot within the main plot and this book is very much for fans of Daniel Polansky and RJ Barker.

I had read the previous book by this author and while that was a western fantasy, this book was another different one. The mystery plot was nicely unveiled and the ending was a complete shocker for me. For readers who enjoy  character-driven stories, mixed in moral ambiguity, socio-political intrigue, and low fantasy settings, this book will be for you.

 

Throne of Darkness by Spencer Russell Smith – I’m going to say this right upfront this is one of the wildest fantasy books I’ve read since I started reading fantasy in 1999-2000. The prologue is like Wheel Of Time epic but juiced up with BSG SF richness.

There’s no way for me to describe it but to implore readers to just read and decide for themselves. This book is for lovers of Tolkien, Sanderson and Christopher Ruocchio, those worldbuilding gods whose skills leave us readers wowed. Spencer Russell Smith can easily labelled in their level as one can easily see in this book. Besides the worldbuilding, this book has a lot of characters and it is action-packed to its gills. The story while straightforward, does require a lot of attention as the author drops us into the world of Efruumani and handholds us while giving us all the details and intricacies of the system within (I very much was reminded of my first read of R. Scott Bakker’s The Darkness That Came Before)

For me, this was such a wild read, that I had no comparison for it. The writing does take a while to adjust to and the prose is kept steady because of the way the main story unfolds. I had to go with the flow a lot as I was trying to take in all the world info and story details. This wasn’t the most enjoyable way, but this story demanded as the main story occurs over the space of 4 days and some hours and it ends with an explosive resolution that’s buttressed with two epilogues. 

All I will say about Throne Of Darkness is that this book is unlike any that you have read before, and while it does have its shortcomings (prose, information overload), the story pace, worldbuilding and magic system (gem, metal based, and light enhanced) simply overpowers those flaws. This is one of those titles which will have its fans and detractors in equal order but it is a hidden gem and Spencer Russell Smith can be proud of what a unique story he has envisioned. Throne Of Darkness is a unique science-apocalpytic epic fantasy in a league of its own. Read it and find out where you stand in its wake.

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So after finishing my lot, I had a very heavy choice to make. There were four obvious titles which I read and while they challenged me, each of them was enjoyable in their own special way. So I would like to highlight these four titles and implore SPFBO readers to check them out as it’s only due to the nature of the competition that I must select one among these four:

1) Chalmach Chronicles

2) Throne of Darkness

3) The Dragon of the Dread Deep

4) The Sins of Steel and Shadow

 

For choosing my SPFBO semifinalist, it came down to my personal enjoyment as to which book provided a full story and had the least flaws. I must apologize to all the authors as I don’t mean to imply that there was anything wrong with their stories. In choosing one among these four, the remaining three aren’t unworthy. They would have been my top choice in any previous edition, and I hope readers do check them out irrespective of my choice below….

So, without any further waiting, my SPFBO semifinalist is

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The Sins of Steel and Shadow by Steve Pannett was the one book which I enjoyed the most and will be putting forward for my FBC co-judges to read in our quest to select a finalist. Many congratulations to Steve Pannett and my commiserations to all the authors in my lot of six. I want to thank you for allowing me to read your books and giving me an opportunity to provide my thoughts on them. 

Book links: Amazon, Goodreads
ABOUT AUTHORS: J.A.J. Minton is the pen name for Jakob, Amy, and John Minton, a family living in North Carolina. Together, they produce and host the YouTube channel, "Talking Story: A Fantastical Fiction Channel." Between them, they have lived nine lives in theatre, comic book retail, indie filmmaking, academia, undercover shopping, dog kennel cleaning, advertising copywriting, old-school video store management, and hot dog delivery for Harlan Ellison. This is their first book.
Publisher: Keyhole Books (May 15, 2025) Page Count: 461 pages Formats: audiobook, ebook, paperback

Discovery is an ambitious book and you notice that immediately. It opens big with strange forces moving pieces on a board humanity barely understands, Then it quickly shifts into newsroom, and later missing expeditions, and government secrecy. It’s juggling cosmic horror, conspiracy thriller, historical mystery, and character drama all at once.
Surprisingly, a lot of it works.
The mystery surrounding the Rosie expedition hooked me, fast. Something clearly went very wrong in the South Pacific, and the slow reveal through letters, tapes, and investigations kept things exciting. I also enjoyed the newsroom scenes. Nessa Decker is a good lead because she reacts how a reasonable person would - she’s cautious, skeptical, and trying to separate fact from spectacle while everything grows increasingly hard to explain.
The atmosphere is great, too. The horror always hangs in the background. Even when characters are just talking in offices or arguing over evidence, there’s an unease that something larger is already in motion.
That said, ambition sometimes works against the book.
The prose gets dense and performative, especially early on. Long monologues and stylized narration slow the pacing when the story would benefit from getting to the point faster. The cast is large, and while many characters are memorable, it takes time to understand who matters most. The shifting perspectives add scope, sure, but also feel unfocused. Just as you start to vibe with it, the book moves elsewhere. Eventually the pieces come together, but the middle stretch demands patience.
Tone is another mixed success. At times the book balances dark humor, horror, and thriller elements well. At other moments, the theatrical style feels excessive. The story clearly enjoys its own weirdness, which is part of the appeal, but it tends to lean a bit too hard into it.
Still, the central mystery remains compelling, the cosmic ideas are unsettling in a good way, and the gradual realization of what humanity may have uncovered gives the later sections weight. You start with a missing expedition. You end up asking much larger questions about knowledge, power, and whether some discoveries are survivable at all.
It’s uneven, but interestingly so. Even though I struggled in places, I’m glad I’ve read it.

 

Buy This Kingdom Will Not Kill Me
Read Mihir's Review!

FORMAT/INFO: This Kingdom Will Not Kill Me will be published by Tor Books on March 31st, 2026. It is 480 pages long and available in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: While waiting long years for the third and final book to come out in her favorite dark fantasy series, Maggie has had plenty of time to obsessively read the first two books in the trilogy. Which is why when she wakes up in an unfamiliar city, it doesn't take her long to realize she's in the world of Kair Toren - and the events of book one are just beginning to happen. With no clues as to how to return to her own world, Maggie decides she might as well try to help Kair Toren out and prevent a deadly civil war that will destroy the city and many of her favorite characters. Of course, Maggie's knowledge only helps her figure out things written in the books...and as she quickly remembers, this is a series with an unwritten ending....

This Kingdom Will Not Kill Me is a smart and engaging portal fantasy that grounds the story by taking the stakes of its fantasy world seriously. When we meet Maggie, she's been in Kair Toren for a few days, and has already come to terms with the fact that somehow, some way, she's in a fantasy setting, one that is every bit as brutal as it is portrayed in the book. Maggie doesn't try to carelessly pull shenanigans or run off to romance a tall dark handsome hero. Instead, she decides that if she accepts that this world and these people are real, then she has to do everything in her power to stop the deadly future that will destroy countless lives.

One thing I really liked about the approach to this story is that Maggie doesn't set herself up in the castle in the middle of the limelight. She decides to work from the shadows, hoping to nudge events while staying unnoticed. She rallies a crew, establishes some connections, and tries to become a credible source of information without drawing too much interest. In this game of intrigue, Maggie knows all the story threads; it's just a matter of figuring out which ones to pull.

There were a few times I felt like Maggie's "trick" of knowing things about people or events was a little overdone, occasionally making her feel like a one-trick pony as she rattles off another monologue detailing intimate knowledge of a character's backstory. But there's enough other things going on that those were minor bumps in the road. There's still so much skullduggery, blackmail, and tense negotiations that I frequently found myself forgetting that Maggie was from our world, until an occasional throwaway line would reference Netflix. It does genuinely feel like another gripping dark fantasy novel, which is key to making this story work.

The other slight hiccup was the romance subplot. While there were many parts of the romance in this book that I liked, it also started to veer into a trope that isn't my favorite. Time will tell how things play out in the long run, but I definitely preferred some sections over others.

(For those curious, this is a no spice story, and the romance subplot IS a subplot. This is not a fantasy romance.)

For a story featuring a protagonist who should know how everything is supposed to go, This Kingdom Will Not Kill Me had plenty of twists and turns. The more Maggie meddles, the more unexpected things become as events unfold differently. I have a feeling we'll be fairly off the rails when the second book comes around, and I am absolutely dying to see where things go.

 

Book links: Amazon, Goodreads
ABOUT THE AUTHOR: Mark Lawrence was born in Champaign-Urbana, Illinois, to British parents but moved to the UK at the age of one. After earning a PhD in mathematics at Imperial College London, he went back to the US to work on a variety of research projects, including the “Star Wars” missile-defense program. Since returning to the UK, he has worked mainly on image processing and decision/reasoning theory. He never had any ambition to be a writer, so he was very surprised when a half-hearted attempt to find an agent turned into a global publishing deal overnight. His first trilogy, The Broken Empire, has been universally acclaimed as a groundbreaking work of fantasy, and both Emperor of Thorns and The Liar’s Key have won the David Gemmell Legend Award for best fantasy novel. Mark is married, with four children, and lives in Bristol.
Publisher:Ace (March 24, 2026) Length: 416 pages Formats: all

I’ll read anything Mark Lawrence writes. This is partly loyalty, partly curiosity, and partly trust. Mark never writes the same book twice. His series always feel different from each other. Daughter of Crows might also have his best cover yet (which is impressive, given how good the Library trilogy looked). It’s also his best novel so far.
Now. I love The Book of the Ancestor with my whole heart, but this? This is bloody brilliant.
Rue is the reason. She is sharp, furious, stubborn, and held together by scars and bad memories. Fantasy rarely gives us elderly female leads, and almost never ones this dangerous or this compelling. I loved watching her limp, calculate, remember, and kill. The other half of fun is figuring out who she used to be.
The book runs on two timelines: present-day Rue hunting the mercenaries who destroyed her quiet life, and past Rue being forged into what she became. The past sections take us through a childhood that would make a nightmare ask for a night-light, and then to the Academy of Kindness - a school whose definition of kindness involves death rates. One hundred girls enter. Three leave. The rest, well, they contribute to the curriculum.
Interestingly, the past sections add backstory but also continue to reframe everything. The twists are all strong, starting early and tightening as the timelines converge. You can play detective if you want; the clues are there, but chances are just when you think you’ve solved it, another revelation will prove you were wrong.
I loved how Lawrence played with mythology here. Daughter of Crows incorporates a fascinating take on Furies, vengeance cults, divine bargains, and afterlife journeys. A heady mix, but it’s done well. The world runs on old laws, older gods, and the idea that justice and cruelty might be the same blade held at different angles. That theme shows up everywhere, from the Academy’s philosophy to Rue’s own moral math.
Daughter of Crows is dark. Children die. Mercy is rare and some scenes edge into horror. At times, it makes other grimdark novels look like they brought a candle. And yet the book still finds space for dry, perfectly timed humor. My favorite line comes when Rue considers bringing proof of her kills:
“She had considered bringing the heads from Debban's hut and tossing them before her when challenged, but the brothers had been balding beneath their caps, and heads without hair were awkward to carry.”
That line tells you everything about Rue. Practical. Violent. Mildly inconvenienced by logistics.
The story moves when it should and slows down only when it matters. The violence hits hard but never feels there just for shock value. The prose is sharp and purposeful. Lawrence always seems to know when to let a moment breathe and when to end it.
I finished it with one clear thought: I may have just found my favorite book of 2026. It’s going to take something extraordinary to beat it.

Buy Daughter of No Worlds

FORMAT/INFO: Daughter of No Worlds was traditionally published by Bramble Romance on October 14th, 2025. It is 512 pages long and available in hardcover and ebook formats.


OVERVIEW/ANALYSIS: Tisannah is a woman with a rare gift of magic, but that matters little when you're a slave. For years she's been nothing more than a prized possession, using her gift to make pretty illusions for her master's parties. But when betrayal ends in bloodshed, Tisannah flees for her life to the one place she's always dreamed of: the Tower of the Orders. She believes this magical organization can give her the resources she needs to return to her home and free the rest of her fellow slaves. Unfortunately before the mages will lift a finger, Tisannah needs to become a member of their Orders herself. That means completing an apprenticeship - and the only mage available is the reclusive Maxantarius, who absolutely refuses to be of any help to the Orders for reasons he won't talk about. But Tisannah's sheer determination eventually wears down those walls, exposing her own heart in the process.

Daughter of No Worlds is a perfect blend of epic fantasy and romance, a slow burn love story nestled into the heart of a tale of intrigue and politics. My favorite romances always focus on the developing relationship between two characters. I'll take enemies to friends to lovers over instalove every day of the week. Daughter of No Worlds is one of those stories.

Maxantarius (who goes by Max) is bitter, reclusive, and stubborn. Tisannah wears her heart on her sleeve and is tenacious in fighting for those she loves. Which is why she's not going to be prevented from learning magic just because her mentor Max refuses to teach her (or anyone for that matter). What follows is a butting of heads that eventually softens to begrudging respect and more. Every beat feels earned, and I am absolutely rooting for these characters.

But that's only half of Daughter of No Worlds' plot. The rest focuses on the increasing instability of the kingdom that is aligned with the Orders as war seems likely. The politics surrounding those tensions give Tisannah a unique window to bargain for the fate of her people - if she can figure out something to offer the right person. The politics of the story aren't overly deep or intricate, but there's definite power players at the table that Max and Tisannah have to deal with to achieve their goals, and I appreciated this counterbalance to the romance. This is the beginning of a saga; we'll be following Max and Tisannah across the full trilogy, and the author does a good job getting us invested in this world.

Daughter of No Worlds is definitely a top tier romantic fantasy. You can come for magic, for war, for harrowing backstories. But running through all of that is a wonderful slow burn romance that hooked me in. It's a romance of respect and partnership and I cannot wait to see where things go in the next book.

 

 

Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Jim Butcher is the author of the Dresden Files, the Codex Alera, and a new steampunk series, the Cinder Spires. His resume includes a laundry list of skills which were useful a couple of centuries ago, and he plays guitar quite badly. An avid gamer, he plays tabletop games in varying systems, a variety of video games on PC and console, and LARPs whenever he can make time for it. Jim currently resides mostly inside his own head, but his head can generally be found in his home town of Independence, Missouri.

Jim goes by the moniker Longshot in a number of online locales. He came by this name in the early 1990′s when he decided he would become a published author. Usually only 3 in 1000 who make such an attempt actually manage to become published; of those, only 1 in 10 make enough money to call it a living. The sale of a second series was the breakthrough that let him beat the long odds against attaining a career as a novelist.

All the same, he refuses to change his nickname.

Publisher: Ace (January 20, 2026) Page count: 463 p Formats: audiobook, ebook, hardcover 

I’ve been reading The Dresden Files for a long time now. It’s one of the very few long-running series I’ve stuck with. It’s had highs and lows, but Twelve Months shows Jim Butcher in excellent form again.

After the relentless escalation of Peace Talks and Battle Ground, this book slows down. It basically follows a year of Harry’s grief, fallout, and rebuilding.

Harry is hollowed out. Chicago is barely functioning after the Titan’s assault. Food is scarce. Infrastructure is wrecked. The supernatural world has been exposed, and fear is spreading. On top of that, Harry is juggling Thomas’s looming death sentence, training a new apprentice, navigating White Council politics (again), and preparing for an arranged marriage to Lara Raith under Mab’s orders.

The real conflict here is internal. For once, the greatest enemy in the book is grief. Harry struggles to eat. To sleep. To focus. His magic wavers because his control wavers. This is a far more introspective Dresden novel than we’re used to, and it works.

That doesn’t mean it’s dull. There are fights. There are ghouls prowling Chicago. There are political landmines, tense confrontations, and a climax that absolutely delivers. But the action feels more personal this time.

The biggest surprise for me was how well Butcher handled the relationships. Harry and Lara could easily have fallen into forced tension or cheap drama. Instead, their dynamic is layered and unexpectedly thoughtful. There’s distrust, yes, but also honesty and even vulnerability. It feels like growth.

Old allies step up too. Molly. Michael. Maggie. Even Mab, in her own severe way. The book reminds you how deep this cast is after eighteen installments.

Some readers will call this a transitional novel, and they’re not wrong. It’s a recalibration. A pause before the Outsider endgame looms closer. But it doesn’t feel like filler. After years of escalating power and misery, Butcher pulls the story back to its roots: Harry Dresden the man, not just the wizard.

For me, it might be some of the best writing in the series. More mature and more controlled. Less snark-for-snark’s-sake. The humor is still there, but it shares space with reflection and wisdom.

If the series needed a reset, this was the right way to do it.

The competition continues! This is my first year as a judge and I’m thrilled to be a part of it.

A few notes on my review process: for a semifinalist, I wanted to find a book that I'd personally rate 3.5/5 or better. To me, that rating signifies a book which has some notable flaws, but whose flaws (for whatever reason) didn't stop me from enjoying the novel. In general, a novel isn't a 3.5/5 for me unless I'm actively interested in reading a sequel. If and when I bounced off a book in the opening pages, I typically put it down for a few days before giving it another try. I didn’t set any hard rules for myself about when or if I could drop a book, except that I wanted to give every book a fair shot on its merits.

My batch (in randomly-determined reading order) included the following six books:

1. Carrion Saints by Hiyodori
2. Legacy of the Crown by Tim Wilbur
3. Let Sleeping Gods Lie by Ben Schenkmann
4. Rise of the Phoenix by Brendan Arnold
5. The Butterfly Koi by A Sherman Karlsson
6. The Sound of the Supernova by Jordan Butler

Without further ado:

The Butterfly Koi by A. Sherman Karlsson
Published October 6, 2025; 591 pages (Kindle edition)
Genre: Cyberpunk Fantasy, Alternate History

The Butterfly Koi follows six POV protagonists, most of whom are involved to greater or lesser degrees in the criminal and magical sides of the novel’s slightly-futuristic Tokyo setting. There’s Eika, a celebrity and socialite who wants to use her influence to change the world for the better; Misora, a magitech engineer with ties to organized crime; Taehyun, Misora’s celebrity boyfriend; Cameron, another magitech engineer and American expat; Hatsumi, a journalist driven to uncover certain secrets others want to keep hidden; and Kenji (far and away the most entertaining character), a low-level criminal in the Tokyo underworld.

For starters, while I do think this book is technically fantasy, it’s not traditional fantasy fare. That’s not disqualifying, but it’s something readers should know going in. Although the story revolves around magical technology, the magitech doesn’t feel particularly magical – the kind of magitech we see most often is basically a modern cell phone.

There are some real positives here: each of the six POV characters is well-realized with a distinct internal life that feels psychologically real. The prose is good, and the slightly-futuristic Tokyo setting is richly envisioned. I’ve never been to Tokyo so I can’t speak to its accuracy, but it feels like the author both knows and loves the city and wants to share that love with the reader. These strengths kept me reading and enjoying The Butterfly Koi all the way to the end.

Unfortunately, the story has some pretty severe flaws. For starters, I think the book would’ve been much better if 2-3 of the 6 POVs (all of whom exist in each others’ orbits) had been cut. Of the 6, only 1 (Kenji) got what I’d consider a completed plot arc, while 2 could be cut as POVs without any loss to the overall narrative. The author has a frustrating habit of backtracking chronologically at the end of many chapters to retell the events of the prior chapter from a second character’s POV. This slows the story’s progression and stops it from building momentum. It felt like the author only wanted to convey a person’s internal experience via present-tense first-person perspective, rather than via recollection or another character’s observations. Also, the author places several of the POV characters in opposition to magitech-related social ills (mostly related to how a minority of the population lacks the innate ability to use magitech effectively). In my opinion, the author needed to demonstrate more clearly why the reader should share the characters’ concerns.

Let Sleeping Gods Lie by Ben Schenkman
Published October 27, 2025; 268 pages (Kindle edition)
Genre: Urban Fantasy

I'd call Let Sleeping Gods Lie as an urban fantasy or paranormal mystery set in New Haven, Connecticut. The story follows adjunct anthropology professor Corbin Pierce as he digs into some mysterious magical oddities that begin popping up in town. He investigates and faces threats to the local people, the local spirits, and the local environment, all while trying to figure out what’s behind it all. The magical lore and worldbuilding place a strong focus on Native American history and culture.

There’s a lot to like about this novel. To start with, it wins my personal award for Most Unique Animal on a Fantasy Cover! I've seen dragons, wolves, lions, tigers, and bears (oh my!), but a raccoon? That's a first for me. As for the content, the story reminds me of Wildbow's serial Pale, as well as the early novels of the Dresden Files. Schenkman has a knack for infusing real-world settings with magic, making it feel like the supernatural might be hiding under our noses in real life as well as in fiction. The prose is straightforward and readable, with a nice bit of humor coming through in the narrative voice. In contrast with Butcher's Dresden (a small business owner working closely with the police), Let Sleeping Gods Lie takes a distinctly progressive perspective (activism, environmentalism, a focus on Native American heritage). I found Corbin a tad self-righteous at times, but not enough to interfere with my enjoyment of the story.

I really had only one issue with the book, but it's a big one. A mystery needs at least a little complexity to keep the reader in suspense: multiple suspects, red herrings, misdirection. Here, we don't really get that. The focus of the novel is the mystery behind the dark happenings in New Haven; it feels like the reader is supposed to be wondering who's responsible and why. But the list of potential villains is tiny, so much so that the mystery loses any suspense. The major plot moments are interesting on their own terms, but each resolves a little too quickly and neatly. I feel like this novel would've been greatly improved by another hundred pages of story — just enough to add the layer of extra complexity and misdirection the mystery needed.

Rise of the Phoenix by Brendan Arnold
Published May 24, 2025; 274 pages (Kindle edition)
Genre: High Fantasy

Rise of the Phoenix, which I’d categorize as YA high fantasy, follows Will Tavner, a teenage blacksmith’s son in the kingdom of Arulean. Arulean suffers under the rule of its tyrannical king and queen. Will and his closest friends Seb and Aylise live quiet, ordinary lives until Will begins to manifest strange symbols on his arms and strange magical powers to go with them. After which, cue the chaos.

It’s a classic fantasy novel setup. Unfortunately, I bounced off of this one a few times before putting it down at the 40% mark. Nothing here really bothered me, but nothing caught my interest either. Will and his friends felt bland as protagonists, and likewise with Arulean’s rulers as antagonists. The prose and dialogue both felt a little wooden.

Legacy of the Crown by Tim Wilbur
Published March 11, 2025; 295 pages (Kindle edition)
Genre: Coming of Age

Legacy of the Crown follows Aislynn, an immortal tired of her eternity, on a quest to end both the world and her own existence. The story is about her, the hunter Wraith she encounters by chance, the relationship they build between them, and how their quest fits into the prophecy devised by the titular undead Crown, the world’s last wizard.

This book was entertaining enough, but nothing really wowed me. The worldbuilding is what I think of as “DnD style” – many worlds, races of people, and types of magic, all of which coexist without a unifying conceptual foundation. Two of the novel’s primary settings (Wraith's village and the city of Keshet) feel a little generic. We get a broad outline of politics in Keshet and a glimpse of the city's underworld, but what about their economy, religious and cultural practices, local foods and music, style of architecture, and so on? For the setting to feel properly real instead of fantasy-standard, I think we needed more of those little details that differentiate one culture and location from another. And frankly, Aislynn’s POV isn’t nearly as bleak as it would need to be to justify her rather unheroic goal of ending the world.

My favorite parts of the book were the prologue and the chapters spent in The Beyond. Wilbur is at his best when he’s going for atmospheric eeriness, I think, since the story hits those notes quite effectively. Unfortunately, this is just a fraction of the book. Much of the story instead focuses on (1) a romance storyline and (2) a political intrigue storyline. The former didn't give me the sense of chemistry I wanted and didn't feel emotionally powerful until the In-Between. The latter crammed a book's worth of machinations into just a few chapters, so it all felt much too simple, as though major political change is just sitting there for the asking.

The Sound of The Supernova by Jordan Butler
Published July 4, 2025; 472 pages (Kindle edition)
Genre: Coming of Age

Sound of the Supernova begins in the fictional island setting of Kamini, whose people seem to live happy lives. Unusually happy, since, by virtue of the magical Nova traded to them by a foreign power, they can never get sick. In exchange for a steady supply of Nova, all they're required to trade away are some some (apparently) worthless weeds – a plot hook which intrigued me. The protagonists are three young islanders and friends: Jonah, Luca, and Amaya.

Unfortunately, I was only able to get about 10% into the story before I had to put it down for good. This book needed several more rounds of editing before publication. Each page had several grammatical errors and awkwardly-phrased sentences and the tense kept flip-flopping between past and present, which was especially jarring. I was a little sad to DNF, since it seemed like the plot was about to take some interesting turns, but the prose issues made it impossible to immerse myself in the story and I couldn’t see this book as a possible semifinalist.

Carrion Saints by Hiyodori
Published January 3, 2025; 589 pages (Kindle edition)
Genre: Dark Fantasy

I really can’t describe this story better than the author does on Goodreads: “Carrion Saints is a sapphic enemies-to-lovers romance between an immortal saint and a severed head.” Now, romance isn’t my favorite subgenre, but talk about a hook! The author sets that romance in a delightfully creepy postapocalyptic setting. The world is slowly eroding into the void, human civilization is in shambles, and immortal monsters of every variety prey on the survivors. 

Enemies-to-lovers is such an easy trope to do badly. I feel like the most common approach is to base the initial opposition on a misunderstanding which the author can resolve to set up a reconciliation. That’s the easy path, which the author does not take. Instead, we’re treated to the fascinating complexity of an evolving relationship between two beings who are genuinely, fundamentally at odds. This is the most screwed-up, manipulative, psychologically twisted relationship I’ve seen since the TV show Hannibal. And it’s so well done.

The story is structured like a travelogue, which often bores me, but the author makes it work. I think it’s all the little details of the setting. Did the pasta in that village need to be shaped like a human ear? Did the tea in that other village need to be brewed from pink beetles? Of course not, but congratulations, you have my undivided attention.

The story is an extremely slow burn. It’s not always clear where the story is going, so the book demands a fair bit of trust from the reader. All I can say is that it all pays off in my favorite sort of ending: beautiful, bittersweet, and deeply existential. 

Verdict

Our next semifinalist is:

Carrion Saints, by Hiyodori!

Not only was this my favorite book of the batch, it’s one of the best books I’ve read in the past year. I doubt a sequel is in the cards, but I’m definitely going to pick up something else from this author. Congratulations to Hiyodori and my thanks to all of these authors for their submissions!

Book links: Amazon, Goodreads
ABOUT THE AUTHOR: Shen Tao immigrated to Canada at an early age, and grew up inspired by both Chinese and Western stories. She has wanted to be a writer for as long as she can remember. The Poet Empress is her first book.
Publisher: Bramble (January 20, 2026 ) Page count: 393 Formats: audiobook, ebook, paperback

I picked up The Poet Empress because several reviewers I trust wouldn’t stop talking about it. When that many sensible readers agree, I pay attention.
They were right. This is an excellent debut.
Wei Yin is a starving peasant girl in a famine-stricken empire. When she hears the heir to the throne is seeking concubines, she tries her chances. Not for romance or luxury, but for rice and hope for her family and village. So she volunteers to become a concubine to Prince Terren, a man known for cruelty.
The gossip wasn’t wrong. Prince Terren is indeed cruel and has little redeeming qualities. He tortures and then uses magic to heal the wounds he inflicts so he can begin again. The palace and other concubines are no better - jealousy, hate, and danger force Wei Yin to grow fast. Or she’s dead.
Wei’s plan is desperate and dangerous. She must learn to read and write in secret. She must craft a poem powerful enough to kill a prince. And to fuel that spell, she must understand him, perhaps even love him.
The Poet Empress does not flinch from abuse or violence. There are scenes that hurt and Tao doesn’t make Terren tragically misunderstood. He is monstrous despite his tragic backstory. As Wei uncovers fragments of his childhood and the fractured relationship between the princes, the story gains momentum and shows a brilliant, heart-wrenching family drama.
Wei herself is not a chosen one who is preternaturally clever. Tao never forgets that she is a peasant girl thrown into a political machine built to crush people like her. She makes mistakes, misjudges people, and learns slowly. That’s what makes her transformation so much better. The hopeful village girl doesn’t survive court life unchanged. She has to adapt and harden, and start playing the same ruthless games because the alternative is death.
For a debut, it’s remarkably assured. If this is Shen Tao’s starting point, I can’t wait to see what she does next.

 

Buy Green & Deadly Things

FORMAT/INFO: Green & Deadly Things was published on March 3rd, 2026 by Tor Books. It is 368 pages long and available in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: In days of old, the Grim Lords ruled the land, nearly destroying their world with their dark necromantic powers. Although the Grim Lords have faded into legend, remnants of their magic remain, and the Idallik Knights exist to destroy that power wherever it lingers. But when a new threat faces the kingdom, novitiate Mathaiik wakes a Grim Lord in a desperate gambit to save the fortress where he trains. But waking Kaiataris reveals even more problems. This land is trapped in a cycle of raising chaos and order - and if Mathaiik and Kaiataris can't work to find a way to balance those forces, life across the continent will be wiped out.

Green & Deadly Things is a cinematic thrill ride that lacks fully developed characters to back it up. On the plus side, I can fully see the movie version of this book. There's a creepy plant enemy, an order of knights that uses elemental magic, and a whole lot of great action scenes. The author knows how to keep the plot moving, zipping you from one end of the country to the other as our heroes try to find a way to deal with the multiple threats facing the nation.

But with the snappiness of an action film comes the flimsiness of action characters. Most people you encounter along the journey are fairly flat, reduced to one or two traits. There's no real depth or history for most people outside the two main characters, and even they are fairly thin. The main villain is just out to rule the world; even with the stakes as high as the end of all life, I found myself simply not caring by the end of the book. The stakes just weren't personal enough. Even the romance felt by the numbers at best.

Green & Deadly Things is a great book for those who want a plot driven adventure. If you want to dash about a magical world from fight scene to chase sequence to fight scene, this will fit the ticket nicely. As someone who values characters over plot, I struggled a bit with this one, even though I've enjoyed the author's past works immensely. At the end of the day, this feels like a movie script adapted to book instead of the other way around, and as much as I enjoy a popcorn flick, this just didn't quite work for me as much as I'd hoped.

 

FORMAT/INFO: Enchanting the Fae Queen was published on January 27th, 2026. It is 304 pages long and available in paperback, audiobook, and ebook editions.

OVERVIEW/ANALYSIS: For years, the chaotic Queen Lorelei has flirtatiously sparred across ballroom floors with General Gerard de Moireul, the hero leader of a rival kingdom's army. Lorelei believes that underneath the stiff exterior and strict rule-following is a man who wants to do good - he just needs Lorelei to give him a little shove. So when tensions between the two kingdoms reach a breaking point, Lorelei does the only logical thing: she kidnaps Gerard to finally seduce him away from his king. As the two get caught up in a deadly fae tournament, they realize that their opposite personalities make them a perfect match - and only together can they stop Gerard's kingdom from spreading its cruel ways across the continent.

Enchanting the Fae Queen is a solid fantasy romance bolstered by the madcap energy of its lead heroine, Queen Lorelei. She's one of my favorite character archetypes: a person of seemingly pure whimsy and chaos who secretly has a crafty plan underneath. Her unpredictability and randomness mask her true actions and goals, outwitting many of her opponents until it's too late. I absolutely loved watching her work and found her a definite highlight of the book.

General Gerard is a great foil, exceedingly polite even while adhering to his unwavering moral code. Due to some past trauma, he believes he cannot put a single toe out of line, lest he bring dishonor on his family name. It takes the whirlwind force of Lorelei to force him to confront that goodness and blindly following the rules don't go hand in hand.

Although the characters themselves are enjoyable, I thought the romance itself was simply serviceable. I find it's hard to pull an audience into a romance where the characters have already been building romantic tension before the story begins. I like watching the build-up of a relationship, but here they're already halfway in love when we meet them - they just don't realize it yet. It made the story a pleasant escape, but not a romance that swept me away.

So far the Queens of Villainy romance stories have been a delight: powerful women refusing to be "put in their place" and finding men who whole-heartedly support them on that journey. I'm definitely looking forward to the upcoming third and final installment - a sapphic story no less!

 

 

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Lord Z. B. Steele (as seen in his gracious avatar above) has deemed us worthy to take part in the cover reveal for book 2 in his debut series Song Of The Damned. Checkout the amazing cover below...


OFFICIAL BLURB: My execution draws near...
The noose beckons. My days dwindle. And still, my story is unfinished.
Tears are left to be shed. Blood has yet to be spilled. Lend me your ear once more to hear of sins and failures. Of swords and shadows. Of violet lightning and black blood.
For it was I who began the war of the gods.

The time has come to make choices. Not always comfortable, not always happy for all concerned, but such is the nature of this bloodbath competition.
FBC Judging Process

Our judging process is straightforward. Each of the five judges is assigned (randomly) six books and can select one of them as a semi-finalist. We then evaluate each other's semi-finalists and assign ratings. The book that receives the highest score is chosen as the finalist. 
Each judge determines their own approach to reading their set of six books. This year, I made sure to read a minimum of 25% of the books assigned to me. 
If you're interested, a few words about my preferences. I love genre-bending books and character-driven stories. I love good pulp fiction, too. My pet peeves include unnecessary wordiness, redundancy, and blocks of exposition (I don't care about the world or magic if you won't hook me with your voice or make me care for characters, first). 
Before I wrap things up, I want to emphasize that SPFBO's main strength and addictive nature lies in the wonderful community and process of discovering and discussing books. Submitting your book to a contest takes courage, and I applaud all of you for doing so. 
Getting involved in the community is one of the best things any self-published author can do. I encourage you all to follow the contest and engage with bloggers and other authors regardless of the outcome of this round of cuts. I hope my mini-reviews will allow potential readers to pick books that may appeal to them. 
Here is our first batch of six books (in alphabetical order). Let's take a closer look at each of them.



Amoran by Debra KoelherPublished August 28, 2025; 424 pages (Kindle edition)Genre: Romantic Fantasy, Portal Fantasy
Amoran was a nice surprise. It’s very readable from the first chapter. Kerrin Scott is juggling work, marriage, kids, deadlines, and mild existential dissatisfaction when a strange pink letter appears in her house and refuses to be either read or ignored. Soon after, a grumpy dwarf-like guardian shows up, followed by elves, vortexes, and the revelation that Kerrin is far more important to the fate of two worlds than her calendar currently allows. 
Kerrin lands on Amoran, a strange, colorful world tied to ours through an energy vortex that is slowly destabilizing. If the vortex collapses, both worlds are done. Not ideal. The complication is that Kerrin was supposed to remember who she really is, and due to an unfortunate toilet-related incident, she doesn’t. The rest of the story builds around that missing knowledge, Kerrin's training and light romantic tension. All with a touch of humor. Well, actually, more than a touch.
Humor is everywhere. Sometimes a bit too much. The jokes are good-natured, in character, and generally pleasant. They fit Kerrin’s voice and never feel out of place, but they tend to pile up. Moments often go like this: something happens, Kerrin reacts, explains why it matters, reassures herself, then cracks a joke. As a result, scenes last longer than they need to, emotions are explained, and internal monologue often repeats what the scene already showed. 
Anyway, this is clearly meant to be a feel-good portal fantasy. Stakes exist, but they’re softened by humor and reassurance. Nothing feels truly threatening, and the tension comes more from logistics and timing than from genuine unpredictability. Readers looking for a fun, comforting story with an enjoyable heroine, a warm tone, and light romantic tension will likely have a great time here. 
That’s ultimately where Amoran lands. It’s competent, comforting, and easy to sink into, but it doesn’t push hard against its genre boundaries. The tension comes more from logistics and timing than from genuine unpredictability. 
Overall, Amoran is a smooth, accessible start to a fun portal fantasy series that cares more about readability than innovation. If you like gentle humor, likable heroines, and fantastical world, you'll enjoy this one. 


A Sharper, More Lasting Pain by Alex Harvey-RivasPublished November 1, 2024; 282 pages (Kindle Edition)Genre: Dark Fantasy Horror
A Sharper, More Lasting Pain is dark, explicit, and emotionally heavy. It’s also clearly written by someone who knows what they’re doing. 
The characters carry the book. Simone is controlled and distant, while Nadia is sharp-tongued, self-destructive, and spiraling, but never written as helpless. Their relationship is intense and unhealthy, and often uncomfortable. The supporting cast (Etienne, Chantal, Luc) feels functional, not just there to fill space.
I mostly liked the writing, which is confident and effective. With one caveat - it doesn’t know when to stop. Metaphors stack up, emotions get spelled out, and scenes sometimes end past the point where they’ve made their impact. For a book this short, it drags more than it should.
Structurally, the story overpromises. The prologue hints at something bigger ( monsters, dangerous research, deeper magic), but what follows is a very narrow, character-focused story set almost entirely in one place. A dark-academia mystery teases itself into existence and then mostly refuses to develop. Many of the more interesting ideas are introduced and left untouched.
Basically, this is a tragic sapphic romance about illness, addiction, and self-destruction, and that part works. Everything around it feels underdeveloped by comparison.
Worth reading if you’re here for characters and atmosphere. Less so if you want plot momentum, mystery payoffs, or world-building that actually goes somewhere.

Empire of Ash and Blood by Matthew ThompsonPublished January 13, 2025; 433 pages (Kindle Edition)Genre: dark science-fiction dystopia
This is an ambitious, angry book. It follows Matias, a long-lived bloodman who has suffered deeply and wants you to understand exactly how and why. 
Matias is bitter, thoughtful, and shaped by loss. His relationships show how faith, violence, and love pull him in opposite directions. The plot sounds great on paper, since it contains escape, rebellion, forbidden relationships, and the looming threat of imperial power. Sometimes, it works well, sometimes it has a serious self-control problem.
The novel, you see, explains everything. Then explains it again. Then pauses to make sure you understood the moral implications. In other words, there are moments when backstory overwhelms forward motion. Whole sections feel like they exist because the author didn’t want to let them go, not because the story needed them right then. And so the book feels longer than it needs to be and heavier than it has to be. 
Still, there’s no denying the commitment here. Empire of Ash and Blood makes a serious statement about power, freedom, and who gets to define monstrosity. Whether it succeeds will depend on how much patience you have for monologues, ideology, and backstories.



Life Remains  by Niranjan K.Published September 16, 2021 ; 202 pages (Kindle Edition)Genre: Romantic Urban Fantasy
Life Remains does almost everything right, even though its portrayal of vampires is far away from what I prefer. I like vampires to be about death. These ones walk in daylight, eat normal food, run society, and spend a lot of time talking about coexistence. 
The story follows several connected threads. Mabel, whose parents were killed by vampires, is forced to live under the protection of Frederick, one of their leaders. Ken, a human hunter (and Frederick’s lover), tries to help people without starting a war. Luke and Clint are two boys caught in the middle, owned by vampires who decide their fate without asking. Secrets, latent powers, old connections, and shifting loyalties slowly push everyone toward conflict even though most of them would really prefer to avoid one.
From a craft perspective, there’s little to complain about. The book is well paced, clearly structured, and easy to read. The chapters move quickly, action scenes are clean and understandable, and the story never gets bogged down in exposition. Characterization is solid across the board. 
That said, the plot rarely surprises. The intrigue is competent but most twists are easy to see coming. If you’re waiting for a moment that genuinely changes the game, it never arrives.
Overall, Life Remains is a well-written, dark urban fantasy with vampires who are more interested in control, politics, and relationships than blood and death. To be fair, they don't experience emotions the way people do. A good pick if you want a smooth, fast read and don’t mind your vampires being civilized.



Pilgrim by Mitchell LüthiPublished October 31, 2023; 693 pages (Kindle Edition)Genre: Dark Fantasy / Horror / Medieval
As a fan of dark fantasy and cosmic horror, I was stoked to check this one out. And it delivered.
Pilgrim is set in 12th-century Jerusalem, at the tail end of the Crusades. Dietmar, a broke and grieving German knight, is hired to smuggle a holy relic back to Europe. That’s the plan, anyway. Instead, a sandstorm drops him and his companions into a nightmare road trip through lost cities, ancient gods, and places that feel fundamentally wrong.
I can't imagine the amount of research that went into it. Lüthi is clearly a scholar, and it shows. Pilgrim pulls from Christian, Islamic, Arabic, and pre-Christian traditions and smashes them together. 
The vibe is bleak. Monsters show up often, but the real horror is existential and theological. It shows faith breaking down, reality bending, and the sense that God might not be what anyone thinks He is. Any moment of safety gets erased fast and hope is in short supply by design.
That said, it’s long. Like, 700 pages long. And you feel it. The structure starts to repeat: arrive somewhere strange, encounter a horrifying mythological entity, people die horribly, survivors move on, repeat. Not every encounter feels necessary, and some conversations circle the same questions about faith and evil without really moving things forward. I liked the ideas being explored, but there were stretches where it felt like a lot of words to cover familiar ground.
The characters are interesting, but not always fully developed. Dietmar’s grief and guilt drive the story, but his motivations feel a bit muddy. Razin, on the other hand, is fantastic. Lüthi’s knowledge of Islamic philosophy really shines through him. Still, it can be frustrating that Razin, who clearly understands more than anyone, constantly withholds insight. I get that uncertainty is a theme here, but sometimes I just wanted someone to try and put the pieces together on the page and for people to communicate.
Pilgrim has issues. It’s too long. It repeats itself and drags in the middle. It could’ve been tighter. But it’s also bold, deeply researched, and unique. I’m really glad I read it, and I’ll absolutely be checking out more from Lüthi.



Reflections of Lilje Damselfly by Natalie KeldaPublished June 23, 2025; 219 pages (Kindle Edition)Genre: Romantic Fantasy
Reflections of Lilje Damselfly has a solid idea. Lilje is a water nymph suffering from a chronic illness and constant pain. Her father sends her to an Edwardian spa retreat to live among humans and, hopefully, get better. This means learning human customs, clothing (important), and social norms. Some of this is played for gentle humor, and it mostly works.
Lilje is a likable protagonist. Her illness forces her to leave her family and familiar surroundings, and that sense of loss comes through. The book takes a warm, affirming approach to disability and chronic pain, and despite the subject matter, the overall tone stays light and comforting. There’s also a sapphic romance, which develops without much melodrama (well, there's just a bit of it). This is very much a feel-good story.
Unfortunately, the execution didn’t work for me. The stakes are close to non-existent, and there’s no real urgency to the plot. Things happen, but rarely feel like they matter much. The characters are pleasant but shallow, and most of them don’t develop beyond a single defining trait. Even at just over 200 pages, the book feels over-written*. There’s a lot of description, a lot of explanation, and very little momentum.
I understand the story is, above all, about coping with disability and it can be therapeutical. With that said, I wasn't impressed by writing about disability. Lilje tells us she’s in pain. Often. But we rarely feel it through the scenes themselves. Combined with the slow pacing, this made the reading experience feel flat.
If you’re looking for an easy, cozy read with a warm take on disability, self-acceptance, and finding love despite hardship and illness, this might work for you. If you’re hoping for tension, depth, or a tighter plotting, it probably won’t.
* After checking GR reviews, I'm definitely in the minority. Most readers loved lyrical writing.
*---------------*---------------*---------------*

Verdict

The books in my batch were solid, but, being perfectly honest, only one impressed me. So, without further ado, our first semi-finalist is:

Pilgrim by Mitchell Luthi. Congratulations to Mitchell Luthi and commiserations to the fallen.

 

Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Raymond St. Elmo is a programmer of artificial intelligences and virtual realities, who has no time for literary fabrications of fictitious characters and world-building. And yes, that was meant to be ironic. 

A degree in Spanish Literature gave him a love of Magic Realism. Programming gave him a job. The job introduced him to artifical intelligence and virtual realities; as close to magic as reality is likely to get outside the covers of a book. And yes, that was meant to be cynical.

The author of several first-person comic-accounts of strange quests for mysterious manuscripts, mysterious girls in cloaks whose face appears SUDDENLY IN THE FLASH OF LIGHTNING. And yes, that was meant to be dramatic.

Publisher: Raymond St. Elmo (January 18, 2026) Page count: 181 pages Formats: ebook, paperback

I'm always looking to see what Raymond St. Elmo creates next. I dig his imagination and playful turn of phrase. Goth the Wanderer is, I think, his shortest book, and it’s pretty unique.

It has a strong Alice in Wonderland vibe. Except, Goth has a long knife, a battle pack, is hard-headed, bossy, brave, and likable. She sets off on a quest to recover her stolen shoe and quickly gathers companions, forming what becomes the Questers of the Shoe. Along the way she’s joined by a conversational wolf, a ghost girl, a candle that talks (mostly in exclamations), and a Very Large Mouse, who is absolutely not a rat. At some point even the shoe thief herself joins the party, which complicates things nicely.

Because it’s short and light on stakes, Goth the Wanderer reads quickly. As expected from the author, the ideas and imagery are vivid and odd, and the tone sits comfortably in cozy-adjacent territory. Don’t expect epic consequences or world-shaking revelations. Do expect wild imagination, whimsical writing, and the pleasure of watching a bossy eleven-year-old charge boldly into the unknown. The story maintains dreamlike wonder with just a hint of menace.

While it works as a standalone, expect nods to the previous Wanderer stories. Night Creep, for example, plays an important role here. The author’s own drawings appear throughout. They're simple, slightly rough, but they suit the book perfectly.

In short, Goth the Wanderer is imaginative, odd, and fun. A bold little quest with strange companions and unlikely places led by a girl who refuses to wait for permission.