Fantasy Books

Here are 7 Author Shoutouts for this week. Find your favorite author or discover an…

The post 7 Author Shoutouts | Authors We Love To Recommend appeared first on LitStack.

Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Charles Burns grew up in Seattle in the 1970s. His work rose to prominence in Art Spiegelman's Raw magazine in the mid-1980s and took off from there, for an extraordinary range of comics and projects, from Iggy Pop album covers to the latest ad campaign for Altoids. In 1992 he designed the sets for Mark Morris's delightful restaging of The Nutcracker. He's illustrated covers for Time, the New Yorker and the New York Times Sunday Magazine. He is the official cover artist for The Believer magazine. Black Hole received Eisner, Harvey and Ignatz awards in 2005. Burns lives in Philadelphia with his wife and two daughters.

Publisher: Pantheon (September 24, 2024) Length: 224 pages Formats: Hardcover, ebook

It’s been a long wait -ten years, to be exact-but Charles Burns is back with Final Cut, a weird, sad, and beautifully drawn trip into the mind of an awkward teenage filmmaker named Brian. Set in the early ‘70s, the story follows Brian as he and his friends make a low-budget horror movie on a camping trip.

Everything revolves around Laurie, Brian’s red-haired crush, who becomes his muse, his obsession, and, ultimately, the centerpiece of a story he might be rewriting in his head.

As a result, Final Cut can initially feel like a simple coming-of-age story about a group of friends making a low-budget film in the woods. But true to Burns’ style, there’s so much more beneath the surface. As Brian edits his movie, it becomes clear he’s also “editing” his memories of that summer, creating a version of events where he has more control—and maybe even the happy ending he never got.

This comic has great vibes. You’ve got razor-sharp art that’s stunning, a creeping sense of unease, and characters you’re not quite sure how to feel about. Since I love unreliable narration, I loved the eerie, dreamlike atmosphere. Brian’s a loner who’s into art and movies—cool enough—but he’s also kinda creepy. He films Laurie without her knowing, sketches naked pictures of her, and lurks outside her tent at night. His version of events might not be a full story.

That’s the hook here: is this all really how it went down, or is Brian “editing” the summer in his head to make it more palatable? He’s a filmmaker, after all, and Final Cut plays with that idea of memory as a movie you can tweak. The whole thing has this dreamy, slightly unsettling vibe, like you’re stuck in Brian’s head with him.

The art? Absolutely stunning and otherworldly. Burns’ haunting artwork is unparalleled, as he effortlessly shifts between grounded realism and surreal horror. The color palette—rich blues, stark whites, and deep reds—heightens the unsettling atmosphere, while the splash pages and film-like sequences are nothing short of stunning.

If there’s a downside, it’s that the pacing can be uneven and its core is quite simple, really. Unrequited teenage love, even with all the surreal touches, might not sound like much on paper. And yeah, some parts drag, like the repetitive “making the movie” scenes. But by the end, Final Cutk hits you with this quiet, bittersweet sadness.

Final Cut is a beautifully weird, unsettling, and surprisingly tender look at love, art, and the stories we tell ourselves. If you’re a fan of Charles Burns or just love weird, thoughtful comics, this one’s worth the ride.

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

At the Bottom of the Garden by Camilla Bruce

Mogsy’s Rating: 3.5 of 5 stars

Genre: Horror

Series: Stand Alone

Publisher: Del Rey (January 28, 2024)

Length: 384 pages

Author Information: Website | Twitter

I’ve been a fan of Camilla Bruce ever since I read You Let Me In, which won over with its dark, complex characters and unsettling themes. Her stories so often blur the lines between the real and the supernatural, and her newest novel At the Bottom of the Garden seemed like it would too—a blend of eeriness and whimsy and atmosphere. However, certain aspects also fell short of my admittedly high expectations.

The book introduces Clara Woods, a conniving woman who seizes on an opportunity to reshape her future when a tragic climbing accident claims the lives of her brother and his wife, leaving her as the sole guardian of their two orphaned daughters. Ambitious and cunning, Clara dreams of becoming the head of her own diamond business but lacks the funds to make it happen. With her late brother’s estate now in the hands of his children, Clara begins to plot her way into gaining access to their inheritance.

Still grieving the loss of their parents, 14-year-old Lily and 9-year-old Violet suddenly find themselves transported from their lavish townhome into a decaying manor in the countryside, living with their aunt whom they hardly know. Clara seems kind enough, and says all the right things, but the girls know better. Each secretly harbors a unique gift—Lily can “see” the emotions of others as different colors, while Violet has an inexplicable connection to the realm of the unliving. As their aunt’s manipulative behavior grows worse, the sisters begin to suspect her motives, especially when the house begins to feel increasingly suffocating and oppressive. One day, Violet’s mysterious ability unleashes a long-buried secret, and before long, Clara is surrounded by the ghosts of her past. A tense battle of wills ensues as Clara isn’t about to back down, while the girls grow increasingly defiant and emboldened by their powers.

The story primarily unfolds through chapters alternating between the perspectives of the three characters. Clara is a real piece of work—a greedy, social-climbing widow who is secretly delighted when her half-brother dies and only sees taking care of his daughters as a means to an end. Lily is more mature than her age would suggest, quietly observant and deeply protective of her younger sister. Violet is pure innocence, wanting only to please. Each POV adds a layer to this precarious dynamic, as the girls’ resistance causes Clara to push to take her scheming to the next level.

The writing style is interesting in this one, though it also strongly reminded me of In the Garden of Spite and All the Blood We Share, both books in which Camilla Bruce takes readers into the twisted minds of morally complex, often villainous characters. The main difference is, At the Bottom of the Garden takes on a more whimsical, cartoonish tone— turning Clara into something like a wicked witch from a children’s fairy tale. However, the charm doesn’t last. Eventually, the lack of depth shows through. You start wondering why the girls aren’t taking the obvious, logical steps to get out of their situation. Clara’s ideas become more and more far-fetched. Over time, these unrealistic elements just keep piling up, making the story feel increasingly oversimplified and shallow.

And though I ultimately liked that this was a ghost story, I couldn’t help but feel its potential was wasted. Things started out strong, with a sense of foreboding that was practically palpable. Yet as events unfolded, the plot began to lose its focus, meandering into subplots that distracted from the central conflict involving the haunting, the girls’ abilities, and Clara’s role as a murderess. All that started to feel like a backdrop rather than the key driving force, and by the time we got to the ending, the resolution was rushed and somewhat unsatisfying. The ending simply lacked the emotional impact I was hoping for, a letdown after the tensions built throughout the story.

Overall, in my opinion, At the Bottom of the Garden was not Camilla Bruce’s best, but the strange gothic dark fairy tale vibe does make it more unique and stand out among her other books. And despite my criticisms, I did enjoy it for its atmosphere and slow-burn supernatural plot. Recommended if you are a fan of the author, or for readers who can appreciate a lighter take on horror.

 

This is a reread. First time reading it has to be between 2001 and 2009 somewhere. I borrowed it and now finally have my own copy.I mostly remember atmosphere, vibes, and that I loved it. Starts out promising, the writing is so good!

He swallowed queasily. The footlocker seemed to swell to fill his room, muttering its ugly secrets to itself.

(page 35, Wizard of the Pigeons by Megan Lindholm/Robin Hobb)
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Teaser Tuesdays is a weekly bookish meme, previously hosted by MizB of Should Be Reading. Anyone can play along! Just do the following: - Grab your current read - Open to a random page - Share two (2) “teaser” sentences from somewhere on that page BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!) - Share the title & author, too, so that other TT participants can add the book to their  TBR Lists if they like your teasers!

Savage Sword of Conan #1 (Titan Comics, February 2024). Cover art by Joe Jusko

Savage Sword of Conan, from Titan Comics, is the comic book that I have been waiting for. It is a thing of perfection: art, story, presentation, physical format – all unmatched.

The cover by Joe Jusko is brilliant, capturing some brutal imagery from the prose story within, penned by Jim Zub. I loved Joe’s work on the original SSoC run.

The introduction by Roy Thomas was a delight. Roy was the mastermind behind Conan the Barbarian and Savage Sword of Conan, but he’s also known for creating characters such as Wolverine, Vision, Werewolf by Night, Luke Cage, Iron Fist, Ultron, and scores more. Hearing that he had plans to contribute to this magazine filled me with joy.

[Click the images for savage-sized versions.]

Interior pages from Savage Sword of Conan #1. Art by Max Von Fafner

The first story in SSoC #1 is called “Conan and the Dragon Horde,” written by John Arcudi, with art by Max Von Fafner. It has violence, bloodshed, nudity, sex, murder, betrayal, greed, superstition, intrigue, and horror. It is a classic Conan yarn that includes a fascinating female protagonist. Maybe she’ll stick around, or maybe she’ll go her own way, like Valeria. I can’t wait to see.

The prose story by Jim Zub, “Sacrifice in the Sand,” was a pleasant surprise. I have to admit to almost always feeling a sense of dread when someone other than REH writes Conan, but by Crom, this Zub guy gets it, much like his contemporary, John C. Hocking. The story was short, but the action was intense, realistic, and engaging, with a nice little twist at the end. Congrats, JZ.

More interiors from Savage Sword of Conan #1. Art by Max Von Fafner

Next, we had a Solomon Kane yarn, “Master of the Hunt.” Placing an SK backup story in SSoC is chef’s kiss perfect. It brings back wonderful memories. Written and illustrated by Patrick Zircher, this was an excellent Gothic tale, with all that 1600s mood and tone. The Puritan gun-toting swashbuckler is one of REH’s finest creations, and he is well represented here.

The magazine closes with a piece by Jeffrey Shanks, who delves into the publishing history of Solomon Kane, which many readers will no doubt find fascinating. Jeff is a bona-fide REH scholar, much like my dog brothers, Mark Finn and Chris Gruber.

Interiors from Savage Sword of Conan #1. Art by Patrick Zircher and Howard Chaykin

This book was great. The husky offset paper is thick and opaque, yet has that newspaper quality to it, bringing back the nostalgia of the original run. You can smell the ink – it’s glorious.

One thing I would love to see in the future (and I know this is wishful thinking) is art by Val Semeiks in the pages of this series. I’ve been working with Val off and on for eight years on Hyperborea RPG content, and I think it would be a wonderful “full circle” event to see him back where he started – illustrating Kull in SSoC. I’d love to see that happen.

Savage Sword of Conan #1 (Marvel Comics, 1974). Cover by Boris Vallejo

The original Savage Sword of Conan #1 was published in 1974, featuring an incredible cover painting by Boris Vallejo (see above). It picked up where Savage Tales had left off, with Roy Thomas spearheading the efforts within.

The talent of the contributors is off the charts: John Buscema, Barry Smith, Alfredo Alcala, Gil Kane, Pablo Marcos, Esteban Maroto, Neal Adams, Ernie Chan, and a riveting article by Glenn Lord. All of it, as Roy Thomas states “… is dedicated to Conan and the other heroic-fantasy creations of the late Robert E. Howard (1906-1936).”

Interiors from Savage Sword of Conan #1 (Marvel Comics, 1974). Art by
John Buscema, Pablo Marcos, Esteban Maroto, Neal Adams, and John Chua

I already had a copy of this book, but I picked up this backup copy for $20 from my old pal, Chris, of Chris’s Comics.

For me, the most iconic Conan art was established by Frank Frazetta with his cover paintings on the Lancer paperbacks, and John Buscema with his cover and interior art in Marvel’s Conan the Barbarian and Savage Sword of Conan. When I was young, one of the things I always looked forward to was the next issue’s cover painting for SSoC.

Cover art for The Savage Sword of Conan #54 (Marvel Comics, July 1980). Art by Earl Norem

They rarely disappointed. Among those cover painting artists, one of my personal favorites was Earl Norem. I don’t believe he has received the attention he deserves for capturing incredibly dynamic scenes, such as the one pictured above, fighting a sand demon.

One of the prizes of my personal collection is the page below, purchased at a NY Comicon in the late 90s. This is an original page from Savage Sword of Conan #197, published in May, 1992.

Original art from Savage Sword of Conan (Marvel Comics, May, 1992). Art by John Buscema and Ernie Chan

It features Roy Thomas writing, John Buscema pencils, and Ernie Chan inks. The ultimate creative dream team. On this page we see Conan, Belit, and Valeria. This is a one-of-a-kind piece that I will never part with!

One of the ultimate dream teams in comic book history was Roy Thomas, John Buscema, and Alfredo Alcala. The page below is from Savage Sword of Conan #20, adapting the Robert E. Howard story “The Slithering Shadow,” originally published in Weird Tales magazine in 1933. A sword-and-sorcery masterpiece.

Splash page from Savage Sword of Conan #20, by Roy Thomas, John Buscema, and Alfredo Alcala (Marvel Comics, July, 1977)

The third and final volume of Barbarian Life: A Literary Biography of Conan the Barbarian, by Roy Thomas, is a must-have for fans of Roy’s take on Robert E. Howard’s most famous character.

In thousands of four-color panels for Marvel Comics, Roy Thomas told the tale of Robert E. Howard’s greatest creation, Conan the Barbarian. Now, in this definitive biography and analysis, Roy chronicles Conan’s comic book life, issue by issue, plot by plot, and artist by artist.

For ten years, from October 1970 when Roy and artist Barry Smith assembled the first issue of Marvel’s Conan the Barbarian, to October 1980 when Roy and artist John Buscema completed their last issue together on the series, Thomas wrote of Conan’s gigantic melancholies and gigantic mirth — as well as the wars, the wenches, and the wizardry that bedeviled the Cimmerian from one issue to the next.

In this final volume of the series, Roy Thomas explains the creative process behind his final few issues of Conan the Barbarian, his run on King Conan, and selected stories published in Savage Sword of Conan. Additional features include a full-length interview with Roy, a short history of sword-and-sorcery in the comics, and the tale of Conan’s battles with the Comics Code.

Barbarian Life: Volume Three: A Literary Biography of Conan the Barbarian by Roy Thomas (Pulp Hero Press, April 26, 2021)

Now, I do want to preface what I am about to say by noting that my thoughts may be clouded by the nostalgia of my youth: lying on my bedroom floor, poring over my Conan comics and studying the words and art with rapt interest.

That being said, of all the pastiche authors who have developed new, original Conan tales, Roy Thomas may be my favorite — and he did it with the accompaniment of a brilliant visual medium, working with some of the finest artists of the day, such as the aforementioned Barry Smith and John Buscema, and also greats such as Alfredo Alcala, Gil Kane, and Ernie Chan.

Unfortunately, one of my favorite Conan artists, the incredible Val Semeiks, didn’t cross paths with Roy, but he deserves mentioning nonetheless for his breathtaking art.

Jeffrey P. Talanian’s last article for Black Gate was The Dreams in Gary’s Basement: Gary Gygax and the Creation of Dungeons & Dragons. He is the creator and publisher of the Hyperborea sword-and-sorcery and weird science-fantasy RPG from North Wind Adventures. He was the co-author, with E. Gary Gygax, of the Castle Zagyg releases, including several Yggsburgh city supplements, Castle Zagyg: The East Mark Gazetteer, and Castle Zagyg: The Upper Works. Read Gabe Gybing’s interview with Jeffrey here, and follow his latest projects on Facebook and at www.hyperborea.tv.

 

ABOUT THE AUTHOR: J E Hannaford is powered by coffee, dragons and whisky. She teaches Biology in the real world and invents fantasy beasts to populate her own.
She lives in Suffolk, UK, and pines for the coast and mountains of Wales.
A love of nature and the ocean washes through the pages of J E Hannaford's stories and pours out of the characters who live in it.
Find J.E. online: website
Gates of Hope links: Amazon, Goodreads
ESMAY
Well, I don’t know what I was expecting from Gates of Hope, but I am pretty sure nothing could have prepared me for the wildly imaginative epic sci-fantasy adventure it turned out to be. It’s got dystopian landscapes and societies, completely unique flora and fauna, a magical academy and secret societies, at least six types of mystifying magic, planet hopping portals, and, hear me out, space dragons. What’s not to love… right? 
From the very first page, I found J.E. Hannaford’s bold storytelling and rich prose to be incredibly immersive. Yes, we are dropped into quite a deep pool of unfamiliar fantasy terminology and complex history and lore, but the way that this entire world (or should I say universe?) unfolded through the three distinctly unique POV characters’ eyes felt wonderfully organic to me. 
Whether it was Darin with his dream/song magic, dangerous secret society shenanigans, and newfound psychic moonhound bond (Star is the MVP!!), Suriin with her emotion magic and desperate lust for an adventure to take her outside the deep crater communities of Caldera, or the outcast Elissa all the way over on the moon of Tebein discovering outlawed magical powers that could save her entire race from the tyrannical rule of the alien awldrin overlords, if they don’t eliminate her first; I am not kidding when I say that every single chapter contained some type of new marvellous piece of revelatory world building that just filled me with awe. 
However, as interesting and intriguing as I found the events unfolding throughout these characters’ increasingly wild lives, I have to admit that I never truly connected to any of them, and I soon found myself struggling to stay engaged by the almost slice-of-life storytelling. To me, Gates of Hope lacked a strong overarching conflict/plot pulling everything together into a cohesive whole, and it felt like everything was happening TO these characters rather than because they took any decision driven by personal motivations, which made it quite hard for me to really root for them.
Maybe I was just hoping and expecting this story to be something it was never meant to be, and ultimately I truly can’t deny that Hannaford’s ambitious vision for the Aulirean Cycle is beyond impressive. While this first book in the series failed to truly hook me at any point, I think the explosive ending showed a lot of potential and set up the sequel(s) in a very strong way. So, if you are looking for an exceptionally slow-burn and character-driven epic sci-fantasy adventure that is simply bursting with imagination, emotion, and heart, then I can’t recommend Gates of Hope highly enough. 
ŁUKASZ

Sometimes, a book feels like it’s going somewhere, only for you to realize you’ve been waiting for things to happen and they still haven't. Gates of Hope is one of those books. It’s clear J.E. Hannaford poured her heart into building this world (interplanetary dragons, magical moonhounds, and a system of magic fueled by emotions and music), but all that effort doesn’t quite translate into an engaging story.

The premise is solid: a war-torn world, magical gates destroyed by a dragon, and three protagonists dealing with the fallout. But rather than picking up speed, the plot crawls. Elissa struggles under alien rule on one of the moons, Darin bonds with his moonhound while learning magic, and Suriin works on controlling her powers. They all have potential, but their stories don’t really connect, and for most of the book, it feels like nothing significant happens.

The pacing is the main culprit. It’s practically at a standstill for long stretches. The book spends so much time on small, everyday details and repetitive scenes that the plot barely gets a chance to move. Even when things finally pick up near the end, it feels too little, too late.

The characters also didn’t do much to save the story. While there’s some charm - Darin’s moonhound, Star, is a highlight - the protagonists themselves feel flat. Their personal growth and struggles should’ve been the heart of the story, but instead, it’s like watching three separate, slightly dull movies that never quite come together.

That said, the world-building is impressive. You can tell Hannaford put a lot of thought into creating her universe, and for readers who love rich, detailed settings, this might hit the spot. 

If you’re patient and enjoy slow, slice-of-life fantasy, Gates of Hope might work for you. Otherwise, it’s a bit of a slog - a lovingly crafted world where not enough actually happens.

OFFICIAL SPFBO RATING

Take My Name but Say It Slow is a luminous memoir-in-essays exploring place, identity, and…

The post Spotlight on “Take My Name But Say It Slow” by Thomas Dai appeared first on LitStack.

A LIFE IS NOT IMPORTANT EXCEPT IN THE IMPACT IT HAS ON OTHER LIVES – Jackie Robinson’s epitaph

Mark Rigney, Howard Andrew Jones, Bob Byrne

I did an interview last week with Jason Waltz for his ’24 in 42′ podcast (Yeah, I know: You just can’t wait to hear that one…).

One of the questions was about my favorite quote/lyric/poem/motivational thought. Some of you who know me probably figure it’s a Bible verse. And there are a couple that are right up there.

But it’s the epitaph on Jackie Robinson’s gravestone, which leads off this post.

My buddy Howard Andrew Jones has passed away from brain cancer. You’re going to see a LOT of people singing his praises in the coming weeks. All of it deserved. If I can stop crying long enough, my Monday morning post will be on Howard.

But you’re gonna see a common thread in the talk about Howard. The impact he had on other people’s lives. Especially in encouraging and helping writers – mostly in the sword and sorcery field.

Measured by impact, Howard’s may well be the most important life in the past three-plus decades in the genre. He was relentless in being kind, helpful, encouraging, engaging – just fucking NICE – in an era when nice isn’t all that common anymore.

My favorite memories of Howard are our phone talks about hardboiled private eye fiction: not what you’d guess of one of the brightest lights in the sword and sorcery genre.

But as you read the posts about Howard here on FB, just keep noting how many people thank him for helping them. For impacting their lives and careers.

Howard totally lived that quote on Robinson’s headstone. More than most of us do. A good man who lived an important life.

The world’s light is a little less bright this wintry day. A star has gone out.

 

That was my response to seeing John O’Neill’s post on Friday, announcing that Howard had lost his battle with brain cancer. Facebook has been full of fond memories and sorrows from his many friends.

There are two people I’ve gotten to know somewhat through my writing/blogging, who were liked by everyone who knew them. No one had a bad word for mystery writer Bill Crider, or for Howard. He did not suffer bullshit well, but if you knew him, you were his friend. And you felt fortunate to be one.

I only met him once, at a Windy City Pulp Fest, but we talked on the phone, emailed, and FB messaged. I always enjoyed talking to him. We often compared the aches and pains of trying to remain physically active as we grew older. And suddenly, he won’t grow any older. Life can suck.

Regarding his work, my favorites are his Dabir and Asim Arabian stories. The two novels are epic Arabian fantasies – ‘swords and sandals’. But the short stories are really mysteries in an Arabian fantasy setting, and I love that! If you don’t at least have Waters of Eternity in digital, you totally should.

I liked his Pathfinder novels. The Ring-Sworn trilogy was good, but not one of my favorites.

I had not yet started his most recent trilogy, The Chronicles of Hanuvar, though I had read a couple short stories, which he incorporated into the first novel, ala Raymond Chandler (Howard was a hardboiled PI Pulp expert). I sat down Friday night, and I spent a chunk of my weekend working through Lord of A Shattered Land.

This is Howard’s best work. He had moved to another level. I assume books two and three will only drive that home. He had signed a five-book deal with Baen. They liked it so much, they added two more books to his contract.

Howard was a year younger than me, and he had a lot of great writing years ahead of him. He was taken far too soon – I feel the same about Carl Wilson of the Beach Boys.

As I said in my FB post, Howard was nice. He was a genuinely good guy. He was fun to talk to, and he really was committed to helping people in the field. If you saw his FB updates on the chicks (he operated a farm) in winter, you got a sense of what a neat guy he was.

I got to visit him once after the news of his illness came out. That’s the pic above, with three of us Black Gaters together. He was still the gentle, soft-spoken soul I knew.

I hope the plaudits and the accolades keep coming. And I hope there’s something in his memory at 2025 Windy City.

Howard will be missed by many, for many years to come. The following is from his first Hanuvar novel, and it’s become the Howard quote for many of us, with his passing:

“Why are you crying? Warrior’s don’t cry.”

“They do when a hero dies.”

We lost a hero. I’m one of many who will miss you greatly, friend.

And if you’re looking for some modern fantasy to read, you really ought to grab that first book and check out one of the finest sword and sorcery writers of this century:

The Chronicles of Hanuvar

Lord of a Shattered Land
The City of Marble and Blood
Shadow of the Smoking Mountain

Bob Byrne’s ‘A (Black) Gat in the Hand’ made its Black Gate debut in 2018 and has returned every summer since.

His ‘The Public Life of Sherlock Holmes’ column ran every Monday morning at Black Gate from March, 2014 through March, 2017. And he irregularly posts on Rex Stout’s gargantuan detective in ‘Nero Wolfe’s Brownstone.’ He is a member of the Praed Street Irregulars, founded www.SolarPons.com (the only website dedicated to the ‘Sherlock Holmes of Praed Street’).

He organized Black Gate’s award-nominated ‘Discovering Robert E. Howard’ series, as well as the award-winning ‘Hither Came Conan’ series. Which is now part of THE Definitive guide to Conan. He also organized 2023’s ‘Talking Tolkien.’

He has contributed stories to The MX Book of New Sherlock Holmes Stories — Parts III, IV, V, VI, XXI, and XXXIII.

He has written introductions for Steeger Books, and appeared in several magazines, including Black Mask, Sherlock Holmes Mystery Magazine, The Strand Magazine, and Sherlock Magazine.

David Lynch is gone; he died Wednesday at the age of  seventy-eight, bringing one of the strangest careers in American film to an end and leaving the rest of us to try to reach a conclusion as to what it all meant.

He never made a western. He never made a romcom or a workplace comedy. He never made a “prestige” period picture. He never made a buddy movie or an action movie or a heist movie or a (straightforward) crime movie. Not for him was getting hold of a franchise and riding it until it died of thirst in the desert; he wasn’t interested in making Mission Impossible 6 and 7/8. The only things he made were David Lynch movies (as the producers of Dune found to their dismay), and those were about as far out of the mainstream of American cinematic entertainment as it is possible to get and still be permitted within the city limits of Hollywood.

I resist calling him an “experimental filmmaker” — though there is a grain of truth in the description (in the effect of his work more than in its intent) — because I don’t think he was experimenting at all; I think he had a cement-solid vision of what film was and what it could do, and he knew precisely what he was up to every single minute.

For much of the past fifty years, people have spent countless hours burning up mental calories trying to “figure out” Eraserhead, Mulholland Drive, Fire Walk with Me, and Lost Highway, which seems to me to be a waste of time (though there are worse things to do with your idle hours). David Lynch’s films aren’t Sudokus, nor are they housing tract prospectuses or blueprints for can openers or toaster ovens; they’re dreams, and if his career illustrates anything, it’s how literal and flatfooted the vast majority of films are, and how very few filmmakers utilize to any degree the extraordinary power of the medium to dissolve and reconfigure the walls of reality. (In this a goof like Ed Wood beats most of today’s A-List directors, though Wood’s surrealism was the result of ineptness rather than art.)

Lynch’s most puzzling visions stubbornly resist dissection or definitive explanation, but most of the difficulty results from seeing them as puzzles in the first place. Instead, they’re spiritual weather reports; David Lynch was a meteorologist of the soul, and though he was American to the core, his movies have more in common with European films like Alain Resnais’ Last Year at Marienbad or Ingemar Bergman’s Persona or Hour of the Wolf than they do with the more commercial work of his American contemporaries.

The first Lynch film I saw was The Elephant Man (1980), which was (along with 1999’s The Straight Story) as “normal” a movie as he ever made. Even then, though, I knew that this was about as far from being a conventional, heartwarming, “disease-of-the-week” weepie as you could get. The difference becomes clear when you compare the film to the box-office winners of 1980 and imagine how the directors of The Empire Strikes Back, Private Benjamin, 9 to 5, or Coal Miner’s Daughter would have handled the story of John Merrick.

Not everyone responded positively to Lynch’s oblique, uncompromisingly interior approach, especially at first. It royally ticked off Roger Ebert, for instance, who was presumably upset that The Elephant Man wasn’t the sort of thing Sydney Pollack would have given us. Ebert also hated Wild at Heart (1990), Lynch’s off-kilter, violent, Wizard of Oz-inflected love story, though how the man who wrote Beyond the Valley of the Dolls could disdain “sophomoric humor” or criticize anyone for indulging in the “cop-out” of “pop satire” is beyond me.

As time went by, though, Lynch gathered more and more approval, but many critics praised him because of the attack they believed he was mounting on the values of what used to be called “Middle America.” What else could a movie like Blue Velvet be but a savage repudiation, an unqualified exposure of the wormy rot underneath the shiny linoleum?

However, in seeing Lynch as an unqualified celebrator of subversion, these critics were missing half the boat. Lynch didn’t believe that the “real truth” of the world was a hidden corruption that was bound to come out sooner or later and overwhelm everything, or that the scrubbed, brightly-polished surface of “normality” was nothing but a lie or a hypocritical sham.

He believed in the reality and power of both the decency and the corruption. You cannot accuse David Lynch of cynicism (Ebert’s mistake), but he was certainly as Manichean as they come, seeing as he did a world poised on the razor’s-edge between darkness and light, with each constantly trying to encroach on the other’s domain. It’s his acknowledgement of both aspects of life and his rapt love of their battle, and his belief that the balance between them is subject to the merest breath, that make him such a complex — and divisive — artist.

Certainly, a man who could make both Blue Velvet, in which the placid surfaces of ordinary life conceal a subterranean hell of twisted desire and violence, and The Straight Story, where the only perversion is the decision to ride a lawn mower across the state to visit an estranged brother, is a one-of-a-kind visionary. Those two films may be Lynch’s most emblematic ones, and they are not opposites, as may appear at first glance; they are fraternal twins, one light, one dark, but standing shoulder-to-shoulder and hand-in-hand. That they both issued from the same mind and are the products of the same sensibility may be the most disturbing thing of all — they are, in fact, both the work of an Eagle Scout.

He is irreplaceable. We have other great directors — Paul Thomas Anderson, David Fincher, Kathryn Bigelow, Martin Scorsese, Quentin Tarantino, to name just a few. But even the most adventuresome of them rarely do more than occasionally edge a toe into the territory that David Lynch spent his whole career traversing from corner to corner. He was fearlessly committed to going ever farther, digging ever deeper. He was like a legendary explorer, again and again plunging into trackless, unknown territory where anything might happen. Every film was a Lewis and Clark expedition into the wild unconscious, and the reports he brought back from those brave forays into the void revealed unbelievable terrors and awe-inspiring beauties.

Probably like many others, when I heard of Lynch’s death the first film I though of was Eraserhead. Back in the Pleistocene (the early 1980’s, that is), if you heard about an interesting movie and wanted to see it, you pretty much had only one recourse — your local video store, and so I rented a VHS cassette of Eraserhead from the Blockbuster down the street. Then, late one night, while my wife slept peacefully in our bedroom, I turned off the lights in my living room, put the movie in the player, and was instantly plunged into an eerie, repulsive, frightening, baffling, disorienting world that was also undeniably comic and even, at times, darkly beautiful. I was clearly watching something that was not made for me — or against me, for that matter. It wasn’t made with reference to me at all, or to anyone or anything else in the world. It was wholly itself, and came to me like an artifact from another universe.

No movie has ever given me the creeps like Eraserhead did — or made me think like it did. When it was over, I sat alone in the darkness and wondered what the hell had just happened.

Old movie posters often used to be emblazoned with a cheesy boast — “Like Nothing You’ve Ever Seen Before!!” The silly slogan came true in Eraserhead; it came true again and again in everything that the enormously gifted, magnificently weird, profoundly divided David Lynch gave us. I’m sorry that he is gone, but I’m so grateful that he was here. There was only one of him, and considering the disquieting nature of his unique vision, I’m glad for that, too. I can only take so many nights like the one when I watched Eraserhead.

Thomas Parker is a native Southern Californian and a lifelong science fiction, fantasy, and mystery fan. When not corrupting the next generation as a fourth grade teacher, he collects Roger Corman movies, Silver Age comic books, Ace doubles, and despairing looks from his wife. His last article for us was A Singular Success: Fat City

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What are the Best Live Xxx Cam Sites in Italy?

Some of the top live xxx cam sites in Italy are Chaturbate, LiveJasmin, and BongaCams. These sites offer a wide variety of models and categories to choose from, as well as high-quality video streaming and interactive features. Other popular sites include CamSoda and MyFreeCams. It is recommended to do some research and read reviews before choosing a specific site to ensure the best experience.

How Can I Find Authentic Italian Models on Xxx Cams?

One of the best ways to find authentic Italian models on xxx cams is by using specific search filters on the cam site. You can also look for models who mention their nationality or location in their profile bio. Another option is to join Italian-specific xxx cam communities where you can connect with models directly. Contacting the customer support of the cam site and asking for recommendations may also help you find authentic Italian models.

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Yes, there are several special features and categories for Italian xxx cams. Some popular ones include Italian MILF cams, Amateur Italian cams, and Italian BDSM cams. Many Italian xxx cam websites offer a wide variety of performers from different regions and cities in Italy. There is a diverse range of options for those looking for Italian xxx cams.

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The post Experience the Sultry Side of Italy With These Xxx Cams appeared first on Fiery Romance.

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Japan is known for its rich culture, beautiful landscapes, and delicious food. However, there is another side of Japan that often goes unnoticed – its thriving adult entertainment industry. In recent years, more and more people have turned to webcam shows for their sexual gratification, and Japan has been at the forefront of this trend. With a wide variety of cam websites to choose from, it can be overwhelming to decide which one to explore. But fear not, as we delve into the world of Japan’s kinkiest sex webcam shows and review the top cam sites – Live Jasmin, Stripchat, Jerkmate, and ImLive.

The Rise of Webcam Shows in Japan

Webcam shows have become increasingly popular in Japan due to various reasons. One of the main factors is the strict censorship laws surrounding pornography in the country. So, if you’re tired of dealing with sign-ups and want to jump straight into the action, check out these sexting websites for a hassle-free sexting experience. While traditional pornographic content is heavily censored, live webcam shows offer a more explicit and interactive experience for viewers.

Another reason for the rise in popularity of webcam shows is the convenience they offer. With just a click of a button, viewers can access a plethora of content tailored to their specific preferences without leaving the comfort of their own home.

Moreover, with advancements in technology and internet speeds, live webcam shows have become more accessible and high-quality than ever before. The Kyrgyzstan live sex cams give a glimpse into the country’s unique culture and intimate side.

The Controversy Surrounding Kinky Sex Webcam Shows

While some may view kinky sex webcam shows as harmless entertainment, others argue that it promotes objectification and exploitation of performers. There have been concerns raised about performers being coerced into certain acts or working under unsafe conditions.

However, with proper regulations and guidelines in place, these concerns can be addressed effectively. Many cam sites have taken steps to ensure the safety and well-being of their performers by implementing strict rules against harassment and abuse.

It is also worth noting that many performers choose to work in the webcam industry willingly and find it empowering to explore their sexuality on their own terms.

Review of Top Cam Sites Live Jasmin

Pros:

• High-quality video and audio streaming
• Large selection of Japanese performers
• Various payment options available

Cons:

• Limited free content
• Expensive private shows
• Somewhat outdated website design

Live Jasmin is a popular cam site known for its extensive selection of models from Japan. With over 5000 Japanese performers, viewers are spoiled for choice. The site offers high-quality video and audio streaming, making the viewing experience more enjoyable.

However, Live Jasmin does come at a cost. Private shows can be quite expensive, and there is limited free content available. Some users may find the website’s design to be outdated compared to other cam sites. With the popularity of Russia XXX Cams on the rise, more and more people are turning to online streaming for their adult entertainment needs.

Stripchat

Pros:

• User-friendly interface
• Diverse range of categories and fetishes
• Affordable private shows

Cons:

• Inconsistent video quality at times
• Somewhat intrusive ads during live streams
• No option for one-on-one private chats with models

Stripchat stands out from other cam sites due to its diverse range of categories and fetishes. Viewers can explore their kinks and fantasies through various chat rooms and private shows.

The private shows on Stripchat are relatively affordable compared to other cam sites, but the video quality can be inconsistent at times. There is no option for one-on-one private chats with models, which may be a drawback for some users. Some viewers may find the ads during live streams to be intrusive.

Jerkmate

Pros:

• Frequent promotions and discounts
• Advanced search filters for specific preferences
• Option for virtual reality shows

Cons:

• Inconsistent video quality at times
• Limited selection of Japanese performers
• No free content available without signing up for an account

Jerkmate is a popular cam site that offers advanced search filters for viewers to find their desired performer based on specific preferences. The site also offers virtual reality shows, adding a new level of immersion for viewers.

However, Jerkmate has a limited selection of Japanese performers compared to other cam sites. Some users have also reported inconsistent video quality during live shows. It is worth noting that viewers must sign up for an account before accessing any free content, which may be a downside for some.

ImLive

Pros:

• Affordable private shows with various payment options
• Diverse range of categories and fetishes
• Interactive features like live sex toy control and cam2cam option

Cons:

• Limited free content available without signing up for an account
• Somewhat outdated website design
• No option for virtual reality shows

ImLive boasts a diverse range of categories and fetishes, making it an ideal choice for viewers looking to explore different kinks. The site offers affordable private shows with various payment options, accommodating different budgets.

However, similar to Jerkmate, ImLive requires users to sign up for an account before accessing any free content. There is no option for virtual reality shows on the site. Some users may find the website design to be outdated compared to other cam sites.

The Impact of Japan’s Kinkiest Sex Webcam Shows

The rise in popularity of kinky sex webcam shows in Japan has had a significant impact on the adult entertainment industry. It has provided an alternative form of sexual expression for performers and viewers alike, breaking away from the traditional forms of pornography that often objectify and exploit women.

Moreover, with advancements in technology, live webcam shows have become more interactive, allowing viewers to engage with performers and tailor their experience to their preferences. This level of personalization has made kinkier sex webcam shows even more appealing to viewers.

With strict regulations in place, these cam sites have created a safe and consensual environment for performers and viewers. This has led to a more positive perception of the adult entertainment industry and its role in promoting healthy sexual exploration.

Summary

Japan’s kinkiest sex webcam shows have gained popularity due to various factors such as strict censorship laws, convenience, and technological advancements. While there is controversy surrounding these shows, proper regulations and guidelines can ensure the safety and well-being of performers.

Live Jasmin, Stripchat, Jerkmate, and ImLive are among the top cam sites offering quality content for viewers interested in exploring Japan’s kinkiest sex webcam shows. With each site having its own unique features and drawbacks, it ultimately comes down to personal preference when choosing which one to explore.

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How Can I Find Reputable and Safe Japan Sex Webcams to Watch?

• Another option is to look for recommendations from trusted sources, such as friends or online communities focused on adult content.
• It’s important to also take precautions when accessing these sites, such as using secure payment methods and avoiding sharing personal information with unknown broadcasters.
• One way to find safe and reputable Japan sex webcams is by using established websites that have a good reputation and user reviews.

Are There Any Specific Cultural Norms Or Etiquette I Should Be Aware of When Using Japan Sex Webcams?

Yes, there are several cultural norms and etiquette that you should be aware of when using Japan sex webcams. It is important to respect the privacy and boundaries of the performers, as well as refrain from making any derogatory comments. Nudity and sexual acts may be censored or prohibited on certain platforms due to laws in Japan. Even if you’ve never considered indulging in the world of adult cams, Belgian Adult Cams offer a unique and titillating experience that is not to be missed. It is also considered polite to tip or provide gifts to performers as a way of showing appreciation for their work. Please make sure to familiarize yourself with the terms and conditions of the website or platform before engaging in any activity.

Can You Recommend Any Popular and Highly-rated Japan Sex Webcam Websites Or Performers?

Yes, I can recommend a few popular and highly-rated Japan sex webcam websites or performers. Some of the top choices include Sakura Live, Strip Chat, and MyCams. These sites offer a wide variety of Japanese performers and have received positive reviews from users.

What are Some Legal Considerations I Should Keep in Mind When Accessing Japan Sex Webcams?

When accessing Japan sex webcams, there are several legal considerations to keep in mind. It is important to remember that the age of consent in Japan is 13 years old, which means that engaging in sexual activities with someone under this age is considered statutory rape. Be aware that filming or sharing images of individuals without their consent is illegal and can result in severe penalties. It is also crucial to respect the privacy of the performers on these webcams and refrain from recording or distributing their content without their permission. Make sure to research and follow any laws or regulations related to online pornography in your own country as well as Japan’s laws regarding obscenity and child pornography.

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• Another option is to look for recommendations from trusted sources, such as friends or online communities focused on adult content.
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  Free Membership Live Jasmin No cost, Access to models, Live chat option, Exclusive promotions stripchat No credit card required, Access to live streaming shows, Unlimited chat with models, Daily free tokens and rewards, Customizable user profile page Jerkmate No credit card required, Unlimited access to live shows, Customizable user profile, Free chat with models, Daily free tokens ImLive Access to live cam shows, Interact with models in chat rooms, View performer profiles and photos, Receive notifications when favorite models are online, Ability to purchase credits for extras

  The post Get Ready to Be Blown Away: Exploring Japan’s Kinkiest Sex Webcam Shows appeared first on Fiery Romance.

The Jurassic Dead (Wild Eye Releasing, 2017)

We’re off on another adventure filled to the brim with disappointment. 20 films I’ve never seen before, all free to stream, all dinosaur-based.

Oh God.

The Jurassic Dead (2017) Tubi

Just how bad is the CG? Rubbish.

Sexy scientist? Nope.

Mumbo jumbo? Reanimation, dinosaurs, zombies, asteroids.

Just in case you thought I might try to start the year on a high note, might I present this tripe. The premise is simple: a Herbert West type (complete with glowing green reanimating fluid and dead cat) loses his job and decides to destroy the world. Somehow he has a T-Rex, which he zombifies, and then he turns into Immortan Joe and sets off an EMP just as asteroids wipe out some cities. A crack, sorry crap, team of commandos based on 80s action figures must team up with a group of hugely unlikeable civilians to survive.

Everything ends in nuclear devastation. Effects-wise, the dinosaur is a cute, Walking with Dinosaurs puppet, but everything else is shockingly awful green screen composites. Just terrible.

3/10

Voyage to the Planet of Prehistoric Women (AIP-TV, 1968), and Monsters of War (Jagged Edge Productions, 2021)

Voyage to the Planet of Prehistoric Women (1968) Prime

Just how bad is the CG? There is none.

Sexy scientist? Nope.

Mumbo jumbo? Venus, dinosaurs, telepathy

There’s a Russian sci-fi movie called Planeta Bur that got cannibalized twice by AIP under the eye of Roger Corman. One version was Voyage to the Prehistoric Planet, which I have seen, and the other is this one, identical except for 10 minutes of footage of blond ladies telepathically moaning about their dead pterodactyl.

This was made by Peter Bogdanovich and, a day after his death, I’ll let him explain:

Planeta Bur was a Russian science-fiction film that Roger had called Storm Clouds of Venus that he had dubbed into English. And he came to me and said, “Would you shoot some footage with some women? AIP won’t buy it unless we stick some women in it.” So I figured out a way to work some women in it and shot for five days, and we cut it in. I narrated it, because nobody could make heads or tails of it. Roger wouldn’t let me add any sound. It was just a little cheap thing we did, and people think I directed it when I really only directed 10 minutes of it.

It’s barking mad, best watched stoned, and strangely charming.

I was actually watching Voyage to the Planet of Prehistoric Women as part of the Prehistrionics project when I heard Peter Bogdanovich died. So sad.

5/10

Monsters of War (2021) Tubi

Just how bad is the CG? Rubbish.

Sexy scientist? Nope.

Mumbo jumbo? Monster pick n’ mix.

In a first for me, I recognized a cave in the opening shot, then a bunch of trees. Then most of the cast. Then a big house. Oh my God, the folks who made Dinosaur Hotel (covered in Part I) had apparently booked the location for two weeks, because they made a second movie there.

Chrissie Wunna is once again the anguished mother of two terrible child actors, and she once again has to survive in a big house surrounded by rando monsters (including T-Rexes, Kong-lite and other B.S.), and must try to get along with rando fodder (including a miserable nun and some of the ladies that got eaten in the last film).

I actually like Chrissie Wunna, she does anguished mum quite well, but it’s not enough to save this dull exercise in bad effects mixed with ill-considered decisions.

3/10

The Dinosaur Project (StudioCanal, 2012), and Jurassic Prey (Polonia Brothers Entertainment, 2015)

The Dinosaur Project (2012) Tubi

Just how bad is the CG? Passable.

Sexy scientist? Almost.

Mumbo jumbo? Hidden African dinosaur valley.

The film began with a shock as the StudioCanal logo popped up — what? You mean this might be half decent?

Almost. Coming off as a Lost World-lite, this had the makings of a decent yarn as a bunch of Brits descend into the African bush in search of Mokele-mbembe, the Congo’s own Nessie. A pterodactyl-tinged helicopter crash dumps them in the Dino-dollops, and the rest of the film is the team trying to survive/being killed one-by-one, all in fantastically annoying ’found footage’ fashion. It’s not terribly exciting, but it’s refreshing to get some real actors and the CG isn’t cringeworthy.

Mostly harmless.

6/10

Jurassic Prey (2015) Tubi

Just how bad is the CG? The only CG is blood, and it’s rubbish.

Sexy scientist? Nope.

Mumbo jumbo? Mining explosion wakes up a thick T-Rex.

There’s only one phrase worse than ‘A Polonia Brothers Film’, and that’s ’anal seepage’, but I’d take the latter over the former any day of the week.

Everything about this film — the plot, the direction, the editing, the acting, the music, the effects — is hot garbage. The only things I enjoyed were the cankles on the ludicrous dinosaur puppet.

Avoid.

1/10

Reptilicus (American International Pictures, 1961) Reptilicus (1957 or 1961) Tubi

Just how bad is the CG? No CG, but some laughable compositing in the US version.

Sexy scientist? Yep.

Mumbo jumbo? Copper mining digs up a regenerating monster.

And so we reach the end of this miserable excursion with an old one that somehow managed to slip by me, Reptilicus, the first and last Danish/US co-op monster movie. There are two versions, and I would love to find the Danish one, because the AIP US production is pretty awful. They shot the film twice, once in Danish and once in English, but smothered the latter in V.O., and it sounds like the dubbing was done by actors whacked out on cough syrup.

Reptilicus itself is less dinosaur, more Chinese dragon puppet, and it rampages around Denmark laying waste to some nice miniatures of tourist attractions. We know what they are because a couple of characters go on an extended sightseeing trip. All the familiar tropes are in place, including Dr. Frosty McDemiwave, and I enjoyed myself. It’s rubbish, but it’s nostalgic rubbish, and that makes it great.

6/10

Previous Murkey Movie surveys from Neil Baker include:

Prehistrionics, Part I
Prehistrionics, Part II
Jumping the Shark
Alien Overlords
Biggus Footus
I Like Big Bugs and I Cannot Lie
The Weird, Weird West
Warrior Women Watch-a-thon

Neil Baker’s last article for us was Prehistrionics, Part II. Neil spends his days watching dodgy movies, most of them terrible, in the hope that you might be inspired to watch them too. He is often asked why he doesn’t watch ‘proper’ films, and he honestly doesn’t have a good answer. He is an author, illustrator, outdoor educator and owner of April Moon Books (AprilMoonBooks.com).

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Good 9.2 Free Sign Up Discover Irish Charm on Live Ireland Adult Cams

Ireland is known for its breathtaking landscapes, charming culture, and of course, their gorgeous people. And now, you can experience all of that right from the comfort of your own home through live adult cams! With a wide variety of websites to choose from, it can be overwhelming to find the best one that offers authentic Irish charm. But fear not, as we have curated a list of the top cam sites where you can discover all the Irish charm you desire. When exploring the diverse culture and stunning landscapes of Nepal, don’t forget to indulge in some Nepalese adult webcam shows for a unique and intimate cultural exchange.

Live Jasmin

Live Jasmin is one of the most renowned adult cam websites in the industry, and for good reason. It boasts a large selection of models from different countries, including Ireland. Here’s why Live Jasmin should be on your radar when looking for some Irish charm:

The Models

With over 2000 models online at any given time, Live Jasmin has an impressive lineup of Irish performers who are ready to entertain you with their irresistible accents and seductive moves. You can browse through various categories such as Irish or simply type in Ireland in the search bar to filter out all the other models.

The User Interface

Live Jasmin’s user interface is sleek and easy to navigate, making it a breeze to find your desired model. The website also offers various features such as private chats and cam-to-cam options so that you can interact with the models directly.

Pros:

• Various features for interactive sessions
• Huge selection of Irish models
• User-friendly interface
• Frequent promotions and discounts offered

Cons:

• Some models may have expensive private shows
• Pricing may be higher compared to other cam sites
• Premium membership required for full access to features

Stripchat

Stripchat is another popular adult cam site that offers a unique experience for users. It has a large and diverse community of models, including those from Ireland. Here’s what you can expect from Stripchat when it comes to discovering Irish charm:

The Tokens System

One of the most interesting features of Stripchat is its tokens system. Instead of paying for monthly membership fees, users can purchase tokens and use them to tip the models during their live shows or private chats. This allows for more flexibility in spending and also encourages interactions between viewers and performers.

The Model Quality

Stripchat prides itself on its high-quality models, so you can rest assured that you’ll find some stunning Irish beauties here. The website also offers an option to filter models by country, making it easier for you to find your preferred Irish performer.

Pros:

• Unique token-based system
• Affordable pricing options
• User-friendly interface
• Diverse range of Irish models

Cons:

• Limited free content available
• Some features require premium membership
• Lesser number of Irish performers compared to other cam sites

Jerkmate

If you’re looking for a more personalized experience with an Irish model, then Jerkmate might be the perfect fit for you. This website offers a one-on-one camming experience where you can connect with your favorite Irish model through live video chat. Here’s why Jerkmate should be on your list:

The Personalization Factor

Jerkmate lets you customize your cam experience by selecting specific features such as hair color, body type, and more. You can also filter models by country and find your favorite Irish performer in no time. Before trying out any of these gay pick-up lines, make sure to read up on how to effectively approach someone and respect their boundaries. This personalization adds an extra touch to the overall camming experience.

The Diverse Models

Jerkmate has a diverse range of models from different backgrounds, including Ireland. You’ll find performers of all ages, shapes, and sizes here, giving you plenty of options to choose from.

Pros:

• User-friendly interface
• Diverse range of Irish models
• Personalized camming experience
• Innovative features like AI-powered matchmaking

Cons:

• Premium membership required for full access to features
• Slightly higher pricing compared to other sites
• Some models may have expensive private shows

ImLive

Last but not least on our list of top cam sites for discovering Irish charm is ImLive. This website has been in the industry for over 15 years and has gained a loyal fan base due to its consistent quality performances. Here’s why ImLive should be on your radar:

The Multi-Viewer Option

ImLive offers a unique feature called Multi-Viewer where you can watch up to six live shows simultaneously. This allows you to browse through multiple Irish performers at once and find the perfect one for you.

The Variety of Shows

From traditional live shows to fetish performances, ImLive offers a wide variety of shows that cater to all tastes and preferences. Their Irish performers are known for their sultry accents and seductive moves that will leave you wanting more.

Pros:

• Various features for interactive sessions
• Huge selection of Irish models
• User-friendly interface
• Frequent promotions and discounts offered

Cons:

• Lesser number of Irish performers compared to other sites
• Slightly higher pricing compared to other sites
• Premium membership required for full access to features

Pricing One Month Subscription

• ImLive: $48.85
• stripchat: $46.10
• Live Jasmin: $51.80
• Jerkmate: $54.10

Three Month Subscription

• Jerkmate: $52.55 ($17.52/month)
• ImLive: $51.55 ($17.18/month)
• stripchat: $47.40 ($15.80/month)
• Live Jasmin: $54.55 ($18.18/month)

Six Month Subscription

• stripchat: $46.20 ($7.70/month)
• Live Jasmin: $45.80 ($7.63/month)
• ImLive: $45.80 ($7.63/month)
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Recap

If you’re looking to add a touch of Irish charm to your adult camming experience, then these websites are worth checking out. Each one offers unique features and a diverse range of stunning Irish performers who will surely leave you wanting more. So why wait? Discover the magic of Ireland on live adult cams today!

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How Can I Find and Access Adult Cam Sites in Ireland?

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Are There Any Legal Restrictions for Using Adult Cams in Ireland?

Yes, there are legal restrictions for using adult cams in Ireland. The law states that all participants must be over the age of 18 and consenting to the activities being filmed. Any type of sexual activity involving violence or non-consensual behavior is strictly prohibited. Failure to comply with these regulations can result in criminal charges.

Can I Interact With the Performers on Irish Adult Cams?

Yes, you can interact with the performers on Irish adult cams. Depending on the specific website or platform, there may be various options for interaction such as chat rooms, private messaging, and tipping systems. However, it is important to remember to always respect the performer’s boundaries and adhere to any rules set by the website or platform.

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The post Discover Irish Charm on Live Ireland Adult Cams appeared first on Fiery Romance.

There is a growing trend in the world of adult entertainment: female hairy cams. These live webcam shows feature women who embrace their natural body hair, challenging societal expectations and celebrating their femininity in all its forms.

From unshaven armpits to full bush, these models are breaking barriers and redefining beauty standards. Get ready to explore the world of female hairy cams and discover a new side of sensuality.

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Before we dive into our review of these websites, let us first understand why there is such a demand for female hairy cams in the first place. As mentioned earlier, with changing societal norms and beauty standards, many individuals find unshaven women attractive and erotic. This preference is not limited to just men; there is also a growing number of women who find themselves drawn towards these performers.

Moreover, many believe that watching these live shows allows them to break free from traditional pornographic content that often objectifies and conforms to unrealistic beauty standards. Instead, they can witness authentic self-expression and genuine pleasure from models who are comfortable in their own skin. This creates a safe and inclusive space for both viewers and performers, where they can explore their desires without judgment.

Live Jasmin

One of the pioneers in the adult entertainment industry, Live Jasmin offers a wide range of categories to cater to different preferences. Their Hairy Pussy section features a good number of performers who proudly flaunt their natural body hair. Here are some pros and cons of this website:

Pros:

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• High-quality streaming with HD cameras for an immersive experience. And if you’re in the market for some high-quality Fetish Cams to fulfill your wildest desires, look no furthe.
• A diverse selection of performers from around the world.
• Frequent discounts and special deals available for users.

Cons:

• The site’s design may come off as outdated to some users.
• No free chat option, so you have to pay for every interaction with models.
• Limited payment options available. Or, if you prefer to spice up your live cam sessions with some naughty backdoor action, Anal Cam Vixens are ready and waiting for you at Red Hot Books.
• Some models may charge higher rates compared to other cam sites.

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Stripchat prides itself on being one of the first cam websites to introduce gender-inclusive tags, making it easier for viewers to find exactly what they are looking for. Their Hairy Women category is quite popular among users, and here are its pros and cons:

Pros:

• A large selection of hairy female performers to choose from.
• The ability to filter results based on various criteria such as language and geographical location.
• An active community with frequent events and challenges for users. Once you have explored all your options for Mature Cam Websites, head over to these sizzling live shows on Red Hot Books for an unforgettable viewing pleasure.
• Affordable pricing options for private shows with models. To fully immerse yourself in the ultimate interactive pleasure, try out OhMiBod Web Cams and feel the power of technology enhancing your intimate experiences.

Cons:

• Sometimes the video quality may be compromised depending on the model’s internet connection.
• Some models may not always fulfill specific requests during private shows.
• The website’s interface can be overwhelming for new users.
• Limited options for free content, so you have to pay for most interactions with models.

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Jerkmate offers a unique and interactive experience for viewers as it allows them to control the sex toy of their chosen model. Their Hairy Girls category features performers who are willing to play along with this feature. Let us take a look at its pros and cons:

Pros:

• User-friendly interface with advanced search options.
• The option to control a model’s sex toy adds an extra level of interaction and intimacy. Often, cougar hookup apps can be a convenient and discreet way for older women to find younger men for casual hookups.
• Frequent deals and discounts available for users.
• A large number of hairy female performers, including amateurs and pornstars.

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• No free chat option, so you have to pay for every interaction with models.
• Premium memberships can be quite expensive.
• The site’s design may seem cluttered and confusing to some users.

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ImLive has been around since the late ’90s and has gained a loyal following over the years. They offer a wide range of categories, including Hairy Pussy, which has a decent selection of performers. Here are its pros and cons:

Pros:

• Frequent discounts and special deals available for users.
• The option to control a model’s sex toy adds an extra level of interaction and intimacy.
• A diverse selection of performers, including many who embrace their natural body hair.
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• No free chat option, so you have to pay for every interaction with models.

Free Membership Live Jasmin Variety of models, Hd streaming quality, Interactive chat options, Easy to use interface, No membership required stripchat Access to basic chat features, Ability to view performer profiles, Option to join group shows, Opportunity for free token giveaways, Ability to save favorite models Jerkmate Access to basic features, No credit card required, Explore different models, Join public cam shows ImLive Access to live chat rooms, Limited number of free credits, Ability to save favorite models, Basic search and filter options, Viewing of model profiles and photos Conclusion – Embracing the Feminine Fur on Cam Websites

Female hairy cams offer a unique and inclusive space for viewers to explore their desires and for performers to proudly showcase their authentic selves. While each of these websites has its own pros and cons, they all provide a platform for individuals who prefer unshaven women.

It is worth noting that supporting these performers also means respecting their boundaries and consent. Just because they are live in front of a camera does not give viewers the right to make inappropriate requests or engage in disrespectful behavior. Let us embrace the beauty of female body hair while also practicing respect and consent towards those who choose to share it with us through live cams.

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To find female hairy cams online, you can search on adult cam websites or use specific keywords like hairy and female on a search engine. You can also join online communities or forums dedicated to discussions about hairy women and ask for recommendations from other members. Some cam models also promote their shows on social media platforms, so following them could lead you to their channels. You can check out cam directories or review sites that list verified and popular hairy cam performers.

Are there any specific websites or platforms that cater to female hairy cams?

Yes, there are several websites and platforms specifically dedicated to female hairy cams. These include popular sites like Chaturbate, LiveJasmin, and MyFreeCams which have categories or tags for hairy performers.

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The post Embrace the Feminine Fur: Female Hairy Cams Revealed appeared first on Fiery Romance.

Book Description:

They say that the cure for Love will make me happy and safe forever.

And I’ve always believed them.

Until now.

Now everything has changed.

Now, I’d rather be infected with love for the tiniest sliver of a second than live a hundred years smothered by a lie.

Lena looks forward to receiving the government-mandated cure that prevents the delirium of love and leads to a safe, predictable, and happy life, until ninety-five days before her eighteenth birthday and her treatment, when she falls in love.

Rating: 4 Stars

Favorite Quotes:

But it does not tell you this: that love will turn the whole world into something greater than itself.

Love, the deadliest of all deadly things: It kills you both when you have it and when you don’t.

This is a dystopian book that’s a little different from The Hunger Games & Divergent and the like.  The world isn’t ending, necessarily but the government has mandated that everyone over the age of 18 has a procedure that basically renders you incapable of love and most of the other strong emotions.  They literally cut a piece out of the brain to achieve this!  I cannot imagine a time when the majority of people would be pushing for this to happen, but here it does.  I guess I can see some appeal to not suffering through a broken heart but to cut out a piece of my brain to achieve this?  Uhhhh, no thank you!

The story follow Lena Haloway as she is preparing for her procedure.  She got about 3 months until it is scheduled and there are interviews that have to be done so that the government can pick a husband suitable for her (because if you don’t care, how could you choose for yourself?) and what she will do for a living (will she go to college or just get a job until she is married?).  They regulate the music that your allowed to listen to and the books that you can read.  Something that Oliver did that is really different from most dystopian stories is the fact that everything we once had still exists.  There are cell phones and cars and the internet.  They are all strictly monitored and not everyone has them but they are still in use.  So many times you read these types of books and its like living in the dark ages and I thought this was a nice touch.

One of my gripes about this book is that if you take away the portion of the brain that controls emotion, how does anything get done?  If you don’t care, how do you take care of your children or get up everyday and go to work and cook and clean?  Love guides almost all the things we do.  We work because we love our families and want to take care of them.   We love our children and so we play with them and discipline them and laugh with them.  If you remove all those things are you really still alive?  Aren’t other things in our lives determined by a type of love?  If you were a police man breaking up an illegal party with a bunch of teenagers involved, would you care enough to just send them home or would you release the dogs against them and beat them with clubs and would it matter either way?  Very confusing to me.  I guess if love was that simple and it could be removed without interfering with everything else, then maybe, but it simply affects too many things.

Anyway, the story drags on a bit for me once the world is set up and you get a grasp on what’s happening.  Lena and Hana (her best friend) start to break the rules and go to unauthorized parties after curfew.  Up until this point, they’ve had almost no contact with the opposite sex besides adult males (parents and teachers who have all had the procedure) and these parties are full of uncured boy their own age.  So in typical teenager fashion they are rebelling before they can’t anymore.  Then Lena meets a boy, Alex, who shows her that there is so much to be missed by having the procedure done and how much the cureds have been lying to everyone (particularly Lena).  As they get to know each other and fall in love Lena realizes that there’s no way she could ever willing have the procedure and she tries to come up with a way for them to escape.

Will they find a way or will Lena have to lose part of herself?

*SPOILERS BELOW*

First of all, I cannot believe that there wasn’t a love triangle in this book!  It was kind of nice  to not have to be vacillating between two love interests!

I was wondering throughout the whole beginning of the book if it wouldn’t turn out that Lena’s Mom was still alive.  Considering how long ago she supposedly killed herself she was still very present in Lena’s mind and that usually means something is coming up.  It’s too bad that she didn’t  get to see her before she escaped though.

I cannot BELIEVE that Alex doesn’t make it with Lena to the Wilds!  He sacrifices himself up to the regulators so that Lena can get away.  He got shot and captured but I’m not sure if he’s alive or not!  What will she do now in the Wilds all alone?  Being with Alex was the main reason she decided to run away in the first place!  Sheesh, I wonder what Oliver has planned for book 2?

Book Description:

tick
tick
tick
tick
tick
it’s almost
time for war.

Juliette has escaped to Omega Point. It is a place for people like her—people with gifts—and it is also the headquarters of the rebel resistance.

She’s finally free from The Reestablishment, free from their plan to use her as a weapon, and free to love Adam. But Juliette will never be free from her lethal touch.

Or from Warner, who wants Juliette more than she ever thought possible.

In this exhilarating sequel to Shatter Me, Juliette has to make life-changing decisions between what she wants and what she thinks is right. Decisions that might involve choosing between her heart—and Adam’s life.

Rating: 4.5 Stars

Favorite Quotes:

My troubles have arrived fashionably late to this conversation, inconsiderate beasts that they are.

It’s the kind of kiss that makes you realize oxygen is overrated.

He’s standing right in front of me and I miss him like I haven’t seen him in years.

“I think there’s something about the impermanence of life these days that makes it necessary to etch ink into our skin,” he says.  “It reminds us that we’ve been marked by the world, that we’re still alive.  That we’ll never forget.”

Another heart wrenching book by Mafi.  She really is a wonderful writer.  I couldn’t put the book down.  I devoured it in a day and now I’m dying to know what happens next.  I’m not sure but I think this is a three book series so the next one should be the end.  I love the way your heart is practically in your throat the whole book.  There is so much emotion happening and Mafi writes in a way that you can’t help but experience everything along with the characters.

Book two picks up shortly after where book one ended.  Juliette, Adam and James have been at Omega Point for about a week and things are starting settle down.  Once the immediate danger is over Juliette has retreated back inside herself because she is now surrounded by people who know what she can do and some of them include children.  She doesn’t want to scare anyone and so she decides to just keep to herself and only really talk to and associate with Adam.  What a hard thing to have to experience at the age of 17, to try to make friends when you’ve never done something like that before.  She’s always been immediately ostracized when she was around other people and so she doesn’t know how to start getting to know people.  I thought this was a good road for Mafi to take with this story, it makes it more believable.  Because of this, she comes off even scarier than she would have if she even made some small attempt to interact with people.  The story about how she killed that little kid years ago gets out and now everyone is looking at her just like people always have.  So much for being with people who would understand her because she wasn’t the only one with some bizarre powers.  Castle thinks that there might be more to Adam being able to touch her than it just being some fluke and now he’s undergoing some test to see if there’s another reason he can touch her.  The results are devastating and now Juliette has to decide how she’s going to back away from him to keep him safe.  She learning more about her own abilities and now she’s not just worried about her touch being dangerous.  Her whole body is a weapon and she has no control over it.  On top of that monumental obstacle, she is still keeping secrets from Adam.  She hasn’t told him that Warner can touch her too and that she kissed him right before she shot him.  I don’t know why she doesn’t say anything.  She should have told him as soon as he was healed.  There was no real reason for her not to except for the part where she actually enjoyed it.  She could leave that part out of it as far as I’m concerned but the rest of it she should have told him.  You can’t keep secrets like that.  The fact is that if they really loved each other there would be no reason to keep these kinds of secrets.  Adam might be a little pissed but the fact is she did what she needed to do so that she could save him and I don’t think that he would be angry for long.

Kenji plays a much bigger role in this book and I’m so glad because I love him!  He’s like the only bright spot in the book; his personality is so bright and carefree that you can’t help but smile when he’s around.  This is not to say that he doesn’t have some serious moments and he does put Juliette in her place a few times but she really needed someone to kick her in the ass so she would quit moping around.  The reality is that she is the primary reason that The Reestablishment is hunting so fiercely for Omega Point.  Not that this wouldn’t have come to a head at some point in the future but the timetable’s been moved up and that is because of Juliette.  Warner can’t let her go and now that his father is involved he hasn’t got a choice but to find her.  After learning more about him in Destroy Me I was pretty sure he would be a big part of this book as well.  We learned even more about him and his past as him and Juliette spend some time together.

Kenji has been working with Juliette to help her figure out and hone her skills and she starts to get a little more control of it.  I was hoping this would naturally lend itself to help with her self-esteem but that doesn’t really happen.  If she should would just accept who and what she is life would start to become more manageable for her but she can’t stop seeing herself as a monster.  She’s come out of her shell a little bit and it starting to make some friends but everyone at Omega Point is preparing to battle Warner’s father and his men and they need Juliette to help them.  With the strength of her power she could be the edge that they need to win.

Will she be able to put her personal feelings aside and focus on the more important objective?  Will she be able to use her abilities against the “bad guys” to save the innocent citizens of sector 54?  How will she reconcile her feelings for Adam and Warner?

*SPOILERS BELOW*

Oh man this book was torture for me!  I’m still so unsure who I want Juliette to end up with!  Her and Adam have such an intense relationship and it’s been growing since they were kids.  Now that they have finally found each other and Adam can actually touch her things were looking up.  This was not to last, of course, and now Adam has discovered that he has an ability as well.  He’s a disruptor and that’s why he can touch her because he can cancel out her power. The problem with this is that he has to be constantly on guard in order for it to work and that can’t happen when they are getting physical with each other.  She nearly kills him at one point!  So she’s decided to stay away from him and it’s destroying both of them.  Then there’s Warner.  This is the first time that Juliette really gets to know him for who he is instead of the leader of sector 54.  When she was listening to his father tear him down and then again later when he was being held captive at Omega Point and she had to interrogate him.  He was so sweet to her and let her see a part of himself that I don’t think he’s ever shown anyone else.  The scars on his back, the way he really sees himself, the way he sees her and how she makes him feel.  It was breathtaking to witness.  Now she’s so confused about what to do and she hasn’t told Adam about any of this and she hasn’t told Warner that Adam is his brother (which shocked the hell out of me, by the way) and she’s somehow in the middle and unable to decides what to do.  She’s also hiding a lot of information about Warner.  She doesn’t tell anyone that she knows why he can touch her and what his ability is and I’m not sure why.  What could it harm?  It just makes her look worse for keeping it to herself.  I think she loves them both but who is the better choice?  Adam is so loving and caring and wants to take care of her and he loves her with a desperation that is a little frightening.  Warner can be gentle and caring and he doesn’t pull any punches.  He is who he is and he accept Juliette for who she is and what she is capable of.  He also loves her in an overwhelmingly obsessive way.  I wonder if this is something about Juliette or if it’s something in their DNA that she attracts?  Either way it’s a tough decision.

I wish that Kenji wouldn’t have stopped Juliette from killing Anderson.  That guy is a monster and someone needs to take care of him.  I understand why he did it but at the same time you don’t go to war with someone in his position if you don’t have his replacement ready to take over.  Then in the end when he just shot her in the chest and leaves!  This was the only real issue I had with the book.  Why would he have gone through the trouble of shooting her in front of Warner only to leave before he could witness what it did to him?  And, why would he have had “the girls” kidnapped to use to heal him only to leave them behind?  If anything, he should have at least taken them with him back to the capital.

I’m really looking forward to seeing how it all ends.

Book Description:

Perfect for the fans of Shatter Me who are desperately awaiting the release of Unravel Me, this novella-length digital original will bridge the gap between these two novels from the perspective of the villain we all love to hate, Warner, the ruthless leader of Sector 45.

In Tahereh Mafi’s Shatter Me, Juliette escaped from The Reestablishment by seducing Warner—and then putting a bullet in his shoulder. But as she’ll learn in Destroy Me, Warner is not that easy to get rid of. . .

Back at the base and recovering from his near-fatal wound, Warner must do everything in his power to keep his soldiers in check and suppress any mention of a rebellion in the sector. Still as obsessed with Juliette as ever, his first priority is to find her, bring her back, and dispose of Adam and Kenji, the two traitors who helped her escape. But when Warner’s father, The Supreme Commander of The Reestablishment, arrives to correct his son’s mistakes, it’s clear that he has much different plans for Juliette. Plans Warner simply cannot allow.

Set after Shatter Me and before its forthcoming sequel, Unravel Me, Destroy Me is a novella told from the perspective of Warner, the ruthless leader of Sector 45

Rating: 5 Stars

Favorite Quotes:

It’s a strange thing, to never know peace.  To know that no matter where you go, there is no sanctuary.  That the threat of pain is always a whisper away.

Love is a heartless bastard.  I’m driving myself insane.

I’m at a loss for words with this novella.  At the end of Shatter Me I had already firmly decided that I didn’t like Warner.  I didn’t necessarily think he was a bad person, per se, but that he wasn’t a good person either.  Now I find myself saddened by his story.  Raised by a man who never had a nice thing to say to him and never receiving any kind of affection.  It’s very similar to Juliette’s story, really, only that in Warners situation it wasn’t because people couldn’t touch him but because no one did.  It makes a lot more sense now why he felt to connected to Juliette and now that he has her journal from when she was institutionalized he’s even more determined to find her and bring her back to be with him.  I’m not sure if he’s going to have much success with this due to the way he tried to get her affections the last time but I at least have a better feel for who he is and why he is the way he is.  I think that anyone can change, given the proper motivation.  The question is, will Warner want to change and is love enough of a motivator for him?  I think we’ll find out in book two which is next up on the list.

Book Description:

Juliette hasn’t touched anyone in exactly 264 days.

The last time she did, it was an accident, but The Reestablishment locked her up for murder. No one knows why Juliette’s touch is fatal. As long as she doesn’t hurt anyone else, no one really cares. The world is too busy crumbling to pieces to pay attention to a 17-year-old girl. Diseases are destroying the population, food is hard to find, birds don’t fly anymore, and the clouds are the wrong color.

The Reestablishment said their way was the only way to fix things, so they threw Juliette in a cell. Now so many people are dead that the survivors are whispering war– and The Reestablishment has changed its mind. Maybe Juliette is more than a tortured soul stuffed into a poisonous body. Maybe she’s exactly what they need right now.

Juliette has to make a choice: Be a weapon. Or be a warrior.

Rating: 4.5

Favorite Quotes:

Truth is a jealous, vicious mistress that never ever sleeps, is what I don’t tell him.  I’ll never be okay.

my cheek is pressed against his chest and he smells like strength and courage and the wold is drowning in rain.

I remember you every day forever in every single broken moment of my life.

His hands are shaking so slightly, his eyes brimming with feeling, his heart thrumming with pain and affection and I want to live here, in his arms, in his eyes for the rest of my life.

I wasn’t sure what to expect from this book when I first picked it up.  It was a recommendation from a friend and I thought, what the hell, I’d give it a shot.  It was surprisingly good!  The writing style took a little getting used to as most of what Juliette thinks is in run on sentences.  This makes a little more sense once you figure out that she has been locked up all alone for almost a year and hasn’t spoken to another living soul for that whole time.  I think I’d be a little nutty too.  Mafi is a very emotionally descriptive writer and because of this it doesn’t take very long for you to be attached to certain characters and to really despise others.  I only used four of my favorite lines from this book above but I think I highlighted around 10 or so which is really high for me in any book.  I think she’s an amazing writer and once I got used to her writing style, I really liked it.

I’m not sure what year the book is set in but basically we’ve destroyed the planet and there’s not enough food or clean water and The Reestablishment has taken over power of everyone. They’ve decided that in order to correct the problems that society has caused they need to make several changes.  Only the strong get to survive, they are getting rid of all the books they can find and trying to create a whole new language.  All the unhealthy, weak and old are gotten rid of.  It doesn’t specifically say how this happens maybe they are all killed or maybe they are just segregated from the rest of society?  Juliette has some sort of weird power where it is dangerous for her to touch anyone.  She had an incident in a grocery store and after that she was locked up in what she assumes is an insane asylum.  One day she gets a cell mate, Adam Kent, and then things start to change a little for her.  Can you imagine not speaking to anyone for a year?  Just as she’s starting to get used to the idea of him she’s taken out of her cell and introduced to the sector leader for The Reestablishment, Warner, who informs her that he’d like her to join their cause.  He thinks that her “talent” could be really useful to them.  Which means, of course, that he would like her to help him kill the rebels.  Warner takes her to their base and sets her up with a nice room and nice clothes and good meals and thinks that this is the way to get her to agree to join him.  He’s got more on his mind than just how she can help their cause too.  Luckily for her, people can’t touch her (at least not most people) so she seems to be relatively safe for the time being.

Adam has been assigned to guard her and as time goes on we learn a little about their past and get to see their relationship develop into something very sweet and intense.  Juliette’s got to escape from The Reestablishment, especially from Warner as he’s got some kind of weird obsession with her, and Adam is going to help her to this.  When they finally get free, it’s a mad dash to find their allies and get somewhere safe.  Then everything gets turned on its head when they do finally find safety.  Will this new group be the good guys?  Will they want to use Juliette for her “talents” as well?  With her suddenly being in a situation of acceptance, how will she handle it and will her and Adam be able to stay together?

*SPOILERS BELOW*

I love the relationship between Adam and Juliette.  I wasn’t sure how this would work out in the beginning, since she can’t be touched and was relieved that Adam was the exception to this rule.  The fact that they knew each other when they were younger went a long way with me to support the intensity of their feelings for each other.  You can’t just meet someone and all of a sudden be in love with them.  I liked that they each had formed feelings for the other growing up even though they had never had a conversation before now.  Adam is so sweet to her and the fact that he remembered all the small things she did growing up for the same people who treated her so terribly was a nice touch.  I’m not sure how this will all play out as Juliette has no experience with relationships of any kind.  How will she handle something so intense?

I was disappointed to learn that Adam wasn’t the only one immune to Juliette’s dangerous touch when Warner touched her right before they escaped.  I’m not sure exactly how I feel about Warner.  I think that he is a product of his upbringing.  Even though he can be ruthlessly cold and calculated, I’m not sure that he is a bad person.  I think this is all he knows.  He seems to have real feelings for Juliette although they way he got to know her was a little stalkerish with reading all about her history and then watching her in the asylum for the past year.  He’s obsessive though and he’s not going to just let her go without some sort of fight.

I actually really loved the ending to this book!  I totally didn’t see it coming.  A whole group of people who all have different abilities.  How wonderful for Juliette to finally feel like she belongs somewhere.  Adam made a little headway with her self-esteem over the course of the few months they got to spend together but think about how horrible her life would have been.  Can you imagine not being touched by anyone for almost your entire life?  It’s pretty incredible that she’s still such a good person.  The kind of power that she has would have been so dangerous in the wrong hands.  The way her parents made her feel like a monster especially pissed me off.  As a parent you love your children NO MATTER WHAT and how could you let her feel so alone her whole life?  They could have ruined her forever.  I’m excited to see what book two brings.  I’d like to know what other kind of gifts the people of Omega Point have and how they deal with Warner and the threat he represents.

Next up is Destroy Me, a novella before Unravel Me.