Great news!Really looking forward to the third book, very interested to see what happens with Stephen. Looking forward to other news- cover, release date!
Very pleased that Book#4 is started and even more so that it is going well! I trust that sales of the series are holding up and that soon perhaps there will be a paperback version of An Instruction In Shadows. The Audio Books are superb with Will Watts but I still get a little extra when I read through the written word when the ‘Real’ book comes out!
Many thanks for the update, and hope that Book#4 continues to ‘flow’ well and remains enjoyable work…
December allowed me to have some extra brain time. Some of the crisis events of the previous six months had passed or been dealt with or are (even now) being dealt with. We’ve reestablished a rhythm in life, so I was able to read more in the midst of the usual holiday craziness.
I read holiday anthologies only in the holiday season, so sometimes it takes me years to finish one. There are two here that took years to finish, but I found stories I liked in both of them. And then there is the Library of America Christmas stories collection. I didn’t get far into it, but I will be reading it for several more years. It’s a slow read, because the stories are chronological and I can already see that I disagree with some of Connie Willis’s choices. (Prerogative for the heavy reader.) She leans more into sf/f than I would and of course, completely ignores romance. And also, much of the mystery oeuvre. Still, worth looking at, I suspect. I’ll know more in a few years.
Of course, I read a lot more than that as well. My schedule slowly freed up (as much as my schedule can) and I had some time for reading, leisure and otherwise. Here’s what I liked from the leisure.
December 2024
Brown, Leah Marie, “Finding Colin,” Winter Wishes, Zebra Books, 2017. This novella comes from a book with no attributed editor, something that always annoys the heck out of me. No matter. The stories were good enough, but “Finding Colin” was charming. It has a great voice, a great sense of humor, and a story problem that made me vaguely uncomfortable (and I think the author intended that). A hardcore fan spends her vacation dollars to track down the man of her dreams, an actor named Colin. She finds out where he’s filming his latest movie and…well, the story goes from there. And it didn’t go the way I feared it would. It’s a lot of fun, and well worth reading.
Dunne, Griffin, The Friday Afternoon Club, Penguin Press, 2024. I feel an affinity for Griffin Dunne. I was going to write that I have no idea why, but that’s really not true. Dunne is a survivor. His family was famously dysfunctional. His beloved sister was murdered. He dropped out of school (understandably, as he recites the incident), and yet has managed to have a major career in the arts. Given his history, he shouldn’t have survived, and yet he has.
His father, Dominick Dunne, came to my attention after he had lost his daughter and became a crusader for justice. He continually wrote about the way the courts and the justice system failed victims’ families. His aunt by marriage, Joan Didion, has been one of my favorite writers for my entire life. (That’s her on the left, arms around her daughter.)
So I wanted to read this book to read about the family, which I knew was interesting, but also to read about Griffin Dunne, whose work I’ve admired since he was the only memorable part of An American Werewolf in London. The book is well written (not surprisingly) although it clearly retools the stories that Dunne has probably been dining out on for years. Still, there were some surprises, particularly from his good friend Carrie Fisher, and some truly sad and heartfelt moments. The book ends with the birth of Dunne’s daughter, and it should end there. But that leaves another twenty years or more of his life to discuss at some point.
Even if you have no idea who any of these people are, you might want to read this. It really is a testament to survival and stubbornness and lots of other fascinating things.
Lipshutz, Jason, “In Control,” Billboard Magazine, November 16, 2024. This is a fascinating—to me, at least—article about a badly managed company (Warner Music Group) that turned itself around with new management. Considering that’s what’s happening with our WMG Publishing right now, this was an exceedingly timely and hopeful article. Dunno if you all will find it as interesting. Hope you do.
Meier, Leslie, “Candy Canes of Christmas Past,” Candy Cane Murder, Kensington, 2007. I have no idea when I first started this book, but I note that I recommended Laura Levine’s story in 2020. Which means I haven’t picked it up since then. So…four years later…I was in the mood for cozies again at holiday time, I guess.
Leslie Meier’s story features her regular heroine, Lucy Stone, in a story that takes place in two time periods—when she is a grandmother and her kids and grandkids come to visit, and when she’s a young mother, dealing with a new home and a toddler, while pregnant in a new town. The house is a fixer-upper and it’s falling apart around her, yet she makes time to solve an old crime involving glass candy canes. The 1980 details are marvelous, the discomfort of advanced pregnancy plain, and the stress on young parents also vivid. The mystery is meh, but I always find that with cozies. The read, though, was great.
Mitchell, Gail, “Quincy Delight Jones,” Billboard Magazine, November 16, 2024. It’s hard to believe that Quincy Jones is gone. He was perhaps the influence on all music in the last 60 years or more. If you don’t believe me, read this piece, and think about the choices Quincy made, the talent and creativity he brought to everything he did. Then maybe watch “We Are The World: The Greatest Night In Pop,” a documentary about something that just seems impossible now. It was impossible then too, but Quincy helped pull it off. If you’ve never thought about Quincy Jones, well, you’re in for a treat.
Oppenheimer, Mark, “The Gonzo Life and Tragic Death of ‘Heff'” The Hollywood Reporter, October 23, 2024. I found this to be an utterly fascinating character study of a…well, I don’t want to say tragic figure, but someone whose life didn’t turn out the way anyone thought it would. John Connery Heffernan III was one of the people behind the movie Snakes on a Plane. That ended up being his biggest success. Then after a few years of being somewhat famous, he disappeared from his friends’ lives. That led Oppenheimer to track him down only to learn that Heff was dead. So, Oppenheimer wanted to know what happened. This story is as strange as the movie.
Provost, Megan, “Teaching Possibility,” On Wisconsin, Fall, 2024. Apparently, the University of Wisconsin selects a book for every student at this incredibly large campus to read each year in the Go Big Read (for Go Big Red, a school saying) every year. This year’s book was by Rebekah Taussig, whose book is part of Carolyn Mueller’s class in disability and identity. The interview is with Mueller, but I also suggest you pick up the book…after you’ve read the interview, of course.
Walker, Joseph S., “Crime Scene,” The Best Mystery Stories of the Year 2023, edited by Amor Towles, The Mysterious Press, 2023. I think this is the only story that made it into both Best-of collections for 2023, and it deserves to be there. The crime scene in question is the scene of President Kennedy’s assassination. The story is smart and twisty, and like my notes on most smart and twisty stories, I can’t tell you much more than that without ruining it. Just pick it up and enjoy.
Willis, Connie, “Introduction,” American Christmas Stories: The Library of America Collection, Library of America, 2021. Connie’s introduction on the history of Christmas storytelling in America is fascinating. I knew much of it, and feel like she missed a few things (L.Frank Baum, for example), but overall, this is really worth the read. Well researched and well considered.
HELL OF A WITCH
In a few short days, Prince of Thorns becomes a teenager and will be the same age as Jorg himself for the first few pages of the novel!
I never expected to be an author. I certainly never expected this guy to pay off my mortgage. And I absolutely didn't expect to still be signing copies of the book in my local Waterstones 13 years after it was published.
Introducing...HELL FOR HIRE coming out June 4!
No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with an entire fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will require everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Get your copy now in ebook, KU, print, or audio!This was an extremely satisfying book to write. I don't think I've ever enjoyed wrapping a series so much. It's epic, it's awesome, and I cannot wait for you to read it in ebook, print, or KU or listen on audio, cause they're all out today!No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with a fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will take everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Preorder Now!Happy 2024 everyone!Return to the DFZ with a brand new series, introducingBy A Silver Thread
Today's the day!
When Mary Good Crow came out of the crystal into the arms of her sister, the last thing she wanted was another fight. But war is coming to the Great Plains. With crystal on their side, the Lakota are poised to annihilate the town of Medicine Rocks, forcing Mary to choose between the friends she’s finally found and the family she’s always longed for.
When Rel Reiner accepted her father’s dark bargain to save Josie and the others, the last thing she expected was to survive. But there’s more to the Reiner’s magic than ghosts and bones. Magic Rel will have to embrace if she ever wants to walk in her own skin again.
When Josie Price left the crystal mines one step ahead of death, the last thing she intended to do was quit. But the wolves in town are circling, and with the crystal going crazy and the cavalry riding to war, just finding a way to protect her people might cost her everything she came to Montana to build.
Three women divided by a war none of them wants. But Josie, Mary, and Rel have always been strongest together, and with the world’s magical future on the line, “together” might be the only way anyone survives.
Get your copy now in ebook, audio, print, or KU!
I can’t tell you how excited I am for y'all to read this book! I'm sooo proud of this ending and this series as a whole. If you haven't tried out THE LAST STAND OF MARY GOOD CROW yet, I hope you'll give it a go! This series has been such a wild ride, and I really hope you enjoy it!
This is the first launch for what I hope is going to be a very busy 2023. I’ve got a new DFZ series I’ll be announcing soon along with other fun stuff, so if you're not already subscribed to my New Release Newsletter, I hope you'll come over and say hi! Subscribers always get first dibs on the good stuff, I never share your info, and I only send out emails when I have a new book. No risk, just awesome, so I hope you'll join in!
Thank you so much for all your support over the years. Enjoy THE BATTLE OF MEDICINE ROCKS, and I’ll see you soon with a new story!
Yours with a hat tip,
Rachel Aaron
"Brimming with imagination, wonderful characters and captivating magic. "
- Novel NotionsIt's time!
Hungry darkness, haunted guns, tunnels that move like snakes--the crystal mines of Medicine Rocks, Montana are a place only the bravest and greediest dare. Discovered in 1866, the miraculous rock known as crystal quickly rose to become the most expensive substance on the planet, driving thousands to break the treaties and invade the sacred buffalo lands of the Sioux for a chance at the wealth beneath. But mining crystal risks more than an arrow in the chest. The beautiful rock has a voice of its own. A voice that twists minds and calls unnatural powers.
A voice that turns men into monsters.
Mary Good Crow hears it. Half white, half Lakota, rejected by both, she’s forged a new life guiding would-be miners through the treacherous caves. To her ears, the crystal sings a beautiful song, one the men she guides would gladly burn her as a witch for hearing. So, when an heiress from Boston arrives with a proposition that could change her life, Mary agrees to push deeper into the caves than she’s ever dared.
But there are secrets buried in the Deep Caves that even Mary doesn’t know. The farther she goes, the closer she gets to the voice that’s been calling her all this time. A voice that could change the bloody story of the West, or destroy it all.
"Possibly the best alternate historical fantasy that you will read."- Fantasy Book Critic
It's finally here! The first book in my new series is out today in ebook, print, and Kindle Unlimited! HOORAY!
We're recording the audio version right now, so hopefully that will be available quickly as well. I'll send an email as soon as I have a date, so make sure you're subscribed to my New Release Mailing List to get all the info on, well, new releases! (And nothing else. Trust me, I hate spam as much as you!)
Thank you all so much for being my readers, and I hope you love Mary's story!
Yours always,
Rachel Aaron
It’s been a while, but I’m back with an new novel in an new world! Get ready for…
Deadwood meets Lord of the Rings in this Epic Fantasy of the West!
Hungry darkness, haunted guns, tunnels that move like snakes--the crystal mines of Medicine Rocks, Montana are a place only the bravest and greediest dare. Discovered in 1866, the miraculous rock known as crystal quickly rose to become the most expensive substance on the planet, driving thousands to break the treaties and invade the sacred buffalo lands of the Sioux for a chance at the wealth beneath. But mining crystal risks more than an arrow in the chest. The beautiful rock has a voice of its own. A voice that twists minds and calls unnatural powers.
A voice that turns men into monsters.
Mary Good Crow hears it. Half white, half Lakota, rejected by both, she’s forged a new life guiding would-be miners through the treacherous caves. To her ears, the crystal sings a beautiful song, one the men she guides would gladly burn her as a witch for hearing. So, when an heiress from Boston arrives with a proposition that could change her life, Mary agrees to push deeper into the caves than she’s ever dared.
But there are secrets buried in the Deep Caves that even Mary doesn’t know. The farther she goes, the closer she gets to the voice that’s been calling her all this time. A voice that could change the bloody story of the West, or destroy it all.
Coming to eBook and Kindle Unlimited on JUNE 1, 2022! Print and Audio release coming soon!
Hello everyone!
I know it’s been a while since we left Opal in the DFZ. Like everyone else on the planet, I got kicked down pretty hard by the pandemic. But sometimes being forced to step away from your work means space gets made for something different, and wow, is this different.
THE LAST STAND OF MARY GOOD CROW is a story I’ve been wanting to tell for a long time. We’re talking crazy magic, giant battles, haunted guns, messed up family situations, sky-high stakes, and (of course) a giant cast of fun, hot-mess characters all set against the epic backdrop of the Great Sioux War, which ends veeeeery differently than the real one. (Don’t worry, Custer still dies.)
I realize historical Western feels like a pretty big jump from Urban Fantasy, but this is a Rachel Aaron book through and through. If you liked my other series, I heartily encourage you to give this one a try. I promise you won’t be disappointed!
You can read a sample right now over on my website. The eBook and Kindle versions will be out on June 1, 2022 with print very soon after. For those who prefer audio books, we’re recording right now, so it won’t be too long of a wait. I’ll send another email to let you know as soon as the audio version is available.
Thank you as always for being my readers/listeners! Y’all are the ones I write for, and I just can’t wait for you to start THE LAST STAND OF MARY GOOD CROW!
Yours always,
Rachel Aaron
While we can certainly be forgiven for not seeing our personal wounds as jewels, our most powerful wounds often have as many facets and hidden depths as an exquisitely cut gemstone. They are sharp, with hard edges that not only reflect back light but distort it somewhat.
As writers, we know that our character’s wounds are some of the most fertile ground for creating a rich, fully realized protagonist. But before we can explore this with our characters, we have to understand it ourselves. And because we have all been wounded in some way—and those places are always tender—it can be uncomfortable to look too closely.
In order to use our characters’ wounds to full effect, we need to understand that wounds aren’t simply an attribute to be filled in on a worksheet. They are the rocket fuel for our character’s backstory, the backstory that drives their motivation and colors their world. It must be deeply organic to that character and so intricately woven into their emotional DNA that it distorts the way the see the world and themselves.
While everyone’s wounds are uniquely theirs, they are also universal in that they’re something we all share. What differs is their nature, how we carry them, and the many—often unexpected—ways they shape us and our behavior.
Because of course the impact of any given wound isn’t limited to that initial injury. I was reminded of that last week when I was out walking and twisted my ankle. It was nothing serious, but by the time I’d limped around favoring it for a day or two, everything else was out of whack as I contorted my body to accommodate the injury.
Emotional wounds are just like that, only worse by orders of magnitude.
Even when we know our character’s painful past, we often don’t use it to full effect. We don’t manage to weave into the very essence of who our character is—because make no mistake, wounds fundamentally shape us, especially those incurred in childhood when we are so defenseless. With wounds of the heart or soul—the ones that violate some deep fundamental part—it is the repercussions of that initial wound that create the most scarring. The blame, the self-doubt, the suffocating shame, all serve as a way to cut us off from our core self.
Emotional neglect, a betrayal, a rejection, a lie, are all painful enough, but often become the lens through which we see ourselves. We accept that rejection. Believe that lie. Justify the betrayal due to something fundamentally flawed within us rather than the betrayer. Or worse, we don’t see it as a betrayal at all, but simple evidence of how flawed and unlovable we really are.
The emotionally abandoned child believes they are undeserving of love.
The abused believes they deserve the abuse, that love will always hurt and often comes coated in shame.
The child of addicts learns to fundamentally mistrust the safety and stability of the world around them.
The child raised in a religion that vilifies all human behavior will inevitably see themselves as sinful and unworthy.
Any kind of abuse—emotional, physical, sexual—is often the starting point for a long, twisted, distorted journey from our true selves. And our worldview takes shape around that bad information we’ve deduced because of it.
One of the biggest challenges we face as writers is how to hook our reader emotionally and forge a connection in those first few pages without becoming the literary equivalent of the stranger in the checking line, blurting out every gory detail of the drama of their lives without even having been asked.
The secret, I think, is to show or hint at the character’s contortions and defense mechanisms that have sprung up around that deeper wound. As readers, we’re trained to look for clues and hints, so we’ll spot those coping mechanisms and be intrigued—we’ll want to know why.
So as writers, we need to ask ourselves: In what ways does our character limp through the world? How do they favor that wounded place inside? What distorted belief do they cling to with both hands? What ways do they disassociate from parts of themselves that brush too closely to that wound? In what ways do they wear their wound like a chip on their shoulder, insisting to the world it has made them tough, impervious to future wounding?
And why are these characters indelibly scarred by these events, when others might brush them off or take them in stride?
I believe the answer to that last question is that because for some, the psychic soil has been well prepared and cultivated—their soil broken down and covered in so much manure before the wound even shows up—that the individual is supremely susceptible to the final blow.
But what about characters who don’t have a tragic or traumatic event in their past? What about lesser, garden variety wounds? The kind we acquire from the simple life lessons of growing older or growing up? Because the majority of the time, these shaping wounds are incurred early in life—either in our childhood, teen, or early adult years.
These less traumatic experiences still shape us, although to what degree will vary widely from character to character and will depend on things like the psychic equivalent of adrenaline, momentum, individual pain thresholds, and how cultivated the soil was.
We all have memories from our childhood, of playing with other kids, either on the playground or in the neighborhood, then taking a fall, skinning our knee or scraping an elbow. Chances are we bounced right up and kept on going, utterly impervious to any pain. At least until it was time to come inside and wash up for dinner. THEN we could feel that sucker throbbing and stinging.
Science has also shown that pain thresholds within the same person vary depending on how stressed our systems are. When we are under chronic stress, our body produces a lot more of some chemicals and fewer of others. The reformulation of our brain chemistry intensifies pain response—both physical and emotional.
So even if the story you’re writing does not involve characters with large traumatic wounds in their past, common everyday wounds can be equally fertile ground for deepening character.
Each of those behaviors could be fueled by either a traumatic wound or a common every day one. It is the tone and theme of your story that will decide which it should be. Or rather I should say, it is the nature of your character’s wounds that will determine the tone and theme of your story.
We are often our own worst enemy—there is no denying that. Many writers feel that their character is his own antagonist, and that is likely true. Our desperation to avoid acknowledging our wounds, to avoid awakened that old pain and our deeply held beliefs about the nature of that pain are often an enormous component of getting in the way of our own happiness. It is hard and scary to look that deeply inside and reorient our world view, even it if ultimately frees us. It is scary to be thrust back into the same powerlessness and vulnerability we had in that moment. That is why we need stories to show us how.
Some of our character’s most transformative moments will come from facing those wounds, freeing themselves from the weight of them, and beginning the healing process. And of course, the stories we write aren’t about the wounds—but how we can overcome them.
We need stories to show us that being wounded or broken doesn’t lessen our character’s—or our own—humanity in any way. It is, in fact, what make us deeply human. The best stories show us that having been wounded doesn’t mean we are less than, or broken beyond repair, or unworthy. Instead, they illuminate all the different shapes wounds can take and the many different paths to healing that await us, if only we have the courage to look.
Do you know your character’s defining wounds? Can you brainstorm three to four ways these wounds create behaviors that readers can see on the page?
(Originally published on Writer Unboxed April 13, 2018)
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