Authors

This is long, so table of contents:

• The Origin of LitRPG
• The Inheritance and how is it different
• What is happening with other series
• A recommendation for a cute comic.

The Origin of LitRPG

As everyone knows by now, I’m a massive Solo Leveling fan. I’ve read the manhwa before the anime was ever announced and then reread it several times. Right now, with the anime release on Crunchyroll (we are up to 2 seasons), it is enjoying unprecedented popularity and some people credit it with starting the Hunter subgenre of LitRPG.

The premise of LitRPG is that somehow the protagonist enters a game world, usually loosely based on an MMO structure. In Massively Multiplayer Online games, players usually must choose a class that defines how they play the game. For example, tanks have heavy shields and armor. They are hard to kill so they taunt the enemy and bear the brunt of the attack while DPS (Damage per second) classes deal damage, and healers cast restorative spells. Players organize into guilds with strict hierarchy.

In the Hunter subgenre of LitRPG our world becomes a video game. Portals open in random locations, leading to dungeons, which, unless conquered in time, will unleash monsters upon the world. Some people mysteriously awaken to magic powers. They are usually called Hunters and they are ranked according to their ability. Hunters band into guilds, and guilds assault the dungeons. It’s World of Warcraft in real life, complete with a system window that announces when you go up a level and shows you your numeric stats like Strength and Agility.

As much as I love Solo Leveling, it didn’t originate the term “hunters.” The first mention of this system in comics actually comes to us from 2012 manhwa called I Am A Noble.

Sorry, Sung Jin-woo, you are not the first. Just the most handsome.

Unfortunately, there are no legitimate translations of I Am A Noble – please do not link pirate sites with machine translations – but there are plenty of other manhwa titles that fall into this genre. Here are some of them in no particular order. I have read all of these, and some are good, some I liked less. You can find them at your usual manhwa places like Webtoon, Tapas, Tappytoon, etc.

• Omniscient Reader’s Viewpoint
• Kill the Hero
• The Druid of Seoul Station
• The World After the Fall
• The Worn and Torn Newbie
• The Player Who Can’t Level Up
• Hoarding in Hell

I’m going to link a list here: Hunter/Dungeon/Gates, but there are others, more comprehensive ones.

But the question is, where did this set up originate? What inspired it? Well, World of Warcraft is obviously one of the ingredients. The game came out in 2004, and at its peak, in 2010, had over 12 million subscribers. It also spawned an entire generation of successors. But what else happened near that 2012 mark?

On August 16, 2011 Ready Player One came out. This book was everywhere. NPR, USA Today, CNN, Entertainment Weekly, translated into 37 languages, available in 58 countries… It was a global phenomenon. If you somehow missed it, it’s about an 18 year old kid whose life is awful, so he chooses to live a completely different life in an online game. This book hit like a meteorite. Although, it is not a strict LitRPG in a sense of classes and quests, it was, without a doubt, the driving force behind the development of the genre.

When Ready Player One came out, LitRPG did not exist as a sub-category. So when did LitRPG became a thing? Who originated this term?

The term LitRPG was coined by… a bunch of Russians. I present to you Magic Dome Books. LitRPG is their bread and butter.

From their website:

LitRPG is a subgenre of science fiction and fantasy which describes the hero’s adventures within an online computer game. LitRPG books merge traditional book-style narration with elements of a gaming experience, describing various quests, achievements and other events typical of a video game.

The defining feature that sets LitRPG fiction apart from traditional portal fantasy is its use of interactive gaming language, such as the inclusion of various system messages, players’ stats, items’ characteristics and other elements appreciated by gamers. The narration in a LitRPG novel has to abide by the rules of a game while filling it with conflict and drama as the hero tries to survive in this new environment.This “book meets game” experience proved to be exactly what many gamers-turned-readers were looking for in a novel. 

LitRPG books are not the same as traditional game novelizations. As a rule, LitRPG books are set in fictional game worlds which are entirely their authors’ invention, such as D. Rus’ AlterWorld or V. Mahanenko’s Barliona. Also, their use of gaming elements and attributes sets them apart from traditionally penned game novelizations.

Initially unrecognized by traditional publishing, the genre kept growing, gaining a truly insatiable readership that devoured such cult series as Sword Art Online, Ready Player One and The Legendary Moonlight Sculptor. In 2012, Russia became the first country in the world where the genre was officially recognized, receiving its current name – LitRPG – and its own place in libraries and book shops. Since then, dozens of new game-set novels have been published in Russia, some of them national bestsellers such as Play to Live by D. Rus and the Way of the Shaman by V. Mahanenko.

So they tell us right here what these writers were inspired by. Sword Art Online is a series of Japanese light novels that began as a webnovel in 2001, which was picked up for publication in Japan in 2009. This is one of those “overnight successes” a decade in the making. SAO didn’t get an English translation until 2014, but really gained in popularity when the anime adaptation came out. The Legendary Moonlight Sculptor began as a South Korean webnovel from Kakao, which began in 2007 and ran until 2019. It is a massively popular series, which spawned a comic adaptation and its own mobile game.

Both series featured virtual reality. In SAO people were playing a multiplayer game and found that they were unable to log off and in LMS a poor Korean student plays a popular new game to earn some money for his grandmother and ends creating a lot of beautiful art and eventually becomes a central figure in a power struggle over the game.

The third title mentioned is again Ready Player One, which was inspired by arcade games of 1980s. If we were to dig deeper into 1980s, we find…

Well, yes, technically, it is similar. But we are looking for something else. Something where people went through a portal and ended up in a game with specific classes and quests… Something with the portals…

And there you go. The first true expression of LitRPG on screen in 1983. Why Cavalier? Why not a Paladin? Never understood that.

Okay, fine, that was a screen adaptation. But what about the literary equivalent?

This is a tougher call, because again, we are looking for very specific things: classes, portal, game setting, quests, and so on.

I’m going to say Quag Keep by Andre Norton.

In early 1970s Gary Gygax and Dave Arneson were working on a new game called Dungeons and Dragons and they couldn’t find anyone to publish it. So in 1974 Gary Gygax partnered with Don Kaye and formed TSR, which published Dungeons and Dragons in that same year.

Two years later, Gary Gygax invited Andre Norton for a session in the new setting he was developing called Greyhawk. Quag Keep was the result of that session. It came out in 1978.

I had to grab the description from Wikipedia, because the one on Amazon is terrible.

Martin, a player in a game of D&D, touches a figurine of a warrior, and is unwillingly transported into the body of Milo Jagon, a warrior in the city of Greyhawk. Milo/Martin gradually meets others likewise transported to this world. Bound together by forces they do not understand, the players struggle to trust each other. Under the compulsion of a geas, everyone is forced to go on a quest. They eventually confront the one controlling them, the Gamemaster, and battle with him to regain control of their lives. Although they win, they find that they cannot return to “reality”, and must remain in Greyhawk. Rather than splitting up, they realize they make a good team and decide to continue their adventures together.

We do not have the literal system windows of the online game. Other than that, this hits all the points: players are portaled, they have classes, they must accomplish quests, and they band into a party.

But what about Dragonlance Chronicles? Nope, that doesn’t fit. First, it was commissioned by TSR in 1983 to promote the new campaign setting, so Quag Keep predates it, and second, it’s a novel set in Dragonlance with characters original to that world. There are no players.

Sadly, Quag Keep bombed. The critics disliked it, so it is one of the lesser known Andre Norton’s works.

But what about the portal fantasy? When did that start?

I love you, please don’t make me pull Lewis Caroll out. That is another post.

Here is a list from Goodreads. It’s pretty comprehensive, but it doesn’t include pseudo portals like H.G. Wells’ Time Machine or Edward Bellamy’s 1887 Looking Backward 2000-1887. Fun fact: Bellamy was the first to introduce the concept of credit cards in fiction.

When we market books, we have to hit the here and now references. While we might phrase things like “this work will appeal to fans of isekai” or “this work will appeal to fans of hunter LitRPG,” we are doing this to appeal to a new generation of readers because saying things like “This is like Chronicles of Narnia and Princess Bride made a baby with Game of Thrones and then gave it to Locke Lamora to raise” is confusing.

So what about the Inheritance? How is it different?

There are things that bug me about the Hunter subgenre specifically in its current LitRPG iteration. If we really dissect it, a lot of the genre deals with existing within a static system. Your class is set. Your abilities are set. You can get new abilities but only within the system parameters.

Sometimes you gain levels, but only in your class. Sometimes you can game the system and unlock something unexpected due to prior knowledge or chance. Sometimes you cannot improve at all. In Solo Leveling, Sung Jin-woo is the only person able to level up. In that world, if you “awakened” to your powers as Rank B, it doesn’t matter how hard you try, you will stay Rank B. He is the only exception.

LitRPGs generally fall into two categories: either succeed within the system and be the best at playing the class you’ve chosen or disrupt the system and become the best badass there is who answers to no one, while the rest of the people remain in their assigned roles. There is a simplicity in it: you can earn experience, have tangible progress in levels, and be assigned a course of action by the system.

If you were coming from an environment where generations of people have given up on upward mobility without inherited wealth, or a country where the government exerts pressure to keep you in your lane and your designated role, this type of system might be familiar and appealing, in part because sometimes it carries a subversive message.

Setting the social implications aside, if you look at the list of the manhwa I linked above or at Magic Dome Books, you can note something interesting. In the word of Cordelia Cupp, “What’s with all the dudes?”

This genre usually features a male protagonist, typically between 17 and 25. There are occasional older protagonists, but again mostly male. There are occasional exceptions, as always, and there are more women in books than in manhwa, but in general they are harder to find. Recently I stumbled on a LitRPG manhwa, which had a female protagonist. She had the housekeeping talent. I’m sure it was meant to be just part of the current trend exploring the cozier side of LitRPG, but the hero is kicking butt left and right because he is the best hunter who ever lived and our girl is making his bed so he can nap.

A couple of months ago, I saw a tutorial video, where two women were having an awesome time trying to nuke the Matron of Glennwood in the Enshrouded. (If you are interested, here is the link to the video.) I very much enjoyed watching them try to kill her. It kind of confirmed my theory that most of the time inspiration is accidental.

For these reasons, The Inheritance is not a true Hunter LitRPG in the strictest sense of the word.

A Little Housekeeping

Unfortunately, not every story is suitable for the online serialization. Serialized stories need to be fast paced and tightly focused so people don’t get lost. This is why serializing Hugh 2 was very difficult. It was complex and required revisions as it was being written due to the layered motivations of the protagonists. None of the projects we have currently sketched out for our existing worlds would work for serialization.

The Inheritance was conceived and structured specifically for online reading. It was meant to be a serial from the start. We are about 2/3 of the way through, so it’s mostly written. It’s our gift to you this spring because there will be very little content on the blog as we dig into our massive workload.

The Inheritance will be posted probably twice a week and in its entirety. It connects to nothing, it requires no prior reading, and it will likely be a one-off, so there probably won’t be a sequel.

There are no Easter eggs. We would never troll the BDH. Trust us.

After its run, The Inheritance will be available for sale for you to keep, probably as part of Small Magics 2, which will be collecting various free fiction from the website.

We understand that some of you are upset because you would like the free stories to be available in ebook format faster. It takes effort and time to put it all together into a cohesive anthology, and we have to have enough content to justify the price and especially the audio edition. We do not want to short-change those of you who are visually impaired or who prefer your fiction as an audio adaptation. It is difficult to book an audio narrator just for a novella-length work. There has to be significant word count for it to be worth their while. We would want to have the narrator at least booked before the ebook comes out, so we can give you an ETA.

PS. ModR suggested adding recipes our characters cook at the end of Small Magics 2. Is it weird to have recipes from our books in an anthology? It feels kind of weird.

The Top Dungeon Farmer

In conclusion, thank you for sitting through my TED talk. To make up for it, I thought I would show you my current manhwa Hunter favorite. Behold the unbearable cuteness.

The Top Dungeon Farmer. Yes, it is that adorable. Look at those bunnies! He gets a killer monster bear later and it is also adorable. I must say, I don’t care for the cat. Anyway, there are 80+ episodes, most of them free on Webtoons. If you need a distraction where nothing super horrible happens, this might do the trick.

PS. It should really go above where we talked about our world turning into a video game. There is, apparently, a real life condition called Game Transfer Phenomenon. BBC explains more. So who knows, perhaps we will start assigning classes to ourselves some time in the future.

The post Lit RPG: The Origins, The Inheritance, and Other Things first appeared on ILONA ANDREWS.

April 18, 2025

We are at war.

This war is not about wealth, resources, or a difference of ideology. It’s a war of survival. The very existence of humanity is at stake.

The moment the first gate burst, sending a monster horde to rage through our world, it brought us unimaginable suffering, but it also awoke something slumbering deep within some of us, a means to repel and destroy our enemy. Powers beyond comprehension. Abilities that are legendary.

The war is ongoing. If you are a Talent, your country needs you. The world needs you. Be the hero you always wanted to be.

Take my hand and answer the call.

Elias McFeron

Guildmaster of Cold Chaos

The post The Inheritance Begins first appeared on ILONA ANDREWS.

Madison, Wisconsin, 1972—When Detective Hank Kaplan calls Valentina Wilson to a crime scene, she wonders why. She soon finds more questions than answers in a secret room belonging to a wealthy female philanthropist, whose brutal murder the police hastily cover up. Val’s search for the truth will take her from the rape hotline she runs to the shocking realization that the woman’s murder anchors a long line of horrific events stretching back decades.

Chosen as one of the best mystery short stories of the year by the readers of Ellery Queen Mystery Magazine, “Sob Sisters” continues the powerful story of Valentina Wilson, a character who first appeared in Nelscott’s award-winning Smokey Dalton series.

“Sob Sisters“ is available for one week on this site. The ebook is also available on all retail stores, as well as here.

 

Sob Sisters By Kris Nelscott

TECHNICALLY, I WASN’T supposed to be at the crime scene. I wasn’t supposed to be at any crime scene. I’m not a cop; I’m not even a private detective. I’m just a woman who runs a rape hotline in a town that doesn’t think it needs one, even though it is 1972.

Still, what woman says no when she gets a phone call from the Madison Police Department, asking for her presence at the site of a murder?

A sensible one, that’s what my volunteers would have said. But I have never been sensible.

Besides, the call came from Detective Hank Kaplan who, a few months ago, had learned the hard way to take me seriously. Unlike a lot of cops who would’ve gotten angry when a woman out-thought him, Kaplan responded with respect. He’s one of the new breed of men who doesn’t mind strong women, even if he still has a derogatory tone when he uses the phrase “women’s libbers.”

The house was an old Victorian on a large parcel of land overlooking Lake Mendota. Someone had neatly shoveled the walk down to the bare concrete, and had closed the shutters on the sides of the wrap-around porch, leaving only the area up front to take the brunt of the winter storms.

And of the police.

Squads and a panel van with the official MPD logo on the side parked along the curb. I counted at least four officers milling about the open door while I could see a couple more moving near the large picture window.

I parked my ten-year-old Ford Falcon on the opposite side of the street and steeled myself. I was an anomaly no matter how you looked at it: I was tiny, female and black in lily-white Madison, Wisconsin. Most locals would’ve thought I was trying to rob the place rather than show up at the invitation of the lead detective.

I grabbed the hotline’s new Polaroid camera. Then I got out of the car, locked it, and walked as calmly as I could across the street. I wasn’t wearing a hat or gloves, so I stuck my hands in the pocket of my new winter coat. At least the coat looked respectable. My torn jeans, sneakers, and short-cropped Afro were too hippy for authorities in this town.

As I approached, a young officer on the porch turned toward me, then leaned toward an older officer, said something, and rolled his eyes. At that moment, Kaplan rounded the side of the house and caught my gaze.

He hurried down the sidewalk toward me. He was wearing a blue police coat over his black trousers and galoshes over his dress shoes. Unlike the street cops on the porch, he didn’t wear a cap, leaving his black hair to the vicissitudes of the wind. He was an uncommonly handsome man, with more than a passing resemblance to the Marlboro Man from the cigarette ads. I found his good looks annoying.

“Miss Wilson,” he said loud enough for the others to hear, “come with me.”

He sounded official. The cops outside started in surprise, then gave me a once-over.

A shiver ran down my back. I hated the scrutiny, even though I knew he had done it on purpose, so no one would second-guess my presence here.

“This way,” he said, and put a hand on my back to help me up the curb.

I couldn’t help it; I stiffened. He let his hand drop.

“Sorry,” he said. He knew I had been brutalized by a cop in Chicago. While that experience had made me stronger, I still had a rape survivor’s aversion to touch.

“What’s going on here?” I asked.

“I’ll show you,” Kaplan said. “But we’re going in the back. Did you bring your camera?”

I held up the case. I had wrapped the strap around my right hand.

“Good,” he said. “Come on.”

He walked quickly on the narrow shoveled sidewalk leading around the building. I had to hurry to keep up with him.

“So,” I said, as soon as we were clear of the other cops, “you guys don’t have your own cameras?”

“We do,” he said. “You’ll just want a record of this.”

Now I was really intrigued. A record of something that he was willing to share; a record of something that they didn’t want to record themselves? Maybe he had finally decided that I should photograph a rape victim immediately after the crime had occurred.

Although Kaplan didn’t handle the rape cases. He was homicide.

The narrow sidewalk led to another small porch. Kaplan pulled on the screen door, and held it for me. Then he shoved the heavy interior door open.

A musty smell rose from there, tinged with the scent of fall apples. I had expected a crime-scene smell—blood and feces and other unpleasantness, not the somewhat homey smell.

To my right, half a dozen coats hung on the wall, with a variety of galoshes, boots, and old shoes on a plastic mat. This was clearly the entrance that the homeowner used the most.

“When should I start photographing?” I asked.

“I’ll tell you when,” Kaplan said, and led me up the stairs.

We stepped into a kitchen that smelled faintly of baked bread. I frowned as Kaplan led me through swinging doors into the dining area. A picture window overlooked the lake. The view, so beautiful that it caught my attention, distracted me from the coroner’s staff, who clustered in the archway between the dining room and living room.

Kaplan touched my arm, looking wary as he did so. I glanced down, saw an elderly woman sprawled on the shag carpet, arms above her head, face turned away as if her own death embarrassed her. This area did smell of blood and death. The stench got stronger the closer I got.

I couldn’t see her face. One hand was clenched in a fist, the other open. Her legs were open too, and looked like they had been pried that way. A pair of glasses had been knocked next to the console television, and a pot filled with artificial fall flowers had tumbled near the door.

The coroner had pulled up the woman’s shirt slightly to get liver temperature. The frown on his face seemed at once appropriate and extreme for the work he was doing.

I moved a step closer. He looked up, eyes fierce. His mouth opened slightly, and I thought he was going to yell at me. Instead, he turned that look on Kaplan.

“Who the hell is that? Control your crime scene, man. Get the civilians out of here.”

“Sorry,” Kaplan said, sounding contrite. “I turned in the wrong direction.”

He touched my arm to move me away from the crowd. I realized that he had play-acted to convince the coroner and the other police officers that my appearance in that room had been an accident.

But it hadn’t been. Kaplan had wanted me to see the body.

“This way,” he said in that formal voice, as if he thought someone was still listening.

He led me back into the kitchen, then opened a door into a large pantry. Canned goods lined the walls. A single 40-watt bulb illuminated the entire space.

My stomach clenched. I had no idea what he was doing, and I wasn’t the most flexible person around cops.

He pulled the pantry door closed, then moved past me and pushed on the far wall. It opened into a book-lined room with no windows at all. Mahogany shelves lined the walls. The room was wide, with several chairs for reading and a heavy library table in the middle, stacked with volumes. Those volumes were half open, or marked with pieces of paper.

Beyond that was another open door. Kaplan led me through it.

We stepped into one of the prettiest—and most hidden—offices I had ever seen. The walls were covered with expensive wood paneling. A gigantic partners desk sat in the middle of the room. The flooring matched the paneling—no shag carpet here. Instead, the desk stood on an expensive Turkish carpet, of a type I had only seen in magazines. The room smelled of old paper, books, and Emerude. I couldn’t hear the officers in the other part of the house. In fact, the only sound in this room was my breathing, and Kaplan’s clothes rustling as he moved.

An IBM Selectric sat on the credenza beside the desk. Behind it stood a graveyard of old typewriters, from an ancient Royal to one of the very first electrics. Above them, files in neat rows, with dividers. The desk itself had several open files on top, and a full coffee cup to one side. I wanted to touch it, to see if it was still warm.

“This is what you wanted to show me?” I asked.

“I think you’ll find some interesting things here,” he said, nodding toward the floor. Against the built-in bookshelves in a back corner, someone had placed dozens, maybe hundreds of picture frames.

I crouched. Someone had framed newspaper and magazine articles, all of them from different eras and with different bylines.

“What is this?” I asked.

“Her life’s work,” he said.

“Her,” I repeated. “I’m not even sure whose house this is.”

He looked at me in surprise. “I thought you knew everything about this town.”

“Not even close,” I said.

He sighed softly. “This house belongs to Dolly Langham.”

“The philanthropist?” I asked.

He gave me a tight smile. “See? You do know her.”

“I don’t,” I said. “Some of my volunteers kept trying to contact her for help with fundraising for the hotline, but she never returned our calls or our letters.”

A frown creased his forehead. “That’s odd. She was always doing for women.”

I frowned too. “I take it she’s the woman in the living room?”

“That’s the back parlor,” he said, as if he knew this house intimately. Maybe he did.

“All right,” I said slowly, not sure of his non-response. “The back parlor then. That’s her?”

He closed his eyes slightly and nodded.

“You’ve caught this case?” I asked. “It’s yours entirely?”

“Yeah,” he said, and he didn’t sound happy about it. “This is a big deal. Miss Langham is one of the richest people in the city, if not the richest. Her family goes back to the city’s founding, and she’s related to mayors, governors, and heads of the university. She’s important, Miss Wilson.”

“I’m getting that,” I said. “Why am I here?”

“Because,” he said, “cases like this, they’re always about something.”

“Yes, I know, but—”

“No,” he said. “You don’t know. There’s the official story. And then there’s the real story.”

I froze. Cops rarely spoke to civilians like this. I had learned that from my ex-husband, who had been a Chicago cop and who had died, in part, because of what had happened to me.

“You think the real story is going to get covered up,” I said.

“No,” Kaplan said. “I don’t think it. I know it.”

I glanced around the room. “The real story is here?”

He shrugged. “That I don’t know. I haven’t investigated yet.”

He was being deliberately elliptical, and I was no good with elliptical. I preferred blunt. Elliptical always got me in trouble.

“Why am I here?” I asked.

“I need a fresh pair of eyes,” he said.

“But the investigation is just starting,” I said.

He nodded. “So is the pressure.”

I let out a small breath of air. So, he had a script already, and he didn’t like it. “You want me to photograph things in here?”

“As much as you can,” he said. “Keep those pictures safe for me.”

“I will,” I said.

“And Miss Wilson, you know since you were once a cop’s wife, how things occasionally go missing from a crime scene?”

“Oh, I do,” I said. “You want to prevent that here.”

He shook his head, and gave me a look he hadn’t shown me since the first time I met him. The look accused me of being naïve.

“You know, Miss Wilson, I find it strange that you don’t carry a purse. Most women carry bags so big they can fit entire reams of paper inside them.”

My breath caught as I finally understood.

“I prefer pockets,” I said, and stuck my hands inside the deep pockets of my coat.

“You are quite the character, Miss Wilson,” he said approvingly. “I think you might have a couple of uninterrupted hours in here, if I keep the doors closed. Is that all right with you?”

Inside a room with no windows, only one door, a phalanx of cops outside, and a dead body a few yards away. Sure, that was Just Fine.

“You’ll be back for me?” I asked.

“Most assuredly,” he said, and put his hand on the door.

“One last thing, Detective,” I said. “Who found this room?”

A shadow passed over his face, so quickly that I almost missed it. “I did. No one else.”

So no one else knew I was here.

“All right,” I said. “See you in two hours.”

He nodded once, then let himself out, pulling the door closed behind him.

I felt claustrophobic. This room felt still, tense, almost as if it were waiting for something. Maybe that was the effect of the murdered woman in the back parlor. Maybe I was more tense than I thought.

That would be odd, though. I had training to keep me calm. I went to medical school until I couldn’t find a place to intern (honey, we don’t want you to take a position away from a real doctor), and then I went to the University of Chicago Law School. I got used to cadavers in medical school, and extreme pressure in law school, and somewhere along the way, I had accepted death as a part of life.

I let out a small sigh, squared my shoulders, and pulled off my coat. I opened it, so that the inner pockets were easily accessible, and draped it on one of the straight-backed chairs near the door. Then I grabbed the Polaroid and put it around my neck.

I didn’t know where to start because I didn’t know what I was looking for. But Kaplan had asked me here for a reason. He wanted me to find things, and to remove some of them, which meant that I shouldn’t start with the books or even the framed articles.

I started with the files.

I walked behind the desk. The perfume smell was strong here. Dolly Langham had clearly spent a lot of time at this desk. The papers on top were notes in shorthand, which I had never bothered to learn. I was certain one of my volunteers at the hotline knew it, however. I stacked those papers together and put them in a “Possible” pile. I figured I’d see what I found, and then stash what I could just before Kaplan came back for me.

I opened the drawers next. The top held the usual assortment of pens and paperclips, and stray keys. The drawer to my right had a large leather-bound ledger in it.

The ledger’s entries started in 1970, and covered most of the past two years. The most recent entry was from last week. There were names on the side, followed by a number (usually large) and a running total along the edge. That much I could follow. It was the last set of numbers, one column done in red ink and the other in blue, that I couldn’t understand.

Kaplan had to know this was here. He had to have looked through the desk; any good investigator would have.

I took the ledger and placed it on my coat.

Then I went back and searched for more ledgers. I figured if she had one for the 1970s, she had to have some from before that. I didn’t find any in the drawer—although I found a leather-bound journal, also written in shorthand, with the year 1972 emblazoned on the front.

I set that on the desktop along with the notes, and continued my search.

The desk, organized as it was, didn’t yield much, so I turned to the files behind me. They were in date order. The tab that stuck out had that date and a last name. I opened the oldest file, and inside found more handwritten notes, and a yellowed newspaper clipping. The byline—Agnes Olden—matched the name on the outside of the file.

Someone had scrawled 1925 on the clipping, which came from a newspaper I’d never heard of called The Chicago Telegram. The headline was Accuser Speaks!

Dressed in an expensive skirt and a shirtwaist blouse with mullion sleeves, Dorthea Lute looks like a woman of impeccable reputation instead of the fallen woman all assume her to be. For our interview, she sat primly on the edge of her chair, feet crossed demurely at the ankles, hands clasped in her lap, head down. She spoke softly, and when she described the circumstances of her accusation, she did not scream or shout or cry, but told the tale with a calm tone that belied its horror.

I scanned as quickly as I could, trying to get the gist of the piece. Apparently this Dorthea Lute accused one of Chicago’s most prominent citizens of “taking her forcibly and against her will” in the “quiet of his own home.” Friends and family said that she was bruised, and “indeed, witnesses saw her wearing her arm in a sling. She had two black eyes, and a purplish bruise that ran from her temple to her chin.”

I closed my eyes for a brief moment. This was an account of a rape, and the interview was conducted with the “accuser,” who—of course—had been accused herself of using her body and her “wiles” to “improve her standing in the world.” When that didn’t work, she accused this prominent businessman of “the most vile of crimes.”

I thumbed through the file and found no more clippings, just more notes. Then I grabbed the next file. It had the same byline, and featured an interview with the family of a young girl who died brutally at the hands of her boyfriend. File after file, interview after interview, all written in that now-dated manner.

I replaced those files and grabbed another from the next row. This came from the Des Moines Voice, another paper I had never heard of, and came from 1933. The content of the file was similar to the others, with the shorthand notes, the scrawls, but the byline was different. This one belonged to Ada Cornell. Cornell had the same kind of interest in crimes against women.

Only these files also contained carbons of the original news piece.

I was intrigued.

The next shelf down had stories from the 1940s, and many of them came from different communities. The bylines all differed but the files remained the same.

So I took the last file off the last shelf. It came from nearly twenty years before—1955 to be exact. I had expected it to be a 1972 file, considering there were notes on the desk. So either the files from 1955 onward were missing, or she hadn’t done anything for years and got back into the work.

I couldn’t believe that she had given up until recently, not with the typewriter graveyard behind me. I looked around the room for another place that held files. Then I walked to the center of the room, put my hands behind my back, and frowned at everything.

This was a room within a room within a room, so secret that it was in the very center of the house, hidden behind what most people would consider the pantry. Dolly Langham wrote under false names, so she hadn’t wanted anyone to know she was doing this work.

I frowned, then glanced at the panels. In the old mystery novels, paneling—especially from fifty years ago—hid secret passageways. This room itself was a secret, so I doubted I’d find a passageway. But I might find a hidden compartment.

I surveyed the area, looking for scuff marks, fingerprints, something that jutted out, but I saw nothing obvious. Then I looked at the paneling itself. It had a pattern along the right and left side, but the wall with the files and the typewriter graveyard was configured differently, as if that entire area was built especially for Langham. Wall panels weren’t mass produced forty years ago; they were crafted by someone, who—if the inside room had been built in the Depression—wouldn’t have questioned the design.

A decorative frame had been built around the shelves in the center. Then the waist-high shelf that housed the typewriter graveyard jutted out an extra foot, and so did the area below it.

I went behind the desk, crouched and felt along the edges. I found a small ridge that my fingertips just fit inside. They brushed against a tiny knob. I pressed it, and half of the lower cabinet swung open, silently. A tiny light clicked on, revealing more files.

The shelves ran across the length of the cabinet, and the files continued to the floor.

I left that open, then touched the frames on the right side of the entire unit, looking for a similar ridge. I found it, and that long door swung open, revealing a closet. Inside, wigs, make-up, clothing, and the faint scent of mothballs. I peered into the darkness beyond and realized I had been wrong: there was a hidden passageway behind the clothes.

I pushed the clothes aside, and coughed as dust rose. Cobwebs hung from the opening beyond. I stepped inside anyway and peered. It didn’t appear to be a passageway after all, but more of an extension of this room, like a gigantic walk-in closet.

But I couldn’t be certain unless I explored.

It was clear that Langham hadn’t used this closet in a long time. If I could assume that whatever happened to her in that living room happened because of something she had hidden, then I might be safe in assuming the “something” was a recent occurrence, not one housed in mothballs and cobwebs.

I knew I was making a hasty judgment, but that was all Kaplan had left me time for. Besides, I didn’t have a flashlight. I would have to haul whatever I found into the main room—or trust that there was an electrical switch somewhere back there that I could find easily.

I closed that panel door, and opened the one on the other side just in case it was something different. As I thought, it was the other end of this “closet,” with more wigs, and clothing, including a few very old furs. The musty smell made my eyes water.

I pulled out my Polaroid and took pictures of that back area. I also took pictures of the files. Then I took a few pictures of an open file on the desk.

And by then I was out of film. The Polaroids dried on the desktop as I closed the doors. Then I sat on the Turkish carpet, and looked through the files in the hidden case. The writing style that Langham cultivated had lost popularity, and so had the long yellow journalism stories. They vanished after the war. But she seemed to adapt. There were articles here from The Milwaukee Journal, the Chicago Tribune, the Des Moines Register, and more. Many of the longer articles appeared in Saturday Review, Ladies Home Journal, and surprisingly, that new magazine for women, Ms.

The bottom shelf was empty except for two large manuscripts, in their entirety. As I was about to pull one out, I heard a sound from the outer room.

I cursed, then carefully closed the cupboard door. My heart was pounding. I had a hunch the person out there was Kaplan, but if it wasn’t, I didn’t want the other investigators to know about this—and neither did he.

Then I grabbed my pile from the desktop, hurried it over to that chair, and covered the entire pile with my coat. If I left with everything I’d hidden, I’d look like I gained fifty pounds, but that couldn’t be helped.

The door opened just as my coat settled on top of everything.

Fortunately, the person at the door was Kaplan, and he was alone.

He closed the door, then leaned on it. “You find anything?”

“You know I did,” I said. “How come she kept all this secret?”

“I don’t know,” he said. “I just looked at it today.”

“But it’s clearly relevant to your case. You’re going to need it.”

He gave me a bitter half-smile. “In a perfect world.”

I felt chilled. “Meaning?”

“Apparently, she interrupted burglars,” he said with such sarcasm that I didn’t have to ask him if he believed it. He clearly did not.

“Who made this decision?” I asked.

“I don’t know,” he said tiredly. “It’s coming from the chief. We’re to wrap up the investigation in a hurry.”

“What about this?” I waved my hands at the files in the back. “Who gets this?”

“That’s the question, isn’t it?” he said. “Dolly was the last of the Langhams. We haven’t even looked for a will or contacted her attorney. I have no idea who inherits. I suspect it’s a bunch of charities.”

“This is her life’s work,” I said.

That bitter smile creased his face again. “Apparently, she had a lot of different life’s work. Folks around here would say her life’s work was her philanthropy, spending Papa’s money.”

I thought of the ledgers. “I wasn’t able to go through anything. I just located things. I’d like to come back—”

“I doubt that’ll be possible.”

“But you have no idea how much is here, what she has. I certainly don’t. I can’t even decipher most of it. I don’t read shorthand.”

“Ah,” he said, “the benefits of a law school education.”

I understood what he meant. If I had been a typically educated woman, I would have known shorthand. But I never was typical.

“I have some volunteers who can read it. Give us a few days in here—”

“I can’t, Miss Wilson,” he said. “You shouldn’t be here now. In fact, I came to get you out. The mayor is on his way, and I’m sure the television cameras will follow. I don’t want anyone to know you were even on the premises.”

“Great,” I said. “There’s more than I can carry.”

He unzipped that heavy police department jacket of his. “Give me some of it,” he said. “Quickly.”

I picked up my coat, and handed him the ledgers. I kept the two journals and all of the recent shorthand notes, shoving them inside my coat. We zipped up together, like co-conspirators.

Which, I guess, we were.

“Let’s go,” he said. He waited for me near the door, and as we stepped out, he turned off the lights. The room disappeared into a blackness so profound it made my skin crawl.

The library was empty. Still, I hurried through it, not wanting to stop this time. I waited at that door for Kaplan.

I clutched my hands around my middle like a pregnant woman. The edges of the journals dug into my stomach, and I wanted to adjust them, but I couldn’t.

We went through the same routine—I stepped into the pantry, he shut off the lights, then closed the door. Once it was shut, he moved a few boxes in front of it.

I could hear voices not too far away. Kaplan paused at the pantry door, peering through it. Then he beckoned me, and we scurried across the kitchen. The voices were coming from the dining room beyond.

Kaplan led the way down the stairs and out the side door. He looked along the sidewalk, nodded when he wanted me to follow, and walked faster than I liked on the ice-covered concrete.

My papers and journals were slipping. I shifted my hands slightly, praying that nothing fell as I hurried after Kaplan.

He reached my car before I did, tried the door, and cursed loud enough for me to hear. He didn’t like that I had locked it. I wasn’t sure how I was going to unlock it without dropping anything. I pulled the keys out of my pocket, adjusted my papers again, and leaned a little on the cold metal to unlock my door.

I pulled it open. Kaplan reached around and unlocked the back door. He looked both ways, bent over, and opened his jacket. The ledgers fell out along the seat. Then he slammed the door closed and shoved his hands in his pockets.

I just got in the driver’s side, figuring it was easier than getting rid of my stuff.

“I’ll be in touch,” he said before I could ask any more questions. Then he slammed the driver’s door closed.

He had returned to the other side of the street before I could get the keys in the ignition. My breath fogged up the window, but I just used my fist to make a hole.

I didn’t have to be told to get the hell out of there. I pulled out just as a group of large black cars came around the corner behind me.

I followed the narrow street out of the neighborhood, then pulled over until the windshield cleared. While the defrost was doing its job, I reached around to the back seat. I locked the door, and grabbed a blanket I kept on the floor for emergencies. I used it to cover the ledgers that Kaplan had spilled.

If we had dropped anything outside the car, I hoped Kaplan had found it.

Because I wasn’t going anywhere near that place again.

***

I got back to the hotline in record time. The hotline was a few miles away, deeper in the city itself. We weren’t far off State Street, which connected the University of Wisconsin with the Capitol. This neighborhood used to be a nice enclave for the medium rich, leaving the very rich to Langham’s neighborhood. Now, the old Victorians here had been torn down or divided into apartments, usually crammed with students.

The church where we housed the hotline had been abandoned two decades before. I lived in the rectory and used the church proper for the hotline, and sometimes to house women in need.

On this day, I pulled into the rectory side of the parking lot. I didn’t want the volunteers to see what I had.

It took me two trips to bring in all of the material. I piled the stuff on my coffee table, then closed and locked my door. I pulled the curtains too, something I rarely did in the middle of a Midwestern winter.

I took off my coat, put some innocuous papers over the things on my coffee table, and picked up one sheet of the paper covered in shorthand. Then I headed into the hotline proper.

The passageway between the rectory and the church had no heat, and was cold this time of year. I opened the unlocked door into the church, and inhaled the scent of sawed wood.

My volunteers, as inept as they were, loved doing the repair work.

I went down the stairs into the basement and found five women in t-shirts and ragged jeans, discussing the finer points of electricity.

“Val would never say she’d hire an electrician,” Louise said. She was a tall, middle-aged blond and one of my best volunteers.

“And yet I will,” I said as I went by. Several women looked up in surprise. Apparently they hadn’t heard me come in. “We’re not going to remodel this place just to burn it down. If we’re at the electricity stage, let me know and I’ll hire someone.”

“Consider yourself on notice,” Louise said.

I nodded. Something else to take care of.

I went all the way back to the main office, where we had our phones. We’d initially had only one line for the hotline and one private line. But our hotline had expanded after some recent publicity, and now, we had three separate desks with phones on them. The calls rolled over to a different line if one was in use. It was an expensive system, but well worth it.

The afternoon’s volunteers were an undergrad named Midge who had just started a few weeks ago, and one of my old hands—Susan Dunlap, who worked for the phone company.

“Don’t tell me you’re here on your day off,” I said.

“Okay,” she said. “I won’t.”

She was writing in the logbook. We kept a record of each call that came in, the time, date, and what was said. The volunteer signed in at the beginning of her shift, and then, if there were no calls, she read what had been written between her shifts. We sometimes got repeat callers, women who tested us before they confided in us, and the volunteers had to be prepared for that.

Susan was a middle-aged redhead who had never really lost her baby weight, even though her kids were in high school now. Like Louise, Susan was one of my most reliable volunteers, a main supporter, almost from the beginning.

Midge was studying at the other desk. She had the secondary phone, not that it mattered. Right now, the phones were silent.

I hovered until Susan finished writing. Then I asked, “Do you know shorthand?”

“Doesn’t every woman?” she asked so blandly that at first, I thought she was serious. Then I realized she was making a political statement.

I smiled. “If so, then I’m decidedly not female.”

“Me either,” Midge said.

Susan grinned. “I’m older. Back when I was a girl, they forced us to learn shorthand while they suffocated us in girdles.”

Midge looked alarmed. But I grinned back.

“Come with me,” I said to Susan. “Midge, can you watch the phones?”

“Sure,” she said, frowning at us.

Susan and I went into the kitchen. It was a marvel, built to serve dozens at church suppers. And unlike the rest of the church, this kitchen had been in good condition when I bought the place. Apparently it was one of the few places that the previous tenants had kept up.

Susan sat at the large table we had in the center of the room. I handed her the sheet of paper.

“What’s this?” she asked.

“I don’t honestly know,” I said. “Tell me if you can read it.”

I poured us some coffee from the pot we kept on the stove.

“It’s an idiosyncratic form of shorthand, and it uses some symbols that are pretty old,” Susan said. “But I think I can read it. Something about a—this can’t be right.”

“What?” I asked.

She shook her head. “Can you get me a legal pad?”

“Sure,” I said.

I went out to the front office, and grabbed a legal pad from the stack I kept in one of the desks. I brought it and a pad back to Susan. She translated the shorthand into English, pausing over a couple of words, shaking her head the entire time.

“This can’t be right,” she said again.

She didn’t say that as if something in the text bothered her, but as if something in her translation did.

“Show me,” I said as I sat beside her.

“Okay.” She tapped her pen against the legal sheet. “It starts in the middle of a sentence. Usually when someone takes shorthand, she skips the articles—‘a’ ‘the’—and that’s happening here.”

She slid the paper to me. Her handwriting was clear.

…tortured family relationships. Rumors he had fathered his stepdaughter’s bastard child. Z denies. Paternity test would prove nothing since Z & stepdaughter share blood type. Other accusations…

“What is this?” she asked me.

“I’m not sure,” I said. “I have reams of this stuff. Can you translate it for me?”

“I’m not sure I want to,” she said. “I’m not the only one who knows shorthand here.”

I nodded. “But I trust you.”

“You trust the others,” she said, still looking at that paper.

At that moment, Louise came into the kitchen. She was covered in grayish dust. When she wiped a hand over her forehead, she only managed to smear everything.

“You realize, Val, that there are no female electricians, right? Who the hell are we going to hire?”

“There’s got to be a female electrician somewhere,” I said.

She snorted. “Maybe on Mars.”

I sighed.

“You’re going to have to break the no-men rule,” she said.

“And here we have that trust thing again,” Susan said.

“Did I miss something?” Louise asked.

“Not really,” Susan said.

Louise went to the fridge and removed two Cokes and a Hires root beer. She set the bottles on the counter, then fumbled for the bottle opener.

“I’m interrupting something, aren’t I?” Louise asked.

“Just Val trying to rope me into a job I don’t want,” Susan said. “It’ll probably give me nightmares.”

I looked at her.

“You mean answering the phone doesn’t?” Louise asked.

Susan sighed. “Worse nightmares.”

“Ah hell,” Louise said. “Nothing can get worse than mine. I’ll do it.”

I glanced at her. She’d been around almost as long as Susan. Louise was my unofficial foreman on the remodeling.

“Do you read shorthand?” I asked.

“Is there a woman alive today who doesn’t?” she asked, and she was serious.

“You mean besides Val?” Susan asked.

“Oh, gee, sorry,” Louise said. “Yes, I read shorthand.”

“You’d have to keep all of this confidential,” I said.

“Not a problem,” Louise said, and I believed her. She had kept everything confidential so far.

“Good,” Susan said. “She can do it.”

I shook my head. “I have a lot of material. I need both of you to work on it.”

“Mysterious Val,” Louise said. “Let me take the drinks to my crew and I’ll be back.”

She slipped out of the kitchen, clutching the bottles between the fingers of her right hand.

“You’ll have to work in my place,” I said to Susan.

“Oh, God, Val, that’ll drive you nuts,” Susan said. “I’d offer to take this home, but I don’t want my kids near it.”

“I don’t blame you.” I couldn’t bring myself to tell her that there was a chance that what was on these papers had gotten Langham killed. “That’s why I want you here.”

Susan frowned, thinking. “Then what about the vestry? It has a desk and good lighting. And no windows, so no one would know we were there. Besides, none of the girls go upstairs.”

“If you’re comfortable working up there,” I said.

She smiled. “I love that room. It’s as close to a secret hideaway as we have in this place.”

She was right. And I thought it appropriate for them to examine materials from Langham’s secret room in our most secret room.

“If Louise agrees,” I said.

Susan smiled. “She will,” she said.

***

They worked throughout the afternoon. I didn’t interrupt them. Instead, I sent the workers home, and stepped in for Susan at the phones. The evening shift arrived with pizza. I was about to go upstairs with some pieces for Susan and Louise when Susan surprised me in the kitchen.

“We found something,” she said quietly.

I knew that Kaplan would be in touch, so I told the two volunteers that if someone came or called for me, I was in the vestry. They seemed surprised. I wasn’t even sure these two new girls knew where the vestry was.

Then I followed Susan upstairs.

The smell of sawed wood was strong here as well. I was in the process of remodeling the former offices and choir room into a women-only gym. At the moment, I still taught my self-defense classes at Union South and my friend Nick’s gym, but I wanted a room of my own, as Virginia Wolff said.

The vestry was to the left of the construction zone, past the still closed-off sanctuary. Paneling hid the door on this side, apparently to prevent parishioners from walking in on the minister as he prepared.

Right now, though, the door was half open revealing a well-lit little room. It wasn’t as big or as fancy as Langham’s hidden office, but it was beautiful, with lovely paneling that I planned to save, and a ceiling that went almost two stories up, ending in a point that mimicked the church’s closed-off spire.

Louise had lit some homemade scented candles, so the little room smelled like vanilla. The desk was covered with hand-written legal papers. The garbage cans were overflowing with wadded up sheets. The nearby table had all of the journals opened to various pages. A blank legal pad sat on one of the reading chairs I had placed toward the back.

“Where did you get this stuff?” Louise asked.

“I can’t tell you,” I said.

“You need to tell us,” Louise said.

My heart sank. After that step-, only-, half-daughter thing, I braced for the worst. “How bad is it?”

Susan went over to the table. She touched an open journal.

“This,” she said, then touched another, “this,” and another, “this,” and yet another, “and this, all tell the same story. Different days, different years.”

“And the handwriting is a little looser in all of them,” Louise said, as if that would mean something to me.

“What story?” I said, knowing they wanted me to ask.

“You’d recognize it if you could read it,” Louise said. “It’s the sob sister.”

***

We’d been calling her the sob sister from the beginning of the hotline. She had called every Saturday night like clockwork, rarely missing, usually around eleven.

She always told the same story—a brutal, violent rape that nearly killed her, left her ruined and heartbroken, and made it impossible for her to have children. She would sob her story out. The first few times I took the call, her words were almost incomprehensible.

I tried to get her to come in, to talk to someone, to report the incident. I told her I would go with her, and she would always quietly, gently, hang up.

Other volunteers had a similar experience, and finally we stopped telling her to report the incident. We just listened. Every Saturday night. Sometimes there were more details. Sometimes there were fewer. She always sobbed. If we tried to console her, she would hang up.

I’m not sure exactly when we figured out she was drunk—maybe about the point someone gave her the nickname, about the point when we realized we were helpless in the face of her never-ending grief.

The sob sister taught me that not all victims could be healed, and that for some, grief and loss and terror became an everlasting abyss, one they would never come back from.

I had assumed the sob sister was some broken-down drunk who lived in a trailer, or as a modern-day Miss Haversham in a ramshackle house at the edge of town.

I never thought the sob sister was someone as powerful and competent as Dolly Langham.

“You’re sure?” I asked, sounding a bit breathless.

“Positive,” Susan said. She picked up one of the journals. “This is from 1954.”

Then she read the account out loud. It wasn’t word-for-word what I had heard on the phone—after all, Langham had written this in shorthand, with missing articles and poor transitions—but it was close enough to make the hair rise on the back of my neck.

“And this one,” Susan said, “is the day after Pearl Harbor. She speculates on who might enlist, and then—suddenly, as if she can’t control it—that damn story again.”

I held up a hand. I had to think this through. It violated a lot of my assumptions about everything, about the sob sister, about the nature of victimhood, about Dolly Langham.

Who, come to think of it, was a single unmarried woman who lived alone in the family manse after her father died, who had no family, and who seemingly had only her charities to keep her warm.

But she had had a secret life.

As a sob sister. Not the sobbing woman who called my hotline, but as a front-page girl, one of those women writers of the press, the kind who specialized in an emotional sort of journalism nearly forgotten and completely discredited. Nellie Bly, who got herself tossed into an insane asylum so she could write passionately about the awful conditions; Ida Tarbell, whose work on Standard Oil nearly got discredited because of her gender; or even the great Ida B. Wells, whose anti-lynching campaign almost got her killed, all got dismissed as sob sisters.

Women who wrote tears.

Dolly Langham wrote tears. Accuser Speaks! It was a piece of sympathy, not a piece of hack journalism. So were other stories, all under the guise of a straight news story, told in a way that would appeal to the woman of the house, the emotional one, the one who actually might change the mind of her man.

“Do you guys remember who gave the sob sister her nickname?” I asked.

“It was before my time. You guys had already labeled her before I got here,” Louise said. “So, you know who she is now. You want to share?”

“I can’t yet.” I said, even though I wanted to.

Susan was tapping her thumbnail against her teeth.

“June seems like so long ago,” she said after a moment. She was frowning. “Maybe Helene nicknamed her. Or Mabel.”

Our oldest volunteers. I adored Mabel. She had campaigned for women’s rights in the teens, and had done her best to change the world then. That she was helping us now seemed a miracle to me.

Helene, on the other hand, drove me nuts. She was conservative, religious, yet determined to make this hotline work. I still struggled to get along with her, but as time progressed, I had learned to appreciate her.

“I think it was Helene,” Susan said. “I have this vivid memory of her passing the call to me one Saturday night just as the phone rang. She said she couldn’t help the sob sister any. Some others were there and the name stuck.”

She couldn’t help the sob sister. Because they knew each other?

“Are there names in any of these accounts?” I asked. “Does she give us a clue as to who this guy is who hurt her so badly?”

“It wasn’t one guy,” Louise said softly.

I glanced at her. Her eyes were red.

“It was a gang,” she said. “A few of the early accounts were really graphic.”

Susan nodded. “And there are no names, at least not that we’ve found.”

“What about in the other papers I gave you?” I asked. “Are there any names in those?”

“Initials,” Louise said. “And I have to tell you, this stuff is gruesome.”

“Yeah,” Susan said. “What was this woman into?”

I shook my head again. “I’ll tell you when I can. The most recent papers, what are they about?”

Susan bowed her head. “You don’t want to know.”

But Louise squared her shoulders. “It’s another group.”

“A group of what?” I asked, feeling cold.

“A group of perverts,” Louise said.

Susan had put a hand over her mouth. Her head was still bowed.

“What kind of perverts?” I asked.

“The kind who like little boys,” Louise said. “They take them from the home, to work. And the boys work, all right.”

Her words were clipped, bitter, angry.

“The home?” I asked, my mind a bit frozen. I’d become so used to dealing with women that the phrase “little boys” threw me off. “Their homes?”

“The boys’ home near Janesville,” Susan said, sounding ill. “My church gives that place money.”

“Please tell me she uses names,” I said.

Louise shook her head. “Initials, though. That and the home might be enough information to figure it out.”

If we were cops. If someone was going to investigate this. I didn’t know if Kaplan could do it. Groups, gangs, rings of organized anything were often the hardest thing to defeat.

“Did they know she was investigating them?” I asked.

“Someone—a E.N.—thought she was asking a lot of questions. She was scared,” Susan said. Then she added, “I got that from the journal, not from her notes.”

“Can you give me what you translated?” I asked. “Not the journals, but the notes themselves?”

“I wish we had one of those expensive copiers,” Louise said. “I really don’t want to write this stuff out again.”

I empathized.

“Just set the papers in a pile right here.” I moved a metal outbox onto the table. “I’ll pick them up if I need them. Don’t copy right now. Keep translating, if you can. If you can’t, I understand. But I sure would like names.”

Susan picked up her pen. Then her gaze met mine. “How do people stay sane in the face of all this crap?”

I thought of the cops I’d known, good and bad, as well as the people I knew who were trying to make things right in the world.

“I’m not sure they stay sane,” I said. “Hell, I’m not even sure they were ever sane.”

I wasn’t sure I was either. But I didn’t say that. I figured both women knew that already.

***

I was halfway down the stairs when I met one of the volunteers coming up. Her eyes were bloodshot, and her nose was red.

“Call for you,” she said in a thick voice.

“You okay?” I asked.

She nodded. “Just taking a break.”

She was trying for jaunty, but she failed miserably. A lot of the volunteers took breaks after a particularly tough phone call. Often those breaks took place in the ladies room, and involved lots of Kleenex.

I hurried down the stairs to my desk. Kaplan was on the line.

“I’m coming over there,” he said. “But I figured, given the nature of your business, that you’d want me to let you know first.”

I did appreciate it, but knew better than to thank him. In the past when I noticed him being sensitive, he got offended.

“Do you know where the old rectory used to be?” I asked.

“Yes,” he said.

“Go to that door.”

I hung up and hurried back through the walkway into my tiny living room. I had just switched on the lights when I heard a car pull up. I didn’t look through the curtains. I waited, tense, listening to the car engine shut off, the door slam, and footsteps on the gravel. I anticipated the knock on the door, but it still made me jump.

“It’s me.” Kaplan’s voice. I appreciated that he didn’t identify himself. He probably had no idea that I was alone.

I checked the peephole, then unlocked all of the dead bolts. I pulled the door open.

Kaplan was still wearing his heavy police jacket, and his galoshes. His black pants were stained with snow and salt along the hems.

“C’mon in,” I said, standing back.

He nodded, stamped his feet, and entered. He stopped as I closed the door, a look of surprise on his face. “This is your place?”

“Yes,” I said.

“I expected—”

“The hotline, I know,” I said. “We don’t let strangers in there.”

“I remember,” he said grimly. He took off his jacket, put his gloves in the pocket, then ran a hand through his hair. He slipped out of the galoshes as well.

He was wearing a rumpled suit coat under the jacket. “You see the 10 o’clock news?”

“No.”

“Open and shut. Burglars surprised her, knowing what was in the house. Now we’re having an all-out manhunt which will, of course, fail.”

I opened my hand and gestured toward the sofa. His gaze passed over the materials that I had left on the table. “Coffee?” I asked. “Water? Soda?”

“Coffee,” he said. “Black. Thank you.”

I went into the kitchen and started the percolator. Then I hovered in the archway between the kitchen and the living room.

“How do you know it wasn’t burglars?” I asked.

“You mean besides the fact nothing was stolen? Oh, that’s right. I forgot. She surprised those burglars, so they viciously attacked her. The odd thing was there was more than one of them, and still they didn’t have time to take her purse or the diamond earrings she wore or the gold bracelet around her wrist.” He leaned his head back. “There’s so much not right here, and I can’t tell anyone.”

Except me. The tension had left me, and I actually felt flattered, although I knew better than to say so.

“You knew her, didn’t you?” I asked quietly.

He raised his head, and looked at me. “She called me her disappointment.”

I raised my eyebrows. At that moment, I heard the percolator and silently cursed it. “Coffee’s done.”

I filled two large mugs, grabbed the plate of five raisin cookies that I had stolen from the volunteers two days ago, and put it all on a tray that had come with the kitchen. I brought the tray into the living room and put it on the end table near him.

I sat across from him on the matching chair that faced the window. “You were a disappointment?”

“Yeah.” He grabbed two cookies, but he didn’t eat them. “Among the other things she did, Dolly Langham gave out two full-ride scholarships every year to the University of Wisconsin. She gave them to the best students from Madison area high schools, no matter the gender.”

“Wow,” I said. “You got one?”

He nodded. “Four years at our greatest state institution.”

“And then you became a cop,” I said.

He shrugged one shoulder. “Like father, like son.”

“And she got angry at you.”

“Said I was wasting my talents.”

“Are you?”

His gaze met mine. “Are you wasting yours?”

I smiled. “Touché.”

We both picked up our coffee mugs. He didn’t add anything, so I said, “You never lost touch with her.”

“I checked up on her,” he said. “She wasn’t young and she lived alone.”

“I’ll bet she appreciated that.” I blew on my coffee, wishing I hadn’t tinged that sentence with sarcasm.

“You got it. She hated it. Not that it made any difference. She still died horribly. Worse that I would have expected.” He sighed. His sadness and regret were palpable.

Yet the thought of him just discovering that hidden room today didn’t ring true. He had known all along that it was there.

“So she took you into her private office before,” I said.

He shook his head. “I’d seen her go in it once, but I’d never gone in myself. I just thought she had some paperwork stored in the back of the pantry, until today.”

“What made you get me?” I asked.

“I don’t know,” he said, not meeting my gaze. “I guess I always figured you and her as kindred spirits.”

I started. Had he known what she was doing? “Why?”

“The stubborn independent streak, maybe,” he said. “The willingness to go against female norms. The way that you both believe men are unnecessary.”

“I never said that.” I sounded defensive. I liked men. Or, at least, I used to.

“She never said it either. It was just the attitude—don’t help me, don’t do for me, there’s nothing you can do that I can’t do.” He shook his head. “She was a cussed old broad.”

His voice broke on the last word.

He loved her. He really should not have been in charge of this investigation, and yet he was. I doubted he would have been able to relinquish it to anyone.

And yet, because he loved her, he couldn’t go along with the fake investigation. He had to know why, and it might cost him his career.

I almost said something to him, warned him, but it wasn’t my place. It angered me when he told me what to do; I was certain my warning him would make him just as angry as it would have made me.

So I decided to approach the entire idea sideways. “Do you know what she was working on?”

He took a deep breath, ran a hand over his face, and sighed, clearly gathering himself. “You mean besides the charities.”

I nodded.

“No,” he said. “But you do.”

I got up and took the Polaroids out of my pile. Then I held them before showing them to him. Showing them to anyone almost felt like a betrayal of her trust—this woman I hadn’t known, and hadn’t met, who was, as Kaplan had so astutely seen, a kindred spirit.

I even knew why she had avoided the hotline. She didn’t want—she couldn’t, really—draw attention to her secret life. Besides, she had called us before we approached her. She was afraid we would figure out who she was.

“Here’s the problem,” I said before I put the Polaroids in front of him. “She’d been doing a mountain of investigative work, and she’d done it for decades—longer than you and I have been alive. Any one thing from her past could have killed her.”

I carefully laid each Polaroid in front of him, explaining them all, the secret closet, the hidden shelves, the pen names, the meticulous notes that we hadn’t even really begun to explore.

“Jesus,” he said when I was finished, and the word was a half-prayer, half-reaction. “Jesus.”

I hadn’t even told him what she had been working on. I only touched the old cases, because I wasn’t familiar with most of them, not yet.

“Why would she do this?” He picked up one of the pictures, the one that showed the wig, the different clothing. “Her father was still alive through much of this. He never knew?”

“I doubt it,” I said.

“It doesn’t make sense,” Kaplan said more to himself than to me. He looked up, his gaze open and vulnerable. “It doesn’t—”

Then his mouth dropped open. He closed it, and shook his head slowly.

“I should listen to myself,” he said. “I said she was like you. She was, wasn’t she? She had the same background and there was no way in hell she was ever going to be someone’s victim.”

“Not the same background,” I said softly. “It’s never the same.”

“You know what I mean,” he said with more heat than I expected. He thought I was belittling his realization. “You know what happened. Is it important? Did it get her killed?”

I shrugged. “I don’t know. I’m not even sure when it happened. In the teens, I think. I can’t tell you much more. She used to call here, so it falls in my confidentiality rules.”

“Which won’t hold up in court,” he said fiercely.

“I know,” I said. “I’d give you names and dates if I had them. She’s gone, after all, and I’d love to find out who killed her. But she never gave names, and she didn’t give a lot of details that would ever help us find who hurt her.”

Damaged her, damn near destroyed her. “Hurt” was such a minor word in the context of what happened to Dolly Langham and the power of her reaction to it.

“Names?”

I nodded.

His eyes narrowed. “So give me what you do have. The recent stuff. Logically, that would be what got her killed. If nothing else, it’ll give me a place to start.”

I was shaking my head before he even finished speaking. “You’re not going to like it.”

“I don’t like any of this,” he said. “Just tell me.”

So I did.

Somewhere in the middle of the discussion, partly because I couldn’t stand his expression, and partly because I didn’t want to answer questions I knew nothing about, I went up to the vestry for the translated papers.

Louise was still there, looking ragged.

“A man called you earlier,” she said, as if I had done something wrong.

I nodded.

“Your cop friend?”

I picked up the papers from the out basket. “Thank you,” I said.

Then I went down the stairs again. My cop friend. Were we friends? I wasn’t sure.

I let myself back into the rectory. It smelled of toast, bacon, and coffee. Kaplan wasn’t sitting on my couch any longer. He was in my kitchen, scrambling eggs in my best cast iron pan.

“I hope you don’t mind,” he said. “I haven’t eaten anything except cookies all day.”

“I don’t mind when someone else cooks.” I looked at the clock on the stove—it was the middle of the night. I should have sent Louise home.

Kaplan divided the eggs between two plates, then added bacon and toast. He handed me a plate which I gladly took. I was hungry, and that surprised me.

I set the papers on the table as I sat down.

He sat across from me, but didn’t read. Not yet.

“She did this for almost fifty years,” he said, “and never got caught before.”

“We don’t know that,” I said.

“If she did, she got out of it.”

I nodded slightly, a small concession.

“How could she get caught this time?”

“Maybe the disguise didn’t work for an elderly woman,” I said. “Or maybe someone recognized her voice. We probably won’t know.”

He had already cleaned his plate. I had barely touched mine.

He picked up the papers, then went into the living room to read them. I finished eating and cleaned up the kitchen.

It felt both strange and natural to have a man in my house again. To have a cop in my house. A benevolent cop. I need to stop thinking of every cop like the man who hurt me and remember how much my husband Truman had cared about the people around him. Truman was like most of the cops I had known. I needed to keep that in mind.

When I finished the dishes, I went into the living room. Kaplan had rolled up the legal sheets and was holding them in his left hand. His right elbow was braced on the arm of the couch, and he was lost in thought.

“What am I going to do?” he asked as I sat down across from him. “I’m a detective in a small city. I have orders from the chief of police to close this quickly. I don’t think he’s involved, but I’ll wager whoever is has money and clout and the ability to close the cases that he believes need closing.”

“I know,” I said softly.

“Sometimes,” he said, not looking at me, “you learn to close your eyes. But this….”

He let the words trail off. Then he raised his head. His eyes were red-rimmed.

“They killed her. They killed her to keep her quiet, and she worked her whole life to make sure the full story got told on cases like this. They silenced her, and she didn’t believe in silence. Hell, Miss Wilson, she’s going to haunt me if I let them get away with it. Even if she’s not a real ghost, she’ll haunt me. Just her memory will haunt me.”

“Val,” I said.

He blinked, and focused on me for the first time.

“Call me Val,” I said. I didn’t need to explain why.

“Val,” he said softly. Then he sighed. “I won’t have a career if I go after this. I might not live through the week.”

He wasn’t exaggerating. I’d seen worse over the years.

“But I can’t let it drop,” he said.

“I’ve been thinking about that,” I said. “You might not have to.”

His breath caught—just a moment of hope, a small one, and then I watched that hope dissipate. “It won’t work. Anything I do—”

“I’ve had a few hours longer to think about this than you have,” I said. “And there’s something pretty glaring in the evidence that Miss Langham gathered.”

“Glaring. Something that’ll convince the chief?” he asked. Then before I could get a word in edgewise, he added, “Even if the evidence is rock-solid, I can’t do anything. Hell, for all I know, there are judges involved and city officials and—”

“Hank,” I said quietly. “This gang, this ring, they operate across state lines.”

His mouth opened slightly. Then he rubbed a hand over his chin.

“Jesus H. Roosevelt Christ, you’re right. Hell, I won’t have to even tie this to Dolly’s murder. I just have to quietly hand it to the right person.” Then he smiled. “And I just happen to know some good men who work for the FBI.”

***

I wish I could say it was easy. I wish I could say it all got resolved in the next few days. But I can’t, because it didn’t. It took nearly a year on the orphanage case, and most of the time, Kaplan was out of the loop.

Which meant I was too.

And that made me uncomfortable. I didn’t trust the FBI on the best of days. But I had to continually remind myself that this wasn’t my case or really, my business. Although if they didn’t stop it, I promised myself I would find a way.

Eventually, the Feds arrested a lot of people and more quietly resigned, and the regional papers had a lot of articles that were vague and unsatisfying, because someone deemed the details too graphic for publication.

Langham’s case got closed quickly. Kaplan and I decided that it was better to assume her death was caused by the most recent case, and to get the ringleaders for that. However, I know that Kaplan is still quietly investigating. He’ll never be satisfied until he knows what really happened.

But for now, the official story stands: Langham’s death inside her own home was caused by burglars she interrupted. What got taken? No one knows exactly, but it turned out that the house had two secret rooms that probably dated from Prohibition—or so the papers speculated, without proof, of course. The rooms had books and desks, but there were empty cupboards, except for clothing that apparently belonged to Langham’s father’s various mistresses.

Whatever had been in the drawers of the desk and the cabinet behind one of the desks, well, the burglars had clearly made off with all of that.

In the middle of the night. With police escort.

If you could call Kaplan a police escort.

That part wasn’t in the papers, of course. And the neighbors never seemed to notice the two police officers—one tiny and dark, and the other who looked like he was from central casting. They arrived at one a.m. on two consecutive nights, parked in the driveway, and carried boxes of documents out to a squad car.

No one questioned it, no one remembered it, and no one even knew about those rooms for nearly two months after the investigation closed, when the heirs—the administrators of seven local charities—got their first tours of the place they now held in trust.

Then the story broke open again.

By then, no one even mentioned the cops dealing with that late-night crime scene. No one mentioned the boxes.

Boxes that moved from one secret room to another—although my room wasn’t exactly secret: just forgotten. It was the closet off what had been the choir room. There were even a few musty robes balled up in the corner. I didn’t move them. I just locked the closet door, then locked the choir room door, and wondered what I would do with my treasure, what I would do with another woman’s life work.

Kaplan asked me not to worry about it, not yet.

I didn’t worry about it, but I decided it was time to join the female half of the human race. I signed up for a shorthand course at Madison Area Technical College, starting in January.

And that would have been the end of it, except for one rather strange conversation, late on a Saturday night, two weeks after Langham’s death.

I found myself alone with Helene, our second-oldest volunteer, the one who irritated me, the one who had given Dolly Langham her nickname.

That night, Helene wore a blue dress over a girdle that had to hurt like hell, her perfect stockings attached at the thigh with clips that she would have been appalled to know I had seen as she sat down. She had played the organ at Langham’s funeral, and stood graveside like a supplicant.

I had pretended I hadn’t seen her.

But that night, in the silence of the phone room, about eleven p.m. when Langham’s drunken calls usually came in, I said, “You knew who it was from that first call, didn’t you?”

I watched Helene weigh her response. An old secret versus a new one, the sadness at the loss of a friend, the weight we both felt in the silence.

After a long moment, she nodded.

“You knew what she had been doing all these years too, didn’t you?” I asked.

“The charities? Of course,” Helene said.

“The writing,” I said.

Helene peered at me. Then sighed. “I thought she had quit decades ago. I would have told her to quit if I had known.”

So Helene suspected the truth: that Langham’s death was caused by her work, not by burglars.

“Who hurt her so badly?” I asked.

Helene shook her head. “Does it matter? They’re all dead now.”

The words were so flat, so cold. “You’re sure?”

“I’m sure,” she said. “A couple of them committed suicide. After their disgrace.”

I frowned. She shrugged, then slid the log book of all the calls toward her, to do her night’s reading.

“Their disgrace?” I asked.

“Different for all of them, of course,” she said as if she were discussing the weather. “You know how it is. They come to Madison for graduate school or to work in government, and then they go home to Chicago or Des Moines. And then the press finds some story—true or not—and hounds them. Just hounds them.”

She smiled just a little, her hand toying with the edge of the log.

“Those tearful interviews with the female accusers. Readers used to love those.”

Then she stood up, nodded at me, and asked me if I wanted coffee. As if we were in the basement of a still functioning church. As if we weren’t discussing the unsolved murder of a woman who had been Helene’s friend for decades.

A shiver ran through me, and I looked at my half-finished room, that still smelled of sawed wood.

Sob sisters.

The things we did to live with our pasts. The things we did to cope with the violence.

The things some of us did for revenge.

 

___________________________________________

“Sob Sisters“ is available for one week on this site. The ebook is also available on all retail stores, as well as here.

Sob Sisters

Copyright © 2021 by Kristine Kathryn Rusch
First published in Ellery Queen Mystery Magazine, November, 2013
Published by WMG Publishing
Cover and Layout copyright © 2021 by WMG Publishing
Cover design by WMG Publishing
Cover art copyright © Curaphotography/Dreamstime

This book is licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form

 

Last weekend, we went into Albany, with my brother and sister-in-law, to have dinner with friends of theirs, and to attend an exhibit at the lovely Albany Institute of History and Art. The exhibit is called “Americans Who Tell The Truth,” and it features portraits by Robert Shetterly, along with quotes from his truth-telling subjects.

Shetterly’s art is unusual. His portraits are simple, even primitive in some respects. The bodies of his subjects, and the backgrounds of his paintings, are flat, lacking in detail, unremarkable. But the faces are nuanced, instantly recognizable, filled with life and spirit and personality. And the names of the subjects, as well as their quotations, are scratched into the paintings themselves (while the paint is still wet, as my brother, the painter, pointed out). Shetterly has painted more than two-hundred truth-tellers, including forty-two that have been selected for the Institute’s exhibit. Some of those included are obvious selections. Others are less well-known, and still others have somewhat checkered histories, which makes for an interesting blend of portraits.

On the one hand, featured subjects include Rosa Parks and Bayard Rustin, Pete Seeger and Ella Baker, Cecile Richards, the late president of Planned Parenthood, and Sister Helen Prejean, the anti-death-penalty crusader portrayed in the movie Dead Man Walking. But among the other truth-tellers whose portraits are on display, are John Brown, the anti-slavery activist whose violent raid on Harper’s Ferry in 1859 resulted in several deaths and helped to spark the Civil War; Mother Jones, the late-Nineteenth/early-Twentieth century labor organizer and activist; Frank Serpico, the New York city cop who resisted and later exposed corruption within the police department, at risk of his own life, and whose harrowing story was brought to life in Serpico, a 1973 movie starring Al Pacino and directed by Sidney Lumet.

Yet, the figures who fascinated me most during our afternoon at the museum were those of whom I’d known nothing — not even their names — before seeing the exhibit. One of them was Leah Penniman, a food justice advocate and activist whose portrait exudes warmth and joy. Her quote is wonderful and worth repeating in full:

Our ancestral grandmothers braided seeds and promise into their hair before being forced into the bowels of transatlantic ships. As they plaited their okra, cowpea, millet and black rice into tight cornrows, they affirmed their hope in a future on soil. They whispered to us, their descendants:
“The road may be rough, but we will never give up on you.”

Another was Grace Lee Boggs, an author and community organizer, who gazes out from her portrait appearing tough, frank, unwilling to put up with any BS. Her quote:

People are aware that they cannot continue in the same old way but are immobilized because they cannot imagine an alternative… We need a vision that recognizes that we are at one of the great turning points in human history when the survival of our planet and the restoration of our humanity requires a great sea change in our ecological, economic, political, and spiritual values.

Few moments in our nation’s history have demanded more of American truth-tellers than the one we find ourselves in right now. We are governed by liars, bombarded by falsehoods every time we go online or turn on certain news channels, confronted by people — some of them friends, some of them family, most of them well-meaning — who have armed themselves with misinformation in order to parrot talking points they have heard on TV or from someone else who might be equally well-meaning and equally misinformed. Just the other day, I encountered online a post from someone I like and respect, who was repeating the jumble of untruths and recklessly manipulated data used by this Administration to justify their disastrous tariffs. I didn’t bother to comment. I didn’t wish to alienate a friend, nor did I have the energy or inclination to engage in a flame war. Instead, I allowed the disinformation to go unchallenged. I’m not proud of this.

Fallacy, disingenuousness, quackery, distortion. They pummel us. They insinuate themselves into every discourse. They are disheartening, infuriating, exhausting.

Which makes Robert Shetterly’s bold honoring of those who have stood up for truth again and again, all the more admirable, all the more important. We as a people have been challenged before by those who traffic in lies, and ultimately honesty has prevailed. Truth broke Joseph McCarthy’s fear-driven hold on the U.S. Congress, just as it ended the corrupt presidency of Richard Nixon. I choose to believe that it will wash away the bullshit that currently coats our most sacred institutions. But I have to be willing to stand up for honestly when next I am presented the opportunity. All of us do. We need to be inspired by those who inspired this exhibition.

One of my favorite portraits was of a media hero of mine, PBS’s Bill Moyers. I will leave it to him to have the last word:

The framers of our nation never imagined what could happen if big government, big publishing, and big broadcasters ever saw eye to eye in putting the public’s need for news second to their own interests – and to the ideology of market economics.

The greatest moments in the history of the press came not when journalists made common cause with the state but when they stood fearlessly independent of it.

Hello, I am today’s guest cat…I guess.

Guest cats? Again? You know how much I hate that!

Yeah, but, you hate everything.

Dude, don’t ever say that where she can hear you.

I am also guest catting!

We are in soooooo much trouble.

“You” are in so much trouble. “I” am helping change sheets.

It’s no secret that Grace Draven is one of the best writers of modern fantasy romance. I could talk about her books all day.  Her plots unfold against the backdrop of enchanting worldbuilding wrapped in lyrical prose. Her worlds have texture and that elusive fairy tale quality that many writers chase and never manage to acquire.  But for me, it’s all about the characters.

A lot of speculative fiction can be sorted into two broad categories: ordinary character in an extraordinary world and extraordinary character in an ordinary world. The Hobbit, Labyrinth, and Alien are examples of the first, and Sherlock Holmes, House, and the entire superhero genre are examples of the second. 

The Wraith Kings series falls firmly into the first category.  There is Brishen, a prince of the Kai, who is a prince in the name only. There is the heir, and the spare, and Brishen, you go stand over there.  Then there is Ildiko, who is a niece of the Gauri king.  One day these two find out that they are to be married. They are not consulted about this.  They have no power to alter this decision.

To make things worse, they are not of the same kind. Brishen’s people have more in common with the drow, and the Gauri are firmly human in the traditional sense of the world.  The customs, the diet, everything is dramatically different. 

There is something so refreshingly ordinary about watching these two trying to navigate this arranged marriage. They are so relatable, and they take so much care with each other’s feelings. 

There are several books in the series now, and recently Grace added a new novella to it, titled Black Hellebore.

Brishen and Ildiko return in this latest addition to the world of the Wraith Kings.

To protect his people and save his kingdom from destruction, Brishen Khaskem made an unthinkable sacrifice, stripping all but the youngest Kai of their magic in order to transform himself and four others into powerful Wraith Kings who would battle the ancient malice known as the galla.

But victory comes at a high price. The loss of their sorcerous heritage is a bitter consequence for the Kai. When an unexpected enemy threatens the lives of his beloved wife Ildiko and his adopted daughter, the queen regnant, Brishen may pay the highest price of all. What will be the ultimate cost of reviving a dead legacy and regaining a lost hope?

A tale of trust and deception.

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Did you know Black Hellebore was out?  Yes, I didn’t either.

To celebrate this book birthday, I’ve imposed on Grace and made her sit down for this interview with me.

Interview with Grace Draven

Could you tell us how the world of Wraith Kings came to be?  What made you want to write that first book?

Aww, thanks for the kind words, m’dear. I’d easily givel into the temptation of fangirling the storytelling juggernaut that is Ilona Andrews, but I know that isn’t why we’re here. Let me just say, before we go on, that I will never shop in a Costco or a Sam’s Wholesale the same way again after reading Innkeeper.

As to your questions, well you had a hand in that. Remember all those years ago when you declared “You need a website. I’ll make you one?” (Thanks for that, by the way) Well, I figured I’d try to bring traffic to my sparkly new Ilona-created website by posting a first-draft short story of no more than 12k words total to the blog section of the website for folks to read for free. One chapter a week (or maybe every two weeks, depending on my schedule). I remember telling my longtime editor, Evil Editor Mel, “It’ll just be a short story. I’m calling it RADIANCE. No more than 10k words tops.” To which Mel replied in the most doubtful tones, “Riiiiiggghhht.”

A few weeks into this plan, and I told Mel, “I think this is going to be a novella.” To which Mel replied, “Is that so?”

Spring forward a couple of more months, and I announced to Mel, “This is for sure shaping up to be a novel.” To which Mel replied, “You don’t say?”

After Mel (and my then second editor and principal brainstormer, Lora Gasway) edited RADIANCE and I officially published it to the various retailer platforms, I told Mel, “I have some ideas for a book #2.” To which Mel replied “Just send it on when you’re done.”

Once EIDOLON went live, I went back to Mel and said “Sooo, I’m certain this will be a 6-book series.” To which Mel oh-so-patiently replied, “I’m in for the long haul.”

And a long haul it’s been. Ten years, three completed Wraith Kings novels, three more to go, and several Wraith Kings novellas and short stories later, and I’m still on an adventure of discovery with these characters and this world. What a helluva ride.

What is it about Bishen and Ildiko that keeps you coming back to this series?

I’d have to say it’s the hope in a solid, long-term relationship. These two people are, first and foremost, each other’s best friend. When you combine the passion of romantic love with the grace and devotion of platonic love, you end up with magic that has staying power. I’d like to think that’s what these two have. Exploring aspects of their lives through the lens of that connection within a challenging, often violent world stretches my creative muscle and honestly, just makes me smile every time I write these two.

Could you tell us about Black Hellebore?

BLACK HELLEBORE is a revisitation of Brishen and Ildiko after the events in THE IPPOS KING (Wraith Kings, book #3). Brishen is now the regent of the Kai kingdom still reeling from the demonic invasion of the galla, the destruction of their capital city, and the wholesale loss of their magic (except for the youngest in their population). The world isn’t as safe from the galla as the Wraith Kings had hoped, and a desperate Kai with a plan to regain their lost heritage will do anything to succeed, even if that involves destroying all that Brishen holds most dear.

Could we look forward to more Wraith Kings in the future? 

Yes. Definitely. I currently have two works-in-progress going, including THE NOMAS KING, which is book #4 in the Wraith Kings series.

Where do you see this series going?

As I mentioned earlier, this is a planned 6-book series with novellas sprinkled in between. 

Will you branch out to other couples or stay with Bishen and Ildiko?

I love writing Brishen and Ildiko, but the arc of their particular story was started in RADIANCE and completed in EIDOLON. I revisited them again in BLACK HELLEBORE because, honestly, I missed them. However, the remaining books in the Wraith Kings series will focus on other characters already introduced in RADIANCE and EIDOLON, specifically those Wraith Kings who fought with Brishen in EIDOLON. Each one of those kings gets their story, and the third book in the series, THE IPPOS KING, is already out. I really loved telling the story of the jovial yet deadly Serovek, his passion for the formidable Kai warrior woman Anhuset, and their mission of mercy to protect an imprisoned Wraith King.

We are very curious about your writing process.  What is a typical writing day like for you?

Fractured, full of distractions, loud, and the absolute definition of catch-as-catch-can. I write whenever I can carve out the time (which is limited and precious). So that can be at 7:30 on a Saturday morning or 2:00 a.m. in the wee hours of a Wednesday. I mostly write at my desk which is tucked into a corner of the game room which is the pass-through to one bathroom and two bedrooms. It’s also the brawling space for four rambunctious dogs as well as the hang-out for two college kids and any of the friends or boyfriends that drop by to visit. When it gets too wild and loud, I’ll grab a spiral notebook and handwrite in the bathroom, my car, the backyard deck and one time in the laundry room while I was waiting for a particular load of laundry to dry. Tuning out is my super power. The glamor…it never ends.

Taking the story from a concept to a published book is a long and involved process. How does that usually work for you?

I’m a pantser, or a discovery writer (whichever term you prefer). I start with a nebulous plot idea, a stronger character idea and it’s off to the races. Character is always “louder” in my head than plot. I’ll have the spine of a story, but plot for me solidifies gradually, fleshed out and informed by a mountain of research that I do for every single book. When it comes to research for a book, I definitely adhere to Hemingway’s iceberg theory in which the reader only sees the tip above the surface, while underneath is the bulk of the iceberg or the unseen foundation that gives the story its heft and solidity. When I research, I build a house. When I don’t research, I build a house of cards.

I will often draft any and every expert in a particular topic into helping me understand how something is done, something is made, something works. The long-suffering Mr. Draven is on the receiving end of most of this. He’s had to explain to me how to fix the engine of a dirigible, how to use various types of weaponry from medieval to contemporary, and how to sew a pair of leather boots. Those are just a few examples. He blocks scenes with me as well, battling vacuum cleaners with broom sticks and rolling on the floor of the foyer in a simulation of dodging a horse while on the ground (during which my delighted dogs instantly dog-piled him on each occasion). God bless supportive spouses.

Once the story is done, I down a celebratory shot of bourbon or single malt, dance around the living room like a mad woman, call Mel to scream joyously in her ear, and announce to the family that as far as me cooking dinner is concerned…NOT TONIGHT, SATAN!

Then I email the entire mess to Evil Editor Mel for the king of all editorial passes we both fondly refer to as The Full Evil .

Do you have a concept editor and what role do they play?

Evil Editor Mel wears a lot of editorial hats for me, and this is one of them. Typically, she doesn’t see the manuscript until I’m ready for her to do a Full Evil on it, but I will often message with her or call her to discuss some things. And as you’ve experienced firsthand, I’ve leaned into you for help in seeing my way out of a predicament when I’ve wrapped myself too tight around my own axel to see the fix.

And of course, the most important question: what’s next?

I love the Wraith Kings world and writing in it, but sometimes other worlds call to me, so I’ll take a detour on occasion. While I am working on THE NOMAS KING, I’m putting most of my focus during 2025 on writing and completing a fantasy romance titled THE BLADE MAIDEN. This is the first book in my planned Blade and Dagger trilogy and is centered around one of a set of identical twins who act as enslaved bodyguards to a possessed princess. Resigned to a life of bondage alongside her twin, Solunada soon discovers she must save a priest-king and his Otherworld kingdom from annihilation while also trying not to die at the hands of the assassin who loves her.

Oh, and she has a Girl Scout meeting on Tuesdays.

Just kidding.

Grace recently updated her website and because we are friends, I found out that she is reviving her newsletter. Apparently there will be a bonus scene sent out to newsletter subscribers at the end of next week, and it will be an intimate scene, so if you haven’t signed up, now is your chance. Grace’s site is at gracedraven.com and here is the link to her newsletter.

The post Grace Draven and Black Hellebore first appeared on ILONA ANDREWS.

In reply to Mel Wu.

Hey! Glad to hear you’ve enjoyed my books so far :)
There’s been a lot going on, family wise, so I’m a bit behind with my writing. I need to get another manuscript done for my agent first, then I can work on other projects. No idea on a Chain of Eyes release date at the moment, sorry.

Sookie, the old bulldog, has to have canned dog food in the wake of her surgery so her mouth can recover. She absolutely loves it. She gobbles it up, and then we suffer.

Yesterday, as I was trying to catch up on a novella we are working on, because we need another release this year, Sookie was in a rare form even for her. It went somewhat like this:

The cave passage stretched in front of me, a narrow tunnel painted with bioluminescent swirls of strange vegetation. It split about twenty yards ahead, with one end of it curving to the right and the other cutting straight into the gloom. 

Fart,

The pale green and pink radiance of the foreign fungi and lichens didn’t illuminate the darkness, but made it seem even deeper.

A cold draft flowed from the tunnel, bringing with it an odd acrid stench.

Fart.

Bear whined softly by my side. Whining seemed entirely appropriate. I didn’t want to go into that darkness either.

Fart.

“We don’t have a choice,” I told the dog.

Something rustled in the darkness, a strange whispering sound.

Faaaaaart!

Bear hid behind me.

“Some attack dog you are.”

Fart, fart, faaaart.

I posted about my woes on Facebook, because I wanted to share the glamor. This morning, Facebook delivered this gem to me.

We knew she was a special dog, but we had no idea that her gas troubles were high quality content. We feel so privileged to share it with you.

The post Quality Content first appeared on ILONA ANDREWS.

I know, I know. It’s April Fool’s Day. And Dean Wesley Smith decided to launch a Kickstarter anyway. It’s for his Poker Boy series, which is one of my favorites. If you back it, you’ll get four Poker Boy ebooks and whatever stretch goals we hit. And writers, there’s some really great rewards here. So take a look.

And if you’re uncertain, at least watch the video I did. Enjoy! (Oh, and head to the Kickstarter here.)

Since I’ve been working on The Pilot, we’ve had most of our beta reader team read at least one draft, so I thought you might be interested in hearing what they thought!
​
Anonymously, of course. I wouldn’t want to embarrass them.
~~~
“It was a bold choice writing this entire book without Varic and making the whole thing a flashback to Omega’s past instead, but it paid off.”
~~~
”My favorite scene was probably the six-page instructions on how to craft and polish your own cabinets. Really made me feel immersed in the space fantasy universe.”
~~~
”Too much Lemon.”
~~~
”It’s about time! You’ve finally taken my advice and replaced the Bloopers with a PSA for a rare medical condition. Engorged Face Syndrome doesn’t get the attention it deserves.”
~~~
”You broke the rules, Will. You failed to repost my review to all your social media accounts, so you will suffer my curse. Now you are doomed to wander The Halls until you defeat Gathmat, Duke of Rotting Things.”
~~~
”This book tastes disgusting.”
~~~
​”This science fantasy action-adventure novel is okay, but you’re really missing your calling as a writer of Victorian era teen romance vampire murder mysteries.”

Hi! I love all your works, with the Sorcery Ascendant and Tainted Cabal topping the list! Eagerly awaiting Chain of Eyes! Any news on an anticipated release date?

Hope you and your family are well, especially mentally as you’ve been churning out books consistently!

Carol wants a nap. Carol needs a nap. And no one will let her have one because she’s important. She’s important because the grown-ups believe she’s an average five-year-old. Average five-year-olds have uses for bad guys who want to conquer the world. Only no one realizes that Carol isn’t average. Carol’s smart. And tired. And will do anything to get her nap.

“Advisors at Naptime“ is available for one week on this site. The ebook is also available on all retail stores, as well as here.

 

Advisors at Naptime By Kristine Kathryn Rusch 

It was time for Carol’s nap. They always forgot her nap. Mommy says every kid needs a nap. Carol used to hate naps, but now she’s tired. All she wanted was her blankie, her cuddly dog, and her squishy pillow.

And Mommy. They never let Mommy into the playroom with her.

They said Mommy sat outside, but once they left the door unlocked and Carol got out. She was in a cold hallway that looked like a giant tube or something. No chairs, icky white lights, and a hard gray floor.

No Mommy, no guards, no one to hear if she cried.

She stamped her foot and screamed. Everybody came running. Mommy said they were watching a TV screen with Carol on it in that room up there—and then she pointed at this tiny window, way up at the end of the hall—and Carol got mad.

“You lied,” she said, pointing her finger at Mommy in that way Mommy said was rude and mean. “You promised. You’d be right here. You said!”

Mommy got all flustered. Her cheeks got kinda pink when she was flustered and she messed with her hair, twirling it like she yelled at Carol for doing.

“I meant,” Mommy said in that voice she gets when she’s upset, “I’d be able to see you all the time.”

“You said—”

“I know what I said, honey.” Mommy looked at one of the guards—they’re these big guys with square faces and these weird helmets you could see through. They also had big guns on their sides, latched down so nobody can grab them away—and then she looked back at Carol. “I meant I’d be able to see you. I’m sorry I said it wrong.”

Carol wiped at her face. It was wet. She was crying and she didn’t know it. She hated that. She hated this place. It wasn’t fun like Mommy said it would be. It was a stinky place filled with grown-ups who didn’t get it.

Mommy said she’d be playing games all day, and she did, kinda, but by herself. She sat in front of this computer and punched numbers.

Once this scary guy came in. He wore bright reds, and he kinda looked like a clown. He bent down like grown-ups do, and talked to her like she was really stupid.

He said, “Carol, my dear, I’m so glad you’re going to help me with my little project. We’ll have fun.”

Only she never saw him again.

Which was good, because she didn’t like him. He was fake cheery. She hated fake cheery. If he was gonna be icky, he should just be icky instead of pretending to be all happy and stuff. But she didn’t tell him that. She didn’t tell him a lot of stuff because she didn’t like him. And she never saw him again. Just his mittens.

Mommy said every important person had mittens. Everybody who worked for him could be called a mitten, which meant Carol was one, even though she didn’t look like a mitten. She finally figured it was some kinda code word—everybody here liked code words—for workers.

She thought it was a stupid one—Mommy would say, be careful of Lord Kafir and his mittens—and Carol would have to try not to laugh. How can people be afraid of big fake-cheery guys with mittens? ’Specially when they had big red shoes and shiny red pants like those clowns at that circus Uncle Reeve took her to.

Carol had a lot of uncles. Mommy used to bring them over a lot. Then she met Lord Kafir, and the uncles didn’t come to the house no more. Lord Kafir promised Mommy a lot of money if Carol would play games at the Castle with him.

Mommy asked if this was a Neverland Ranch kinda thing and Lord Kafir’s mittens—the ones who’d come to the house—looked surprised. Those mittens didn’t wear helmets. They wore suits like real grown-ups and they had sunglasses and guns that Carol had seen on TV.

They wouldn’t let her touch the guns (she hated it when grown-ups wouldn’t let her touch stuff) but they promised she’d be playing with “weapons” all the time.

Mommy had to explain that weapons were like guns and stuff, only cooler.

So here’s what Carol thought then: she thought she’d be going to a real castle, like that one they show on the Disney Channel—maybe a blue one, maybe a pink one, with Tinkerbell flying around it, and lots of sparkly lights. She thought she’d get to wear a pretty dress like Cinderella, and dance with giant mice who were really nice, or meet a handsome beast like Belle did.

All the girls who go to castles get to wear pretty dresses with sparkly shoes, and they got to grow their hair really long (Mommy keeps Carol’s hair short because “it’s easier”) and got to dance what Mommy called a walls, and they lived happily ever after.

But that’s not what happened. The Castle wasn’t a castle. It’s this big building all gray and dark that’s built into a mountain. The door let you in and said stuff like checking, checking, all clear before you got to go through another door.

Then there was the mittens. The ones outside the mountain door wore suits and sunglasses. The ones inside actually had the helmets and weird-looking guns and big boots. They scared Mommy—the mittens did, not the boots—and she almost left there. But the assistant, Miss Hanaday, joined them and talked to Mommy and reminded her about all the money she’d get for just three months of Carol’s time (Carol didn’t like that), and Mommy grabbed Carol’s hand really tight and led her right into the castle/hall/mountain like it was okay.

Carol dug her feet in. She was wearing her prettiest shoes—all black and shiny (but no heels. Mommy says little girls can’t wear heels)—and they scraped on that gray floor, leaving black marks. Mommy yelled at her, and Carol hunched even harder, because the place smelled bad, like doctors or that school she went to for three days, and Mommy said the smell was just air-conditioning, but they had air-conditioning at home and it didn’t smell like this. At home, it smelled like the Jones’s dog when he got wet. Here it smelled cold and metal and—wrong.

Carol hated it, but Mommy didn’t care. She said, “Just three months,” then took Carol to this room with all the stuff where she was supposed to play with Lord Kafir, and that’s when Mommy said she’d be right outside.

So Mommy lied—and Carol hated liars.

And now all she wanted was a nap, and nobody was listening because Mommy was a liar and nobody was in that room. Carol was gonna scream and pound things if they didn’t let her nap really soon. She wanted her blankie. She wanted her bed.

She wanted to be let out of this room.

She didn’t care how many cookies they gave her for getting stuff right. She hated it here.

“Hate it,” she said, pounding on the keyboard of the computer they had in here. “Hate it, hate it, hate it.”

Each time she said “hate,” her fist hit the keyboard. It jumped and made a squoogy sound. She kinda liked that sound. It was better than the stupid baby music they played in here or the dumb TV shows that she’d never seen before.

She wanted her movies. She wanted her big screen. She wanted her blankie and her bed.

She wanted a nap.

She pounded again, and Mommy opened the door.

“Honey, you’re supposed to be looking at the pretty pictures.”

She was leaning in and her cheeks was pink. If her hands wasn’t grabbing the door, they’d be twirling her hair, and she might even be chewing on it.

“I don’t like the pictures,” Carol said.

“Honey—”

“I wanna go home.”

“Tonight, honey.”

“Now,” Carol said.

“Honey, we’re here to work for Lord Kafir.”

“Don’t like him.” Carol crossed her arms.

“You’re not supposed to like him.”

“He’s s’posed to play with me.”

“No, honey, you’re supposed to play with his toys.”

“A computer’s not a toy.” Carol was just repeating what Mommy had told her over and over.

“No, dear, but the programs are. You’re supposed to look at them and—”

“The bad guy always wins,” Carol said. She hated it here. She wanted to see Simba or Belle or her friends on the TV. Or maybe go back to that kindergarten that Mommy hated because they said Carol was average. She didn’t know what average was ’cept Mommy didn’t like it. Mommy made it sound bad.

Until that day when she was looking at the want ads like she did (Honey, don’t mess with the paper. Mommy needs to read the want ads) and then she looked up at Carol with that goofy frowny look and whispered, “Average five-year-old…”

“What?” Mommy asked.

“In the games,” Carol said. “The bad guy always wins.”

Mommy slid into the room and closed the door. “The bad guy’s supposed to win, honey.”

“No, he’s not!” Carol shouted. “He gets blowed up or his parrot leaves him or the other lions eat him or he gets runned over by a big truck or his spaceship crashes. The good guys win.”

Mommy shushed her and made up-and-down quiet motions with her hands. “Lord Kafir’s a good guy.”

“I’m not talkin ’bout him!” Carol was still shouting. Shouting felt good when you couldn’t have a nap. “On the computer. The bad guys always win. It’s a stupid game. I hate that game.”

“Maybe you could do the numbers for a while, then, honey.’

“The numbers, you hit the right button and they make stupid words. Nobody thinks I know letters but I do.” Carol learned her ABCs a long time ago. “What’s D-E-A-T-H-R-A-Y?”

“Candy,” Mommy said. Her voice sounded funny.

Carol frowned. That didn’t sound right.

“What’s I-R-A-Q?”

Mommy grabbed her hair and twirled it. “Chocolate.”

“What’s W-H-I-T-E-H-O-U-S-E?” Carol asked.

“That’s in there?” Mommy’s face got all red.

“What’s W-O-R-L-D-D-O-M-I-N-A-T-I-O-N?” Carol asked.

“D…D…O…” Mommy was frowning now too. “Oh. Oh!”

“See?” Carol said. “Stupid words. I hate stupid words and dumb numbers. And games where the bad guy wins. I want to go home, Mommy.”

“Um, sure,” Mommy said. She looked at the door, then at Carol. “Later. We’ll go later.”

“Now,” Carol said.

Mommy shook her head. “Carol, honey, you know we can’t leave until five.”

“I wanna nap!” Carol shouted, then felt her own cheeks get hot. She never asked for a nap before. “And a cookie. And my cuddly dog and my pillow. I wanna go away. I hate it here, Mommy. I hate it.”

“We have to keep coming, honey. We promised.”

“No.” Carol said and swung her chair around so she was looking at the computer.

It was blinking bright red. It never did that before.

“Mommy, look.” Carol pointed at the big red word.

Mommy looked behind her like she thought somebody might come in the room. “Honey, I’m not supposed to see this—”

“What’s that say?”

Mommy looked. Then Mommy grabbed Carol real tight, and ran for the door. She got it open, but all those mittens with guns and helmets was outside, with guns pointed.

Mommy stopped. “Please let us go. Please.”

“I’m sorry, Ma’am,” the man with the biggest gun said. “You have to wait for Ms. Hanaday.”

“We can’t wait for Ms. Hanaday,” Mommy said. “My daughter punched the computer. Now it’s counting down to a self-destruct.”

Carol squirmed. She watched Star Trek. She knew what a self-destruct was. “We gots to go,” she whispered.

Mommy just squeezed her tighter.

“We gots to go!” Carol shouted.

Mommy nodded.

The guards kept their guns on them.

“A self-destruct?” one of them whispered.

Another guard elbowed him. “She’s the average five-year-old. She finds the holes before we implement the program.”

“Huh?” the first guard asked.

“Y’know, how they always say that the plan’s so bad an average five-year-old could figure out how to get around it? She’s the average—”

“Enough!” Mommy said. “I don’t care if it is fake. I’m not going to take that risk.”

Carol squirmed. She wanted to kick, but Mommy hated it when she kicked. Sometimes Carol got in trouble for kicking Mommy. Not always. Sometimes Mommy forgot to yell at her. But right now, Mommy was stressed. She’d yell.

“I’m sorry, ma’am,” the first guard said. “We can’t let you go until Ms. Hanaday gets here.”

“And she is!” a lady’s voice said from far away. Carol peered around Mommy, and sure enough, there was that Ms. Hanaday, in her high heels and her black suit and wearing her glasses halfway down her nose even though she wasn’t as old as Mommy was.

“I wanna go,” Carol whispered.

“I know, honey,” Mommy said, but she wasn’t listening. She was just talking like she did when Carol was bugging her. But she did set Carol down, only she kept a hold of Carol’s hand so Carol couldn’t run away.

Ms. Hanaday was holding a bag. Her heels made clicky noises on the hard gray floor. It was colder out here than it was in that room. Carol shivered. She wanted a jacket. She wanted her blankie. She wanted a nap.

“I wanna go home,” she said again.

One of the guards looked at her real nice-like. He was somebody’s daddy, she just knew it. Maybe if she acted just a little cuter…

“What have we got here?” Ms. Hanaday said as she got close. She reached into the bag, and crouched at the same time. She whipped out a giant chocolate chip cookie, the kind Mommy said had to last at least three meals.

Carol reached for it, but Mommy grabbed her hand.

“We would like to leave now,” Mommy said.

“May I remind you, Ms. Rogers, that you signed a three-month contract? It’s only been three weeks.”

“Still. My daughter isn’t happy, and I’m not real comfortable here. No child should have to work all day.”

“It’s not designed as work, ma’am. It’s play.”

“Is not,” Carol muttered, wanting that cookie. She stared at it. Maybe if she stared hard enough, it would float over to her. She seen that in movies too.

“Did you hear her?” Mommy asked. “She doesn’t think it’s play.”

“Wanna nap,” Carol told Ms. Hanaday.

Really want that cookie, but Mommy still had a hold of her hand. Too tight. Mommy’s hand was cold and kinda sweaty.

Ms. Hanaday was frowning at her.

“I don’t like it here,” Carol said louder this time, in case Ms. Hanady didn’t hear so good. “Wanna go.”

“The day’s not over yet,” Ms. Hanaday said.

“Delores!” Lord Kafir shouted from down the hall. Carol knew it was him because he had the funny accent Mommy called Brid Ish. Some people from England had it. Most of them got to be bad guys in movies.

Carol shivered again.

Ms. Hanaday stood up. Lord Kafir was hurrying down the hall. His shoes didn’t make that clicky sound. They were kinda quiet, maybe because they weren’t official grown-up shoes.

“Is it true?” he asked Ms. Hanaday like there wasn’t Mommy and Carol and all those guys with the big guns. “Did she break the code?”

“I’m afraid so,” Ms. Hanaday said. She was holding the cookie so hard part of it broke. She had to move really fast to catch it before it fell to the ground.

Now the cookie was Carol-size. Carol looked at Mommy, but Mommy wasn’t looking at her.

“This is the five-year-old, right?” Lord Kafir pushed past Ms. Hanaday, knocking the cookie again. She had to grab real fast and still parts of it fell on the floor. Wasted. Carol wanted to get them, but Mommy wouldn’t let her go.

“Yes, sir. This is Carol. You’ve met her.”

“That’s right.” He crouched.

Carol made a face at him. She hated people who forgot her.

“You look pretty smart,” he said.

“I’m tired,” she said.

“Are you smart?” he asked.

“Of course I am, dummy,” Carol said.

“Carol!” Mommy breathed. “We don’t talk to grown-ups like that.”

He wasn’t a grown-up. He was a mean man in bright red clothes. He was glaring at her like she’d done something wrong.

“I think you’re pretty smart,” he said like that was bad.

“Her teachers said she was average,” Mommy said.

“We tested her IQ three times. She always came out in the normal range.” Ms. Hanaday sounded kinda scared.

“You know that children often give unreliable IQ tests.” Lord Kafir pushed up and looked at the other grown-ups. “I don’t think she’s average.”

“Mr.—Lord—Sir,” Mommy said. “She’s—”

“The other five-year-olds couldn’t beat that self-destruct,” he said.

“They barely got a chance, sir.” Ms. Hanaday was dripping cookie crumbs. “She got it earlier than the others—”

“Because she solved the earlier puzzles sooner. She’s good at code words and passwords and secret plans. She shouldn’t be this good if she’s average.”

“She watches a lot of television,” Mommy said.

“Can I have that cookie?” Carol asked.

Everybody looked at her.

“Please?” she asked in her best company voice.

“Oh, for heaven’s sake,” Mommy said, but Ms. Hanaday handed her all the parts of the cookie.

Carol chomped. The cookie wasn’t as good as it looked. Maybe because it got all sweaty and gooey in Ms. Hanaday’s hand.

“I swear, sir,” Ms. Hanaday said. “She’s average.”

“I’m tired of five-year-olds,” he said. “It’s time to implement the plan.”

“Sir! We can’t do that! It’s not ready!” Ms. Hanaday said.

“Get it ready,” he said.

“But the five-year-old—”

“Isn’t average,” he said.

Ms. Hanaday looked at Mommy like Mommy had gone into the living room without permission. It was like that code grown-ups had. Lord Kafir understood, even if Carol didn’t.

“Have you seen anything?” Lord Kafir asked Mommy.

“No,” Mommy said. She was lying. Carol looked at her in shock. Mommy was a horrible liar. She lied all the time. Carol just didn’t know it before.

“She saw the red lights,” Carol said. She didn’t want Mommy to get in trouble with Lord Kafir. “It scared her.”

“Red scares a lot of people,” he said, smoothing his ugly clothes. Was that why he wore them? To scare people?

The guards looked at each other, like they didn’t like any of this.

Ms. Hanaday shook her head.

“Pay the lady her three weeks and get them out of here,” Lord Kafir said to her. “And wash your hands. You’re a mess.”

“Yes, sir,” Ms. Hanaday said, but Lord Kafir was already hurrying down the hall.

The guards had lowered their weapons.

Ms. Hanaday ran a hand through her hair, making a streak of chocolate on the side of her face. It looked a little like poo.

Carol tried not to giggle.

“You know that this is all just war games,” Ms. Hanaday said.

“Sure,” Mommy said.

“Pretend stuff,” Ms. Hanaday said.

“Yeah,” Mommy said.

“None of it means anything,” Ms. Hanaday said.

“I know,” Mommy said.

“I’ll get your check,” Ms. Hanaday said, “and meet you at the door.”

“Okay,” Mommy said.

Ms. Hanaday hurried off after Lord Kafir. The guards just stared after her.

“I don’t like this,” one said to the other.

Mommy picked Carol up like she was a baby. “We’re going, honey.”

Carol swallowed the last of the cookie. Cookies were yucky without milk. “Okay,” she said.

Mommy hurried down the hall, a different way than everybody else went. It only took a few minutes to get to the door.

Ms. Hanaday was already there, holding a long piece of paper. It had to be a check. Mommy snatched it, then said thanks in a kinda rude voice, and then hurried out the door.

Nobody stopped them. In the movies, somebody would’ve stopped them. ’Specially the way Mommy was breathing, like she was all scared and stuff.

Carol wasn’t scared. Carol was glad to be outside where the sun was bright and the air smelled really good. She stretched. She wanted down. She wanted to run, but Mommy held tight all the way to the car.

They backed up and headed out of the parking lot, driving really, really fast.

“If you want a nap,” Mommy said, “close your eyes.”

“Where’re we going?” Carol asked.

“Far away,” Mommy said.

“Can we get my blankie?”

“Maybe,” Mommy said. That meant no. Carol sighed. She hated no. But not as much as she hated that place.

“What’s far away?” Carol asked.

“Good guys,” Mommy said.

Carol smiled. This was how it was supposed to go. She leaned back in her chair and closed her eyes. But she couldn’t sleep. Mommy was driving really bad. Fast like in the movies. Tires squealing. Going around corners on two wheels, stuff like that.

Mommy’d been watching Carol play too many games.

Carol opened her eyes. They were on a road outta town. Carol’d never been outta town before. This was kinda cool.

“Mommy?”

“Hmm?” Mommy said in that don’t-bother-me voice.

“Am I average?”

“I hope so, honey,” Mommy said. “In fact, I’m praying that you are.”

“Because average kids beat the game?” Carol asked.

“And that means it’s easy,” Mommy said.

It didn’t seem easy. It was just dumb. But Carol didn’t say that. She closed her eyes again. She didn’t care about numbers and weird letters and computers. Or bad guys like Lord Kafir. They could be scary, but they always lost in the end.

At least she got part of what she wanted. She got a cookie. She got outta there.

And now—finally—she was gonna take a nap.

 

___________________________________________

“Advisors at Naptime“ is available for one week on this site. The ebook is also available on all retail stores, as well as here.

Advisors at Naptime

Copyright © 2016 by Kristine Kathryn Rusch
First published in If I Were An Evil Overlord, edited by Martin H. Greenberg and Russell Davis, Daw Books, March 2007
Published by WMG Publishing
Cover and Layout copyright © 2016 by WMG Publishing
Cover design by WMG Publishing
Cover art copyright © Lane Erickson/Dreamstime

This book is licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.

 

::waves::

LibGen

Meta, the company behind Facebook, Instagram, etc., has developed its own AI, Llama 3. For this AI to be competitive with Chat GPT, they needed a massive amount of fiction. They could’ve licensed it – they have the money. Instead they chose to pirate it. They scraped a massive database of pirated books. Our books are in there. Everyone’s books are in there. Here is a breakdown from Authors Guild.

We’ve received a lot of outraged messages about it. Thank you so much for your support.

What can be done about it?

Not much. We are part of Authors Guild, who right now is engaged in a class action suit. Here is a plan of action from Authors Guild.

Actions You Can Take Now 

There are important actions you can take to defend your rights now: 

1. Send a formal notice: If your books are in the LibGen dataset, send a letter to Meta and other AI companies stating they do not have the right to use your books. Here is a template you can use. 
2. Join the Authors Guild: You should join the Guild and support our joint advocacy to ensure that the writing profession remains alive and vibrant in the age of AI. We give authors a voice, and there is power in numbers. We can also help you ensure that your contracts protect you against unwanted AI use of your work. Join today.
3. Protect your works: Add a “NO AI TRAINING” notice on the copyright page of your works. For online work, you can update your website’s robots.txt file to block AI bots. The Authors Guild offers practical resources to help shield your content from AI scrapers. 
4. Get Human Authored certification: Distinguish your work in an increasingly AI-saturated market with the Authors Guild’s certification program. This visible mark verifies your book was created by a human, not generated by AI. Get certified.
5. Stay informed. Sign up for the free Guild biweekly newsletter to keep updated on lawsuits and legislation that could impact you and your rights. The legal landscape is changing rapidly, and we are keeping close watch. Subscribe here. 

You are not powerless in this fight. Together, we can have and continue to build our collective power in responding to these blatant violations. 

And that’s kind of all we can do. Here is a link to Elizabeth Wheatley’s Instagram post, where she basically goes all of the above probably in a more accessible format.

If I sound meh, it’s because I am past the point of stressing about it. I’ve gone right into the grim acceptance. I pay our author dues to the Guild and that’s about it.

The post AI and LibGen first appeared on ILONA ANDREWS.

Dat sunbeam are belong to ME!

Yeah, fine, whatever, I didn’t want it…is that a bug?!

Nope it are PTERODACTYL

I am so confused by the ongoing dialogue. Also…zzzzzzz

I will kill it with my mind and wear its feather as a crown!

Hey, Bodi, maybe dial the intensity down to…11?

…………………………………………Good start, but probably not enough.

 So, a few days earlier than I'd intended, but better than on April Fools I guess?

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The Cadre has been rebuilt after the disastrous battle in Horath over a decade ago. They are better and more dangerous than ever before but they will need all of that and a healthy dose of luck for their greatest challenge to date. Round 2 is shaping up with the pirate empress in Sigma Sector. The fleet believes that they have located El Dorado. Jethro McClintock and his team are itching to settle the score.

Meanwhile forces are swirling around Jethro's family. Will he survive the battle to come? Will his family?

 

Amazon: Siege

 B&N: To be continued

 Sitrep:

So, I received the manuscript back from Goodlifeguide this morning. I'll be uploading it this afternoon or tomorrow morning.

 On to the snippet!

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Chapter 4

 

Antigua

 

Zuhura and Jethro managed to pry Bagheera away from his gaming system but the other siblings were busy. The trio of adults took Ember to the zoo. Ember was wide-eyed and a bit fearful of some of the larger animals. She did enjoy the petting zoo briefly; that enjoyment ended when a pig blew snot on her fur.

She had fallen asleep on her mother’s chest at lunch. The boys took off to ride a roller coaster through the aquarium area while Ember took a nap in the shade with Zuhura.

When they returned, they were a bit damp and giddy. Zuhura was amused by their antics as they playfully swatted at each other. She ended up trading with Jethro in order to go on a ride with her younger brother.

Jethro curled up next to Ember in the shade of the tree. There were other families nearby. He watched the little imp sleep. She rolled onto her back and stretched and then curled up on his arm. After a few minutes, the arm started to fall asleep. When he tried to move it, the little imp locked onto it with her paws to keep her warm pillow in place.

He snorted and resigned himself to his fate for the time being.

“She yours?” a fox asked softly. He looked over to where the Vixen was nursing a trio of pups.

“No, my granddaughter,” Jethro admitted.

“Granddaughter?” the vixen asked blinking in confusion. Jethro flicked his ears. “Well, there is quite a family resemblance.

“Something like that,” Jethro admitted and then yawned. The fox looked politely away and after a moment looked down tenderly to her trio as they finished up nursing.

Jethro relaxed and waited for the others to return. He knew he was going to feel a lot of guilt over leaving the little imp behind but it couldn’t be helped.

<<(O)>>

Suqi slipped down the hall and then waited. Her lead robot had cleared the path but she paused when something glittered in the vent. She checked the corner with a scope and noted the glitter again and then carefully changed position.

Tricky, she thought as she rested her hand against the wall. Her AI sent out a single stream of nanites out and down the wall. It took time but for the moment she had time to spare.

The nanites went around a hatch and then into the vent. They found a small sniper robot waiting there. It had a camera lens and barrel ten centimeters from the vent. If the user hadn’t bent the vents apart to allow the barrel and camera to get a good shot and view, she wouldn’t have picked up on it.

She couldn’t hack it without the other side noticing. Nor could she just shut it off, that would alert them of her location and that their trap had failed.

Instead, she had the nanites form a camera above the robot camera and then take a snapshot of its view out the vent.

She then directed her AI to create a false image with a web of nanites over the vent. It took time. There were a lot of nanites to move into position and program with the RGB, but eventually, she had replaced the view with a false image.

Only when it was finished, did she move out carefully.

She grinned slyly and then hand signed her team to begin moving out again. That was a trick she had picked up from Sabu, and it was nice to use it against him.

<<(O)>>

Sabu had a feeling that his sister was up to something. Their respective platoons were on Orbital Fortress 9 training against each other in a cleared section of the massive station. It was far better than a virtual game session, allowing them to employ some real world tricks and toys to test out in real world conditions. So far so good.

He knew his sister was highly motivated to get revenge for his trouncing her in the last exercise. Well, he had no intention of going down easy even though he was playing the defender in this round.

She had found his sniper hide but had missed a patch of light sensitive nanites he’d put up as a tripwire at the corner. That told him her approach path.

He had his squad activate a series of mines. The claymores were thin, coated to look like the bulkhead. When Suqi’s squad came around the next corner, it would go off.

<<(O)>>

Suqi’s robot crept around the corner and then paused. It was programmed to stick to the shadows and to the sides of the corridor. It tripped the sensors for the claymores and the mines went off.

The bot was covered in pink paint and immediately shut down, falling over in a simulated death. Suqi narrowly missed getting splattered.

“Missed me, bro,” she murmured as she deployed a second bot; this one she directed to climb the wall and then hang from the ceiling. It would move slower but it wouldn’t trip any pressure sensors on the ground.

She winced when a second claymore went off with a loud thud and the bot was ripped off the ceiling and went flying into the wall across from her.

Unless of course he’d thought of that too.

Well! She thought as she reconsidered her options.

<<(O)>>

General Lyon smirked as Sabu and Suqi faced off. He had traveled with the two platoons to the fortress in order to umpire the exercises and possibly even participate in a few of them.

So far Sabu seemed to have picked up the tricky side of Jethro’s lessons. But he refused to underestimate Suqi. There was something to be said about the female always being deadlier than the male of the species. No doubt because they liked to be underestimated.

The training and prep for the assault was going well. Pretty soon they would be ready to move out.

<<(O)>>

Bagheera was playing a first-person shooter and managed to win the match using a few tricks his dad had taught him. It was a simple matter of finding the right spot to snipe and having an escape plan if they spotted him.

When he took out the enemy medic trying to revive a shooter, that more or less won the match for his side. They easily captured the objective.

As the match cleared, the other side complained about being taken out by a pro. He grinned. “I am a pro.”

“Dude! Not cool! Vets have their own servers!” a couple of players complained.

He blinked. “I’m not a vet,” he said, trying to cut in. It took a couple of tries before he got through their complaints. That earned some disbelief and raspberries.

“Look, my dad is a sniper. I picked up some tricks from him.”

“Marines or Army?”

“Well, he was in the marines.”

“Oh, he’s out now?” one of the gamers asked. “Why?”

“No, he’s in the Cadre.”

The disbelief was almost palatable and then people went ballistic with excitement. He became peppered with questions about the Cadre to the point that the next match countdown was forfeited. The team he had been on wanted to keep him but they wanted to play too.

He was annoyed when he pulled back to the main forum only to find out that word of who he was had followed. He was besieged by players wanting him on their team or wanting information about the Cadre. It bugged him. They were more interested in him for his dad than for his own skill set. That irritated him so much he ended up logging out.

When he logged in later, he was flagged with an email and then an alert that his ID had been frozen. Incensed he emailed corporate to find out why and found that they had been told to do so by the FBI.

He was confused. “Look, I’m not a piker …”

“We cannot reactivate your ID. You’ll have to speak to them and create a new ID,” the customer service chatbot warned.

“Are you serious?” he demanded, incredulous that he’d lost all of his stuff as well as his points and prestige. He had been about to make the next tier damn it!

A knock at the door made him look up.

“It is for you,” Bast said from his computer.

“Damn it, leave my PC alone!” he growled as he got up. “Who is it?” he demanded. A video screen window opened, and he saw the video camera image of two people in business suits. They looked either corporate or … “Ah hell,” he muttered.

“Bagheera McClintock?” the lead agent asked as he opened the door.

“Yes?” Bagheera asked. He had his headphones around his neck.

“My name is Agent Smith; this is Agent Roberts,” the male agent said, indicating his female companion. “We are with the FBI.” He showed off his credentials.

“What is going on? Is my mom okay?”

“She’s fine. This has to do with you.”

He blinked and then his eyes narrowed. “What did I do? Do I need to call a lawyer or something?”

“You aren’t under arrest. We just need to clear up a few things,” the junior agent said soothingly.

He blinked and started to relax a little.

“You spoke about the Cadre and your father in a chatroom and in the forums earlier this evening?”

“Damn it …,” he muttered. “Is that why my account got locked? Look it was stupid I know. Someone was bitching about my being too good, and they thought I was a ringer. I said I learned from my dad.”

The lead agent nodded sagely.

“Your account was locked because you broke protocol. Are you aware of the secrecy act in regards to the Cadre and their family members?”

“Yeah,” he sighed heavily. “I know; I screwed up.” He felt his ears flatten. Something his mother had taught him was not to make excuses, especially to the authorities or to her.

“I’m proud of my family. I should be able to show it,” he muttered resentfully.

“We get that. But you need to understand that they need to work from the shadows to work effectively. And for their safety and your own, you need to help them keep their anonymity,” the lead agent said patiently.

“Okay, fine,” he growled. He wasn’t looking forward to starting out as a nugget again though.

“If only to keep from a repeat interview from us?” Agent Smith asked. “We could of course take this downtown, take a day or two …”

“No, no, I’ll be good. Honest. I know I screwed up. I’m sorry,” Bagheera said hastily. The two agents looked amused.

Bagheera rolled his eyes. The agents looked at each other and chuckled a little.

“Just remember, people can and will bait you. They’ll try to get details out of you. Some of the best cons out there gather the data and use it to steal your identity or to get you into trouble in other ways.”

Bagheera looked a bit affronted.

“And yeah, we know, you are too good to get caught out like that. Believe me, we’ve heard it before,” the female agent replied dryly. She shook her head in resignation at the stupidity of some people who thought that they were invulnerable. “Just think it through before you say something. Even something minor can get you into trouble.”

“Loose lips sinks ships?” Bagheera asked amused.

“Exactly.”

“I’ve been told that a few times. I’ll try to be more careful.”

“Good.” They shook hands and departed.

<<(O)>>

I do most of my business writing on Patreon these days, but roughly once per month, I’ll put a post for free on this website. This post initially went live on my Patreon page on December 22, 2024.  If you go to Patreon, you’ll find other posts like this one.

Glocalization

In the past year, I have started to read Billboard regularly. The music industry is always ten years ahead of traditional publishing, and the music industry has already figured out how to handle the small mountain of data that each song, each stream, produces.

The fantasy-novel-sized Grammy Preview issue that came out in October took a while to get through, but it had a lot of gems. Some pertain only to my business, so I’m sharing those with the staff. There were also some lovely nuggets that I’ve posted either here (or will post here) as well as in my November Recommended Reading List.

But one article on business really caught my attention. Headlined “U.S. Artists Are Dominating The Global Charts,” the article explored the way that music crosses international boundaries.

The premise here was that in 2022, 85% of the hits on the Bilboard Global chart came from outside of the U.S. In 2023, 92% of the hits on that same chart were not from the U.S.

But in 2024, over 60% of the hits on the global chart came from the U.S. All fascinating, all important for the music industry.

It’s a change that the U.S. welcomes, of course. It’s also what’s new is old. Early in my childhood, the bulk of the music in the U.S. came from England. (British Invasion, anyone?) And then, throughout the seventies—with the exception of Abba and Olivia Newton John—most of the music worldwide came from the U.S.

That changed with the advent of streaming. Then the cost of making and marketing music plummeted. As Will Page, former chief economist for Spotify told Billboard last year, “When the cost structure changes, local [music] bounces back.”

Page should know. He and Chris Dalla Riva, a musical artist and senior product manager at the streaming service Audiomark wrote a paper on this topic in 2023.

They examined the top ten songs in four countries—France, Poland, the Netherlands, and Germany. In 2012, local artists accounted for less than 20% of the song market in those countries. Ten years later, that number had flipped considerably, with the rise the biggest in Poland, where fully 70% of the top ten songs were local.

Here’s the part that caught me…and got me thinking about publishing.

The authors call this shift “glocalization.” This all points to a growing marketplace where the power has been devolved from global record labels and streaming platforms to their local offices and from linear broadcast models to new models of streaming which empower consumers with choice.

There are still the big performers, of course. They tend to get enough press so that people will hear of their songs and sample. But, as the article points out, if Polish rap is big in Poland along with, say Sabrina Carpenter, there’s a slimmer chance that Polish rap is big in France, but Sabrina Carpenter might be.

Replace all these names with Nora Roberts and Stephen King. They have built-in audiences worldwide who are looking for their next book. But those audiences might want something that has a lot more local flavor for the rest of the big sales.

Not to mention the language barrier. That’s not as big a deal in music. People have grown up listening to music in other languages. Heck, opera would not exist without afficionados being willing to listen to gorgeous, sweeping melodies in a language they do not understand.

But reading books in another language requires you to understand that language. Translation programs only go so far. They usually lack the finesse of a translator. The good translators add their own artistry to the work. (The bad ones are…well…bad.)

It’s easier to translate nonfiction, particularly if it’s utilitarian (as in how-to books). But utilitarian books usually don’t rise to the top of the charts. Nonfiction is often stubbornly local. I do care about the political situation in France, but not enough to pick up a translated book about it or to attempt to read (or listen to) an AI translation of it.

My reading time is limited, and I’d rather use it on things that really interest me.

Fortunately for most of us, though, English is the most widely spread language in the world. In 2024, 1.52 billion people worldwide spoke English in 186 countries. Only 25% of those people are native speakers. Everyone else learned it as a second (or third or fourth) language.

And…over fifty percent of websites worldwide use English for their content.

Our books in English can and do sell outside of the U.S. and other English-speaking countries.

Which brings us to the other part of this article that really caught my attention—marketing. U.S. music labels now run global campaigns for some of their product or, as the article says, are…

…even starting promotion abroad, in territories where marketing is cheaper and fandom can be more of a social activity, before [the companies] begin a push stateside.

There was even more strategy on this buried in an article from the November 16th issue. In a piece about the co-founders of Broke Records, there was this little gem about marketing to Eastern Europe and Latin America.

The question: Why those territories? And the answer:

Cheaper cost and these markets start a lot of trends on the internet.

The founders go on to explain that there’s a tipping point where influencers will jump on board to promote because they see the song getting bigger in other markets.

All of this caught my attention because it feels so familiar. In the 1990s, before the U.S. book distribution system collapsed, book marketing was aggressively local. Some writers sold well in certain regions of the country or in certain large marketplaces such as, say, Detroit or Los Angeles.

If those books sold a lot more than usual or if they started dominating the conversation more and more, then the publishers would push harder in other regions.

The publishers soon learned that some books did not cross over, not matter how much money was put behind them. Others took off quickly. It was predictable on some level—local authors tended to sell best in their local regions—but not predictable in others. Why did gentle contemporary fantasy sell well in the American South, but not in big Eastern cities?  No one cared enough to put in the legwork to get the data, in those days before computers.

Now, that information might be available with the right kind of market research.

While we would all like our books to sell equally well in every single country, that’s not going to happen. (Remember that there are 186 countries where English is spoken. There are nine where English is not spoken much at all.)

The key here isn’t to become a dominant worldwide bestseller, but to use the data available to us to see where we’re doing well. If we can target those areas where our work is already selling, then we might be able to leverage that and increase the sales.

The increased sales will lead to all kinds of other opportunities, from licensing games and other products (even local films) including—you guessed it—some kinds of translations.

I love this term “glocalization” because it breaks down the gigantic world into bite-sized pieces. With the way that data works these days, we can actually view these pieces without doing a lot of guessing about them. You’ll know if your books are selling well in Australia, but not doing well at all in Austria. Or vice versa.

And if you have limited marketing dollars, like all of us do, you’ll target places where your name is already familiar…unless you want to grow your work in a part of the world that is similar (you hope) to another place where you are doing well.

Also, a lot of online distributors have targeted ad-sharing and/or marketing opportunities. You might want to take part in a bundle of ads that focus on the Sydney area and not do a similarly priced promotion in London.

It’s your choice, which is, in my opinion, fun.

If you do this right, you can also adopt the right mindset. Instead of saying, Yeah, I’m a bestseller in Italy but nowhere else as if that’s a problem, understand that being a bestseller anywhere is great and work to grow your audience in that country—as well as worldwide.

Yes, we’d all like to be the biggest bestsellers in the biggest markets in the world, but that’s not really happening with any writers any more. Glocalization has hit us all. A book might take off, but a writer rarely does these days.

Things are changing, and in a way that we can all understand.

Realize, like the U.S. music labels have after their banner international year of 2024, that the success is due to a confluence of events, not to their increased marketing.

As the first article notes:

Executives contend the uptick is partly due to random chance. A surfeit of American heavy hitters including Lady Gaga, Beyoncé, Billie Eilish, Ye, Ariana Grande, Future, Taylor Swift and Post Malone have dropped albums this year. At the same time international powerhouses…have been quiet.

Random chance. That’s all we have. So write your work, market it everywhere, and then look at the data on occasion, particularly when you have marketing money. Give your marketing strategy some thought.

Just accept where you’re at and figure out how to move forward—without taking too much time away from the writing.

Because that’s all we can do.

 

“Glocalization,” copyright © 2024/2025 by Kristine Kathryn Rusch.

Congrats on good news in Germany, and I hope everything’s OK now.

Actually, this month has gone by pretty slowly.

In addition to being beaten with sticks, I've spent a long time working on The Pilot this month. We had a full Hidden Gnome meeting, where we hid a bunch of gnomes in a room and challenged visitors to spot as many as they could. And I've been playing League of Legends again, after a long hiatus.

Playing League was the hardest part.

Anyway, we'll be releasing news about The Pilot very soon! Then I get to work on a [SECRET PROJECT] that will remain [TOP SECRET] for the time being, but I'm looking forward to it.

And for now, since I finished a draft about fifteen minutes ago, I get to go collapse into my couch and eat popcorn! That's my favorite activity!

More soon! Thanks for reading!

​-Will

From Mod R:

If it’s Friday, it’s winner time!

The much-coveted prize of last week’s Secret Giveaway was a galley of This Kingdom Will Not Kill Me (Maggie the Undying 1), the new fantasy isekai series by Ilona Andrews. A galley is a plain-bound (no illustrated cover, sprayed edges, very likely pre copy-edits version of the Advanced Reader Copy). We do not have an exact ETA on when the galleys will arrive, but one lucky person today will have one heading for them as soon as they are ready!

Without further ado, the winner is:

Amanda says

March 25, 2025 at 4:00 pm

I absolutely love your books but don’t think I’m hardcore enough to be transported into most of them. Certainly not the Kate Daniel’s or Edge worlds, although I think I’d like living at Gertrude Hunt. One of my first sci fi reads was Hitchhikers Guide to the Galaxy and I think as long as I had my towel, I could travel around that universe for a bit.

Congratulations!

I will contact Amanda privately with details and arrangements about the prize, from the modr@ilona-andrews.com address on the email provided with the comment. If we do not hear back from you by Wednesday, April 2nd at 12:00 pm Central, we will chose a different winner in your place, so please keep an eye on the blog and your inbox.

Happy weekend!

Harvest Day

“You have got to be kidding me.”

 Hugh stood on the side passage on the first floor of Bailey. Elara was next to him.  Three of the centurions, Stoyan, Lamar, and Sharif, waited a few feet away. Bale and his century were on duty today.

This spot gave him an excellent view of the great hall.  The last time they’d used it, they’d hosted Rufus Fortner, the head of Lexington’s Red Guard.   

 The tables were gone.  Most of the chairs were gone too, except for the single row against the two side walls for those who had trouble standing. Fall garlands draped the walls, with wreaths of wheat and oak branches encircling the decorative weapons he’d ordered hung on the walls for the Fortner’s visit.  Young maples grew from big barrels, spreading red and orange leaves.

A long red carpet stretched from the doors all the way to the back of the room, where two long banners streamed from the high ceiling, one the black and silver banner depicting a dog bearing his fangs and the other the green and white banner with a cauldron filled with herbs, the symbol of the Departed. Beneath the banners, on a raised platform, stood two thrones carved from wood in painstaking detail.  Apples, pumpkins, gourds, bunches of wheat and herbs, and baskets of fall flowers decorated the platform around the thrones, spilling to the main floor.

On the side, just below the right throne, a huge wooden barrel waited with a stack of paper cups by it.  He remembered the barrel.  They had filled it with beer for Fortner’s visit. He didn’t recall a white table on the side, bristling with skewers.  Hugh squinted at it.  Fruit dipped in chocolate.

Elara’s people flittered through it all, making last minute adjustments.

He had no problem with the maples, the pumpkins, or the wreaths.  Even the barrel.  That was fine. Nobody said anything about the thrones. Or the cornucopia that threw up around them.

“Walk me through this again,” he said.

“We are going to go and sit on the thrones,” Elara said. “The doors will open. People will enter, mostly families with small children. They will greet us with a small gift.  Something the children picked themselves. We will wish them a happy Harvest Day and then they will get a cup of spiced Harvest cider.  They will think of a wish, drink their cider, and then Nadia and Rue will give them a skewer with chocolate dipped fruit.”

“You want me to play Harvest Fest Santa Claus?”

She nodded.

He stared at her.

“You agreed to it,” Elara reminded him.

He had agreed to it. The night after he came back from Aberdine, she’d spent an hour trying to deal with Amelia’s curse. Finally, she touched her fingers to the young woman’s forehead, and he felt a pulse of magic from her.  It washed over him, soothing and cool, and Amelia’s rigid body relaxed. The curse was still there, Elara told him.  She had only slowed it to a crawl, but it was alive and growing, and if they didn’t find a cure soon, it would consume Amelia. His wife had just bought them time.

He was already grateful, and then she invited him back to her suite. They sat at a table on a secluded balcony off her bedroom and she’d served him the chicken she made.

Elara’s chicken tasted like childhood.

Hugh couldn’t recall eating it frequently when he was a child, but something about the combination of flavors and savory herbs threw him right back to that blissfully happy decade before he turned seventeen and began killing in Roland’s name. It tasted like summers in Occitanie, where winds had names, and the long sandy beaches flirted with the turquoise sea. If he closed his eyes, he could imagine sitting at the scarred table on the veranda of the old bastide that used to be his home. He would’ve spent the morning in sword practice, studied after that, then ridden a horse to the beach and swam until his body could no longer move. The house with its stone façade and pale blue shutters would be to his left, the pool and the view of the sea nestled between green hills to his right, and when he finished eating, his father would come to quiz him on things he’d learned that day.

It was bittersweet, and he savored every bite, while she promised that she would get her witches to look into the curse and talked about the Harvest Day preparations. If she had asked him to jump over the balcony rail at that moment, he might have done it.  She’d asked him to be the Harvest King instead. The fool that he was, he said yes.

Now he was standing in the middle of the main hall, wearing an embroidered white tunic, brown pants, and a red Celtic cape cloak. And Elara was standing next to him. She wore a light green gown with ridiculous trumpet sleeves.  It clung to her chest, flowing over her waist to her hips, where it flared into a wide skirt.  Her hair was down and streamed down her back like a white waterfall. A flower crown made with purple asters, bright yellow goldenrod, and red maple leaves rode on her hair. She looked like she had walked out of Edmund Leighton’s Accolade.  All she needed was a sword and some fool to kneel before her.

Nadia, one of the women close to Elara, approached, carrying a wooden box.

“I’m afraid to ask,” he said.

Elara opened the box and took out a flower crown twisted together from golden oak branches, red maple leaves, and clusters of small purple berries.

“No.”

“You promised.”

She was looking at him with her beautiful brown eyes.  He looked at her face for a moment too long and surrendered to his fate.  How bad could becoming a king for one day be?

He bowed his head, and she put the crown on his hair.

“You look lovely, Preceptor,” Lamar offered.

Hugh looked at him for a minute.

Lamar grinned back. Stoyan’s face was perfectly neutral.  Sharif cracked a razor-thin smile.

“Hugh?” Elara asked.

He sighed.

She smiled at him.  The magic was thick today and that smile was regal and witchy.  His eldritch queen, the Ice Harpy, asking him for a favor.

Oh what the hell, why not? “Let’s get this over with.”

#

A three-year-old boy with round cheeks and dark hair clutched a yellow astra flower to his chest.

“Go ahead, Bao,” his mother murmured.

Bao looked at Hugh, looked at the sword by the throne, and made a beeline for Elara.  She gave him a smile, and Bao offered her his flower.

“What a pretty astra!” Elara cooed.

They had seen at least two hundred people in the last couple of hours. Most of the ones under 5 went to her. He got older kids and a surprising number of adults. The Departed believed in Elara with all their heart.  They brought flowers, fruit, and walnuts, deposited their gifts on the cornucopia pile, made their wishes, and drank their cider. And then they lingered, watching others do the same.  The grand hall was full. People talked and mulled about, and he’d spotted more than a couple of his Iron Dogs in the crowd.

The pile of gifts by his side of the throne was growing unwieldy. Fruit, mushrooms, weird rocks from the children.  One kid brought a grasshopper.  A little girl brought a “pretty worm” which turned out to be a scarlet snake and caused a bit of commotion until Sharif grabbed it.  The snake was safely released outside, and the culprit was rewarded with a chocolate strawberry.

He didn’t mind. He understood now why Elara wanted this. The smiling faces, the content conversation, the abundance of food, it swirled together into communal happiness, and it wrapped around them all like a warm blanket.  They were together, secure, and happy. The Departed needed it, but Elara herself needed it more. He could see it on her face.  In this moment, his wife was truly happy. 

A hush fell onto the hall.  He raised his head.

Vanessa stood on the red carpet.

She looked exactly the same: arrogant face framed by dark hair, a body that was almost too ripe, with big boobs, long legs, and tight ass wrapped in a red sweater dress. Back before the wedding, he’d used her as a distraction.  He’d made the terms clear from the start, but it had gone to her head anyway, and eventually she tried to use it against Elara. They had words, as Bale would put it. To call it a fight would be giving Vanessa too much credit. Elara sliced her to pieces with ten sentences. Going back to her job as a paralegal after she imagined wielding power as his mistress proved too much for Vanessa.  She fled in the morning.

She stood on the carpet now, and there was something not quite right about her face.

The two families behind her turned and walked off the carpet to the walls.  Out of the corner of his eye he saw Bao’s mother pick him up and scurry to the side. The hall was silent now.

An ice-cold power flared to his left.

He glanced at Elara.

Her face was rigid with rage.  Her magic burned around her, a glacial invisible flame, a seed of a hurricane threatening to burst. The edge of it seared him, and only his willpower kept him from recoiling. She was Death.

The Departed stood frozen.

“Take it off,” Elara ground out.

Vanessa grinned.

“Off!”

Vanessa’s scalp split. The skin sloughed off her, like a biohazard suit, curving to the sides.

A slender middle-aged woman bared her teeth at them.  Thin, her features sharp, her light skin coated in a grease streaked with blood, she stared at Elara with triumphant disgust. Magic wrapped around her, a dark, violent miasma.

The last of Vanessa’s skin peeled off, falling to the ground in shreds.  How the fuck…

Elara’s magic convulsed like a furious colossal viper.

In the hall, the faces that were happy just a moment ago turned into cold, grim masks.  The Departed stared as one, and he felt it again, that collective power binding them. The cheer, the happiness, and warmth were gone, snatched away by the Departed. Everything Elara treasured, everything she looked forward to, ruined. It was the wedding all over again.

He felt something stir inside him and realized it was rage.

“Brooklyn.” Elara spat the name like it was poison.

The woman raised a bony hand and stabbed her finger at Elara. “The reckoning is here, niece—”

“Aarh sapawur eseran.”

The blinding flash of agony tore through him. He’d sank so much power into the words, the grand hall quaked.

Brooklyn froze like a statue.  Unable to move, unable to speak.

The entire hall stared at him, shocked.

“Elara,” he said into the silence, keeping his voice casual. “Why don’t you ever bake me anything from those shows you like to watch.”

Elara’s eyes were big as saucers.

He gave her a pointed look.

She cleared her throat. “What would you like me to bake you?”

“I think I would like some rough puff pastry.” That was the only thing he could remember from his trip to the ledge.

“What?”

“I’m a rough man.  I should have some rough puff pastry.” What the hell was coming out of his mouth…

The spell’s hold shattered. Brooklyn stumbled forward.

“Aarh sapawur eseran.”

The pain slashed through his gut like a sword. It took everything in his power not to wince.

“I’m having a conversation with my wife.” He hammered each word out like he was carving it into stone.  “Will nobody rid me of this annoying thing?”

A dozen Iron Dogs congealed from the crowd.  They swarmed the petrified woman. In seconds she was gagged and tied. They tipped her like a tree and carried her out of the hall.

Hugh turned to Elara. “When am I getting my desert?”

“I will make it tomorrow,” she said softly.

“Thank you, love.” He turned to the hall.  “Now, who is next?”

For a moment nothing happened.  And then a family with two children shouldered their way out of the crowd and approached, carrying some pears and a bundle of wheat.

Hugh smiled at them and waved for Irina to start pouring the cider.

The Last Hughday

From Ilona:

Hugh d’Ambray, living his best Henry II life, heh.

This week brought a lot of This Kingdom work. We pulled together a ton of material for the maps, drew the sketch of the world map, noted the major landmarks, then wrote everything out in text, moving from north to south on both sides of the map. Then we redid that same map with the political landmarks. We pulled together the city map, edited it to match the new manuscript and sent that in. Hopefully that is enough for the artist to get started. Then we worked on the cover copy for the publisher insider galleys.

I had forgotten how much work it takes to release a book through the traditional publisher. The fault is entirely mine. I’ve gotten used to self-dictated release schedule, where we determine the deadlines, the number of edits, and the cover copy. When the cover copy goes back and forth 7 times, with several people concentrating on making it the best it can be, it puts things in perspective.

Not that we cut corners when we self-publish, but usually it’s our agent and us and we are mostly on the same page. We don’t have the marketing department to guide us or the expertise of an editor who is very good at what she does.

This week, we have also gotten out first foreign rights offer. I can’t say anything about it except that it is a really good offer. We will need to review the documents today. We always read the contracts.

This is now two separate publishers who have chosen to place a big bet on Maggie.

It’s both exciting and nerve-wrecking. I really hope the book is strong enough to meet the expectations, but that’s not the biggest stress factor. We’ve written this book. It’s done. It’s too late to worry about it. It will do or it won’t.

The second book is due in November.

We’ve sent the “where are we going” summary to our editor yesterday. If it’s green lit, great. If not, we will need to adjust. The first book is almost 200K. This one will likely be of significant length as well. It’s a lot of story and there is still a lot of work left on Maggie #1. Copyedits, galley proofread, etc, etc.

All of this means that we cannot give Hugh 2 the attention it deserves. Especially not while serializing it. If this was a novella, it would be one thing, but this is a novel and it is complex. We will have to bump it back until Maggie #2 is done.

I thought we could knock it out, but apparently we can’t. This is humbling. In a way, it is a testament to the strength of the book – it requires undivided attention. But still, I really, really wanted to get it done before starting on the sequel. Not only we need to finish the story, but we need that extra release, because Maggie 1 won’t be published until March 31 of next year.

The problem is also the hands. A few months ago I developed this fun new nightmare where my hands and feet, and sometimes arms and legs, go numb. There was a lot of nerve pain with a dash of allodynia. I learned to sleep on my back with both hands in braces. There was a variety of possible diagnoses, none of them good, but right now the consensus is that this is a medication-induced side effect. I’m off the meds and getting better so we will see if this improves over the next few months.

It slowed me down quite a bit. At some point I couldn’t even sit in the chair for longer than an hour or everything went numb. You never plan for crap like to happen, but sometimes it does.

Anyway, for these reasons, we are pushing Hugh 2 to the backburner, so we can meet our contractual obligations. We may have a shorter project for you as a serial. We are not sure yet. Mod R has read it and she feels it would be a good serial.

No worries, we will figure out something fun in the meanwhile. Happy Friday!

The post Secret Giveaway Winner and Hughday first appeared on ILONA ANDREWS.