Introducing...HELL FOR HIRE coming out June 4!
From the BLURB:
A seriously FUNNY, seriously CLEVER history of our early kings and queens by one of our favourite comedians and cultural commentators.
This will be the most refreshing, entertaining history of England you'll have ever read.
Certainly, the funniest.
Because David Mitchell will explain how it is not all names, dates or ungraspable historical headwinds, but instead show how it's really just a bunch of random stuff that happened with a few lucky bastards ending up on top. Some of these bastards were quite strange, but they were in charge, so we quite literally lived, and often still live, by their rules.
It's a great story. And it's our story. If you want to know who we are in modern Britain, you need to read this book.
♛ ♛ ♛
This just *delighted* me and had me running to find any other audiobooks of David Mitchell's on my Library's BorrowBox app (and yes, I am forever disappointed when somebody says "David Mitchell" and means the bloke who wrote Cloud Atlas. I want 'Peep Show' David Mitchell, 'Upstart Crow' David Mitchell - and this book proves why!)
I listened to this while I walked the dog, and I must have looked like a King George III-level maniac laughing and guffawing as I picked up his poo (with a bag) and walked blithely along, nodding and laugh/crying ... but it was truly just *that* good!
David Mitchell's injections and rants are next-level (at one point he manages to tie in the absurdity of awards for art; like the year that the theme song for 'Shaft' was up against 'The Age of Not Believing' from 'Bedknobs and Broomsticks' for best song at the Oscars, to which he says you may as well compare a fish-finger to a ladder for all the good it does to categorise and quantify two pieces of art like that ... and he's not wrong!)
Mitchell only takes the book up to King James-ish because he says that was the last time that monarchy had true, absolute power before Parliament, Prime Ministers, foreign Governments and such started interfering with what the royals had bamboozled England into thinking was "divine rule," ... I do hope he decides to write a second-book about the waning royals (is it too much to ask that he give a full-throated debate on why a Republic would be better? Throughout the listening of this I could feel his tension to rein in what could have been an 11-hour long rant on the subject!)
As such, this was perhaps the most enjoyable new read I've encountered this year so far. Amazing!
5/5
No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with an entire fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will require everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Get your copy now in ebook, KU, print, or audio!This was an extremely satisfying book to write. I don't think I've ever enjoyed wrapping a series so much. It's epic, it's awesome, and I cannot wait for you to read it in ebook, print, or KU or listen on audio, cause they're all out today!
From the BLURB:
Legend goes that long ago a Flores woman offended the old gods, and their family was cursed as a result. Now, every woman born to the family has a touch of magic.
Sage Flores has been running from her family—and their “gifts”—ever since her younger sister Sky died. Eight years later, Sage reluctantly returns to her hometown. Like slipping into an old, comforting sweater, Sage takes back her job at Cranberry Rose Company and uses her ability to communicate with plants to discover unusual heritage specimens in the surrounding lands.
What should be a simple task is complicated by her partner in botany sleuthing: Tennessee Reyes. He broke her heart in high school, and she never fully recovered. Working together is reminding her of all their past tender, genuine moments—and new feelings for this mature sexy man are starting to take root in her heart.
With rare plants to find, a dead sister who keeps bringing her coffee, and another sister whose anger fills the sky with lightning, Sage doesn’t have time for romance. But being with Tenn is like standing in the middle of a field on the cusp of a summer thunderstorm—supercharged and inevitable.
I am a seasonal reader, and that’s a very hard thing to be in Melbourne at the moment where we’re swinging between heatwaves and downpours. So I find it interesting that in a bit of a reading slump, I randomly decided to reach for a witchy book that includes a character whose mood can change the weather …
This is my first read by Gilliland - and it’s her third book, but first adult romance. Her second YA book - ‘How Moon Fuentez Fell in Love with the Universe’ - won and was shortlisted for a slew of awards, and was already on my radar. But TikTok actually put me onto ‘Witch of Wild Things’ - about a Mexican woman who returns to her hometown where her dead sister haunts her, another curses her, and the boy who made her swoon over AOL until he broke her heart has grown into a hot man with forearm tattoos.
The fact that we come from dirt, and eventually turn to dirt, is spooky and incredible to think about it at the same time. My sister is dirt by now, surely. All of our ancestors are, too. This must make dirt holy, holy enough for the old gods to walk upon it from time to time. Holy enough that Nadia gives it a little cup of espresso to drink every single morning.I’m so glad I started with this book because it *hit the spot* - was lovely and spicy, but also made me weepy and tender-hearted. Our protagonist Sage has a particular story-arc about being the oldest sibling to her two sisters, and defaulting to a parental responsibility role that’s so rarely explored in fiction like this … imagine Luisa Madrigal’s ‘Surface Pressure’ song from ENCANTO, made into a novel.
It’s also very ‘Practical Magic’ by Alice Hoffman (BUT - it’s actually more of the 1998 Sandra Bullock/Nicole Kidman classic movie ‘Practical Magic,’ with its cottagecore-comfy and whimsy, whereas the book is … not? It’s darker. So if you prefer movie ‘Practical Magic’ then *this* is the book for you … not the actual Hoffman book, FYI and lol)
You can *kinda* tell that this book struggled to find a strong plot, however. And Gilliland hints at this in her acknowledgements, where she talks about a severe bout of writer's block from which this story was borne, from the scraps of an abandoned and unworkable idea. It does have a little bit of that feeling, like; she was immersed in this town and this family, the universe, and an actual strong through-line of story had to be somewhat shoehorned in.
So while I loved this - I maybe would have liked a few threads to be more deeply explored and wrapped up, and *maybe* it got slightly too easy by the end … but those are minor quibbles in an otherwise very sparkly and lovely book.
4/5
From the BLURB:
When Yael Silver’s world comes crashing down, she looks to the past for answers and finds solace in surprising places. An unconventional new friendship, a seaside safe space and an unsettling amount of dairy help her to heal, as she wrestles with her demons – and some truly terrible erotic literature.
Funny and tender, Everyone and Everything is about friendship, grief and the deep, frustrating bond between sisters. It asks what makes us who we are and what leads us onto ledges. Perfect for fans of Meg Mason, Nora Ephron and Victoria Hannan, this is an intimate, wry and wise exploration of one woman’s journey to the brink and back.
---
'Everyone and Everything' is the 2023 debut by Australian author, Nadine J. Cohen - from Pantera Press.
I've just come off an absolute roll with a certain type of new (millennial?) women's fiction. I've been calling it 'Fleabag'-esque. I don't like the term "well-dressed and distressed," for how some of the covers are often stylised - but I'd take "Women's Fiction with Bite." So I was in a bookshop the other day with a legit legend bookseller (Jaci from Hill of Content) who knows I have devoured 'Crushing' by Genevieve Novak, 'A Light in the Dark' by Allee Richards,' and 'Search History' by Amy Taylor ... when we were browsing the shelves and she just gently placed Nadine J. Cohen's debut into my hands and said; "Trust me," and reader - she was right.
This is the story of Yael Silver who joined the 'orphan's club,' far too young, and when the book begins has just made an unsuccessful attempt to end her life because of her latent grief over the deaths of both her parents and Nanna, an f-boy who emotionally wrecked and ghosted her and a general feeling like she's become a burden to her older sister, Liora.
Yael is on a long and slow pathway to recovery that largely begins in earnest when she starts regularly visiting the McIver's Ladies Baths in Coogee - perched on a cliff-face and offering her a scenic place to cry and read bad erotic fiction in peace. Until she meets older woman Shirley and they form an odd and healing friendship.
At one point Liora asks Yael; 'Is that what it's like in your head all the time?' after she shares another random and disturbing thought, to which Yael replies; 'Yup.' And this is essentially the book, too. Chapters are broken down by months spanning a whole year, but they're made up of almost vignette fragments; wisps of memory and tangents (sometimes deeply emotional, recounting her childhood or the lead-up and come-down of her Nanna, mother and father's deaths - other times pop-culture heavy; "Pacey Witter cures all ills.") It's all cogent, I must stress, and brilliantly done for reading like a patchwork of a healing mind, and the memory-squares amounting to so much insight as to who Yael is as a person. She's deeply funny and relatable (from Cher Horowitz praise to 'Gilmore Girls' marathons, she reads like a friend) but also very broken and fragile, and I found myself both smiling and crying in equal measure.
Jewish identity is also tenderly touched on in this book in a way that I really don't feel like I've read much in contemporary Australian fiction. Like how Yael looks back on her Nanna, mother and father's mental states at various times in their lives - how she retrospectively wonders what her grandparents being Holocaust survivors must have done to those lines of generational trauma;
I think about her often fraught relationship with mum, who, like all children of survivors, grew up with irrevocably damaged parents, and six million ghosts.
... and musing on how comfortable Jewish people are with death, compared to gentiles.
I absolutely adored this book. It wasn't easy, but it was beautifully wrought and Yael was a fine companion.
5/5
No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with a fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will take everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Preorder Now!Happy 2024 everyone!
From the BLURB:
Full-cast BBC Radio 4 dramatisations of the first five Falco novels by Lindsey Davis, starring Anton Lesser as Marcus Didius Falco.
The Silver Pigs:
One fine day, AD 70, Sosia Camillina quite literally runs into Marcus Didius Falco on the steps of the Forum. It seems Sosia is on the run from a couple of street toughs, and after a quick and dirty rescue, PI Falco wants to know why. Hoping for future favours from Sosia's powerful uncle, Falco embarks on an intricate case of smuggling, murder, and treason that reaches into the palace itself.
Shadows in Bronze:
Rome, AD 71. Against his better judgment, Marcus Didius Falco secretly disposes of a decayed corpse for the Emperor Vespasian, then heads for the beautiful Bay of Naples with his friend Petronius. But this will be no holiday: they have been sent to investigate the murderous members of a failed coup, now sunning themselves in luxurious villas and on fancy yachts in Neapolis, Capreae, and Pompeii.
Venus in Copper:
A small accounting error has left Marcus Didius Falco sharing a cell with a large rat. But the Roman Empire's most hard-done-by investigator is finally bailed out and promptly accepts a commission to help a family of freed slaves fend off a professional bribe....
The Iron Hand of Mars:
Falco is dispatched to one of the most hostile parts of the empire to deliver a new standard, an iron hand, to one of the legions. Germania is cold, wet, dismal and full of dark forests inhabited by bloodthirsty barbarians, but Falco has an even bigger problem to worry about: he has forgotten Helena Justina's birthday, and she is being pursued by the Emperor's son Titus Caesar.
Poseidon’s Gold:
Returning to Rome after his mission to Germania, Falco finds that his mother is being harassed by a centurion named Censorinus, who says he is chasing a debt owed to him by Falco's late brother, Festus. When Falco refuses to cough up the money, he and Censorinus end up fighting...and later, the centurion turns up dead. Under suspicion of murder, Falco must confront his past and uncover his brother's secrets before he can clear his name and solve the mystery.
These funny and fast-moving adaptations are a treat for all Falco fans.
***
Ahhhhh!!
Okay, I started listening to the first X5 'Marcus Didius Falco' books by Lindsey Davis, adapted for BBC radio (Dramatised by Mary Cutler, Directed by Peter Leslie Wild) because my library had them on the BorrowBox app.
I'd been vaguely aware of this series as a great recommendation of a Historical Crime - but given that they were first published in 1989 and there's currently 32-instalments across two series, it just seemed like a huge investment of time, money and resources .... step in local library and BorrowBox, not to mention how entertaining and *wonderful* this condensed BBC Radio Play was!
I think this series is absolutely brilliant; a gumshoe Roman-noir detective series set in AD-70 and featuring a wiry, jaded and sleazy 30-something ex-soldier who is somewhat scarred from his time fighting against the Boudica-uprising.
The first book in the series 'Silver Pigs' has Falco getting entangled with a Senator's family with a missing daughter whom Falco stumbled across and tried to help ... this has him becoming embroiled in a far great conspiracy scandal against the Roman Empire that Falco finds himself being hired to investigate (difficult, since he's also an avowed Republican - given he still has memories of Rome under psychotic Nero).
From the first book he meets the missing girl's cousin, Helena Justina - and she becomes his HEA and one-true-love throughout the rest of the series. I absolutely *love* this aspect, since I can only get invested in ongoing crime-series if there are relationships and romances established from the jump (hello, Karin Slaughter) and I rather love that Helena is far too good for Falco (and he knows it) but she sees and brings out the best in him, and the two spar and sizzle on the page.
Lindsey Davis does a marvellous job of bringing Rome to life and moulding her crime-of-the-week plot-lines around fascinating tidbits of Roman history; from their Legions to their love of art and culture, all within the seedy underbelly of Rome - the literal centre of the universe and first Empire. It has actually made me want to visit Italy for the first time, if only because the history Davis paints is so vivid I feel compelled to reach out and touch what's left of it ...
The BBC Radio Play truly is marvellous, and with a rich acting list;
Falco — Anton Lesser
Helena — Fritha Goodey/Anna Madeley
Petronius — Ben Crowe
Ma — Frances Jeater
Pa — Trevor Peacock
Vespasian— Michael Tudor Barnes
Titus —Jonathan Keeble
I cannot even begin to tell you how awks it is that I found Anton Lesser's voice to be so sexy in this (he who played Qyburn in 'Game of Thrones') and now that I'm getting deeper into Falco fandom, I also appreciate that many of them Fan-Cast Andrew Scott in the role, if it is ever adapted (and that is *spot-on*!)
I do know some fans were disappointed that to condense the books down to 2-4 hour radio-plays, much of Falco's interiority got cut for pacing - and that's apparently where he truly shines, and we see his cleverness and humour - so I am most looking forward to hunting down secondhand copies of ALLLLLLLL these books (R.I.P. my wallet) and getting stuck into a book-reading of the series to properly meet un-edited Falco. I might skim-read the first 5 books, just to make sure the BBC put me in good-standing and foundation for the rest of the series, but overall I'm just so grateful that they offered me a taster into this far-reaching and epic series and now I know for sure that it's right up my alley.
5/5
22 episodes, watched on Viki
Synopsis from MyDramaList
Inspired by the romance of Liang Shang Bo and Zhu Ying Tai, the story revolves around two lovers who will overcome all obstacles to remain together.
Ling Chang Feng is an honourable general and has been in a passionate marriage with his wife for the past 3 years.
However, a strange disturbance hits their city on their third anniversary, and "madmen" run wild in the town, attacking innocent citizens violently.
Ling Chang Feng leaves his wife behind to protect the people, but when he returns, finds that his wife has been infected by this phenomenon.
He refuses to reveal this, as he knows that anyone who turns mad will be killed. He keeps her by his side in secret while trying to solve the cause of this frightful phenomenon.
8.5/10* * *
It's an exceptionally well made bite size drama, folks (each episode is only 15 mins). You can see they had a very tight budget but they used it so, so well. The plot is fresh, the scenes are carefully crafted and the cinematography is masterful. I watched other two short dramas from the same director, and they were both fantastic (The Killer is Also Romantic, A Familiar Stranger). So, please, don't hesitate to invest your time in this drama.
It starts with Chang Feng and Qian Yue happily married in a fictional Chinese city state. She keeps having a recurring dream about reliving the same day until it actually happens and she gets embroiled in a tragic attack by this world's equivalent of vampires.
After that we are taken into the past, where it shows how Chang Feng met his future wife and how their relationship developed. As she says, her memory starts from him. So she herself is full of secrets and has no memory of her past, a woman who literally had to learn anew everything.
Their relationship develops from him looking after her as this almost childlike creature until she slowly matures and finds her strengths turning into a woman who loves fiercely. Chang Feng himself is a reticent workaholic who keeps away from politics or anything that doesn't require him just to guard his city. Qian Yue slowly changes that, and it's very sweet to see them together.
For once, the second couple's love story here is also touching and very cute. Considering that last time I saw the second male lead, he was playing the main villain in Blood of Youth, and he started as an antihero here as well, I was ready to dislike him, but he went from one dimensional, cold man to a shy, confused and hilariously out of sorts young lover pretty fast, and this melted my resolve to not like him.
Phew, I don't know how I managed not to give you any spoilers! Here is a fan vid to show you the beauty of this drama, folks. I hope after this you will give it a chance. It was great. Humorous, humane and lovely. Two thumbs up from yours truly.
24 episodes, watched on Viki
Synopsis from MyDramaList
A story that follows the quirky female investigator Tian San Qi as she searches for her long lost 'brother' and cracks many cases along the way.
Growing up, Tian San Qi had a strange liking for performing autopsies. She had an older 'brother' who would always be by her side and they spent many good years together. One day, he mysteriously disappears. San Qi as a child promises to find her true love and vows never to marry unless it's him.
In her search, she comes across many potential candidates and forms new friendships. The gang accidentally becomes involved in several cases in the area one of which seems closely related to the disappearance of her 'brother' all those years ago. A shocking conspiracy that is 10 years in the making comes to light.
~~ Adapted from the web novel "Jin Xin Ji" (锦心记) by Han Xue Fei (韩雪霏).
8/10
* * *
Straight away I just wanted to clarify the synopsis: "brother" here is Chinese gege/older brother which can mean both your actual older brother or an older than you male you are familiar with. Same as you would be able to call an older girl -jiejie (older sister) or an older woman who is not your mom - ayi (aunty).
This is a very cute and engaging drama despite its silly light heartedness, and the characters are very young. I can't quite pinpoint what exactly snared me in I've Fallen For You.
It had Esther Yu whom I love since her performance in Love Between Fairy and Devil, and she is a very, very interesting actress. She is able to pull off cutest silliest pouts with great charm in her tinny tiny voice but at the same time give an impression that this is just a mask she adopted and make her moments of brilliant intelligence and sorrowful wise stares absolutely believable.
Liu Yi Chang who plays the male character, Zhao Cuo, is adorable as well. Grumpy, rough around the edges, abrasive, throwing money around and standoffish, he is actually covering his kind and trusting nature with this behaviour like a hedgehog with its needles to protect himself from getting hurt. You really feel his tentative pure nature straight away, and because he also doesn't bother to mince words, most people find him too rude and turn away until San Qi (FL) convinced that he is her long lost childhood sweetheart bulldozes him over.
That poor boy has no chance to withstand against her, and they go through all the phases of good relationship: partnership where they gain mutual respect for each other's abilities (she is great at solving cases, he is a brilliant martial artist), friendship (when they develop an easy camaraderie to each other), and at last, love.
The way Zhao Cuo shows his love for San Qi is especially adorable. There is a scene where she decides to leave him for another guy who she thinks is her real childhood sweetheart, and Cuo after battling his inner demons for awhile accepts it to make her happy and on the day of her departure spends all morning buying her favourite foods for the road and running after the carriage. After she takes the food and drives off he just dissolves into an ugly cry right in the middle of the road. Not a pretty staged "artful tear sliding down my cheek" sort of cry, but proper ugly, suffocating, can't breathe from heartbreak cry. That really touched me.
There were quite a few moments like this, and I surprised myself really enjoying this drama. The soundtrack was a surprise too, it was more a kdrama type, rather than typical Chinese fantasy drama OST.
Overall, despite the strong comedy vibe, this was not only an entertaining but touching and adorable short drama. Recommended!
bought on Audible
Synopsis from Goodreads
For Ning, the only thing worse than losing her mother is knowing that it's her own fault. She was the one who unknowingly brewed the poison tea that killed her—the poison tea that now threatens to also take her sister, Shu.
When Ning hears of a competition to find the kingdom's greatest shennong-shi—masters of the ancient and magical art of tea-making—she travels to the imperial city to compete. The winner will receive a favor from the princess, which may be Ning's only chance to save her sister's life.
But between the backstabbing competitors, bloody court politics, and a mysterious (and handsome) boy with a shocking secret, Ning might actually be the one in more danger.
55 episodes, watched on Viki (you can find in on YouTube)
Synopsis from MyDramaList
Lu Yi is a cold, ruthless and authoritative high-ranking officer of the Ming Dynasty's Jinyiwei (also known as the Brocaded Guards for their elaborately embroidered uniforms). The Jinyiwei are part of the Emperor's elite bodyguards that also serve as the secret police, and Lu Yi is one of the best at his job.
He meets Yuan Jin Xia, a smart, feisty and tom-boyish female officer from the Police's 6th Division, and they clash over a case that the both of them were involved in. Their paths continue to cross unpleasantly over a series of minor cases until Lu Yi was commissioned by the Emperor to secretly investigate the disappearance of funds that have been set aside for river repairs in Yangzhou. Part of the small team accompanying him includes Yuan Jin Xia, and as the two of them work together to solve the case, they find themselves uncovering a conspiracy involving high court officials while their feelings for each other slowly change from dislike to respectful friendship to love.
~~ Adapted from the web novel "Under the Power" (锦衣之下) by Lan Se Shi (蓝色狮).
7.5/10* * *
The rating says it all. Allen Ren (Ren Jia Lun) and Seven Tan (Tan Song Yun) is the main attraction here, and mostly it's Seven Tan. She has such a magnetic personality and can pull off the silliest, most idiotic antics for comedy value without being too much. In fact, the more I was watching this, the more I felt that recent Warm on a Cold Night drama which I abandoned half way through tried to poorly imitate Jinxia's behaviour (female lead) and ended up just looking stupid. Besides there were more similarities there.
As the male lead, Lu Yi, says half way through falling in love with Jinxia: "She is mesmerising..", so you can't help but falling into her orbit.
Jinxia is a classic poor, tenacious, cunning little thing working in the capital's police department, cleverly solving cases and keeping herself in all the little pies she can think of to survive and make money. Her mother sells tofu on the streets and keeps trying to marry her off.
Lu Yi is a complete opposite to Jinxia in almost all the aspects. He is rich, he leads the equivalent of special police of the country which concentrates on internal investigations and keeps rich and powerful in fear. That force answers only to the emperor. Lu Yi is aloof, ruthless and doesn't have many joys or passions in life.
When he clashes with Jinxia over a case, he outdoes her with ease in direct confrontations, but while he is rich in resources and manpower, she is a great tracker and knows common people, so she catches up with him or even thwarts him in other spects. Their antagonism is fun to watch, especially when you see her ruffling his feathers more and more.
"Why not higher rating then?" you'd ask. First of all, a secondary love story is extremely boring and takes too much screen time. I had to skip past their scenes, seriously.
Secondly, the ending episode is very stupid. Lu Yi who supposingly can plot an intricate chess game, goes and sacrifices himself for a very idiotic reason when all he needed to do is wait a few years and make a move without any danger, and everyone would have been perfectly happy with that plan as there was no urgency to act. Instead, the heroine had to save his sorry a*se again! There was no rhyme or reason in that last act.
Last problem, is that the production is low cost and it's very visible.
So, all these things detracted from my enjoyment but didn't stop me from loving the rest. Overall, a lovely, enjoyable watch! Recommended with some reservations.
And - wow! - I was blown away.
This is the tale of Esther Bianchi; who goes missing from her small Australian country community, called Durton ('Dirt Town' to the local kids). We follow various characters in town - including Esther's best friend Ronnie, Detective Sergeant Sarah Michaels who has come to town to try and solve the mystery, Lewis another friend of Esther's with a big secret and abusive father ... and then interspersed throughout their accounts are the 'We' chapters - a Greek chorus of Durton children which is how Scrivenor came to write this story in the first place. She wrote her PhD in creative writing in 2016 all about collective narration, and this (from what I gathered at BWF) largely influenced 'Dirt Town' and the 'We' of Durton children who are an omniscient, playful and secretive Greek Chorus to the events unfolding ... it's an eerie and imaginative overtone to the whole tale which works so perfectly, and harmonises beautifully with the over-arching mystery.
I absolutely loved this; having listened to the audiobook via BorrowBox and narrated by Sophie Loughran, it totally consumed me for a couple of weeks and was a brilliant walking and train-riding companion.
Scrivenor is a real talent, and I'm sure she'll be compared to Jane Harper for the small-town-Australia angle ... but I think she has a particularly beautiful and distinct wandering eye to dying rural communities and claustrophobic townships, and especially the angle of how this sociology impacts the next generation. This is the real over-arching thread in the book - "what do we owe the girl who isn't there?" - and what wounds are we inflicting by our actions or silence?
I'll be so keen to read whatever Scrivenor writes next. I do wonder if it will be more Sarah Michaels or another Greek chorus overseeing a mystery as the thing that hinges her books together. But no matter - I'll be there.
5/5
From the BLURB;
Getting over someone is not that difficult. All you have to do is focus on every negative thing about them for the rest of your life until you forget to stop actively hoping for their slow and painful death, then get a haircut ...
Serial monogamist Marnie is running late to her own identity crisis. After a decade of twisting herself into different versions of the ideal girlfriend, she's swearing off relationships for good. Forever. Done. No more, no thank you.
Pretty inconvenient time to meet Isaac: certified dreamboat and the only man who has ever truly got her. It's cool, though, they're just friends, he's got someone else, and she has more important things to worry about. Like who she is, what she wants, and what the hell she ever saw in the love(s) of her life in the first place.
Flanked by overwhelmed new mum Nicola, terminally single Claud, and eternal pessimist Kit, Marnie reckons with the question: who are we when we're on our own?
'Crushing' is the new adult fiction novel from Australian author, Genevieve Novak.
I absolutely adored this book.
It was not on my radar, but I went into a cute little indie bookshop called 'Heads and Tales' in Barwon Heads (Victoria, Australia) and literally just asked "what's good?" and had 'Crushing' handed to me and THANK GOODNESS!
So ... look; I've been a romance reader for a while now. I read every genre of romance (save for, maybe, medical romances?) and I get my reading-recs from authors and booksellers I love who frequently and generously share their TBR's. Blogs ('Smart Bitches, Trashy Books' being a fave). General chatter on socials and Goodreads ... but nothing - NOTHING - would prepare me for what a garbage-fire of spicy chilis the TikTok algorithm's thoughts on "romance" would be.
I've struck out on that app with its BookTok recs so many times now - *especially* in romance. It's bad, bland, or downright disturbing (and yes, my generation had 'Fifty Shades of Grey' so everything is a wheel and Colleen Hoover's spoke is currently at the top, but hopefully it'll topple soon)
Why am I mentioning this?
Well, because I think 'Crushing' is a little sneak-attack for female readers especially, who need their imaginations subverted and stretched. And this is the book to do it, as we follow a nearly 30-something protagonist called Marnie who has just been dumped. Again. And this one has hit so hard it's made her look inward and acknowledge the ways she doesn't know herself. How she's warped and pretzel'ed herself into being the type of woman each one of her ex's wanted - to the point that alone again, naturally, she doesn't actually know herself.
Marnie decides to move in with a new roommate - the fabulous and instant-bestie Claud - and start filling her spare days not-working at a little inner-city (Pellegrini's-esque) cafe, with any amount of classes and gym routines until she begins to meet herself for the first time in decades.
The one spanner in Marnie's plan is the appearance of Isaac. A bloke who is definitely off-limits because he has a girlfriend, but who Marnie connects with instantly ... how can she juggle this need to find herself, while she's also keeping her eyes-peeled on Isaac? That's the 'Crushing' conundrum of it all.
So I feel like this is probably a book being called a Melburnian 'Fleabag' and if that wets your whistle and gets you onboard, then - YES! - it's a Melburnian 'Fleabag' revelling in what it means to be young and messy, not-feminist-enough, self-deprecating, isolated and isolating, and not know what to do and where to put all this love you have ... it's definitely that, and more Season 2 than Season 1 vibes to boot.
But god DAMN, is it more complex and fun than that too.
The fact that I want to press this book into the hands of so many female friends and family members, for the ways that Marnie's crisis of identity has her seeing clearly (for the first time) the way that other women in her life short-change themselves constantly;
She tugged on the arm she was holding, and Jesse was pulled into frame.
I felt guilt before I'd even identified why: my first thought when I saw him was Oh.
Nothing prepared you for the distinct blandness of someone else's boyfriend. After all their gushing and mooning, you began to expect a prince. Reality and more objective eyes eventually revealed that they were ... just some guy.
Which is SUBLIME and has the same energy as @hellolanemoore's September 2020 Tweet; "every one of my female friends is too good for her boyfriend. I don't know how to explain it, but even if I had a female friend who was just a pile of rats on a step ladder she'd still be too good for Brandon"
I don't think this is a romance book (but I also don't think it's a bad thing if readers come to this under that misapprehension either) I do think it's a very pure and glorious form of Women's Fiction ... one that will by its very virtue of sneak-attacking under the premise of endlessly pursuing romantic love; raise the bar for the genre and the reader. You'll be surprised, delighted, stretched and challenged reading this one - without feeling "ripped off" for no neat HEA by 'The End'. Because that's kinda the point. And it's a crafty point that Novak is making - with humour and heart in the right place.
Like I said; I want to press this book into so many women's hands.
5/5
I received a complimentary ARC from the publisher, courtesy of Edelweiss, in exchange for an honest review
BOOK SUMMARYIn this utterly transporting reimagining of Greek mythology, the god of desire is cursed to fall for a spirited young mortal woman, but if she looks upon his face they will be parted forever—an epic adventure and love story for the ages, sure to satisfy fans of Madeline Miller and V.E. Schwab
Who said true love is a myth?
A prophecy claims that Psyche, princess of Mycenae, will defeat a monster feared even by the gods. Rebelling against her society’s expectations for women, Psyche spends her youth mastering blade and bow, preparing to meet her destiny.
When Psyche angers the love goddess Aphrodite, she sends Eros, god of desire, to deliver a cruel curse. After eons watching humanity twist his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world. But when he pricks himself with the arrow intended for Psyche, Eros finds himself doomed to yearn for a woman who will be torn from him the moment their eyes meet.
Thrown together by fate, headstrong Psyche and world-weary Eros will face challenges greater than they could have ever imagined. And as the Trojan War begins and divine powers try to keep them apart, the pair must determine if the curse could become something more . . . before it’s too late.
A joyous and subversive tale of gods, monsters, and the human heart and soul, Psyche and Eros dazzles the senses while exploring notions of trust, sacrifice, and what it truly means to be a hero. With unforgettably vivid characters, spellbinding prose, and delicious tension, Luna McNamara has crafted a shimmering and propulsive debut novel about a love so strong it defies the will of Olympus.
Psyche and Eros by Luna McNamara
352 pages, Hardcover
Published June 13, 2023 by William Morrow
My Rating: 4 of 5 Stars
Luna McNamara writes a captivating retelling of the classic Greek myth Psyche and Eros. Readers can enjoy a fresh, feminist version of Psyche, a headstrong warrior princess-gone is the damsel in distress. The god Eros is also a more humanized version, as he finds himself experiencing a mortal’s emotion, love, for the first time. McNamara writes beautiful scenes shared between these two lovers, capturing the initial buildup of trust and friendship, leading eventually to love, making it easy to believe.
The story feels real and vibrant surrounded by the backdrop of The Trojan War. Here Psyche, a princess of the Mycenae, encounters the warriors, monsters, and gods and goddesses of Greek myths. From training with the warrior Atlanta to conversions with Medusa and Aphrodite, this story should appeal to readers of mythology.
My favorite parts of the book are the epic quests Psyche must complete. I would have loved even more time spent on them, but overall I found them thrilling and adventurous to read about. I also found the conversations between Psyche and Atlanta, Medusa, and Aphrodite to be some of my favorites as well.
The story easily transports you to the otherworldly realm of Greek gods, myths and monsters. With new inspirations and interpretations of the classic, this story is accessible and fun, taking its own path along the mythic way. I’m excited about this author and want more tales. Hades and Persephone, anyone?
Season 1, 54 episodes,
watched on Viki
Synopsis from MyDramaList
In sixth-century China, the Emperor of Great Liang orders the unjust execution of his brother-in-law Marshal Lin Xie alongside the Lin family, his 70,000 army soldiers, and Crown Prince Qi.
Secretly surviving the massacre is Lin Xie's son, Lin Shu, who undergoes medical treatment that changes his appearance entirely and leaves him in a weakened state, unable to ever perform martial arts again. Lin Shu changed his name to Mei Chang Su and later became the chief of the pugilist world and established the Jiangzuo Alliance.
Twelve years later, Mei Chang Su returns to the capital with a secret plan after being sought after by Prince Yu and Prince Xian during their fight for the throne. He decides to covertly assist Prince Jing, the unfavoured son of the Emperor, and wisely rids the court of all scheming officials.
~~ Adapted from the novel "Lang Ya Bang" (琅琊榜)
by Hai Yan (海宴).
8.5/10* * *
This is an old classic, folks! And it still rocks.
I had Nirvana in Fire on my watchlist for awhile because a couple of the reviewers of Chinese drama I follow and respect look at this series as the golden standard. Mei Changsu's name (the main character) is very often thrown around as an example of how something should be done as well.
Having watched all the episodes, I can confirm that this was epic. It looks a bit outdated with makeup choices but overall it aged beautifully.
The plot is an extremely complicated retribution story. Mei Changsu literally had to reinvent himself after surviving the betrayal and massacre of most of his clan. Being poisoned by a rare Frostfire poison 13 years ago, his treatment involved turning him into a completely unrecognisable face with no ability to practice martial arts and a weak constitution extremely susceptible to cold and with a very shortened lifespan.
However, his brilliant mind stayed as sharp as ever, and in 13 years he created an enormous intelligence network and put together a very long game to receive retribution for the family and friends he lost at the hands of the most powerful figures in Great Liang, his country.
Fortunately, once the plan is put into motion, he collects allies one by one to achieve the common goal, and many of them have insane martial arts skills. The fight scenes here, folks, are so fine, it's a pleasure to watch. No special effects apart from wire work and actor's skills. Very old-fashioned.
The plot is so tight as well. Every part is necessary, there are no fillers, every scene serves the overall picture. It's a type of Count of Monte-Cristo story, but it's deeper than a simple desire for revenge. Mei Changsu and his allies, many of whom recognise who he is along the way, set to cleanse their country of corruption and greed and put on the throne a good person.
One of the funniest, best characters in the drama is Fei Liu, Mei Changsu's teenage bodyguard. He is moody and childish but freakishly talented, and he is played by Wu Lei/ Leo Wu, whose many more recent dramas I've enjoyed very much because he is a really great actor (The Long Ballad or Love Like The Galaxy, for example).
At last, there hardly any stupid or silly characters here. Most of them are smart and resourceful, whether they are striving for greed and power or for benefit of the country. That's why Mei Changsu's game turns out to be so suspenseful and engaging to follow.
I have started Season 2, but it's a different timeline a couple of generations in the future, so I have not found yet if it'll measure up to this season. Overall, much recommended! This was so good!
bought on Audible
Synopsis from Goodreads
Beatrice Clayborn is a sorceress who practices magic in secret, terrified of the day she will be locked into a marital collar that will cut off her powers to protect her unborn children. She dreams of becoming a full-fledged Magus and pursuing magic as her calling as men do, but her family has staked everything to equip her for Bargaining Season, when young men and women of means descend upon the city to negotiate the best marriages. The Clayborns are in severe debt, and only she can save them, by securing an advantageous match before their creditors come calling.
In a stroke of luck, Beatrice finds a grimoire that contains the key to becoming a Magus, but before she can purchase it, a rival sorceress swindles the book right out of her hands. Beatrice summons a spirit to help her get it back, but her new ally exacts a price: Beatrice’s first kiss . . . with her adversary’s brother, the handsome, compassionate, and fabulously wealthy Ianthe Lavan.
The more Beatrice is entangled with the Lavan siblings, the harder her decision becomes: If she casts the spell to become a Magus, she will devastate her family and lose the only man to ever see her for who she is; but if she marries—even for love—she will sacrifice her magic, her identity, and her dreams. But how can she choose just one, knowing she will forever regret the path not taken?
8.5/10* * *
The Midnight Bargain reminded me of other two authors writing about magical England, Mary Robinette Kowal and Stephanie Burgis.
I listened to it on audio, and it struck me straight away at how atmospheric it was. Gorgeous world-building, almost cinematic at how vivid it is. The heroine and her friend's emotions at times felt like I was reading a middle-grade book, they were so desperate and dramatic, but it didn't detract from the validity of their feelings.
The girls were fighting for their right to do magic and not get married which would have suffocated them and their gifts (that collar which married women were supposed to wear until they could not bear children anymore was truly horrendous).
The love interest was sweet but didn't have as much personality as the girls, but the most delightful thing about the plot was Nadi, the lesser spirit who was helping Beatrice.
Nadi, the spirit of luck was amazing! It was her who was forcing Beatrice to be daring and get out of her comfort zone. She wanted her to dance on the sand barefoot and steal a kiss, get drunk and feel the sunrise. These were all the bargains between the two, because spirits are devoid of sensations but can feel them when riding humans.
There were many dramatic moments and the book felt pretty fast-paced to me on audio. I am kind of gutted it's a standalone. I would have liked to read more of Beatrice and Co.'s adventures.
Overall, a lovely, magical read! I can recommend it to the readers of this blog without any hesitation.
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