Thank you all for bearing with us yesterday through the technical difficulties. It was not the BDH enthusiasm (this time!) but I will let Ilona tell you more about it another day. Just happy to be back.
I come with the promissed reminder about the Imagine Books preorder for their resale edition of This Kingdom Will Not Kill Me, which is now live.
What is a resale edition?
Imagine Books are purchasing the hardcover teal-edged edition directly from the publisher, then creating a redesigned, double-sided dust jacket with foiling, page overlays and bookmarks with character art.
The book:
The extras:
A page overlay is a semi-transparent illustrated sheet designed to be placed inside the book over a specific page — essentially a removable full-page art print tied to a scene.
This is a limited run and Imagine Books typically do not offer reprints. It is open to everyone and does not require subscription. Before you ask: yes, there are two more US special editions not yet announced officially. I cannot speak about them, do not mine me for information, I am bound by contract.
Preorder: Imagine Books Shop website
Price: $42.99 plus tax plus shipping. Add on option: additional page overlay $11.99
Shipping: International.
Shipping date: This resale edition is estimated to ship in JUNE. So later than the book release at the end of March (only 27 more days!). This is because the featured custom art must be produced and shipped to Imagine Books before they send the customized books to you.
DISCLAIMER: For all additional inquiries, please contact Imagine Book Shop.
House Andrews did not commission this edition and are not involved with order fulfillment. This was done through the main publishers, Tor.
The post This Kingdom Imagine Books Edition first appeared on ILONA ANDREWS.
In reply to Anthony.
Yes, that’s exactly what they do.
Mickey never imagined her life would turn out this way. But she learned the hard way that life holds many surprises. Seeking solace on the skating rink, she discovers that life’s changes hold hope for new beginnings—if only she knows where to look.
“Skating in Time” is available on this site for one week only. You can get the story as a standalone ebook on all retail sites. Enjoy!
Skating in Time Kristine Kathryn Rusch
MICKEY STOOD and turned slowly on the thin orange carpeting. They never played Mozart at the roller rink. If they did, she’d go out there and skate with the finesse of Dorothy Hamill. She’d pretend she was on ice, wearing a small, glittery costume, performing for thousands of fans. Her movements would be as elegant as the music, with little trills and delicate pauses, light with an undertone of warmth.
If only. Her life had been full of idle daydreams. She had never gone to college, never tried the glamorous activities of her imagination. All she knew of Mozart, besides the fact that she loved his music, was that he had died young. Like Carl. Her heart tightened, and she made herself breathe. Nearly a year now. She could live without him. She had lived without him for eleven months, twelve days and ten hours.
Mickey rolled up the ramp and onto the floor as Elvis launched into “Jailhouse Rock.” For one giddy moment, her feet threatened to slide out from under her, then she got her balance and moved forward.
As she gained speed on the straightway, the years left her body. She was thirteen, when she’d skated every Friday night until closing, staring at the guys and swaying with the beat. She’d given all this up when she married Carl. They’d been oh-so-serious at eighteen, straight out of high school and determined to be adults. She’d gone to work, cooked and cleaned, and cuddled with Carl on her days off from the travel agency. He came home at night, ate her meals and watched television, never saying a word about the lumber company or his experiences in the woods. A skidder had killed him and, up until the day of his death, she hadn’t even known what a skidder was.
A man clomped by her, clearly on skates to please his date. Mickey watched him: a frown on his face, pot belly, feet sticking out at an awkward angle. A woman passed him, skating backwards, shouting instructions. He clomped harder. As the woman disappeared into the crowd, Mickey found herself beside him
“You ski?” she asked.
He looked at her and had to kick a skate forward to keep his balance. She extended her hand to catch him if he fell. “Yeah, I ski every Sunday.”
“They tell me it’s the same motion,” she said. “I don’t ski so I don’t know.”
And then she passed him, crossing into the corner to a singer whose name she could never remember, a deep-voiced man who cried about summer loves. The woman skated past again, still going backward, weaving in and out among the other skaters as if she’d been born on wheels.
Mickey skated around the rink a few more times, wondering if her desire to hear Mozart was a wish to make the sport more serious, less fun. She didn’t have to be graceful on the rink. The only graceful person here was skating with a frown on her face and her nose in the air. The other skaters flopped and flailed and laughed as they fell. Since the month after Carl’s death, Mickey had been coming here every Thursday for the sense of community. Although she rarely spoke to anyone, she just knew that if she landed on her back, someone would put a hand under her shoulder and help her up.
The smell of hot dogs and popcorn from the concession stand grew stronger with each turn, and finally she followed the aroma off the rink. She leaned against the greasy counter, bought a diet soda and a hot dog with everything, then sat at one of the picnic benches and watched the other skaters as she ate.
The man she’d helped skated off the rink. His movements had eased; his legs flowed beneath him rather than jerked along. He made his way across the floor, stopping when he reached her table.
“Hey, you know, you were right,” he said. “It is just like skiing.”
She smiled, feeling awkward with the large, messy hot dog in her hand. “You look a lot more comfortable now.”
“I am.” He had a nice face, chocolate-brown eyes and ears that stuck out a tad too far from his scalp. “You said you’d never been skiing.”
Her heart thudded against her chest and her fingers dug into the hot dog. She tried not to expect anything but still found herself wondering what she’d do if he asked her. “No, I never have.”
He glanced at the rink, at the frowning woman circling backward. His smile, when he looked back at Mickey, appeared apologetic. “You ought to try it sometime,” he said.
“I will,” she smiled.
He skated by her to the concession stand and she took another bite of her hot dog. It tasted gritty and slightly charred—delicious. Carl said hot dogs were made of things no human should eat and so she hadn’t had one the entire time she was married. She hadn’t skated, she hadn’t skied, she hadn’t done anything because adults didn’t have fun.
She glanced at the man waiting for his food. If he did ask her out, she’d say no. Dating was too adult. She needed time to feel her heart thud like a teenager’s when she talked to a man; time to eat a decade’s worth of hot dogs; time to skate around the rink until she was exhausted. Her desire to hear Mozart had nothing to do with being an adult. It came from an urge to be different, to break rules she’d followed for too long.
She got up and skated out onto the floor, her plastic wheels rumbling beneath her. She had loved Carl, but he was gone, and she had some of herself to rebuild. She smiled and felt the breeze blow the hair off her face.
Next week, she’d bring a Mozart tape and ask them to play it—something lively and warm.
“Skating in Time” Copyright © by Kristine Kathryn Rusch
Published by WMG Publishing
Cover and Layout copyright © by WMG Publishing
Cover art copyright © Alexander Kataytsev/Dreamstime
This book is licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.
Any use of this publication to train generative artificial intelligence (“AI”) technologies is expressly prohibited. The author and publisher reserve all rights to license uses of this work for generative AI training and development of machine learning language models.
I’ve been playing a lot of Halo lately.
I don’t think that’s quite the same, my dude.
Shhh, if he figures out electronics he’ll want his own phone next.
I gets it. See dis my zzzzzzzzzzzzzzzzoom meeting.
Guys, being the dimmest bulb on the tree is my gig. Lay off.
In reply to Benedict.
Do the companies also offer a paltry discount when replacing them, if the employee turns in the worn out sigl? I imagine that the profit margin could be increased further if the company did so.
Obviously it would take multiple busted sigls to offset the essentia cost of a new one, but if they’re all produced at the same well or wells they could probably get some amount of return. (Based on your sigl recycling articles)
…and here’s the video. I just finished it. As you can tell, I had a blast doing it.
If you want to be notified at the time of launch, click here.
I’ll have more information for you on Tuesday. Stay tuned!
Alien Influences Kickstarter Low ResolutionI had a lovely February of reading. Lots more time than I expected, which is fun. As regular readers of this feature know, I don’t recommend everything nor should I, considering I’ve also been reading 300-year-old plays for my Theatre History class. But there’s lots of good here, including a nonfiction book that everyone in the U.S. should read.
You’ll note some recommended articles from On Wisconsin, the alumni magazine for the University of Wisconsin-Madison. I learned something rather amazing. The University has a foundation that has existed for 100 years to manage its intellectual property. Well…hmmm…made me wonder if most universities do that. I know the bigger ones do. This one is proactive, though. I did not link to the article, but found its concept interesting.
Started a book by a well-known producer, songwriter, and DJ, the stepson of a rock star, and the child of privilege. As interested as I was in the start of his career, I couldn’t get past all the sweaty teenagers at raves in the 1990s. Clearly the book was a compilation of the stories he tells his friends. So, I donated it to the library. Maybe someone else will like to read about sweaty wealthy teenagers taking drugs and learning about music, but not me.
And then there was the science fiction novel I pulled off my TBR shelf. The novel is fifteen years old, but new to me. I like the author’s work. I’ve read some of his books before. This one started really well. It was scary and dark and intriguing…but the mystery that drew me in got resolved halfway through and suddenly we were in some kind of galactic war that wasn’t well described and read like an outline of a larger work. I actually got bored. So I won’t be recommending that, which kinda makes me sad because it started so very well.
Even though I recommended a lot of stories from the Best Mystery Stories of the Year, I’m not recommending the whole volume. I had to skip too many due to my own issues with child endangerment. Also, some of the stories I read just didn’t hold me. So, if you want to see what else I thought good in the volume, check out November’s Recommended Reading List.
I am also recommending a story from a collection that includes a story by a now-disgraced sf author. Dunno if the editor knew the accusations before buying the story; I’m guessing not. But just be cautious if you don’t want to buy anything with that man’s name on it.
Here’s what I recommend from my reading in February.
February, 2026
Armstrong, Kelley, This Fallen Prey, Minotaur Books, 2018. Yes, yes, I know, I came to this series late, but OMG, is it keeping me enthralled. The problem is that it is so dark I cannot read one book right after another. And, the deeper I go in, the more it violates a few of my personal reading rules, but I’m committed, which is a testament to Kelley Armstrong’s writing.
SPOILER ALERT for those of you who share my aversion to children/animals (cute ones, anyway) harmed in books:
an animal we care about gets injured…and some baby animals die.
END SPOILER ALERT
Note that I’m a hypocrite because I’m writing a story right now with a five-month old baby in mortal jeopardy. (It is a Nelscott story, which are often dark and noir, but still…)
Anyway…this book is amazing. I thought of trying to describe it to Dean, but I can’t because there’s so many areas where you must suspend your disbelief, starting with the town of Rockton itself. But within the world of Rockton, this story is a true thriller, filled with situations that would never happen anywhere else. And that’s a great thing. Kelley Armstrong has created a world so vivid and powerful that I believe every word she writes about them. (And I’m so happy I don’t live there.)
I really can’t say anything else without spoiling the story. Start with City of the Lost and read on. These books are that good.
Boschert, Sherry, 37 Words: Title IX And Fifty Years of Fighting Sex Discrimination, The New Press, 2022. First a note on the link: I sourced the New Press’s site because I couldn’t get any of the other places that will give me links to various ebook sites like Kobo and B&N didn’t work. I’m happy to have you all order directly from the publisher, even though they slapped an awful cover on this book. I mean truly terrible. And I only found the book while I was buying books on women’s basketball, so there wasn’t much promo either. It makes me grumpy, since this is a good book and an important topic that got buried by publisher mistakes.
The book was published in 2022 and written before that. So it does not reflect the era we’re in at all. There’s a lot more hope in this book for the future, and an assumption that the rebuilding we’d have to do was rebuilding from the previous time the orange menace was in office. Sometimes that made me sad.
But Title IX was passed in my lifetime. I did not benefit from it because it took forever for schools to implement it. I watch now with joy, tears, and a little bit of envy over the girls who get to play sports I was denied. I have no idea if I would have been good, but getting the opportunity would have been nice.
The fight for Title IX impressed me. Even though it happened in my lifetime, and I really study the time period, I had no idea what these women went through to get it passed. And as I write this, the WNBA and the players are negotiating a CBA for their next contract…and can’t agree on revenue sharing which every male professional sports league has (even the minor sports, like bowling). This, after A’ja Wilson just won Athlete of the Year. Not Female Athlete of the Year. Best athlete in general, male or female or nonbinary.
If Title IX had passed in its original, there wouldn’t be the fights over trans kids in sports. There wouldn’t be a lot of problems that we have now. But we also have the WNBA and other great professional women’s sports now because of it. The book does show the deeply embedded misogyny in U.S. culture, which partly explains the situation we’re in with our leadership right now. (Let’s vote for a white man who failed the first time over a highly decorated and extremely competent Black woman. Sigh.)
There’s a lot of hope in this book and it’s not false hope. It’s the strength of people fighting for ground, inch by important inch. Read this, even if you think you remember or know what happened with Title IX here in the States. Understanding what happened in the past is essential to our future.
Kilkenny, Katie, “Extras! Extras! Read All About Them!” The Hollywood Reporter, December 3, 2025. At the end of every issue of The Hollywood Reporter, they pull something from the history of the magazine. Usually, they’re fun things related to current events. This one was fascinating. The thug in charge uses the phrase “central casting” to describe people. The cliche has been around for 101 years, and The Hollywood Reporter explains why, and what Central Casting really was. (And, oh, yeah, it still exists.) A short, fascinating read.
Millman, Ethan, “‘I Think Everything I Write Is Going To Be A Hit,'” The Hollywood Reporter, December 3, 2025. This link is to the Songwriters Roundtable that The Hollywood Reporter runs every year. Usually, there’s a quote or two that I pull from the roundtable, but this time, most everything here was strong and good and (weirdly) not very pithy. So writers, music fans, read this one.
Schmitt, Preston, “A New Era For College Sports,” On Wisconsin, Fall 2025. Dean follows college sports more than I do. He’s been griping about some of the changes for years now, especially the transfer portal. I know he supported the changes in students being allowed to profit from their name, likeness, and image. In other words, they can earn money, which is something that he has been held against the NCAA for more than fifty years. (He was disqualified as a student athlete because he taught skiing, so he couldn’t be on his college’s ski team because he wasn’t an “amateur.”) I’ve been griping about the Big 10, calling it the Big 100—which, right now, has 18 “member institutions.” 18 is not 10, and yes, I understand why the branding hasn’t changed but…get off my lawn.
Anyway, this article explains in great and clear detail about all of the changes in college sports. From deals to laws to sports agents, it’s all here, and it finally made the era we’re in clear to me. I hope it helps out those of you who haven’t been following this as closely as Dean. And, from a contract/negotiation/intellectual property standpoint, it’s fascinating as well.
Specktor, Matthew, “After Burn,” The Hollywood Reporter, January 2, 2026. A fascinating article about Los Angeles, one year after the fires. The piece (and the sidebars) show a city divided between haves and have nots, between people who are still dealing with the fires and people who “know someone who lost their house.” Worth reading.
Stegman, Casey, “Effie’s Oasis,” Mysterious Bookshop Presents The Best Mystery Stories of The Year 2025, edited by John Grisham, Mysterious Press, 2025. As regular readers of this little blog feature know, I hate children-in-jeopardy stories. I have a system: when I hit the mention of a kid in a story/book/novel, I skip ahead to see if the kid is mentioned (and alive) at the end. If the story seems a bit too rough, I quit then and there. (I do the same with pets.) Usually, I find out that the kid’s dead or not important, and I don’t read the story.
So, when I read Stegman’s story, with its wonderful voice and great main character, I got to page four or so, when a child starts crying after being called a name, and I of course skipped to the end. Yep, the kid’s there. And the ending was so fascinating that I did something I hadn’t done outside of my editing days.
I read the story backwards. That usually means something kicked me out in the middle, but I’m intrigued enough to want to know what happened. And in this case, I had no obligation to read the story, but I did so anyway. It’s good, it’s smart, and it’s powerful. I suggest reading it forward, however.
Wenc, Christine, “Fake News!” On Wisconsin, Fall 2025. Well, I ordered a book because of the alumni magazine. I had forgotten that The Onion was founded at the University of Wisconsin-Madison, and came from a particularly Madison sensibility. I had already moved away from Wisconsin when it started and hadn’t seen the early editions—which I guarantee that I would have since I never missed the free newspapers around town. I even wrote for one, Isthmus, for years before I moved.
This is a fascinating little excerpt on the actual start of The Onion. It’s worth the read to see how crazy ideas can often work, and work well.
Wignall, Kevin, “Retrospective,” Ink and Daggers, edited by Maxim Jakubowski, Titan, 2023. I have to admit some disappointment with this anthology. It’s a collection of stories chosen from the short list for the British Crime Writers Association Dagger awards. It took until I got halfway through the book before something really held me. (Except for one story that might’ve worked for the Brits of the world. I had to look up all the references, which took some of the punch out of the ending.) “Retrospective” is a story of a war photographer who has given up his work for a reason that we learn later. Very powerful, and worth reading.
Great plot so far can not wait for book 4 to come out. Its fantastic to see you continuing on with writing on book 5.
Its a pity edits for book 4 is taking longer but it can’t be help.
keep going….
Yes, we find out the Queen put members of the Seelie Court under a geas that prevented them from saying certain things about Ash to outsiders/non-Seelie Court members. We find this out from a different faerie under the geas, who tells it to Kit, and it's mentioned in relation to Nene as well. We haven't explored the concept of the geas much before, but it's an old part of Faerie folklore and would supersede the "not lying" — especially since most of what Nene says in TDA (that she doesn't know exactly how old Ash is now and wouldn't recognize him) — is true.
Yes, you'll see his POV in Last King of Faerie.
In the Anna and Ariadne story in Better in Black, we do see what Matthew and Sylvain are up to! There are also hints about them in several of the other stories, like Who The Wolf Loves (Luke/Jocelyn.)
In reply to Jim Sackman.
Yes, there’s no such thing as an off-the-shelf sigl.
And essentia is very much a limited resource. That doesn’t stop companies from selling it to their own employees, providing those sales are profitable.
In reply to Celia.
It’s roughly measurable, so yes, buyers can take manufacturers to task over it.
In reply to Jason Enberg.
Yes, the “you can’t buy sigls off the shelf” thing was discussed back in book 1.
Lead time is going to vary. The cheaper the sigl, the lower the lead time.
Okay so I guess I misunderstood when I was listening. Stephen was offered Locator sigils that were threaded for a price. My read of that was that these were off the shelf and available at will. But after reading this, he would have had to buy a threaded locator sigil made just for him. Correct?
I recognize that this became overcome by events, but it seems to me to be a waste of good essentia. That, in turn, leads me to believe that essentia is not a scarce resource. Otherwise there would be more profitable ways to employ it.
I will share a thing to think about? Ash has the power to make people love him and want to please him, so how does that go when he can't turn it off? Even if he wants to? :-)
I mean, I have adored writing Dru. She is so sharp and so funny, and I loved writing her reactions to Faerie, especially when things are ridiculous. And her annoyance that you cannot find a bra in Faerie because of course not.
I love her dynamic with Ash, too, and writing a plus-size Shadowhunter was incredibly interesting and fun. I got to draw on a lot of my own teenage experiences (not that I was ever a badass demon hunter) which is always interesting and revelatory.
Hi! I hope you've been well, too.
I am not sure where the idea comes from that Ash is not trained? He is very well trained and an excellent fighter.
In Forever Fallen we already know Ash can fight; Sebastian dropped Ash into a pit of demons with only a sword and Ash fought them off. So that is canon. At that point, he is a much better fighter than Kit.
In FF, Janus agreed to try to train him as a Shadowhunter but in TKLOF we learn that due to his nature, there is some angelic magic Janus cannot access. That doesn't mean Ash isn't trained though; he has been training for years. He just doesn't know a few Shadowhunter things. He knows, however, plenty of other fighting skills Shadowhunters do not know. He has his own training room and weapons, etc.
Kit and Ash are not in competition — not in the books or, I hope, outside it! Ash's strengths are not Kit's weaknesses nor are Kit's strengths Ash's weaknesses. They are very different characters, just as Kit is very different from Will or Jace and Ty is very different from Dru or Julian.
They know Kit and Ty had a fight and that things are weird between them. They are not dumb, and know there was a romantic aspect to Kit and Ty's relationship even if they think Kit and Ty themselves might not have known that. Without being able to answer any questions about whether they are even around to see Kit and Ty's relationship develop in TLKOF I am sort of stuck saying anything else. :) We do see how the Carstairs-Herondale family functions a bit though. They're very cute.
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