I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
My Husband’s Wife by Alice Feeney
Mogsy’s Rating (Overall): 3 of 5 stars
Genre: Thriller, Mystery
Series: Stand Alone
Publisher: Macmillan Audio (January 20, 2026)
Length: 8 hrs and 58 mins
Author Information: Website
Narrators: Bel Powley, Henry Rowley, Richard Armitage
Alice Feeney is an author I can usually depend on to deliver an edge-of-your-seat thriller, and on its surface, My Husband’s Wife sounded like it would be exactly that. So, imagine my disappointment when it did not work for me the way it clearly has for so many others. Now, I’m aware I’m in the minority with this one, but somewhere along the way I felt the story just went so far off the rails that I stopped enjoying myself.
The book opens with Eden Fox, an artist about to have her career breakout moment, deciding on an evening run to blow off some steam before her first gallery exhibition. As always, she leaves all her valuables including her phone, wallet, and wedding ring at home before she heads out. When she returns, however, she discovers something very wrong. The key to her house no longer works. Someone answers the door to see what’s going on, and it’s a stranger who looks remarkably like Eden—similar build, hair, facial features—and she claims that there must be a mistake, because she lives there, not Eden. Then, a man come downstairs to investigate the commotion, and Eden is relieved because it’s her husband, Harrison. He’ll sort out this mess and kick this crazy lady out of their house! Except to Eden’s shock, Harrison stares back at her with no recognition in his eyes. He insists the strange woman beside him is his wife, and that he has no idea who Eden is but if she doesn’t leave the property, they will have no choice but to call the police. Carrying no proof of her identity, Eden is forced to flee into the night, feeling frightened, hurt, and confused.
Running alongside Eden’s story is a second one following Birdy, a reclusive woman living in London who has just received a devastating diagnosis and may only have months to live. That same night, however, she is visited by a representative of her estranged grandmother’s estate and learns she has unexpectedly inherited a house in the seaside village of Hope Falls, where her family once lived. When Birdie arrives at the property, affectionately known to all the locals as Spyglass, she discovers a letter among her late grandmother’s belongings from a mysterious corporation claiming it can predict the exact date of a person’s death. Given the timing of her diagnosis, Birdy’s curiosity is understandable, and she decides to look more closely into the company’s mission and history. As her investigation unfolds, the novel gradually stitches together these two seemingly separate narratives, linking half-truths and coincidences that may not be coincidences at all.
For the most part, this works. I’ll say this about all Alice Feeney’s books: her prose is snappy, the atmosphere is intense, and the pace is so brisk that the thought of taking a pause is nearly impossible. I was genuinely curious and looking forward to the reveals for at least the first half of My Husband’s Wife, even when I wasn’t entirely sure what the hell was going on. After all, confusion is part of the deal here, completely by design, and the plot is structured in a way to make the reader feel disoriented.
Where the story started to lose me was in the second half, with its handling of twists. Not because there were too few, but because there were too many! At a certain point, the story completely gives up on building upon its own foundations and begins pulling the rug from under itself, over, and over, and over again. Shocking revelations became less about providing answers and more about being completely unpredictable, even if it doesn’t really make sense or throws everything that we know about the characters out the window. When you realize that anything can change at any second and none of the truths that were previously established matter, it all starts to feel rather pointless.
To be clear, I have nothing against twists. It’s one of the best reasons to read thrillers and why I enjoy the genre so much. But at the same time, My Husband’s Wife was a bit much even by Feeney standards. Thing is, I don’t want to remove all thinking from the equation. I’d like to be given the chance to form coherent theories and emotional attachments to characters that could hold out to the next chapter. Without that expectation, I’m afraid it undercuts tension rather than heightens it for me.
That said, the audiobook narration is fantastic. Read by Bel Powley, Henry Rowley, and Richard Armitage, all three delivered strong and engaging performances. I’m especially a big fan of Armitage, who does incredible voice work on anything he does, not just Alice Feeney audiobooks. To be honest, even when the story frustrated me, the narration kept me listening.
In the end, I think My Husband’s Wife will be very much a “your mileage may vary” thriller. For me, the book started strong but ultimately collapsed under the weight of its need to induce whiplash, leaving me entertained but mentally exhausted and emotionally detached. But like I said, I suspect I am the outlier here, and fans who love Alice Feeney’s books despite or perhaps because of her bold, major-suspension-of-disbelief twists will probably have a great time.
![]()
![]()
These were the signed books I gave away to folk on my Patreon last year:

We also have an active discord.
For higher tier Patrons I do consults and chapter critiques.
Also social media follows, early signed copies of upcoming books, and tuckerisation into new novels.
In addition, I have a collection of unpublished work including 7 books and numerous short stories that tier 3+ patrons can access.
So ... check it out!
Patreon is a great way to support authors and get involved in their work at a deeper level.
Back in late 2023 I started writing something, and in early 2024 that something was a complete book, called The Bookshop Book.
In this post in late 2024 I was offering folk on my Patreon access to it.
The book centres on a bookshop called ... Books.
The name is explained not as a lack of imagination on the owner's part but by the fact that the proprietor's surname is Books, and Books's Books felt rather too much for him.
All good so far.
Today a Facebook advert alerted me to a new TV series called Bookish about to drop 2 days from now. Here's a still from the trailer:

Eagle-eyed readers will notice that the bookshop (around which this series is set) is called Book's.
Moreover, it turns out that it bears this name because the proprietor (the star of the show) is a Mr Book...
So - I now expect that when The Bookshop Book hits the shelves in 2026, if Bookish turns out to be a popular show, I will be accused of copying from it.
And the point of this blogpost is simply to flag the coincidence at work here.
Ironically, The Bookshop Book is tangentially related to The Library Trilogy, and in both works I talk about how the Library uses the currents of coincidence to bring interested parties together and manipulate the world. Coincidence?
HELL OF A WITCH
The hotly anticipated sequel to HELL FOR HIRE...
"Featuring a motley crew of loveable demons, a chaotic male forest witch with a sassy talking cat familiar, snarky sentient weapons, wicked warlocks, and plenty of magical mayhem, Hell for Hire is a bewitching and diabolically fun urban fantasy that is as thrilling as it is wholesome." - Before We Go Book Blog

Introducing...HELL FOR HIRE coming out June 4!
The Crew
No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with an entire fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will require everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Get your copy now in ebook, KU, print, or audio!This was an extremely satisfying book to write. I don't think I've ever enjoyed wrapping a series so much. It's epic, it's awesome, and I cannot wait for you to read it in ebook, print, or KU or listen on audio, cause they're all out today!
No Victor lasts forever.
Victor thought he won when he became the Hero. He thought he won when he took over the DFZ. He thought he’d made himself untouchable.
He’s wrong.
Lola isn’t the sad little monster she used to be. She has a plan, she has allies, she has more magic than she ever dreamed possible. Killing one blood mage should be easy with a fairy kingdom at her fingertips, but Victor didn't make himself a god by playing fair, and his bag of tricks is far from empty. Taking him down will take everything Lola and her friends can bring, but if there’s one thing Lola’s always been, it’s determined. No matter the cost, no matter what it takes, she will see this through.
To the bloody end.
Preorder Now!Happy 2024 everyone!
"Exquisitely trademark Rachel Aaron. Immensely readable & instantly engaging, with new characters that you can't help loving. The inclusion of fairy lore just leveled up the already fascinating world of the DFZ. So good, so fun!"- TS Chan, Novel NotationsReturn to the DFZ with a brand new series, introducingBy A Silver Thread
In the world’s most magical metropolis where spirits run noodle shops and cash-strapped dragons stage photo-ops for tourists, people still think fairies are nothing but stories, and that’s exactly how the fairies like it. It’s a lot easier to feast on humanity’s dreams when no one believes you exist. But while this arrangement works splendidly for most fair folk, Lola isn’t one of the lucky ones.Today's the day!

When Mary Good Crow came out of the crystal into the arms of her sister, the last thing she wanted was another fight. But war is coming to the Great Plains. With crystal on their side, the Lakota are poised to annihilate the town of Medicine Rocks, forcing Mary to choose between the friends she’s finally found and the family she’s always longed for.
When Rel Reiner accepted her father’s dark bargain to save Josie and the others, the last thing she expected was to survive. But there’s more to the Reiner’s magic than ghosts and bones. Magic Rel will have to embrace if she ever wants to walk in her own skin again.
When Josie Price left the crystal mines one step ahead of death, the last thing she intended to do was quit. But the wolves in town are circling, and with the crystal going crazy and the cavalry riding to war, just finding a way to protect her people might cost her everything she came to Montana to build.
Three women divided by a war none of them wants. But Josie, Mary, and Rel have always been strongest together, and with the world’s magical future on the line, “together” might be the only way anyone survives.
Get your copy now in ebook, audio, print, or KU!
I can’t tell you how excited I am for y'all to read this book! I'm sooo proud of this ending and this series as a whole. If you haven't tried out THE LAST STAND OF MARY GOOD CROW yet, I hope you'll give it a go! This series has been such a wild ride, and I really hope you enjoy it!
This is the first launch for what I hope is going to be a very busy 2023. I’ve got a new DFZ series I’ll be announcing soon along with other fun stuff, so if you're not already subscribed to my New Release Newsletter, I hope you'll come over and say hi! Subscribers always get first dibs on the good stuff, I never share your info, and I only send out emails when I have a new book. No risk, just awesome, so I hope you'll join in!
Thank you so much for all your support over the years. Enjoy THE BATTLE OF MEDICINE ROCKS, and I’ll see you soon with a new story!
Yours with a hat tip,
Rachel Aaron


"Brimming with imagination, wonderful characters and captivating magic. "
- Novel NotionsIt's time!

Hungry darkness, haunted guns, tunnels that move like snakes--the crystal mines of Medicine Rocks, Montana are a place only the bravest and greediest dare. Discovered in 1866, the miraculous rock known as crystal quickly rose to become the most expensive substance on the planet, driving thousands to break the treaties and invade the sacred buffalo lands of the Sioux for a chance at the wealth beneath. But mining crystal risks more than an arrow in the chest. The beautiful rock has a voice of its own. A voice that twists minds and calls unnatural powers.
A voice that turns men into monsters.
Mary Good Crow hears it. Half white, half Lakota, rejected by both, she’s forged a new life guiding would-be miners through the treacherous caves. To her ears, the crystal sings a beautiful song, one the men she guides would gladly burn her as a witch for hearing. So, when an heiress from Boston arrives with a proposition that could change her life, Mary agrees to push deeper into the caves than she’s ever dared.
But there are secrets buried in the Deep Caves that even Mary doesn’t know. The farther she goes, the closer she gets to the voice that’s been calling her all this time. A voice that could change the bloody story of the West, or destroy it all.
"Possibly the best alternate historical fantasy that you will read."- Fantasy Book Critic
It's finally here! The first book in my new series is out today in ebook, print, and Kindle Unlimited! HOORAY!
We're recording the audio version right now, so hopefully that will be available quickly as well. I'll send an email as soon as I have a date, so make sure you're subscribed to my New Release Mailing List to get all the info on, well, new releases! (And nothing else. Trust me, I hate spam as much as you!)
Thank you all so much for being my readers, and I hope you love Mary's story!
Yours always,
Rachel Aaron
It’s been a while, but I’m back with an new novel in an new world! Get ready for…

Deadwood meets Lord of the Rings in this Epic Fantasy of the West!
Hungry darkness, haunted guns, tunnels that move like snakes--the crystal mines of Medicine Rocks, Montana are a place only the bravest and greediest dare. Discovered in 1866, the miraculous rock known as crystal quickly rose to become the most expensive substance on the planet, driving thousands to break the treaties and invade the sacred buffalo lands of the Sioux for a chance at the wealth beneath. But mining crystal risks more than an arrow in the chest. The beautiful rock has a voice of its own. A voice that twists minds and calls unnatural powers.
A voice that turns men into monsters.
Mary Good Crow hears it. Half white, half Lakota, rejected by both, she’s forged a new life guiding would-be miners through the treacherous caves. To her ears, the crystal sings a beautiful song, one the men she guides would gladly burn her as a witch for hearing. So, when an heiress from Boston arrives with a proposition that could change her life, Mary agrees to push deeper into the caves than she’s ever dared.
But there are secrets buried in the Deep Caves that even Mary doesn’t know. The farther she goes, the closer she gets to the voice that’s been calling her all this time. A voice that could change the bloody story of the West, or destroy it all.
Coming to eBook and Kindle Unlimited on JUNE 1, 2022! Print and Audio release coming soon!
Hello everyone!
I know it’s been a while since we left Opal in the DFZ. Like everyone else on the planet, I got kicked down pretty hard by the pandemic. But sometimes being forced to step away from your work means space gets made for something different, and wow, is this different.
THE LAST STAND OF MARY GOOD CROW is a story I’ve been wanting to tell for a long time. We’re talking crazy magic, giant battles, haunted guns, messed up family situations, sky-high stakes, and (of course) a giant cast of fun, hot-mess characters all set against the epic backdrop of the Great Sioux War, which ends veeeeery differently than the real one. (Don’t worry, Custer still dies.)
I realize historical Western feels like a pretty big jump from Urban Fantasy, but this is a Rachel Aaron book through and through. If you liked my other series, I heartily encourage you to give this one a try. I promise you won’t be disappointed!
You can read a sample right now over on my website. The eBook and Kindle versions will be out on June 1, 2022 with print very soon after. For those who prefer audio books, we’re recording right now, so it won’t be too long of a wait. I’ll send another email to let you know as soon as the audio version is available.
Thank you as always for being my readers/listeners! Y’all are the ones I write for, and I just can’t wait for you to start THE LAST STAND OF MARY GOOD CROW!
Yours always,
Rachel Aaron
They say family always sticks together, but when you’re your dad’s only lifeline and the whole world—humans, dragons, and gods—wants you dead, “family bonding” takes on a whole new meaning.
My name is Opal Yong-ae, and I’m in way over my head. I thought getting rid of my dad’s bad luck curse would put things back to normal. Instead, I’m stuck playing caretaker to the Great Dragon of Korea. That wouldn’t be so bad if he wasn’t such a jerk, or if every dragon on the planet wasn’t out to kill him, or if he were my only problem.
Turns out, things can always get worse in the DFZ. When a rival spirit attacks my god/boss to turn the famously safety-optional city into a literal death arena with Nik as his bloody champion, I’m thrust onto the front lines and way out of my comfort zone. When gods fight, mortals don’t usually survive, but I’m not alone this time. Even proud old dragons can learn new tricks, and with everything I love falling to pieces, the father I’ve always run from might just be the only force in the universe stubborn enough to pull us back together.
Get your copy now!
While we can certainly be forgiven for not seeing our personal wounds as jewels, our most powerful wounds often have as many facets and hidden depths as an exquisitely cut gemstone. They are sharp, with hard edges that not only reflect back light but distort it somewhat.
As writers, we know that our character’s wounds are some of the most fertile ground for creating a rich, fully realized protagonist. But before we can explore this with our characters, we have to understand it ourselves. And because we have all been wounded in some way—and those places are always tender—it can be uncomfortable to look too closely.
In order to use our characters’ wounds to full effect, we need to understand that wounds aren’t simply an attribute to be filled in on a worksheet. They are the rocket fuel for our character’s backstory, the backstory that drives their motivation and colors their world. It must be deeply organic to that character and so intricately woven into their emotional DNA that it distorts the way the see the world and themselves.
While everyone’s wounds are uniquely theirs, they are also universal in that they’re something we all share. What differs is their nature, how we carry them, and the many—often unexpected—ways they shape us and our behavior.
Because of course the impact of any given wound isn’t limited to that initial injury. I was reminded of that last week when I was out walking and twisted my ankle. It was nothing serious, but by the time I’d limped around favoring it for a day or two, everything else was out of whack as I contorted my body to accommodate the injury.
Emotional wounds are just like that, only worse by orders of magnitude.
Even when we know our character’s painful past, we often don’t use it to full effect. We don’t manage to weave into the very essence of who our character is—because make no mistake, wounds fundamentally shape us, especially those incurred in childhood when we are so defenseless. With wounds of the heart or soul—the ones that violate some deep fundamental part—it is the repercussions of that initial wound that create the most scarring. The blame, the self-doubt, the suffocating shame, all serve as a way to cut us off from our core self.
Emotional neglect, a betrayal, a rejection, a lie, are all painful enough, but often become the lens through which we see ourselves. We accept that rejection. Believe that lie. Justify the betrayal due to something fundamentally flawed within us rather than the betrayer. Or worse, we don’t see it as a betrayal at all, but simple evidence of how flawed and unlovable we really are.
The emotionally abandoned child believes they are undeserving of love.
The abused believes they deserve the abuse, that love will always hurt and often comes coated in shame.
The child of addicts learns to fundamentally mistrust the safety and stability of the world around them.
The child raised in a religion that vilifies all human behavior will inevitably see themselves as sinful and unworthy.
Any kind of abuse—emotional, physical, sexual—is often the starting point for a long, twisted, distorted journey from our true selves. And our worldview takes shape around that bad information we’ve deduced because of it.
One of the biggest challenges we face as writers is how to hook our reader emotionally and forge a connection in those first few pages without becoming the literary equivalent of the stranger in the checking line, blurting out every gory detail of the drama of their lives without even having been asked.
The secret, I think, is to show or hint at the character’s contortions and defense mechanisms that have sprung up around that deeper wound. As readers, we’re trained to look for clues and hints, so we’ll spot those coping mechanisms and be intrigued—we’ll want to know why.
So as writers, we need to ask ourselves: In what ways does our character limp through the world? How do they favor that wounded place inside? What distorted belief do they cling to with both hands? What ways do they disassociate from parts of themselves that brush too closely to that wound? In what ways do they wear their wound like a chip on their shoulder, insisting to the world it has made them tough, impervious to future wounding?
And why are these characters indelibly scarred by these events, when others might brush them off or take them in stride?
I believe the answer to that last question is that because for some, the psychic soil has been well prepared and cultivated—their soil broken down and covered in so much manure before the wound even shows up—that the individual is supremely susceptible to the final blow.
But what about characters who don’t have a tragic or traumatic event in their past? What about lesser, garden variety wounds? The kind we acquire from the simple life lessons of growing older or growing up? Because the majority of the time, these shaping wounds are incurred early in life—either in our childhood, teen, or early adult years.
These less traumatic experiences still shape us, although to what degree will vary widely from character to character and will depend on things like the psychic equivalent of adrenaline, momentum, individual pain thresholds, and how cultivated the soil was.
We all have memories from our childhood, of playing with other kids, either on the playground or in the neighborhood, then taking a fall, skinning our knee or scraping an elbow. Chances are we bounced right up and kept on going, utterly impervious to any pain. At least until it was time to come inside and wash up for dinner. THEN we could feel that sucker throbbing and stinging.
Science has also shown that pain thresholds within the same person vary depending on how stressed our systems are. When we are under chronic stress, our body produces a lot more of some chemicals and fewer of others. The reformulation of our brain chemistry intensifies pain response—both physical and emotional.
So even if the story you’re writing does not involve characters with large traumatic wounds in their past, common everyday wounds can be equally fertile ground for deepening character.
Each of those behaviors could be fueled by either a traumatic wound or a common every day one. It is the tone and theme of your story that will decide which it should be. Or rather I should say, it is the nature of your character’s wounds that will determine the tone and theme of your story.
We are often our own worst enemy—there is no denying that. Many writers feel that their character is his own antagonist, and that is likely true. Our desperation to avoid acknowledging our wounds, to avoid awakened that old pain and our deeply held beliefs about the nature of that pain are often an enormous component of getting in the way of our own happiness. It is hard and scary to look that deeply inside and reorient our world view, even it if ultimately frees us. It is scary to be thrust back into the same powerlessness and vulnerability we had in that moment. That is why we need stories to show us how.
Some of our character’s most transformative moments will come from facing those wounds, freeing themselves from the weight of them, and beginning the healing process. And of course, the stories we write aren’t about the wounds—but how we can overcome them.
We need stories to show us that being wounded or broken doesn’t lessen our character’s—or our own—humanity in any way. It is, in fact, what make us deeply human. The best stories show us that having been wounded doesn’t mean we are less than, or broken beyond repair, or unworthy. Instead, they illuminate all the different shapes wounds can take and the many different paths to healing that await us, if only we have the courage to look.
Do you know your character’s defining wounds? Can you brainstorm three to four ways these wounds create behaviors that readers can see on the page?
(Originally published on Writer Unboxed April 13, 2018)
Recent comments