Feed aggregator

Emily has failed.

The world she knows is gone. The multiverse itself is becoming a playground of a mad god, a once-human monster so powerful that reality itself is breaking under his gaze and all timelines are collapsing into one. Existence as we know it is over. If the mad god is not stopped, the multiverse will simply cease to be. But how can one kill a god?

Spilt in two, trapped in her worst nightmare and frozen in a single moment of time, Emily is reality’s only hope. But as she hops from timeline to timeline, meeting strangers wearing familiar faces and travelling across worlds very different to the one she knows in a desperate bid to gather the knowledge and resources she needs to stop a god, she is pursued by a creature out of myth …

And a nightmare that has walked beside her from her very first day of magic.

Download a FREE SAMPLE, then purchase from Amazon US, UK, CAN, AUS or Draft2Digital

Joan and Peter by H.G. Wells (Macmillian, first American edition, 1918)

Science fiction fans naturally know H.G. Wells best for his scientific romances. But after 1905, he wrote relatively little in that genre. Instead, he turned his efforts variously to the Fabian Society, Britain’s indigenous socialist movement; to surveys of human knowledge for general audiences, in the style later followed by Isaac Asimov (I read my grandmother’s copy of The Outline of History, and I still have the four volumes of The Science of Life); and to realistic novels, starting with Love and Mr. Lewisham in 1900.

Joan and Peter is a curious amalgam of these interests — a realistic novel about changing class relations and cultural attitudes in England, much of whose storyline focuses on the problems of the English educational system as experienced by its title characters. This gives Wells a chance to explain things to his readers, though he’s often fairly good at enlivening the presentation beyond big lumps of exposition.

[Click the images to embiggen.]

The books of HG Wells

When I say “realistic” here, I mean it in a mostly literary sense: fiction that avoids scientific speculation, marvelous inventions, supernatural powers, and other exotica. Joan and Peter’s characters are human beings living in a human world. However, some of its narrative turns seem to show the influence of older romantic themes.

The foundation for this story is a pair of English families with different origins and qualities. On one hand, the Stublands: Solidly middle class, in the older sense that meant “six hundred a year” and no need to work, thanks to ancestors who made a success in textiles. Ancestrally Quaker, they drifted over time among various non-established churches, and by the start of the novel, they’re spiritual without being religious, and many of them are artistic. On the other hand, the Sydenhams: County people, generally conservative, and prolific enough to have little money for their younger generation.

Dolly Sydenham, a vicar’s daughter, has a deep attachment to her cousin Oswald — but loses track of it temporarily in the excitement of meeting Arthur Stubland (“whom everyone called Stubbo,” Wells says, but in fact the nickname is used only half a dozen times, all in the first chapter). Arthur and Dolly marry and have a son, Peter. A couple of years later Dolly’s brother, an alcoholic reactionary journalist, dies and leaves her to care for his bastard daughter Joan.

And that gives us our core cast. This kind of family tableau seems exactly the sort of thing English novelists favored as a setup, though Wells may have been a little hasty with his: I tried to draw family trees and couldn’t make either the Stublands or the Sydenhams entirely consistent on the basis of Wells’s statements.

1918 Macmillan Company advertisment for Joan and Peter by HG Wells

From this foundation, Joan and Peter develops in three main parts.

In the first part, Peter is born, in a house designed by Arthur (one of only two), and Oswald comes from Africa to visit and, learning that Peter is not to be christened unless he asks to be, offers to be his godfather “pour rire,” and pledge that he shall be taught French, German, mathematics, chemistry, and biology and that he shall renounce the Devil and all his works. After he departs, Arthur and Dolly have a bicycling accident and consider who would become Peter’s guardian if they were both killed; after a little while Arthur thinks of Oswald.

A few years later, Oswald comes for another visit, after Joan has become part of the household. By this time, Arthur has been unfaithful to Dolly, “on principle,” Wells says, and goes on to hint at the affair to Dolly (a century later he would have said “polyamory”), who reacts very unhappily and indeed is tempted to return Oswald’s previously unconfessed love for her, perhaps even to go to Africa with him. Finally Dolly and Arthur are dramatically reconciled, and go on a trip to Italy, while Arthur’s sisters Phoebe and Phyllis move in to look after the children. During the trip they both drown in the waters off Capri.

By this point, it’s clear that Oswald is Wells’s real hero, and he has the right attributes for one: Enlisted young in the Navy, he receives the Victoria Cross at twenty for courage in battle — a battle that blinds one eye and scars half his face. No longer able to serve in the Navy, he eventually ends up in Nyasaland as a British agent, with the idea of serving humanity and the British Empire, suppressing slavery and despotic local rulers, but also with the idea that civilization is essentially an educational enterprise.

Joan and Peter inside flap (Cassell, 1918)

All of this actually makes Wells sounds more Kiplingesque than he’s often thought of as being. On his second visit to England, Peter gives him the nickname “Nobby,” after his favorite toy, a Dutch doll half of whose face was smashed off while Peter was playing with him and then painted black; the two of them fuse into a central figure in Peter’s private mythology. It’s as that myth that he appears in the second part.

All of that part’s complications derive from Arthur’s will, as he revised it before the trip to Italy — without telling Dolly! He appoints his two sisters as joint guardians with Oswald, and then, not wanting Oswald outvoted all the time, he adds Oswald’s aunt by marriage, Lady Charlotte, a wealthy and conservative widow, “one of those large, ignorant, ruthless, low-church, wealthy, and well-born ladies who did so much to make England what it was in the days before the Great War.”

This leads to a long series of conflicts over Joan and Peter’s upbringing, their schooling, and their religious instruction, carried out partly through solicitors, and eventually by Lady Charlotte’s agents taking Joan and Peter from their school to dispose of them more suitably (as Lady Charlotte sees it), when Peter has reached the age of ten.

At this point, Oswald comes back to England, for two reasons: first, he’s been warned that if he stays in Africa, blackwater fever will kill him; second, witnesses have been found to Arthur and Dolly’s deaths, and while the courts normally assume that the woman will drown first, being “the weaker vessel,” their testimony shows that Dolly went on swimming long after Arthur sank — so her will prevails, and Oswald is the only guardian after all.

Joan and Peter paperback edition

The third part then jumps forward a decade, to when Peter and Joan are nearing majority, though with flashbacks to Oswald’s arrangements for their schooling. They get caught up in the Great War, and also in sexual passions — and Joan learns that Peter isn’t her brother, or even her half brother, but her first cousin, whom she can think of marrying, while Oswald puzzles over what a mess his wards are making of the whole matter.

On one hand, for American readers, these attachments of cousins may seem peculiar and even creepy: Oswald and Dolly are first cousins, and so are Peter and Joan, and there’s even a scene of unspoken romantic attraction between Oswald and Joan, who’s his first cousin once removed and thirty-two years younger. Wells treats it as a matter of course, though, and American writers once did so: Louisa May Alcott’s Rose Campbell (in Eight Cousins and Rose in Bloom) never even considers a suitor who’s not one of her male first cousins.

On another, having been raised together, and even thought each other to be half-siblings since infancy, Joan and Peter may not be a plausible romantic couple, and making them so may owe more to romantic poets like Shelley than to actual observation. The Westermarck effect had been recognized about when Wells began writing fiction. I also noticed several scenes of same-sex attraction; it’s visible that Wells makes male–male attraction much more disturbing than female–female.

But all of this is something of a side issue to Wells’s real plot, which is didactic. Key scenes involve his characters encountering the peculiarities of a sample of schools of various English types.

Joan and Peter: The Story of an Education (Cassell, 1918)

The School of St. George and the Venerable Bede, which Joan and Peter both attend from early childhood, has what we might now call a New Age flavor: children wear robes called djibbahs, and the curriculum is rather freeform and experimental, with artistic activities such as performing A Midsummer Night’s Dream. Wells makes a point of reading being taught by the “look–say” method and arithmetic by a process that emphasizes understanding rather than memorization, much like New Math or current approaches to mathematics — unfortunately the young woman who teaches arithmetic is a little confused about some of it. (These were things I thought came in after World War II, and maybe they did — in the United States.)

High Cross School is a much more traditional school, with a headmaster who was good at sports and never really mastered the classical languages he mainly teaches. After being harassed by other boys and caned by the headmaster (for not answering to the headmaster’s newly invented nickname for him) Peter runs away and finds his way home (and one of the boys sent out to search for him expresses extravagant, sentimental grief when it appears that he drowned). Peter calls on the name of “Nobby” during the caning and fantasizes about him while running away. Joan, in the meantime, isn’t sent to school at all; as a bastard she’s thought best suited to domestic service — and then she catches measles.

After this, Oswald undertakes a long search for better schools, of which we hear most about the ones for boys. Peter ends up at Caxton, a fairly progressive school for boys, and Joan at Highmorton, a school for girls run by suffragettes. And during this phase Wells gives us a passage where the headmaster of a preparatory school that readies Peter for Caxton bemoans the limits placed on him by parents’ demands for the standard sort of education.

Joan and Peter The Story of an Education (Aevum Editions Publishing, December 30, 2023)

Behind all this is a clash of philosophies of education, presented in a conversation during Peter’s infancy: Arthur and Dr. Fremisson, the family doctor, are all for a natural childhood, in the spirit of Rousseau or William Morris, but Oswald thinks that human planning can improve nature considerably. This leads to a debate over whether plowed fields are artificial or natural:

“I’d like to know just what does belong to the natural life of man and what is artificial,” said Oswald. “If a ploughed field belongs then a plough belongs. And if a plough belongs a foundry belongs — and a coal mine. And you wouldn’t plough in bare feet — not in those Weald Clays down there? You want good stout boots for those. And you’d let your ploughman read at least a calendar? Boots and books come in, you see.”

“You’re a perfect lawyer, Mr. Sydenham,” said the doctor, and pretended the discussion had become fanciful…

The whole thing was remarkably like a Heinlein character’s rant about technophobes! Wells really was an ancestor to classic science fiction.

In a charmingly comedic scene, Arthur tries to get the children to build cooperatively with toy bricks, following Kropotkin’s theories, only to be frustrated by each one wanting to do the whole job: “Dadda not put any more bricks. No. Peter finish it.” The housemaid, Mary — a socially enlightened household has to have at least one servant, who actually spends more time with the children than either parent — finds it simpler to draw a line across the floor and give each child half the bricks, letting them play side by side. (Mary quietly vanishes from the story sometime after Oswald’s return.)

Joan and Peter trade paperback edition (Read Books, 2008)

A final chapter has Oswald setting out to give Joan and Peter a valediction, an apology for his own life and what he’s made of it, and a philosophy of education. But he doesn’t get to deliver much of what he’s lain awake rehearsing; no sooner does he ask his rhetorical introductory question, “What is education up to?” than Peter jumps in and offers his own answers. In the end Oswald, sitting in the dark in his study, reflects on his own life, and his feelings for Dolly and Joan, and then gets up to light his reading lamp and go to work.

I suppose literarily this is more plausible, and livelier, than Socrates giving a long speech while his young admirers say, “Yes, Socrates!” but I ended up feeling that it was a little too inconclusive. (And Plato would have explicitly linked erotic attraction to education in a way that Wells hints at but doesn’t quite make clear.) The whole project is a kind of amphibious entity, half a novel and half a tract, and both halves are interesting, but they don’t quite mix.

It had not thitherto occurred to Oswald that his ward had the most beautiful neck and shoulders in the world, or that Joan was as like what Dolly once had been as a wild beast is like a cherished tame one.

William H. Stoddard is a professional copy editor specializing in scholarly and scientific publications. As a secondary career, he has written more than two dozen books for Steve Jackson Games, starting in 2000 with GURPS Steampunk. He lives in Lawrence, Kansas with his wife, their cat (a ginger tabby), and a hundred shelf feet of books, including large amounts of science fiction, fantasy, and graphic novels.

Conflicted.

Yes, Kit is not a very reliable texter and does avoid conversations about Ty especially with Ty's sister (unfortunate for him that Livvy can hassle him literally eternally if she feels like it) and when they meet again in TWP they haven't been texting for a while. They are fond of each other, though, in a familyish way.

Happy release day to everyone receiving the Tor UK edition of This Kingdom Will Not Kill Me today!

If you want your own copy, here are some of the retailer links:

WATERSTONES Blackwell’s

I know it meant more w*iting for us, and the two extra days were torturous enough to make the stiffest upper lip wobble. But in fairness, we are getting some of the prettiest hardcover edges around:

Tor UK hardcover

And there’s even more good news to celebrate: This Kingdom Will Not Kill Me has been named one of Amazon’s Best Science Fiction & Fantasy Books of April, while also holding a strong lead in major categories like Epic Fantasy and Romantic Fantasy.

Huge congratulations to House Andrews on such an outstanding launch and to the Book Devouring Horde for coming out in force to welcome it!

I have lists of all the great questions you shared on the spoiler discussion post and I love how everyone is interacting with the story. While we wait for House Andrews to come back from the signing tour and join the discussion, you can read this interview they did for the April issue of BookPage.

One more hype and I’m done: This Kingdom Will Not Kill Me has also been selected as part of Book of the Month’s April lineup! It’s so exciting to see it included, and we’re grateful to @bookofthemonth for the support.

And now, if you’ll excuse me, I will be heading to my local Waterstones to ever so subtly nudge their copies of This Kingdom to their best, most visible lives on the shelves. Public mod service.

UPDATE FROM THE SIGNING TOUR:

House Andrews are signing everywhere they go! In case you didn’t manage to make it to the events, but are in the vicinity, you can still grab your own signed copies:

The Barnes& Noble Arboretum in Austin, Tropes and Trifles in Minnesota, and Joseph Beth in Lexington have numerous signed copies of This Kingdom Will Not Kill Me.

In addition, B&N Austin has signed Hidden Legacy copies.

Tropes and Trifles has signed copies of Beast Business, Inheritance, Sanctuary, and Innkeeper and Hidden Legacy (including the little paperbacks which are being phased out).

The post Keep Calm and Maggie On first appeared on ILONA ANDREWS.

LitStack Spots Here are other books we’ve spotted and we’re adding to our TBR list,…

The post Spotlight on “Small Boat” by Vincent Delecroix appeared first on LitStack.

A wise man once asked a rhetorical question like this: who by worrying can add a single hour to their life?

Excited to read #4 and #5

The Imaro trilogy by Charles Saunders, all from DAW Books: Imaro (November 1981), The Quest for Cush (February 1984) and The Trail of Bohu (October 1985). Covers: Ken Kelly and James Gurney

Charles Saunders (1946 – 2020) was one of two men who established a sub-genre of Sword & Sorcery that has come to be called Sword & Soul. The other was Samuel Delany (1942 – ). Saunders was born in the USA but moved to Canada as a conscientious objector after being drafted for Vietnam. He became a journalist and wrote a lot of nonfiction, much of it dealing with the lives of Blacks in Canada.

Around 1974, Saunders created a fictionalized Africa called Nyumbani and began writing S&S stories set there about a hero named Imaro. These were published in a small magazine but the first one was reprinted by Lin Carter in his 1975 edition of Year’s Best Fantasy. By 1981, some of these stories had been connected into novel form and were published as Imaro, by DAW books (Ken Kelly cover). Two more books followed, The Quest for Cush (1984) and The Trail of Bohu (1985), both with excellent and more appropriate-to-the-character covers by James Gurney.

DAW’s original cover for Imaro, with tag line The Epic Novel of a Black Tarzan, withdrawn and reprinted after a complaint from the estate of Edgar Rice Burroughs

DAW didn’t know how to market a black S&S hero like Imaro and initially the character was compared to Tarzan, probably because of the African connection. Imaro, however, is much more Conan than Tarzan, although he is a unique character and no “clonan.” DAW realized their error and made the better connection, quoting on the back of Imaro:

Imaro’s saga will be compared with that of Conan and other heroes of history and legend…

(An aside about this quote: Conan is implied to be a hero of ‘history and legend.’ That’s a little odd.)

Heroic Fantasy edited by Gerald W. Page & Hank Reinhardt (DAW Books, April 1979). Cover by Jad

Imaro III: The Trail of Bohu has a cover quote:

Imaro follows in the footsteps of Conan

I first discovered Imaro in an anthology I’ve mentioned before called Heroic Fantasy. This led me to the first Imaro novel, although it took a while to find #2 and #3. They make a nice, solid body of work.

Imaro: The Naama War (Sword and Soul Media, December 29, 2009). Cover by Mshindo Kuumba

In 2009, Saunders self-published a fourth Imaro novel called The Naama War, through Lulu. Unfortunately, I didn’t immediately pull the trigger to buy it and now it’s unavailable. I’ve shown the cover pic by Mshindo Kuumba above.

There’s also a short story collection called Nyumbani Tales set in Imaro’s world (below), but the copies I’ve seen are used ones for nearly 150 bucks.

Nyumbani Tales (MVmedia, May 19, 2017). Cover by Edison Moody

Updated versions of the first two Imaro novels (re-edited by Saunders) were published in the early 2000s, although I don’t have them (see below). Saunders also wrote stories about a woman warrior named Dossouye. I read one of these, which was quite good, but the collection is currently unavailable.

I remember hearing of Saunder’s death several months after it occurred and being shocked. His writing, fine as it was, had not brought him any comfortable financial situation.

Reprint editions of Imaro and Imaro 2: The Quest for Cush from
Night Shade Books (February 15, 2006, and January 2007). Covers by Vince Evans

He died in a small apartment with no phone or internet connection, and apparently with no one close enough to him to check on his whereabouts. We can at least hope he’ll be better remembered after his death than he seemingly was before.

Charles Gramlich administers The Swords & Planet League group on Facebook, where this post first appeared. His last article for us was a review of two S&S anthologies, both titled Warlocks and Warriors, edited by Donald M. Grant. See all of his recent posts for Black Gate here.

She's seventeen. She and Ash are probably a few months apart in age though his age is slightly harder to pin down.

I also love Irene, but alas, you cannot take a lynx on a read trip easily. It does not mean Ty will never meet Irene tho.

She does think they should work things out, but she isn't really meddling. She at some point does warn Kit not to break her brother's heart (again) but otherwise she doesn't interfere, probably because she realizes that if they were to mend things with each other, it would have to be their decisions on their own terms.

Hi! Well, BVD takes place in the time period between book 2 and book 3 of The Wicked Powers. So it can't be published until after book 2 regardless of schedule — you're right that working out a schedule for a co-written book is doubly complicated since you have to work with two people's schedules!

In the market for some original art used for Robert McCammon novels? Artist Steve Crisp illustrated gobs of book covers in the UK in the ’80s and ’90s, and many of his pieces are being exhibited on IX Gallery. His original art pieces used for the UK paperback editions of BAAL, BETHANY’S SIN, and MYSTERY WALK are included in the exhibit and are available for purchase.

Penny Dreadful: The Classic Horror Art of Steve Crisp

Even if you’re not looking to purchase, the exhibition is a lot of fun to see!

Robert McCammon (and I) have nothing to do with this sale, I just thought you’d be interested in seeing it, at least.

Women in SF&F Month 2026 officially starts today with a guest post by Lorraine Wilson! Her short fiction includes “Bathymetry” (winner of the British Fantasy Award) and “Mhairi Aird” (published in the British Fantasy Award–nominated anthology Nova Scotia: New Speculative Fiction from Scotland, Volume 2). Her first novel, This Is Our Undoing, won the SCKA for Best Debut and was a finalist for the Kavya Prize as well as the British Fantasy Awards for Best Novel and Best Newcomer. Her […]

The post Women in SF&F Month: Lorraine Wilson first appeared on Fantasy Cafe.

Thank you all for such an incredible release. The turnout, the messages, charts performance and the flood of enthusiasm have launched a thousand Mod R squeees. It’s been wonderful to watch the story resonate with the people it was written for.

And we are being absolutely spoiled today in recognition of our formidable fluffiness!

A brand new character art reveal from Helena Elias, plus an entire bonus scene featuring reigning fan-favorite, Clover.

Spoiler safe after Page 130 Chapter 13, first scene

“So, explain your lady to me.” Shana wiped the table down with a wet rag. “Is she a noble or is she not? Because she’s confusing me.”

Clover sighed. It was a fair question.

They were sitting in the kitchen. The sun had barely risen, and the tea in her cup was hot and aromatic. She’d made a pot this morning, and it had turned out just right. Shana had taken over the kitchen, but they both agreed that Clover’s tea brewing skills were superior.

When Shana showed up in the chainmail and carrying a mace, Clover wasn’t sure they would get along. It took her less than 24 hours to realize that when it came to household staff, they couldn’t do better. Shana was experienced, practical, and capable and she was… solid, somehow. There was something about Shana that said “Mom” to her, although her mother and Shana looked nothing alike.

Back home, she and her mother butted heads. There was a time she couldn’t wait to get out. When the Maid Mother came with the offer to take her to the capital, Clover had jumped on that chance. She could still remember her mom crying when she was leaving, but her own eyes were dry. She’d been too excited and eager. Divine, she was such a stupid baby five years ago.

Now… There were times when she wanted her mom so intensely, she cried quietly into her pillow. Too much had happened, and most of it wasn’t good. There was a time in Derog’s basement when the loneliness tried to strangle her, and she thought her life was over. And then Lady Maggie came, and everything changed.

It was important that Shana understood that Lady Maggie was special.

“She is a lady,” Clover said. “Without a doubt. She looks you in the eye when she talks, and she keeps forgetting to bow her head, like she isn’t used to it. She is very educated. She knows things others don’t, and she can’t do her own hair. When she needs it put away, she makes a three-part plait like she is a child. She has great teeth, and her hands are soft.”

“But?” Shana asked.

“But she carries herself as if she isn’t.”

“Why?”

Clover sighed again. “I don’t know. When we took the house from the slavers, she cleaned the kitchen with me.”

Shana paused. “This kitchen?”

Clover nodded. “On her hands and knees with a rag. Like it was nothing. I tried to stop her, but she wouldn’t listen. I really tried. She just…”

Clover imitated holding a rag and scrubbed the invisible floor with it.

Shana stared at her.

“She washed the blood off and everything.”

“Are you serious?”

“It happened. There is more.”

Clover hesitated. This was a very sore point, but she’d been struggling with it for days now, and it was so nice to confide in someone.

She leaned forward and lowered her voice.

“I went to dump the dirty water. When I came back, she was in the bathroom. Scrubbing the toilets.”

Shana blinked. “Divine, preserve us.”

“She told me that we had to clean the house top to bottom to make it ours.”

Shana frowned. “I would have scrubbed the house too, just to get the stink of those fuckers out, but she is a lady. Toilets?”

Clover nodded slowly.

“If you don’t stop her, she will try to do things. Brew her own tea, cook, try to do the laundry…”

“Does she not understand it’s an insult to our skills?”

“I don’t think she does.” Clover gave her a slightly helpless smile. “I think she wants to help.”

Shana put her hands on her hips. “Oh no. This stops now. She is not cooking in my kitchen, I’ll tell you that. I have never needed a noble woman’s help to do my job, and I am not about to start now. Everyone has their duty. I’m the cook, you are the lady’s maid, and she is the lady. She needs to stay in her own carriage.”

Clover sighed. “If only.”

Shana reached over and patted her shoulder. “Don’t worry, sweetheart. There are two of us now. We will steer her back on the road. If you have any trouble, come and get me. I will set her straight right quick.”

That was right. She was no longer alone. She had Maggie and Kaiden, and Reynald, who could kill anything, and now the Magnars. It felt like she’d been wandering in a dark forest for so long, she couldn’t even remember what the sun felt like and then stumbled out into a clearing with a fortress in it. The fortress wasn’t in perfect repair, but it was solid and strong, and there was sun shining on it, and everyone inside would defend it with their lives.

Clover smiled and sipped her tea.

P.S. Mod R: Now that we’ve had our goodies,

The US and UK editions of This Kingdom Will Not Kill Me are separate releases, from separate publishers. If your copy is arriving on the 2nd of April, that means you are expecting the UK edition. That timing is correct, not a publisher error or issue as I have seen confusion in the comments.

The post Bonus Scene: Is She a Lady first appeared on ILONA ANDREWS.

Here are 7 Author Shoutouts for this week. Find your favorite author or discover an…

The post 7 Author Shoutouts | Authors We Love To Recommend appeared first on LitStack.

In March I read 10 books. You can see the reviews for all of them, which ones were my favorite, etc. below. Hope you all had a great month of reading!

I started the following series:

• None

I finished the following series:

• Redemptor (Raybearer, Book 2) by Jordan Ifueko (5/5 stars)

My Favorite Books of the Month Were:

• Agnes Aubert’s Mystical Cat Shelter by Heather Fawcett (5/5 stars)
• Redemptor (Raybearer, Book 2) by Jordan Ifueko (5/5 stars)
• Dreams Lie Beneath by Rebecca Ross (5/5 stars)

– Goodreads Reading Challenge (Progress: /150)

The full list of books that I read this month are shown below:
1. The Glowing Life of Leeann Wu by Mindy Hung (3/5 stars)
2. Agnes Aubert’s Mystical Cat Shelter by Heather Fawcett (5/5 stars)
3. So Far Away by Kat Mellon (4/5 stars)
4. Silver and Lead (October Daye, Book 19) by Seanan McGuire (3.5/5 stars)
5. Hollow Gods (Monstress, Vol 10) by Marjorie Liu, Sana Takeda (4/5 stars)
6. Redemptor (Raybearer, Book 2) by Jordan Ifueko (5/5 stars)
7. Wings and Broken Things (Mitzy Moon, Book 3) by Trixie Silvertale, Narrator Coleen Marlo (4/5 stars)
8. Keeper & Kindred (Meow: Magical Emporium of Wares, Book 2) by Toni Binns (4/5 stars)
9. Dreams Lie Beneath by Rebecca Ross (5/5 stars)
10. The Faraway Inn by Sarah Beth Durst (4/5 stars)

In reply to Benedict.

Meant to say how not why!

Hopefully I got most of them right, I am a little unsure of what rank Ivy’s are and perhaps Lucella used a different more nastier sigl.

Plus little things like this help the wiki, it really is quite impressive I don’t think Alex Verus has one!

In reply to Kevin.

Pretty good!

Hey along with being a wonderful edition to the series I think we have seen all these sigls before! I think these characters have the following

Scar and Disel B rank Strength sigl/Ajax.

I guess maybe A to S Rank increases your strength to 2 to 3 times what you can lift?

Calhoun B rank Reflex.

Given that it can help with adrenaline I see why Calhoun prefers this over a Motion sigl that could do the same.

Lucella C+ Rank Stun

I think this was the Life Effect she used in Book One?

Ivy C rank Stun and D+ rank Cat’s eye.

The only one who has two Life sigls, I guess she is good at Light and Life? She might have a higher’s Cat’s Eye if her family is wealthy but I get the feeling they might not be too generous. Or Ivy would rather do itself and accept the bare minimum?

How close why I guessing the sigls?