Feed aggregator

Westerns by Edgar Rice Burroughs: The Bandit of Hell’s Bend and The Deputy Sheriff of Commanche County (Ace Books); Apache Devil and The War Chief (Ballantine Books). Covers by Boris Vallejo, the Brothers Hildebrandt, and Frank McCarthy.

Like many pulp writers of his day, ERB dipped his toes into the western genre. He wrote four: two pretty standard ones and two that incorporate the Native American experience. He knew something of what he wrote, having worked on his brother’s ranch in Idaho at age 16, and having served with the 7th cavalry in Arizona in the late 1890s.

His first standard western was The Bandit of Hell’s Bend (1924), followed by The Deputy Sheriff of Commanche County in 1940. Both of my copies are later printings from Ace with very cool Boris illustrations. I like these better than many of Boris’s paintings because they seem less static. He does a good job of portraying action here.

In Bandit, we have a disgraced ranch foreman and a young woman who has inherited the ranch, and various villains who want to steal the ranch from her because they know there’s silver on it. The foreman, Bull, has to rise to the occasion. There’s great action and pretty good plotting, although you’ll probably figure it out pretty soon. And, as always, ERB creates sympathetic heroes and dastardly villains.

In Deputy Sheriff, a cowboy named Buck Mason is suspected of a murder he didn’t commit, and he has to run and hide until he has a chance to prove his innocence. This plot is not as good as Bandit but it gets the job done to showcase ERB’s lightning paced tale.

ERB’s other two westerns are connected and center very strongly on the Native American experience. The hero, though, is a white boy who is taken captive by Apaches and raised as Geronimo’s adopted son. He is given the Apache name of Shoz-Dijiji (Black Bear), for having killed one at a young age, and he grows up hating whites.

These books are The War Chief (1927), and Apache Devil (1933). Although there are some stereotypical elements to these books, they show that ERB had very strong sympathies for the Apache and disapproved of the way they had been treated by whites.

I found all of these books well worth reading, though the Apache books have stayed with me the longest. The cover art for The War Chief is magnificent and is by Frank McCarthy. The Apache Devil cover looks to be signed by Hildebrandt.

The Rider, The Oakdale Affair, The Mucker, and Return of the Mucker (Ace Books). Covers by Frank Frazetta.

ERB wrote a three book series generally called The Mucker. They were first published in magazines in the mid to late 1910s, but I have much later reprints, of course, from the 1970s. All of mine, shown here, are from Ace books with Frazetta covers. I particularly like the first book cover, although all are cool.

The Mucker (1914). Billy Byrne is born on the mean streets of Chicago and grows up a criminal. After being accused of murder, he flees to San Francisco and ends up shanghaied. A shipwreck leaves him and a beautiful high society girl stranded in an east Asian jungle and she needs rescuing. I really liked the development of the character here. Through love, Billy learns how to be a decent human being and becomes quite a hero.

The Return of the Mucker (1916). This book finds Billy trying to clear himself of his previous murder charges and failing. He ends up in Mexico in the midst of a revolution. And it so happens that his love interest from the first book, Barbara, is also there. The Mucker was a very fine novel but the sequel is pretty weak. Coincidences pile upon coincidences until it’s pretty hard to suspend belief. But it still has the action rolling. This one could easily be counted as one of his westerns given the setting.

The Oakdale Affair (1918). I’m not sure what ERB was striving for with this book. It’s got mystery elements, gothic elements, horror elements, western type elements. He put everything and the kitchen sink into this one. But it worked and I enjoyed it. It is only peripherally related to the Mucker stories in that it features a hobo character that appeared in The Return of the Mucker.

I included ERB’s The Rider here because of the Frazetta cover and because it was at one point published in a double with The Oakdale Affair. But it’s not part of the Mucker series. It involves a bandit called “The Rider” who exchanges places with a prince (Boris) who is about to be married to the princess of another European duchy (neither of whom want to marry the other). Chaos ensues. ERB crammed a lot of action and plot twists into this short work.

The Efficiency Expert (Charter, 1979) and The Girl From Hollywood (Ace Books, 1977). Covers by John Rush and Boris Vallejo

My favorite genres are Fantasy, SF, Westerns, Horror, and Thrillers. I don’t read a lot of straight mysteries and read relatively little “mundane” fiction. By mundane, I mean fiction set in a modern world where the happenings are portrayed as realistic. After reading ERB’s westerns and everything he wrote with fantastic elements, I was left with three books: The Girl from Hollywood, The Efficiency Expert, and The Girl From Farris’s.

They were also among the more difficult ERB books to find and were expensive, but I wanted them because they were… well, ERB. I got both Girl and Efficiency in 1970’s paperback form but couldn’t get Farris and finally ordered it in a modern paperback printed from public domain materials. Here are my capsule reviews.

The Girl from Hollywood (ACE, 1977, Boris Cover) is not quite a western. It takes place in the 1920s, but much is set in a western landscape and involves many western tropes. The plot involves a fine western family whose lives become entangled with Hollywood types. Some of these are basically good and recover from their evil natures while others never do.

As is typical of ERB’s work, there are coincidences that help the plot along, and there’s actually very little action compared to his typical story. However, the sheer narrative drive that ERB was able to bring to his tales keeps you reading. I finished it in one day, if not quite one sitting. Not my favorite work by him by far, but still enjoyable.

The Girl from Farris’s (CreateSpace edition, 2017). Cover by Frank Frazetta

The Girl from Farris’s (Public Domain, from CreateSpace, 2017). The cover is by Frank Frazetta. An editorial note names Taylor Anderson as editor, and claims the publisher is Odin’s Library Classics. The text appears to be intact but the print is small and there are no indented paragraphs. I actually read this in ebook version, though, so I’ll just stick it on my shelves. I rather like the cover but don’t know where it came from.

“Farris’s” is a house of ill repute and June Lathrop a lady of the evening who is trying to escape it. She meets a young man — Ogden Secor — who wants to help her and fate keeps throwing them together. It’s a tale of redemption, which is an element in all three of these novels. One particularly interesting point is that Ogden is a failed Chicago businessman who tries to make a new life for himself in Idaho. ERB himself fled the business world of Chicago for his brother’s Idaho ranch. They say, “write what you know.”

The Efficiency Expert (Charter, 1979, cover by John Rush) is the last Burroughs book I’ve read, and very nearly the last one to exist that I hadn’t read. I left these three to last thinking they weren’t much up my alley. None of them have any fantastic elements. Efficiency Expert is a straightforward and realistically based story of a young man of quality who is down on his luck but never succumbs to corruption and wins out in the end. I was engrossed throughout. There’s certainly plenty of coincidence featured in the plot but I didn’t mind it much and even without a lot of action happening, it had narrative drive and kept my attention.

I’d rate Efficiency the best of the three, followed by Hollywood and Farris’s.

We’ll wrap up Burroughs next time with a look at his Hollow Earth tales.

Previous installments in this series include:

The Fiction of Edgar Rice Burroughs, Part I: Sword and Planet
The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot

Charles Gramlich administers The Swords & Planet League group on Facebook, where this post first appeared. His last article for Black Gate was The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot.

1. Essentia Capacity
2. Sigl fashion

1) Sigl Recycling & Essentia Storage (Aurum)
2) [Write-In] Spiritual Entities/factions & their special ‘Gifts’
3) [Write-In] Cults (like The Winged) who align to Spirits
4) [Write-In] Creating Sigl for other species (As above)

1. Country Affinities.
2. Branch Affinities.
3. Corporations.
4. The Board.
5. Essentia Capacity.

Not sure if these would count as spoilers but if not then.
1. Spiritual Entities that grant’s Steven’s Essentia Sight and other “gifts.”
2. The big Cults from the Winged, the Order of the Dragon and the other big Cult.
3. The minor Cults such as Ogun and Perun that the gang and strike teams follows as well as other similar groups.

The lavender was dying. Elara surveyed the wilted stalks, with drooping leaves and sagging buds. There were five main causes of lavender wilt: overwatering, underwatering, poor drainage, not enough light, and too much heat. None of it applied. They had grown lavender in this greenhouse for years.

Next to her Jean Bradshaw twisted her hands. A plump, middle-aged woman, with golden skin and a gathering of freckles on her nose, Jean was the aromatics master. Basil, mint, rosemary, all of it was her domain.

Behind Jean three of her gardeners waited, their expressions pinched.

“It isn’t anything you did,” Elara told her.

“I’ve tried everything. Nothing works.” Jean rubbed her face and pressed her hands, palms together, to her lips, as if praying.

They both knew what this meant. They were going to lose this lavender harvest.

Lavender was a staple. It wasn’t exciting, rare, or expensive, but they used it constantly in all sorts of ways. It was a go-to aromatic for cosmetics and bath products. It soothed headaches, calmed nerves, prevented the formation of scars, and it was slightly antiseptic. It was employed in child blessing rituals and for sun invocations. Magic users who meditated bought it by the sack. A big chunk of their income depended on lavender. There was a reason why they grew it year around.

Elara resisted the urge to rock back and forth. Why was this happening? Why?

“And the thing is, the lavender in the Red Greenhouse is perfectly fine,” Jean said. “Same soil, same watering schedule, same light conditions… The two greenhouses are next to each other. You’d think if one went bad, the other would too, but no, it’s this one and the Blue and the Yellow. And the Yellow is almost fifty yards away.”

An idea tugged on Elara. She turned and strode out of the greenhouse into the gardens. The fall air mugged her, dry and cool after the humid warmth of the greenhouse.

The Red Greenhouse with its perfectly healthy lavender was to the left and behind her, about twenty yards down the path. The Blue Greenhouse, full of dying mint, stood about twenty yards in front of her and to the right. Then the Yellow Greenhouse, where oregano had turned to near dust, was all the way to the left and forward…

Ismael came running down the path, flying as fast as his ten-year-old legs could carry him. He crashed to a stop in front of her and struggled to catch a breath.

“Take your time,” she told him.

“People from Aberdine are here,” he announced.

What now? “Did anyone send a word to the Preceptor?”

Ismael nodded frantically.

Ever since Hugh took his Iron Dogs and saved Aberdine, they treated him with a respect bordering on reverence. She had been supplying them with beer, medicine, and cosmetics for years, and none of that mattered compared with Hugh riding in to save the day in his black armor. She provided them with necessities, and he had given them a hero. A big strong man in black armor on a giant pale horse.

In some regards, it was a proof of her success. She’d done her best to appear as a good, reliable, non-threatening neighbor. They had no idea how scary she could truly be. They would never see her as a possible savior. But Hugh? Oh yes. When that man wanted to, he could be damn impressive.

Individuals were complicated, but people were simple. Hugh understood that. He knew by some uncanny instinct what people needed him to be and then he became that to get what he wanted. Even now, she had no idea if the Hugh she saw every day was truly who he was or if he’d just assumed the role for some secret gain.

One thing for sure – Hugh could turn on a dime, and when that mask came off, he unleashed shocking brutality and he did it without hesitation or doubt. If Aberdine was very unlucky, it would learn that today.

“Where are they now?” she asked.

“Johan put them into the visitor room. They are beat up.”

“The Aberdine people?”

Ismael nodded.

Beat up Aberdine people was the last thing she needed right this second.

“Johan gave them drinks and sandwiches.”

“Go back and tell Johan to keep them occupied. Then go to the wall by the front gate and wait until Hugh comes back. Come and get me as soon as you see him ride out of the woods.”

Ismael nodded again, turned around, and took off like a deer back up the road toward Baile.

“Maybe it’s him,” Jean said.

“Who?”

Jean hesitated. “The Preceptor.”

“What about him?”

Jean paused.

“Say what’s on your mind,” Elara prompted.

“The herbs started dying after the Iron Dogs showed up.”

The three gardeners went very still.  Clearly, this theory had been discussed. By now it had probably spread all through the gardener crew.

She had to nip this in the bud, or it would fester.

“When do you think the first wilt happened?” she asked mildly.

“Jimsonweed field,” Jean said.  “A month after they came.”

Elara shook her head. “You’re thinking in terms of fields and greenhouses. Think before that, to something much smaller. What was the first batch of plants that died just like the lavender?”

Jean pondered it, frowned, looked at the sky, and turned to her. “The kitchen garden!”

Elara nodded. The cooks maintained a small herb garden for the Baile’s kitchens, a few rows of onion, garlic, dill, and parsley. One day it had simply withered.

“When did it die?” she asked.

“The end of July,” Jean said. “We thought the fertilizer had been contaminated with something.”

“And the second wilt? Who can tell me?”

Caro, one of the gardeners, raised his hand. “The raspberry bushes. They died on the fifth of August. I remember this because it was Savannah’s birthday.”

The patch of raspberry bushes had sprung up by the castle walls completely on its own.  They didn’t know if someone planted it or if some raspberries had been discarded there.  In any case, the bushes grew wild until one day they wilted to nothing.

“Hugh d’Ambray didn’t even know we existed until September,” Elara said.

Jean opened her mouth and closed it.

“The Iron Dogs fought and died for us,” Elara said. “This is their home. The Preceptor has no power over plants, and even if he did, why would he interfere with our herbs? The Iron Dogs depend on us for their shelter, food, and equipment. They’ve been salvaging metal from the forest to help us offset the costs. What would they gain from causing us to lose money?”

Silence answered.

“I need the four of you to go back to the people you gossiped with and let them know what I said,” she told them. “There is no more us and them. We stand as one. Do you understand?”

Heads bowed. 

“Yes, my lady,” Jean told her.

“Thank you. Now let’s see the other greenhouses.”

The post Chapter 2 Part 2 first appeared on ILONA ANDREWS.

Happy February! It’s the season of love so I thought it was the perfect time to share the cover for my next book, THE HOUSE SAPHIR. If you follow me on Instagram, you’ve heard me talk about working on this Bluebeard retelling for some time now, but now that it has a cover, it feels really real! It comes out in November and I’m so excited to share it with you.

Mallory Fontaine is a fraud. Though she comes from a long line of witches, the only magic she possesses is the ability to see ghosts, which is rarely as useful as one would think. She and her sister have maintained the family business, eking out a paltry living by selling bogus spells to gullible buyers and conducting tours of the infamous mansion where the first of the Saphir murders took place.

Mallory is a self-proclaimed expert on Count Bastien Saphir – otherwise known as Monsieur Le Bleu – who brutally killed three of his wives more than a century ago. But she never expected to meet Bastien’s great-grandson and heir to the Saphir estate. Armand is handsome, wealthy, and convinced that the Fontaine Sisters are as talented as they claim. The perfect mark. When he offers Mallory a large sum of money to rid his ancestral home of Le Bleu’s ghost, she can’t resist. A paid vacation at Armand’s country manor? It’s practically a dream come true, never mind the ghosts of murdered wives and the monsters that are as common as household pests.

But when murder again comes to the House Saphir, Mallory finds herself at the center of the investigation―and she is almost certain the killer is mortal. If she has any hope of cashing in on the payment she was promised, she’ll have to solve the murder and banish the ghost, all while upholding the illusion of witchcraft.

But that all sounds relatively easy compared to her biggest challenge: learning to trust her heart. Especially when the person her heart wants the most might be a murderer himself.

And voila, the cover:

Don’t you love it?

Artist: Andrew Davis @andrewdavis_designs

Cover design: Rich Deas @richdeas

THE HOUSE SAPHIR comes out November 4, but you can preorder your copy now at my store at Bookshop.org or wherever you get your books. Don’t forget to keep those receipts *hint, hint*.

While you’re book shopping, if you haven’t picked up the HEARTLESS ebook, now’s a great time – it’s on sale all month. In other great news, Bookshop.org (that supports indie bookstores) now has ebooks so you can grab your copy there.

Speaking of sales, everything at my Etsy shop is 25% off for all of February. From stickers, to wearables, find your official Marissa Meyer and The Happy Writer merch here.

It’s been a couple of weeks since THE HAPPY WRITER, Get More Ideas, Write More Words, and Find More Joy from First Draft to Publication and Beyond came out and I couldn’t be more grateful for the amazing feedback my first non-fiction book has already received. This book is so personal for me and encompasses everything I try to practice in my own writing life, so finding that it’s resonating with readers is so validating.

Thank you for reading and sharing your feelings on social media and in reviews!

Here are a couple of review snippets from Goodreads:

An incredible exploration of the writing world unfolds here, covering everything from imposter syndrome to query letters and much more. Marissa transitions seamlessly between topics, keeping the flow engaging. I was captivated from beginning to end, and her narration in the audiobook added an even more uplifting vibe to the experience. Being a happy writer encompasses so much more than just the craft; it truly is a calling. ~ Amanda

“The Happy Writer” by Marissa Meyer is a helpful guide for seasoned writers and beginners alike. This guide has a wide array of practical advice from where to find inspiration to showing kindness to yourself throughout the writing process. Marissa’s tone encapsulates the joys of writing. Her stance is uplifting, showing all writers that they can work through challenges to find their flow. Marissa is like a warm, encouraging friend who believes in you, giving you the pep talks you need so you won’t give up on your draft. The conversational tone makes this guide a breeze to read and the tips are easy to apply. ~ Danielle

If you haven’t picked up your copy yet:

Buy Links: Bookshop | Barnes and Noble | Indigo (Canada) |

Don’t forget, the audio is available, too, read by me!

More buy links and audio/ebook excerpts here.

Until next time, stay inspired and keep writing.

With love,

Marissa

The post Love, Deals, and a New Cover in the Air first appeared on Marissa Meyer.

 

Taken by an Immortal Elf(Elves Among Us: Forbidden Love #0.5)by L.E. Sunwick
What is it about:My captor sees me as one of those destroying his sacred forest. I see him as the most gorgeous male on earth.So handsome. Those muscles. That athletic self-confidence. He is an immortal elf more than a century older than I. He calls me a lioness because I stand up to my wealthy uncaring parents - and him. Ours is a forbidden attraction. He is an elf of legend. I am a mortal duchess and a human he does not trust. We cannot be together.But I would sacrifice my happiness to save his sacred lands from my parents’ greed. My brief time with him was a lifetime’s worth. If I don’t do something, lives - and our budding love - may be lost. Even the courage and prowess of a hundred real lionesses may not be enough. But for a tiny chance at true love, I am willing to find out.
What did Voodoo Bride think of it:I recently participated in one of those 'Stuff your Kindle' events, and got signed up for tons of newsletters because of it. One of them was the newsletter of L.E. Sunwick. When there was a call for ARC/early readers for a rewritten book 1 in this series I got curious, signed up, and dug through my Kindle app what story of L.E. Sunwick I downloaded. It turned out to be this prequel story, so I decided to immediately give it a try.
And this turned out to be such an enjoyable read, that has several things I can't resist in my romances.
Hunky immortal elf: check!Heroine I liked from the start: check!Forbidden Love: double check!
This is a short story (82 pages), but it feels complete, and has romance, action, steam, and sacrifice. I finished this in no time at all, and you can be sure I'm already looking forward to reading more in this series. Each book can be read as a standalone as well I've been told, so I might check out book 2 soon.
Why should you read it:It's a very enjoyable Fantasy Romance read

I hope you're ready for episode 3 of DOGE- Supernatural Division because they're visiting the infamous Area 51 next. No one is safe from High Wizard Elron's determination to save American taxpayers money (maybe not even aliens if he finds any).

The Ninth Gate (Summit Entertainment, 1999)

Last week’s article on Angel Heart not only resulted in a lot of fun and insightful comments from all of you, but it got me thinking about another film that I appreciate in a similar way. It will be twenty-six years old next month and having given it a re-watch last weekend, I wondered what your thoughts would be on this one.

The Ninth Gate, directed by Roman Polanski and starring Johnny Depp, was released in March 1999. Polanski was co-writer on the screenplay which was loosely (and I do mean loosely) adapted from the book, The Club Dumas (1993) by Arturo Pérez-Reverte.

The Club Dumas by Arturo Pérez-Reverte (HarperVia, May 1, 2006)

In the film, Dean Corso (Depp) is a New York book dealer with a reputation for unscrupulous methods. When Boris Balkan (Frank Langella), a wealthy collector of rare books on the occult, hires him to authenticate a mysterious tome called The Nine Gates of the Kingdom of Shadows, Corso embarks on a journey across Europe.

The book, rumored to summon the devil when used correctly, exists in three copies, but only one is authentic. Corso’s task is to examine the three editions and uncover the truth. As Corso delves deeper into his investigation, strange deaths and supernatural occurrences begin to haunt his steps. Along the way, he is joined by a mysterious woman (Emmanuelle Seigner), whose true nature seems tied to the book’s sinister secrets.

In parallel with Angel Heart, The Ninth Gate presents a dark journey into the unknown by a skeptical protagonist who is in over his head but doesn’t know it. The memorable visuals created by Darius Khondji, who is known for his work on Se7en, are well synchronized with the puzzle elements of the story and Polanski’s signature direction is evident as well. From dusty bookstores to candlelit castles, the cinematography oozes occult suspense all over the place.

I frankly love The Ninth Gate all the way up until its final few moments.

[Minor spoilers ahead.]

The film does a fabulous slow burn to what can only be described as an enigmatic conclusion, and this is why Angel Heart is still my favorite of the two films. While we aren’t at all confused as to what will become of Harry Angel, The Ninth Gate leaves viewers in the maddening position of wondering whether Dean Corso has unlocked forbidden knowledge, become ensnared in a deadly conspiracy, or gone to literal Hell – maybe all three. I remember screaming “NO!” at the screen when the credits rolled since all the fabulous creepiness that built through the entire film, simply went off a cliff at the very end, without resolution.

Johnny Depp in The Ninth Gate

That sent me straight to the source material to see if Polanski was being a jerk by leaving us with such an unsatisfactory conclusion. I immediately went out and bought a copy of The Club Dumas assuming that it would fill in some, if not all, of the missing pieces.

Nope.

While The Ninth Gate is based on The Club Dumas, it omits substantial portions of the novel, particularly a subplot about a lost chapter of The Three Musketeers. The film focuses solely on the occult storyline, which, by the way, is a sub, SUB plot of the book. If anything, the ending of the book was even more obtuse, with themes centered on literary puzzles and human obsession rather than a definitive supernatural climax.

Interestingly, the titular tome at the center of the film, called De Umbrarum Regni Novem Portis, or The Nine Gates of the Kingdom of Shadows, is a fictional text. Its design plays a significant role in the plot, with eerie and violent illustrations which are gruesomely brought to life in the form of the demise of several characters. The engravings within The Nine Gates book, which were painstakingly designed for the film, serve as the visual centerpiece of the story. Each engraving contains subtle differences across the editions, forming cryptic clues for Corso and the audience to unravel. For movie prop collectors, it is a highly recognizable and sought-after addition.

Emmanuelle Seigner and Johnny Depp in The Ninth Gate

I used to have visions of owning my own copy of The Nine Gates, however, a well-made replica with a leather cover can go for upwards of $1200 or more. If you’re interested in a more attainable version, an engineer named Michael F. Haspil has created a detailed tutorial including the printable text and illustrations you’ll need to build one yourself, which you can find here.

Ultimately, The Ninth Gate received mixed reviews at the box office and made a rather crappy $58M against a $38M budget – so basically a bomb by Hollywood standards. Though critics praised its style, it was criticized for its pacing and lack of resolution. Despite that, The Ninth Gate has aged well with viewers like me who enjoy slow-burning mysteries and subtle horror. Depp delivers a restrained performance, grounding the fantastical story in a world of skepticism and pragmatism, while Frank Langella’s portrayal of Boris Balkan adds recognizable vice as a man consumed by his quest for power, at the peril of his soul.

The Ninth Gate’s blend of literary intrigue and supernatural tension makes it a film that (mostly) stands up over time. Whether you’re a fan of Polanski’s work, a lover of occult mysteries, or simply curious about the interplay between literature and cinema, The Ninth Gate is worth revisiting.

Thoughts?

I am teaching a new lecture-only class called “Craft in the 21st Century.” I’ve been doing a lot of work with professional writers this past six months, and I’ve noticed some new problems that I hadn’t seen before. Plus, I’m encountering a few things in my own writing that didn’t exist before either.

Life changes. The act of reading changes. The act of writing changes. People’s tastes change. All of this is normal, but sometimes hard to keep track of. So, I’m going to talk about it in this class.

This is a craft class. Like the in-person craft classes that I teach, there will be no discussion of politics or religion. We won’t discuss current events. We will be talking about trends and changes in the world, often dictated by technological change.

So, join me for this. The class will start on Monday. The price is $200 right now, but it will go up to $250 on Monday when the first video goes live. Sign up here.

You want to hear more about the class? Take a look at this video.

 

The reason I’m wearing the dorky Back To The Future shirt is because I recorded that video on the same day as Dean and I recorded “The Kris & Dean Show Does Back To The Future.” We go through the movie bit by bit to show how to develop characters and how to plant information so that readers/viewers don’t really notice it. The entire show went live last night.

Here’s a taste of how goofy the two of us get when we’re together:

You can sign up for that here. And if you missed “The Kris & Dean Show Does Die Hard,” you can find that here. In that one, we have a lot to say about plotting and keeping up a thriller pace.

And yes, there will be more.

Why is this all happening now? Well, because we moved our WMG offices to Las Vegas. We can record these ease.

So take a look. I hope you have fun with them!

Oh, and the picture of Angel Kitty? That was just to get your attention. ?

Ukrainian publisher Zhorzh has announced a May 2025 release date for their first Robert McCammon translation! Several years ago, they acquired the rights to Boy’s Life, Speaks the Nightbird, The Queen of Bedlam, and Swan Song. Special thanks to reader Antoniuk Igor for keeping me informed about this release!

Here are their posts about the release, which includes ordering information:

Facebook
Instagram

The Antidote is a gripping dust bowl epic about five characters whose fates become entangled…

The post Spotlight on “The Antidote” by Karen Russell appeared first on LitStack.

 

A Web of Obsidian(The Obsidian Sisterhood #1)by Lydia M. Hawke
At 69 years old and with two martial arts black belts to her name, Sister Monica Barrett has never been one to back down from a fight. But the one that just landed on the ragged front lawn of the women’s shelter she runs may be more than she’s equipped to handle.
At first glance, the assailant in pursuit of a young woman seems like an all-too-familiar story. But this attacker has powers—he moves with uncanny speed, strikes with brutal accuracy, and isn’t after the woman at all. Instead, he wants what she has: a flat, black stone with a spider’s web embedded in it.
The instant Monica touches the stone, her world is turned upside down. Power surges through her and destroys her adversary—the kind of supernatural power that should belong only to the God she serves. A horrified Monica is determined to rid herself of the stone and whatever it holds, but with more attackers coming after her and the women she shelters, she needs to move fast.
Can Monica find where the stone came from before it falls into the wrong hands? Will it be safe to return it to its rightful place? Or has a nun of a certain age just inadvertently become the keeper of a dark power no human should wield?

Expected publication February 25, 2025

Mystery

When Claire returns home from work she discovers her parents, lying in bed, murdered. While investigating the murder Bree Taggert uncovers family secrets and a shocking motive. 

Every now and then an author stumbles upon the magic sauce that makes a series great. Robyn Carr found it with Virgin River, Patricia Briggs with Mercy Thompson and Kendra Elliot nailed it with Mercy Kilpatrick. Bree Taggert is kind of like that. Melinda Leigh’s other series’ were good, even great, but Bree Taggert got everything right. 

And when you hit that sweet spot there is a lot of pressure to keep going. Robyn Carr kept going with Virgin River way past its best before date. I wonder if Patricia Briggs is also approaching that point with Mercy Thompson. And in some ways this book feels like that. It’s good. Every bit as good as some of her other books, but it also feels like maybe the series has run its course and maybe it’s time to explore new ideas. 

Overall, this book was good but not great. But there were opportunities in this book which were not explored and I hope Melinda Leigh planted those seeds to be explored in her next project. 

 

Buy The Devils

OFFICIAL AUTHOR BIO: Joe Abercrombie was born in Lancaster, England, studied psychology at Manchester University, and worked as an editor of documentaries and live music before his first book, The Blade Itself, was published in 2006. Two further installments of the First Law trilogy, Before They Are Hanged and Last Argument of Kings, followed, along with three standalone books set in the same world: Best Served Cold, The Heroes, and Red Country. He has also written the Shattered Sea trilogy for young adults, the Age of Madness trilogy for old adults, and Sharp Ends, a collection of short stories. He lives in Bath, England, with his wife and three children. The Devils is his thirteenth novel.

FORMAT/INFO: The Devils will be released by Tor Books on May 6th, 2025. It is 560 pages. It will be released in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: When Brother Diaz is summoned to the Sacred City, he's sure he is finally landing a prestigious position that will reflect his hard work and dedication. But instead of a noble, glorious assignment, he finds himself in charge of the Chapel of Holy Expediency, an arm of the wing the Church doesn't even officially acknowledge. Brother Diaz is now responsible for dangerous individuals, ranging from a blood-thirsty werewolf to an arrogant necromancer. Their current assignment: escort a lost princess across the continent and install her as the rightful empress of a neighboring empire. In their way: four dangerous cousins who want the princess eliminated so they can take the throne instead.

The Devils is another fantastic fantasy novel featuring that signature blend of Abercrombie: violence, crassness, and a host of memorable characters. Unsurprisingly, my favorite part of the story was the characters themselves. There are several POVs in this book, and every chapter felt like it had a distinctive voice. You could tell when it was a princess chapter versus a werewolf chapter versus a necromancer chapter. All these POV chapters provide insights into the characters themselves, which allows the readers to grapple with a real question: How dangerous are the members of the Chapel of Holy Expediency? Are they being unnecessarily prosecuted? Or has the Church accurately determined that these people are a clear and present danger to society if left unchecked? There is not a cookie cutter answer that applies to all of these characters, and it was intriguing to unpick their backstories and make my own judgement about them.

Speaking of the Church, let’s discuss the setting itself. The Devls is set in an alternate medieval Europe; while you’ll find references to familiar locations like England and Barcelona, you’ll also find the populace lives in fear of another invasion of cannibalistic elves. The Church is Christianity-adjacent, in that it worships one God, but they use different iconography, and their Savior is a woman, resulting in much of the upper Church leadership being women. All of this is in service of a VERY thinly veiled satirical critique of organized religion. It is a constant theme throughout the book, to the point of being slightly overdone.

The story itself was a blast to read. Our characters must journey from essentially the Vatican to Troy to return the lost princess to her throne. In their way are four royal cousins who want the throne for themselves, resulting in multiple attacks, traps, and attempts on the princess’s life. While individually, each fight is well done and distinctive, it did start to feel slightly repetitive by the end of this 500+ page book.

CONCLUSION: That doesn’t stop The Devils from having one heck of a gut punch as the story concludes. While the mission of this particular book, returning the princess to her throne, is wrapped up by the end, there are multiple tantalizing hooks dangling that foreshadow things to come. I myself cannot wait to see these characters come back and grapple with a new problem, and see how events from book one have (or haven’t changed) their outlooks. In short, The Devils is a fantastic opening for a trilogy that is sure to be thrilling and engaging journey.

 Cover Reveal: Special Delivery by Rex Burke

OFFICIAL BOOK BLURB: A dangerous mission. A second chance.

Actually, scratch that. No chance.

Dix’s career as a trooper in the Federation army is unblemished – until the day he disobeys a direct order and strikes an officer.

Now Dix has a choice. Face a life of hard labour that promises to be brutal and short. Or accept a mysterious invitation to join a black-ops mission in hostile terrain.

The plan sounds simple, if horribly dangerous. Fetch a fearsome weapon from a secret location and deliver it to a distant planet, whose population is under the chilling yoke of the Federation’s rival empire, the Axis. Do it without getting caught, or implicating the Federation, and Dix’s transgressions will be forgiven.

But the weapon turns out to be unlike anything he could have expected, and Dix’s troubles have only just begun.

'SAS Rogue Heroes' x 'Starship Troopers' – Special Delivery introduces a ragtag crew of misfits and malcontents on a mission with more holes than a blaster-riddled corpse. It’s a fluid, easy-reading, military-action Sci-Fi adventure, perfect for fans of Tanya Huff and John Scalzi.

Intriguing? Let's look at the cover, designed by: Chris Hudson

PREORDER your copy of Special Delivery here
OFFICIAL AUTHOR INFORMATION: Rex Burke is a SciFi writer based in North Yorkshire, UK.

When he was young, he read every one of those yellow-jacketed Victor Gollancz hardbacks in his local library. He’s sure there are still thrilling SciFi adventures to be told – even if he has to write them himself.

When he’s not writing, he travels – one way or another, he’ll get to the stars, even if it’s just as stardust when his own story is done.

Website: https://rexburke.com/

Contact: rex@rexburke.com

BlueSky: @rexburke.bsky.social

Let's hear from the author about how he came up with the idea from the book:

"Ideas for books come to me in all sorts of ways – the first germ of what became Orphan Planet was a disastrous camping trip one of my sons went on; The Wrong Stop came out of a lifetime spent travelling around Europe on trains, and wondering about the people I met on board. 

And sometimes a single thought is enough, and on one such train, early last  year, two fully formed sentences popped into my head, unbidden. Here they are:

†'Their unit, OneSquad, had been fighting hard all day across difficult terrain. The planet was a squelching, crater-filled shithole, and Dix was covered in mud – at least, he hoped it was mud – but orders were orders.'

Those two sentences begin the book that is Special Delivery, which will be published in April. 

I never set out to write a hard-edged Sci-Fi story about space troopers on a secret mission, but that's what my next book is – though you should be reassured that it's also full of banter, laughs, scrapes and mysteries. A traditional Rex Burke book, in fact, but this time set entirely in space, and with added fights, guns, blood, intrigue and betrayal."

Despite my best efforts, I finally managed to make a cardigan. I bought this really cute yarn last year.

This is Rainbows and Airwaves from Bad Sheep Yarn. It is a gorgeous yarn, so I wanted to make a fun cardigan with it. I usually make stuff for the kids, but I wanted something for myself and all the colors made me happy. I tried knitting it first, but for some reason the stockinette came out very yellow and underwhelming. Then I tried knitting a textured stitch, but I still didn’t like it.

One of the interesting things about Bad Sheep Yarn is that the skeins are remarkably consistent. They look just like that and one skein is very similar to the other. This is quality dying – love it – but it also causes the yarn to pool a bit. So this was unraveled twice.

I finally settled on a heavily textured crochet stitch alternating skeins with each row.

This is a row id hdc followed by another row of 2 hdc, a double crochet around the post in the previous row, 4 hdc. It helped a bit with the pooling. The sleeves are hdc just for fun. I finished it with knitted rib because at the time my hand hurt too much and the rotation of the crochet hook was not fun.

And here it is, ta-da!

It still pooled a little, because the yarn is just that consistent, but I kind of love it more this way.

It is basically done. It just needs pockets. I love it!

While we are on the subject, thank you so much for all of the yarn recommendations. I ordered samples and will report on success or failure.

The post A Happy Cardigan first appeared on ILONA ANDREWS.

In reply to Alicia White.

So it was! It got buried with so much other information I didn’t see it.

In reply to Kevin.

I think he said something about the new book’s title back in January.

In reply to Bill.

Well I guess on Friday we are getting a title announcement!