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Publishing updates from Susan Illene, including paperback availability, Galadon news, and details for her upcoming new romantasy series.

This week of Women in SF&F Month starts with an essay by A. G. Slatter! Her work includes The Bitterwood Bible and Other Recountings (winner of the World Fantasy Award for Best Collection), Of Sorrow and Such (winner of the Ditmar Award for Best Novella), and The Path of Thorns (winner of the Aurealis and Australian Shadows Awards for Best Fantasy Novel). Her most recent novel, the gothic fantasy The Crimson Road, is described as “a tale of vampires, assassins, ancient […]

The post Women in SF&F Month: A. G. Slatter first appeared on Fantasy Cafe.

The Art Spy, a riveting and stylish saga, uncovers how an unlikely heroine infiltrated the…

The post Spotlight on “The Art Spy” by Michelle Young appeared first on LitStack.

We…wish…you…a…stop. We wish you would stop.

No, this is cool. Really.

OMG! Is Santa really Captain America?

No. Just. No.

I wish you a merry…

Ha! Die stupid hat! Die!

I have you now, and your ruby slippers too!

The precious is mine!

I hate each and every one of you.

And, no I am not participating willingly. Please call my assassin. I have a job…

It’s an early A (Black) Gat in the Hand, as I got my Pulp on week before last, at Windy City, in Chicago.

I managed to resist the impulse to grab the microphone in the Dealers Room and proclaim, “Finally….The Bob…has come back…to Windy City.” A little classic Rock for you there. And in not doing so, I wasn’t evicted and had a great time.

Doug Ellis puts on the Windy City Pulp and Paper Convention annually at the Lombard Westin, in the suburb an hour west of Chicago. I last attended in 2019. Of course, COVID hit in 2020, along with some other life changes. I made it to my first Howard Days in 2022, and headed over to Pittsburgh the last two years for Pulp Fest. Windy City just didn’t quite happen. But I made sure it did in 2025.

There’s an auction, some panels, an art show, and a massive Dealer Room. I’ll share my purchases here in a minute. But hands down, the best part of Windy City for me, is hanging and chatting with people. I see lots of online friends and some folks I’ve met before. I even make new friends. Sort of.

Walking around the Dealer Room and getting into conversations on pulp or paperback favorites is a blast. I find somebody to chat Nero Wolfe, or Jo Gar, or Solar Pons, or Solomon Kane, or Bail Bond Dodd, or…you get the idea. I found myself showing my Civil War shelfie to someone, as they talked about Shelby Foote.

There are always folks sitting around the lobby. I’ve met new friends just sitting down and working into the conversation. Saturday night, Ryan Harvey, Chris Hocking, James Enge, and I, spent over two hours just riffing through movies and writers. Ryan’s knowledge of multiple movie genres is staggering. And what those three knew about movie soundtracks left me soaking it in.

Add in eating a couple meals with friends, and the social aspect of Windy City is hands down my favorite part. As you’ll see, I find things to buy – and I restrain myself every year – but it’s talking about mutual interests at Windy City that is the highlight for me. Glad I made it back. See you there in 2026?  Between the ever-present LA Dodgers cab, and a shirt with ‘Byrne’s Pub’ writ large on the back, I’m easy to spot.

What Did I Buy?

Max Latin!

You may (or may not) know, I wrote the introduction to Steeger Books’ reissue of the collected Max Latin short stories. Norbert Davis is on my Hardboiled Mt. Rushmore, and the shady private eye Latin, is my favorite work of his. The fact that my intro replaced the last professional piece written by my favorite writer, John D. MacDonald, is awesome. You can read my intro, here at Black Gate.

For $70, I got the May 1942 issue of Dime Detective, containing “Give the Devil His Due.” This was the fifth Latin story, and I am now the proud owner of an original Latin story. There’s also a Marquis of Broadway by John Lawrence in this issue.

Gotta Have Some Howard! Will Oliver on the left. I think Security was trying to find the guy on the right, most of the show. Wait, that’s John Bullard. I stand by what I said…

I resisted the impulse to bring home a haul of Robert E. Howard-related books. It’s easy to find more cool stuff to add to my library – even if I already have the stories included. But Robert E. Howard Foundation folks. Bill Cavalier, Paul Herman, and John Bullard were there. And breakfast with John and Paul was a conversational potpourri I won’t soon forget!

Held every June in REH’s hometown of Cross Plain, TX, Howard Days is a terrific gathering of Howard fans from all over the world. I wish I’d been into Howard back when I lived in Austin. Highly recommended weekend.

I met Will Oliver, a really cool guy (when you’re as cool as I am, you are drawn to other cool people. Yeah…) when I was down there. Will just put out an extensively referenced, door-stopper of a biography of Howard. I grabbed a copy directly from Will at the table, which he kindly signed. I am looking forward to digging into this and probably talking about it during this summer’s run of A (Black) Gat in the Hand.

Cool & Lam

I’ve written about my favorite Erle Stanley Gardner series many times here at Black Gate. But it’s not Perry Mason. I like the do-it-all lawyer, but the mismatched duo of Bertha Cool and Donald Lam easily hold my ESG top spot. You can find all of my Cool and Lam posts here, including the ‘lost’ pilot, with an intro by Gardner himself.

I don’t have quite all the books, and many are falling apart. As in, I’ve had to toss a couple. Those old Dell paperbacks get extremely brittle. I was happy to pick up two replacement copies at just $5 each. If you haven’t read Cool and Lam, you’re missing out on some high quality PI fiction. At least check out my first post on them, which is based on essay I wrote for Black Mask magazine (yeah, I appeared in THE Black Mask!).

The Frederick Nebel Library Grows

So, Norbert Davis’s is the third face on my Hardboiled Mt. Rushmore. Frederick Nebel is number two. Nebel was the guy that Joe ‘Cap’ Shaw tapped to slide into Dashiell Hammett’s place when the latter left Black Mask (and the Pulps). My library has a lot of Nebel from Steeger Books, including Cardigan, MacBride and Kennedy, and the under-appreciated Gales & McGill.

I already had a couple of Nebel’s air adventures from Illinois’ Black Dog Books. But when I saw Tom Roberts with a table at Windy City, I couldn’t resist. I picked up Sky Blazers, plus the three books along the bottom. Also, three more non-Nebels. I have a couple other digital books from Black Dog. Tom is putting out terrific Pulp by a lot of authors who deserve to still be read. And he has some great intros (I’m still trying to con him… I mean, convince him, to let me write one). I’m a fan of Black Dog, and you should check them out.

 

Sky Blazers/Wolves of the Wind/Flying Freebooters

I’m not into the Air Pulp genre – in fact, I can’t really even discuss it knowledgeably (like THAT ever stops me, as you well know). But I really enjoy Nebel’s Gales & McGill series, just about all of which appeared in Air Stories, I believe.

I now own all six Nebel books from Black Dog. The top three are all air stories, a few with recurring characters. Nebel and Horace McCoy are the only Air Pulps writers I read, and I’m looking forward to more Nebel.

 

Flame Island and Empire of the Devil are short story collections of exotic tales from the Adventure Pulps. This is another genre I haven’t read much, but with over 600 pages of Nebel, I’ll be working my way through these. Two of the stories were made into films.

 

Forbidden River – Nebel started out writing Canadian adventures – you know, Mounties and trappers. Forbidden River contains five such stories. Steeger has also put out two collections of these. Nebel was writing Northern adventures when he joined Black Mask.

Roger Torrey

I have the excellent short story collection, Bodyguard, in digital. I couldn’t pass up a second Torrey book: this time in print. Torrey wrote in a straight hardboiled style, and he didn’t change at all as the genre moved more towards the Cornell Woolrich or John D. MacDonald style of mysteries. He was also a major alcoholic and became unreliable and of quite variable quality. He died young, still writing for the ‘lesser’ pulps. But when he was good, he was very good, and I’m a Torrey fan.

Norvell Page

Page is best known as the primary writer of the hero Pulp, The Spider (under the house name, Grant Stockbridge). Like most Pulpsters, he wrote many genres, including weird menace, and G-men stories. I have his limited Western output as a Black Dog e-book.

I really struggle with the Spicy Pulps. Briefly a popular genre, they’re just so goofy I can’t take them seriously enough to enjoy them. I wrote a post on a Robert E. Howard spicy story – and it was more of a saucy-tinged adventure. Whereas, I can’t even finish a Dan Turner (Hollywood Detective) story

in one -sitting.

Robert Leslie Bellem’s Turner is the most popular of the spicy detectives, even getting his own magazine. But to me, it’s like a parody of Race Williams. And Williams can be hard enough to absorb, without making it a spicy parody.

Page wrote a series of spicy stories featuring Bill Carter (who is not his Weird Menace star, Ken Carter), an investigative reporter in Miami. This volume collects (all?) twenty of them. Page is still kinda over-the-top for me, but these are FAR more readable than the Dan Turner stories. I’ll work my way through this book.

Norbert Davis’ Westerns

I already had this in digital, but I couldn’t pass up the print edition. Davis didn’t write many Westerns, but he wrote some damn good ones. I already did this Black Gate post on one of my favorites, “A Gunsmoke Case for Major Cain.” I plan on covering a couple more for the summer Pulp series along the way. I really like his Westerns.

MISC

I also picked up a Dell Mapback of Rex Stout’s Tecumseh Fox mystery, Double for Death. I like Mapbacks, and try to pick up one or two when they aren’t too expensive. I got a few Stouts last year at Pulp Fest.

Also, you should definitely attend Windy City next year if you want to play ‘If Bob Were Here.’ To hear something I said repeated back conversationally with “If Bob were here, I bet he would say…” I’m used to being ragged on. To combine it with being ignored is really impressive!

The Art Room

I snapped a few pics of the really cool stuff in the Art Show, but I wish I had been dialed in for it. I would have gotten a lot. The Mark Wheatley, and Gary Gianni stuff, had most of my attention. But there was some neat REH and Edger Rice Burroughs stuff too.

I like this El Borak print by Jim and Ruth Keegan, from the Wandering Star/Del Rey books. There was a cool Solomon Kane pic by Gianni. There was a statue in front of it which it mirrors. I wish I’d taken a close up of it. I will be more focused when I visit the Art Room next time.

Gary Gianni was selling five prints for $30 – signed, at a table. I snagged them! There were four Solomon Kanes – color, and black and white. Also, one larger sized Conan from “A Witch Shall Be Born.”

He chatted with folks and is a super nice guy. I’m friends with Bill Cavalier (well, I don’t think he refutes that statement, anyways) and have met Mark Wheatley and Mark Schulz at Pulp Fest. Robert E. Howard artists have been really nice folks.

 

THE HOWARD ANDREW JONES PANEL

A lot of Howard’s friends and fans were at Windy City. There was a panel to remember and celebrate Howard, curated by his biggest fan and supporter, Arin Komins. John O’Neill, James Enge, Seth Lindberg, and John Hocking shared thoughts and memories. Audience members were also offered the opportunity to speak, and Howard’s fellow Black Gaters Ryan Harvey, Greg Mele, and myself, spoke fondly of our missed friend.

Kudos to Doug Ellis for setting aside time for Howard to be front and center. Mentions of him were peppered throughout the weekend among the Black Gate and associated crowd. We will be fondly remembering him for a long time to come.

One audience member came up and talked about helping when Howard was putting together the Harold Lamb collections. And he revealed there were some Lamb stories (four, maybe?) that they didn’t have the rights to, and I think Howard had edited those as well. Would be need to see those added to Howard’s Lamb work.

Jason Waltz – you can believe I took Arin and company to task as they were setting up the books, and there was no Hither Came Conan!

 

 

Prior Posts in A (Black) Gat in the Hand 

2025 (1)

Shelfie – Dashiell Hammett

2024 Series (11)

Will Murray on Dashiell Hammett’s Elusive Glass Key
Ya Gotta Ask – Reprise
Rex Stout’s “The Mother of Invention”
Dime Detective, August, 1941
John D. MacDonald’s “Ring Around the Readhead”
Harboiled Manila – Raoul Whitfield’s Jo Gar
7 Upcoming A (Black) Gat in the Hand Attractions
Paul Cain’s Fast One (my intro)
Dashiell Hammett – The Girl with the Silver Eyes (my intro)
Richard Demming’s Manville Moon
More Thrilling Adventures from REH

Prior Posts in A (Black) Gat in the Hand – 2023 Series (15)

Back Down those Mean Streets in 2023
Will Murray on Hammett Didn’t Write “The Diamond Wager”
Dashiell Hammett – ZigZags of Treachery (my intro)
Ten Pulp Things I Think I Think
Evan Lewis on Cleve Adams
T,T, Flynn’s Mike & Trixie (The ‘Lost Intro’)
John Bullard on REH’s Rough and Ready Clowns of the West – Part I (Breckenridge Elkins)
John Bullard on REH’s Rough and Ready Clowns of the West – Part II
William Patrick Murray on Supernatural Westerns, and Crossing Genres
Erle Stanley Gardner’s ‘Getting Away With Murder (And ‘A Black (Gat)’ turns 100!)
James Reasoner on Robert E. Howard’s Trail Towns of the old West
Frank Schildiner on Solomon Kane
Paul Bishop on The Fists of Robert E. Howard
John Lawrence’s Cass Blue
Dave Hardy on REH’s El Borak

Prior posts in A (Black) Gat in the Hand – 2022 Series (16)
Asimov – Sci Fi Meets the Police Procedural
The Adventures of Christopher London
Weird Menace from Robert E. Howard
Spicy Adventures from Robert E. Howard
Thrilling Adventures from Robert E. Howard
Norbert Davis’ “The Gin Monkey”
Tracer Bullet
Shovel’s Painful Predicament
Back Porch Pulp #1
Wally Conger on ‘The Hollywood Troubleshooter Saga’
Arsenic and Old Lace
David Dodge
Glen Cook’s Garrett, PI
John Leslie’s Key West Private Eye
Back Porch Pulp #2
Norbert Davis’ Max Latin

Prior posts in A (Black) Gat in the Hand – 2021 Series (7 )

The Forgotten Black Masker – Norbert Davis
Appaloosa
A (Black) Gat in the Hand is Back!
Black Mask – March, 1932
Three Gun Terry Mack & Carroll John Daly
Bounty Hunters & Bail Bondsmen
Norbert Davis in Black Mask – Volume 1

Prior posts in A (Black) Gat in the Hand – 2020 Series (21)
Hardboiled May on TCM
Some Hardboiled streaming options
Johnny O’Clock (Dick Powell)
Hardboiled June on TCM
Bullets or Ballots (Humphrey Bogart)
Phililp Marlowe – Private Eye (Powers Boothe)
Cool and Lam
All Through the Night (Bogart)
Dick Powell as Yours Truly, Johnny Dollar
Hardboiled July on TCM
YTJD – The Emily Braddock Matter (John Lund)
Richard Diamond – The Betty Moran Case (Dick Powell)
Bold Venture (Bogart & Bacall)
Hardboiled August on TCM
Norbert Davis – ‘Have one on the House’
with Steven H Silver: C.M. Kornbluth’s Pulp
Norbert Davis – ‘Don’t You Cry for Me’
Talking About Philip Marlowe
Steven H Silver Asks you to Name This Movie
Cajun Hardboiled – Dave Robicheaux
More Cool & Lam from Hard Case Crime

A (Black) Gat in the Hand – 2019 Series (15)
Back Deck Pulp Returns
A (Black) Gat in the Hand Returns
Will Murray on Doc Savage
Hugh B. Cave’s Peter Kane
Paul Bishop on Lance Spearman
A Man Called Spade
Hard Boiled Holmes
Duane Spurlock on T.T. Flynn
Andrew Salmon on Montreal Noir
Frank Schildiner on The Bad Guys of Pulp
Steve Scott on John D. MacDonald’s ‘Park Falkner’
William Patrick Murray on The Spider
John D. MacDonald & Mickey Spillane
Norbert Davis goes West(ern)
Bill Crider on The Brass Cupcake

A (Black) Gat in the Hand – 2018 Series (32)
George Harmon Coxe
Raoul Whitfield
Some Hard Boiled Anthologies
Frederick Nebel’s Donahue
Thomas Walsh
Black Mask – January, 1935
Norbert Davis’ Ben Shaley
D.L. Champion’s Rex Sackler
Dime Detective – August, 1939
Back Deck Pulp #1
W.T. Ballard’s Bill Lennox
Erle Stanley Gardner’s The Phantom Crook (Ed Jenkins)
Day Keene
Black Mask – October, 1933
Back Deck Pulp #2
Black Mask – Spring, 2017
Erle Stanley Gardner’s ‘The Shrieking Skeleton’
Frank Schildiner’s ‘Max Allen Collins & The Hard Boiled Hero’
A (Black) Gat in the Hand: William Campbell Gault
A (Black) Gat in the Hand: More Cool & Lam From Hard Case Crime
MORE Cool & Lam!!!!
Thomas Parker’s ‘They Shoot Horses, Don’t They?’
Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)
Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part Two)
William Patrick Maynard’s ‘The Yellow Peril’
Andrew P Salmon’s ‘Frederick C. Davis’
Rory Gallagher’s ‘Continental Op’
Back Deck Pulp #3
Back Deck Pulp #4
Back Deck Pulp #5
Joe ‘Cap’ Shaw on Writing
Back Deck Pulp #6
The Black Mask Dinner

Bob Byrne’s ‘A (Black) Gat in the Hand’ made its Black Gate debut in 2018 and has returned every summer since.

His ‘The Public Life of Sherlock Holmes’ column ran every Monday morning at Black Gate from March, 2014 through March, 2017. And he irregularly posts on Rex Stout’s gargantuan detective in ‘Nero Wolfe’s Brownstone.’ He is a member of the Praed Street Irregulars, founded www.SolarPons.com (the only website dedicated to the ‘Sherlock Holmes of Praed Street’).

He organized Black Gate’s award-nominated ‘Discovering Robert E. Howard’ series, as well as the award-winning ‘Hither Came Conan’ series. Which is now part of THE Definitive guide to Conan. He also organized 2023’s ‘Talking Tolkien.’

He has contributed stories to The MX Book of New Sherlock Holmes Stories — Parts III, IV, V, VI, XXI, and XXXIII.

He has written introductions for Steeger Books, and appeared in several magazines, including Black Mask, Sherlock Holmes Mystery Magazine, The Strand Magazine, and Sherlock Magazine.

You can definitely ‘experience the Bobness’ at Jason Waltz’s ’24? in 42′ podcast.

 

Buy A Drop of Corruption
Read a review of Book One, The Tainted Cup
Read Lukasz's review of A Drop of Corruption

FORMAT/INFO: A Drop of Corruption was published by Del Rey on April 1st, 2025. It is 465 pages long and available in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: Investigators Ana and Dinios are used to unusual crimes, so investigating the disappearance of a Treasury officer from a locked room is a relatively trivial matter. It's only a matter of hours before Ana not only works out how the person disappeared, but also deduces that they have been murdered as well. But as to who did it and why? That's a much trickier mystery to solve. The culprit seems to possess an almost supernatural ability to circumvent security measures and to anticipate Ana's investigation. The only thing Ana knows for sure is that the murderer's ultimate target is the Shroud, a high-security factory where the Empire harvests the leviathan blood that drives so much of it. And if the Shroud falls, the Empire could fall with it.

A Drop of Corruption is another rousing success from Robert Jackson Bennett, at once both a twisty mystery and harsh critique of colonialism. Returning fans will settle right back in with Ana and Din's familiar cadence: Din does the leg-work, interviewing witnesses and assessing crime scenes, while Ana takes the information and works out how the pieces come together. I was glad to see how Din had grown into his role, understanding that Ana's sometimes odd requests always have a reason, and knowing what kinds of information Ana is looking for.

Even though Ana and Din are working on behalf of the Empire, this is not a book that takes the side of the Empire. Instead, it uses the mystery to examine the messy can of worms that comes from colonizing an already inhabited land. While many of those Din interviews are high level officials, there is attention paid to the common folk who get caught in the middle of the political games between the Empire and the native regional government. The story also acknowledges that there are no clean solutions to the problem, as the Empire pulling out of the colony comes with its own set of headaches and injustices.

This book never feels like a lecture, however, because the message is blended with the absolutely engrossing world-building. A Drop of Corruption continues to iterate on the weird alchemical enhancements introduced in the first book, introducing us to new weird ways people alter themselves in this world. And in the process of delving deeper into the science of alchemy...well let's say some past things that may have registered as off to some readers may start to make sense.

CONCLUSION: In short, A Drop of Corruption further solidifies Robert Jackson Bennett as an autobuy author for me. From his deep, intricate world-building to his real world commentary, every one of his books is a full meal. Even if you're just here for the mystery, you're going to have a great time. But for those who just want to lose themselves in a completely different world? You need to pick his books up.

 

Open Road Media has updated the cover art for their ebook edition of Swan Song.

Thank you for this post, it was exactly the knowledge I was thinking Stephen was missing and should be thinking about. I mean, obviously he has seen people drain wells, and should be wondering about doing it himself and what one can do with the drained magic. Sounds like he desperately needs to educate himself on how to convert wells into pure arum (rather than sigils) so he can start building a supply. And then secondarily can practice with all the old failed sigils he already has. Considering the extreme competition for powerful wells and his extreme skill at finding lower ranking wells, it seems the most likely chance of him manufacturing higher level sigils would be by combining the magic from multiple small wells…

Mirrored Heavens by Rebecca Roanhorse (Saga Press, June 4, 2024)

Between Earth & Sky has always been about doing something fresh.

Rebecca Roanhorse set out to create an epic fantasy set in a world based on the pre-contact Americas. It has its Maya, Cahokia, Ancestral Puebloan and Woodlands analog cultures; it has a seafaring matriarchy that is a bit Polynesian, a bit Caribbean, a bit “this would be cool.” But the world of The Meridian is its own thing. At times the technology is greater than what existed in our world, it has giant crows, eagles, insects and winged serpents tamed as mounts and its gods are very real, and not particularly benevolent.

But if the world the author sets her fantasy is drawing from cultures underused in fantasy, the story-structure is unique as well. This is not a story of a rising dark lord and the plucky heroes that rise against him. Its villains are all-too-human, motivate by sometimes petty desires, sometimes misplaced love, and if there is a “Dark Lord”, well he is one of the most sympathetic characters in the entire tale.

None of this is inversion for inversion’s sake; it is about telling a compelling, fresh story that feels authentic to the sources that inspired its author, and now it has all come to an end with Mirrored Heavens.

Sticking a landing is always tricky and Roanhorse to some extent set herself a challenging task at the end of Book 2. The mid-book of a trilogy is always a bridge story of revelations and few resolutions, but in Fevered Star we only truly see into the villain’s mind — or even realize his full roll — in the last third of the book. Our two main pairs of heroes: Serapio and Xiala, Narampa and Ixtan, spend the novel separated while the fifth main hero, Okoa, is mostly haplessly dragged from bad decision to bad decision. Things end with the predictable “it’s even worse now”, but other than an epic, beautifully rendered clash between Serapio and Narampa, as respective avatars of the Crow and Sun, in some ways the stage feels unset for resolution in one volume.

That would all be true if Roanhorse was trying to write The Lords of the Rings, pre-Contact Americas style. But she isn’t, and her story isn’t triggered by plot, but by characters. If there is a reveal in Fevered Star it is that all of our main characters, even the villainous Balam, have been motivated by personal relationships, disappointments or love. For all the interplay of ancient gods and prophecies, the story is indeed about Serapio and Xiala, Narampa and Ixtan, Okoa and yes, even evil Balam. It’s about family and isolation, a desire to belong and be loved, or what happens when that instead turns into possessive control. Consequently, to borrow a line from the otherwise wretched The Last Jedi: This isn’t going to go how you think it will.

Reading the above, one might think this is a very literary, slow book. It is not. From the first page there is assassination attempts, blood magic, scary monsters and marching armies. As with the first two volumes, Roanhorse’s prose is tight, sometimes even clipped, and her pages fly by. The summary of our situation: Serapio, now the Carrion King and ruler of Tova, is trying to cement his rule as the Crow clan’s living messiah, and knows that besides the other clans wishing to murder him, the rulership of his own clan has no love for being supplanted by living avatar.

All the other cities of the confederacy are marshalling against him, and he doesn’t even know that the villain behind it all is the man who sent him on his quest — and has been involved in his very creation from the start. He is presented with a prophecy, supposedly from the maw of the trickster god Coyote himself that says that if he slays his “unloved bride” and his father, he can win the three different wars brewing against him, but only by losing everything. What the hell does that mean, and how much further into dark, even cruel, paths will Serapio descend to fulfill it. Indeed — is he even the “good guy” and what is he trying to win?

Okoa, as brother to the Carrion Crow matron, has come to respect and idolize Serapio, but like everyone — fears him. His sister reveals the other clan matrons have learned of a weapon that can slay the Carrion King and demands Okoa’s help.

Narampa feels the power of the Sun growing in her and has fled to the north, to the Graveyard of the Gods — where it is said the gods made war and were “slain”/banished from the mortal world — seeking a shaman who can teach her how to use the mysterious godflesh mushrooms that will allow her to enter the various spirit worlds and fight to liberate her city from the Crow. Only she, too, does not realize Serapio is not the problem…

Ixtan is in the city of Hokaia, adrift and unsure what their path now is, until they learn that Narampa lives and that the southern lord Balam is at the heart of everything. A dangerous thing for a “Priest of Knives” to learn.

Xiala has returned home to the isles of the reclusive Teek. Her mother dead, she should be queen — a role she has run from. But Lord Balam’s agents have come to enslave the Teek, and somehow she has to save her people and find a way back to Serapio to warn him.

Seem like spoilers? That’s where we pick up and in a way that’s all you need to know. The rest of Mirrored Heavens is about how each of these players follows that path, and a revelation of how Lord Balam came to be bent on quest of the cities of the Meridian. The resolution will have blood magic, shadow worlds, a clash between gods, love and definite loss…and it won’t be what you think.

Now, confession: I came close to rating this to four stars because, with so much to resolve and tie up, it is only within the last 70 pages of a 600-page novel that it all starts to come into motion. The final clash is certainly dramatic, maybe almost too much — it feels very much like the final confrontation scene would expect in a Marvel movie, or at least an 80s adventure film. For all of the build-up, Serapio and Narampa are not fated to meet again and, indeed, many characters here fail to understand their role in the story, or make choices that lead to worse, not better, and never do recover from it.

A key to victory comes from an idea introduced about five pages before it is used, which felt contrived. Finally, the more we learn of Lord Balam’s backstory, the less competent he seems, and more like the real-world’s over-privileged billionaires who are interfering in the modern world simply because they can, they have the resources to bully their way in, and because they don’t like being told no. It all felt a bit rushed, and not always fair to the characters we’d been running with for 1600 pages.

Then I read the two final chapters, that serve as epilogues.

As I said at the start of this review, Rebecca Roanhorse isn’t trying to write a “Native American Lord of the Rings“, she is telling her own tale, and when you get to the end it all clicks. Besides tying every loose end, the other choices: a somewhat tragic, almost pointless, death of a main character; the fact that an assassin not only gets away with it, but parleys their actions into more power; the fact that some of the great heroism of a character is never known or understood — yes, that’s how the world works in politics and in war.

The gods are real, yet their ultimate appearance remains vague, unclear, and seemingly uncaring of mortal cost because they are gods — not mortals writ large. There is nothing of the Classical or Judeo-Christian belief to these deities; they are primal and simply are — once they act, mortals are left to reason for themselves what it all means. Scenes that occur off-stage do so because they really tell us nothing about the interplay of the core characters, and that’s what this story has always been about: a small group of players caught in the center of a revenge decades in the making.

Could the end have been a bit longer? Perhaps. Do I still think Lord Balam never really quite works as the chief villain? Somewhat. Is the “secret weapon” introduced just before it is needed… needed. No. But in the end, that doesn’t matter: Mirrored Heavens is ultimately about people and in telling that story, Roanhorse creates a magic and adventure-filled conclusion to one of the freshest epic fantasies I’ve read in years. I am already missing Serapio, Xiala, Ixtan and the rest, and although the story of The Meridian seems complete, Roanhorse mentions a distant western Empire of the Boundless Seas and other lands I’d eagerly visit.

(You can read my review of volume one here: Neverwhens, Where History and Fantasy Collide: Brilliance Gleams Beneath a Black Sun.)

The fourteenth annual Women in SF&F Month continues tomorrow, with four new guest posts and a cover reveal/book giveaway coming up this week. Thank you so much to last week’s guests for their wonderful essays! Before announcing the schedule, here are last week’s guest posts in case you missed any of them. All guest posts from April 2025 can be found here, and last week’s guest posts were: “Crayon Trails: On Friendship, Grief, and an Unlikely Book Deal” — Roanne […]

The post Women in SF&F Month: Week 3 Schedule & Week in Review first appeared on Fantasy Cafe.

How to Make a Monster ( American International Pictures, July 1, 1958)

50 films that I dug up on Tubi.

Enjoy!

How to Make a Monster – 1958, AIP

As a slight deviation from our usual programming of themed lists, here are the results of a deep dive I recently undertook, pushing Tubi to the limits. So here we are with How to make a Monster, a follow-up of sorts to the two spectacular schlock movies, I Was a Teenage Frankenstein and I Was a Teenage Werewolf, both released a year earlier in 1957 from American International Pictures. Monster double-billed with Teenage Caveman (which I previously reviewed when I was on my cave people kick), and is probably my favorite of the film series.

It isn’t your usual narrative, but rather a meta-tale of the studio itself, and I LOVE movies about making movies. In this one, Pete Dumond, the ‘Jack Pierce’ of his day, is the makeup wizard who designed and applied the prosthetics for the two previous films. When he discovers that the studio has been taken over by a company that isn’t interested in monster films, and is subsequently fired, Pete goes on a murderous rampage, only he doesn’t do the killing himself. Instead he brainwashes the young actors playing the monsters via a strange foundation cream (bear with me here) and coerces them to killing the new studio stooges while in full makeup.

Eventually, the cops figure out what is going on, and it all ends up in a rather bonkers and fiery final act. One of the great gimmicks employed here is the final reel being in full colour (a similar stunt was pulled on Teenage Frankenstein), and it’s quite jarring, but in a good way. Fun stuff!

7/10

Craze (Warner Bros, June 5, 1974) Craze (1974)

A strange little film from one of my favorite directors, Freddie Francis (who hated this one), Craze is based on the novel The Infernal Idol by Henry Seymour. It tells the story of an English antiques dealer who is wrapped up in black magic, and who worships a spooky African idol called Chuku. After a bloody alter, he begins to associate human sacrifices with financial gain (via Chuku), and promptly goes on a murderous spree to keep his idol happy.

Jack Palance is the most unconvincing Englishman ever put on film (until Keanu in Dracula), but he is ably supported by Julie Ege, Diana Dors and Trevor Howard. There are moments that echo the Amicus glory days, however it’s an uneven film, and the version I watched appeared to be edited for ghastliness.

Good if you’re planning a scary idol night.

5/10

The Fifth Floor (Film Ventures International, November 15, 1978)
and The Boneyard (Zia Film Distribution, June 12, 1991)

The Fifth Floor (1978)

Based on a true story, The Fifth Floor is about a young woman, Kelly (played by Diane Hull), who is accidentally poisoned at a disco and is taken to hospital. Her records indicate that she has tried to self harm before at age 15, so she is recommended for psychiatric assessment and care, leading to a three day stay at a facility. She soon runs afoul of a sleazy attendant, and her stay is increased to two-weeks, eventually being drawn out to 60 days. During this time she is abused, both mentally and sexually, and nobody believes her, especially her useless boyfriend.

It’s a pretty run of the mill movie, but the cast is the standout, and makes this an interesting watch. As with One Flew Over the Cuckoo’s Nest, the patients are portrayed by some familiar faces, notably Robert Englund (fresh off telling his roommate to try auditioning for a space movie…), Anthony James (the villain in every TV show and film you ever watched), Earl Boen (who would go on to become a psychiatrist himself in the Terminator films), and Michael Berryman (of course).

The uncaring boss of the facility is played by Mel Ferrer, and the sleazy, abusive orderly is played by none other than Bo Hopkins. Julie Adams plays one of the nurses, so of course this Black Lagoon lover was very happy about that.

Not fun, but I didn’t hate it, which is high praise considering the films I seek out.

5/10

The Boneyard (1991)

Here’s an interesting one I hadn’t seen before, and when I say interesting, I mean a bit dull, then utterly barking mad.

Two years before The X-Files gave us Mulder and Scully, The Boneyard gave us Jersey Callum (Ed Nelson) and Alley Oates (Deborah Rose), a detective and psychic respectively, both at the end of their games and leaning against each other for support. A child murder case leads them both to a vast mortuary, run by Phyllis Diller (who totally over-Dillers every scene she’s in). Before you know it the child corpses turn out to be flesh-eating demons, and shenanigans ensue.

Yes, this one is painfully slow to get started, but once it does, it’s a lot of fun. The child demons are quite ghastly and really well made, and it’s a pity the same cannot be said for the two goofy monsters that crop up toward the end. James Cummings was a bit of a makeup legend before he tried his hand at directing, and it showed in the monsters — unfortunately the rest of his direction was really pedestrian.

There are some hilarious moments, some gooey moments, and a poodle moment that would make Ang Lee go off in his pants. Worth a look if you’re feeling brave.

6/10

Schizoid (The Cannon Group, September 5, 1980)
and Dark August (Howard Mahler Films, September 10, 1976)

Schizoid (1980)

Next up is this non-politically correctly titled slasher from the start of the best decade. Someone is stalking and murdering the members of a therapy group run by the terminally horny Dr. Fales (Kinski).

A newspaper columnist (Marianna Hill) is being sent threatening letters, and the cops (led by Richard Herd) don’t take them seriously. Her creepy ex-husband (Craig Wasson) is more concerned with getting the wallpaper up in his office (!), and Kinski shags everyone.

It’s fine, I guess, except the mystery killer is given away at the beginning. Oh, and Christopher Lloyd is in it, being all weird and sinister, so a bonus point there.

1/10

Dark August (1976)

Sal, an artist recently moved from NY to Vermont, doesn’t do a good job of fitting into his new rural life because he immediately runs over a young girl. It’s an accident, but the girl’s spooky grandfather doesn’t see it that way, and proceeds to voodoo Sal up the wazoo.

Creepy apparitions, bloody coughing and tummy aches ensue. It’s a bit slow, but there is a handful of inspired shots. Kim Hunter is in it as a committed medium, so that’s a bonus.

1/10

Baskin () Baskin (2015, Turkey)

Just five months after the US Thanksgiving celebrations, here is a delicious slice of Turkey, all wrapped up in one hell of a mind-bending horror film.

Baskin is a simple tale about a squad of police officers just mooching about, not doing much, when they get a call to a ‘disturbance’ in a dodgy part of town.

They answer the call, but crash their van along the way and end up at a big old house. The minute they go inside they are confronted by assorted ghastliness, and another officer banging his own head against a wall, and then it all goes rapidly downhill.

They find themselves quite literally in Hell surrounded by writhing masses of flesh and blood, and soon they are in the clutches of a cannibalistic cult, led by an enigmatic and terrifying figure. The sense of dread is astounding, and the film itself is gorgeous, albeit utterly horrific. Its surreal sensibilities put me in mind of Mandy (2018), and its overall sense of doom reminded me of Descent or Dog Soldiers. It’s a bit of a hard watch, and certainly not fun, but it’s worth a watch if you fancy something darker (and stickier) than molasses.

8/10

Previous Murkey Movie surveys from Neil Baker include:

What Possessed You?
Fan of the Cave Bear
There, Wolves
What a Croc
Prehistrionics
Jumping the Shark
Alien Overlords
Biggus Footus
I Like Big Bugs and I Cannot Lie
The Weird, Weird West
Warrior Women Watch-a-thon

Neil Baker’s last article for us was Part III of What Possessed You? Neil spends his days watching dodgy movies, most of them terrible, in the hope that you might be inspired to watch them too. He is often asked why he doesn’t watch ‘proper’ films, and he honestly doesn’t have a good answer. He is an author, illustrator, teacher, and sculptor of turtle exhibits. (AprilMoonBooks.com).

In reply to Celia.

Thanks for the insight Celia; it’s nice how these drucraft articles get the mind speculating!

I wonder if the drucraft skill a traditional/bloodline thing (like the Hapsburgs) demonstrating the house’s ‘pedigree’?

Although Charles and Calhoun haven’t been seen making Sigls (But is just may be that Benedict hasn’t recorded it for us) they could be spending time making specialist items that can’t be bought in the exchange.

Another possibility is that they are working on enhancing the house wells with the aim of getting them to ‘A’ Class and hence a seat on the ruling council?

BTW: I hope that work is proceeding well on Book #4 and that the personal issues are now sorted…

Alright, let’s talk about science fiction novels and fantasy novels, and escape reality for a…

The post Exhilerating Escape! 6 Mind-Bending Science Fiction & Fantasy Novels appeared first on LitStack.

One of the things as a reviewer I try to do – I think we all do at SFFWorld – is leave our preconceptions behind when starting a book. In fact, I would say as a reader one of the greatest feelings is that of the possibilities a new book or a debut author may…

This is long, so table of contents:

• The Origin of LitRPG
• The Inheritance and how is it different
• What is happening with other series
• A recommendation for a cute comic.

The Origin of LitRPG

As everyone knows by now, I’m a massive Solo Leveling fan. I’ve read the manhwa before the anime was ever announced and then reread it several times. Right now, with the anime release on Crunchyroll (we are up to 2 seasons), it is enjoying unprecedented popularity and some people credit it with starting the Hunter subgenre of LitRPG.

The premise of LitRPG is that somehow the protagonist enters a game world, usually loosely based on an MMO structure. In Massively Multiplayer Online games, players usually must choose a class that defines how they play the game. For example, tanks have heavy shields and armor. They are hard to kill so they taunt the enemy and bear the brunt of the attack while DPS (Damage per second) classes deal damage, and healers cast restorative spells. Players organize into guilds with strict hierarchy.

In the Hunter subgenre of LitRPG our world becomes a video game. Portals open in random locations, leading to dungeons, which, unless conquered in time, will unleash monsters upon the world. Some people mysteriously awaken to magic powers. They are usually called Hunters and they are ranked according to their ability. Hunters band into guilds, and guilds assault the dungeons. It’s World of Warcraft in real life, complete with a system window that announces when you go up a level and shows you your numeric stats like Strength and Agility.

As much as I love Solo Leveling, it didn’t originate the term “hunters.” The first mention of this system in comics actually comes to us from 2012 manhwa called I Am A Noble.

Sorry, Sung Jin-woo, you are not the first. Just the most handsome.

Unfortunately, there are no legitimate translations of I Am A Noble – please do not link pirate sites with machine translations – but there are plenty of other manhwa titles that fall into this genre. Here are some of them in no particular order. I have read all of these, and some are good, some I liked less. You can find them at your usual manhwa places like Webtoon, Tapas, Tappytoon, etc.

• Omniscient Reader’s Viewpoint
• Kill the Hero
• The Druid of Seoul Station
• The World After the Fall
• The Worn and Torn Newbie
• The Player Who Can’t Level Up
• Hoarding in Hell

I’m going to link a list here: Hunter/Dungeon/Gates, but there are others, more comprehensive ones.

But the question is, where did this set up originate? What inspired it? Well, World of Warcraft is obviously one of the ingredients. The game came out in 2004, and at its peak, in 2010, had over 12 million subscribers. It also spawned an entire generation of successors. But what else happened near that 2012 mark?

On August 16, 2011 Ready Player One came out. This book was everywhere. NPR, USA Today, CNN, Entertainment Weekly, translated into 37 languages, available in 58 countries… It was a global phenomenon. If you somehow missed it, it’s about an 18 year old kid whose life is awful, so he chooses to live a completely different life in an online game. This book hit like a meteorite. Although, it is not a strict LitRPG in a sense of classes and quests, it was, without a doubt, the driving force behind the development of the genre.

When Ready Player One came out, LitRPG did not exist as a sub-category. So when did LitRPG became a thing? Who originated this term?

The term LitRPG was coined by… a bunch of Russians. I present to you Magic Dome Books. LitRPG is their bread and butter.

From their website:

LitRPG is a subgenre of science fiction and fantasy which describes the hero’s adventures within an online computer game. LitRPG books merge traditional book-style narration with elements of a gaming experience, describing various quests, achievements and other events typical of a video game.

The defining feature that sets LitRPG fiction apart from traditional portal fantasy is its use of interactive gaming language, such as the inclusion of various system messages, players’ stats, items’ characteristics and other elements appreciated by gamers. The narration in a LitRPG novel has to abide by the rules of a game while filling it with conflict and drama as the hero tries to survive in this new environment.This “book meets game” experience proved to be exactly what many gamers-turned-readers were looking for in a novel. 

LitRPG books are not the same as traditional game novelizations. As a rule, LitRPG books are set in fictional game worlds which are entirely their authors’ invention, such as D. Rus’ AlterWorld or V. Mahanenko’s Barliona. Also, their use of gaming elements and attributes sets them apart from traditionally penned game novelizations.

Initially unrecognized by traditional publishing, the genre kept growing, gaining a truly insatiable readership that devoured such cult series as Sword Art Online, Ready Player One and The Legendary Moonlight Sculptor. In 2012, Russia became the first country in the world where the genre was officially recognized, receiving its current name – LitRPG – and its own place in libraries and book shops. Since then, dozens of new game-set novels have been published in Russia, some of them national bestsellers such as Play to Live by D. Rus and the Way of the Shaman by V. Mahanenko.

So they tell us right here what these writers were inspired by. Sword Art Online is a series of Japanese light novels that began as a webnovel in 2001, which was picked up for publication in Japan in 2009. This is one of those “overnight successes” a decade in the making. SAO didn’t get an English translation until 2014, but really gained in popularity when the anime adaptation came out. The Legendary Moonlight Sculptor began as a South Korean webnovel from Kakao, which began in 2007 and ran until 2019. It is a massively popular series, which spawned a comic adaptation and its own mobile game.

Both series featured virtual reality. In SAO people were playing a multiplayer game and found that they were unable to log off and in LMS a poor Korean student plays a popular new game to earn some money for his grandmother and ends creating a lot of beautiful art and eventually becomes a central figure in a power struggle over the game.

The third title mentioned is again Ready Player One, which was inspired by arcade games of 1980s. If we were to dig deeper into 1980s, we find…

Well, yes, technically, it is similar. But we are looking for something else. Something where people went through a portal and ended up in a game with specific classes and quests… Something with the portals…

And there you go. The first true expression of LitRPG on screen in 1983. Why Cavalier? Why not a Paladin? Never understood that.

Okay, fine, that was a screen adaptation. But what about the literary equivalent?

This is a tougher call, because again, we are looking for very specific things: classes, portal, game setting, quests, and so on.

I’m going to say Quag Keep by Andre Norton.

In early 1970s Gary Gygax and Dave Arneson were working on a new game called Dungeons and Dragons and they couldn’t find anyone to publish it. So in 1974 Gary Gygax partnered with Don Kaye and formed TSR, which published Dungeons and Dragons in that same year.

Two years later, Gary Gygax invited Andre Norton for a session in the new setting he was developing called Greyhawk. Quag Keep was the result of that session. It came out in 1978.

I had to grab the description from Wikipedia, because the one on Amazon is terrible.

Martin, a player in a game of D&D, touches a figurine of a warrior, and is unwillingly transported into the body of Milo Jagon, a warrior in the city of Greyhawk. Milo/Martin gradually meets others likewise transported to this world. Bound together by forces they do not understand, the players struggle to trust each other. Under the compulsion of a geas, everyone is forced to go on a quest. They eventually confront the one controlling them, the Gamemaster, and battle with him to regain control of their lives. Although they win, they find that they cannot return to “reality”, and must remain in Greyhawk. Rather than splitting up, they realize they make a good team and decide to continue their adventures together.

We do not have the literal system windows of the online game. Other than that, this hits all the points: players are portaled, they have classes, they must accomplish quests, and they band into a party.

But what about Dragonlance Chronicles? Nope, that doesn’t fit. First, it was commissioned by TSR in 1983 to promote the new campaign setting, so Quag Keep predates it, and second, it’s a novel set in Dragonlance with characters original to that world. There are no players.

Sadly, Quag Keep bombed. The critics disliked it, so it is one of the lesser known Andre Norton’s works.

But what about the portal fantasy? When did that start?

I love you, please don’t make me pull Lewis Caroll out. That is another post.

Here is a list from Goodreads. It’s pretty comprehensive, but it doesn’t include pseudo portals like H.G. Wells’ Time Machine or Edward Bellamy’s 1887 Looking Backward 2000-1887. Fun fact: Bellamy was the first to introduce the concept of credit cards in fiction.

When we market books, we have to hit the here and now references. While we might phrase things like “this work will appeal to fans of isekai” or “this work will appeal to fans of hunter LitRPG,” we are doing this to appeal to a new generation of readers because saying things like “This is like Chronicles of Narnia and Princess Bride made a baby with Game of Thrones and then gave it to Locke Lamora to raise” is confusing.

So what about the Inheritance? How is it different?

There are things that bug me about the Hunter subgenre specifically in its current LitRPG iteration. If we really dissect it, a lot of the genre deals with existing within a static system. Your class is set. Your abilities are set. You can get new abilities but only within the system parameters.

Sometimes you gain levels, but only in your class. Sometimes you can game the system and unlock something unexpected due to prior knowledge or chance. Sometimes you cannot improve at all. In Solo Leveling, Sung Jin-woo is the only person able to level up. In that world, if you “awakened” to your powers as Rank B, it doesn’t matter how hard you try, you will stay Rank B. He is the only exception.

LitRPGs generally fall into two categories: either succeed within the system and be the best at playing the class you’ve chosen or disrupt the system and become the best badass there is who answers to no one, while the rest of the people remain in their assigned roles. There is a simplicity in it: you can earn experience, have tangible progress in levels, and be assigned a course of action by the system.

If you were coming from an environment where generations of people have given up on upward mobility without inherited wealth, or a country where the government exerts pressure to keep you in your lane and your designated role, this type of system might be familiar and appealing, in part because sometimes it carries a subversive message.

Setting the social implications aside, if you look at the list of the manhwa I linked above or at Magic Dome Books, you can note something interesting. In the word of Cordelia Cupp, “What’s with all the dudes?”

This genre usually features a male protagonist, typically between 17 and 25. There are occasional older protagonists, but again mostly male. There are occasional exceptions, as always, and there are more women in books than in manhwa, but in general they are harder to find. Recently I stumbled on a LitRPG manhwa, which had a female protagonist. She had the housekeeping talent. I’m sure it was meant to be just part of the current trend exploring the cozier side of LitRPG, but the hero is kicking butt left and right because he is the best hunter who ever lived and our girl is making his bed so he can nap.

A couple of months ago, I saw a tutorial video, where two women were having an awesome time trying to nuke the Matron of Glennwood in the Enshrouded. (If you are interested, here is the link to the video.) I very much enjoyed watching them try to kill her. It kind of confirmed my theory that most of the time inspiration is accidental.

For these reasons, The Inheritance is not a true Hunter LitRPG in the strictest sense of the word.

A Little Housekeeping

Unfortunately, not every story is suitable for the online serialization. Serialized stories need to be fast paced and tightly focused so people don’t get lost. This is why serializing Hugh 2 was very difficult. It was complex and required revisions as it was being written due to the layered motivations of the protagonists. None of the projects we have currently sketched out for our existing worlds would work for serialization.

The Inheritance was conceived and structured specifically for online reading. It was meant to be a serial from the start. We are about 2/3 of the way through, so it’s mostly written. It’s our gift to you this spring because there will be very little content on the blog as we dig into our massive workload.

The Inheritance will be posted probably twice a week and in its entirety. It connects to nothing, it requires no prior reading, and it will likely be a one-off, so there probably won’t be a sequel.

There are no Easter eggs. We would never troll the BDH. Trust us.

After its run, The Inheritance will be available for sale for you to keep, probably as part of Small Magics 2, which will be collecting various free fiction from the website.

We understand that some of you are upset because you would like the free stories to be available in ebook format faster. It takes effort and time to put it all together into a cohesive anthology, and we have to have enough content to justify the price and especially the audio edition. We do not want to short-change those of you who are visually impaired or who prefer your fiction as an audio adaptation. It is difficult to book an audio narrator just for a novella-length work. There has to be significant word count for it to be worth their while. We would want to have the narrator at least booked before the ebook comes out, so we can give you an ETA.

PS. ModR suggested adding recipes our characters cook at the end of Small Magics 2. Is it weird to have recipes from our books in an anthology? It feels kind of weird.

The Top Dungeon Farmer

In conclusion, thank you for sitting through my TED talk. To make up for it, I thought I would show you my current manhwa Hunter favorite. Behold the unbearable cuteness.

The Top Dungeon Farmer. Yes, it is that adorable. Look at those bunnies! He gets a killer monster bear later and it is also adorable. I must say, I don’t care for the cat. Anyway, there are 80+ episodes, most of them free on Webtoons. If you need a distraction where nothing super horrible happens, this might do the trick.

PS. It should really go above where we talked about our world turning into a video game. There is, apparently, a real life condition called Game Transfer Phenomenon. BBC explains more. So who knows, perhaps we will start assigning classes to ourselves some time in the future.

The post Lit RPG: The Origins, The Inheritance, and Other Things first appeared on ILONA ANDREWS.

Meeting with Medusa cover by Vincent di Fate
Green Mars cover by Vincent di Fate

Tor Double #1 was originally published in October 1988.  This volume marked the beginning of the official Tor Double series. The two stories included, Arthur C. Clarke’s Meeting with Medusa and Kim Stanley Robinson’s novella Green Mars complement each other, although by doing so, Green Mars also points out a weakness of Meeting with Medusa. The volume was published as a tête-bêche, with both covers were painted by Vincent di Fate.

Meeting with Medusa was originally published in Playboy in December, 1971. It was nominated for the Hugo Award and Nebula Award, winning the latter, as well as the Seiun Award.

The novella opens with Captain Howard Falcon commanding a massive airship, the Queen Elizabeth IV, over the Grand Canyon. A collision with a drone camera causes the ship to crash, killing nearly everyone on-board, including the uplifted chimpanzees who served as part of their crew. Although horribly injured in the crash, Falcon survived and spends years regaining his ability to function, eventually returning to his job as a pilot with an audacious plan.

Falcon proposed a mission to fly through Jupiter’s atmosphere. He notes that many probes have been lost in the atmosphere, but believes that he is uniquely qualified for a crewed mission because he can take evasive action if necessary, noting that he was not at the helm when the Queen Elizabeth IV was struck. His proposal seems like a mix of hubris and a need to atone for the loss of the airship. While Falcon’s reasoning may make sense, the decision to fund and permit him to take on the mission seems a little too pat. However, characterization and motivation has never been Clarke’s forte.

Where Clarke excels, and where Meeting with Medusa succeeds, is building a sense of wonder for the reader. Extrapolating from what was known about Jupiter in the years prior to the first flyby, by Pioneer 10 in 1973, Clarke creates an alien world high in the Jovian atmosphere. Buffeted by hurricane force winds, Falcon provides testimony of the miracles of life that are able to exist there, from the enormous and buoyant medusa, named for the tentacles that dangled beneath them, to the ray-like predators that glide through the skies. The size of these creatures, and the requirements for living where they do, mean that Clarke has incorporated aspects of biology that only exist on a small scale on Earth, if at all.

Gardner Dozois commented that Meeting with Medusa “is a bit traveloguish,” but there is more to the story than simply Falcon’s sightseeing through Jupiter’s skies and achieving a sense of closure for the Queen Elizabeth incident. Clarke provides a more specific reason why Falcon may be the right person for the job, but that final revelation feels a little tacked on and Clarke didn’t make full use of it throughout the story.

Forty-five years after its original publication, authors Stephen Baxter, who collaborated with Clarke, and Alastair Reynolds published a sequel to Meeting with Medusa, the novel The Medusa Chronicles, which expanded on the world Clarke described and the character who explored that world.

Playboy cover by an unknown artist
Asimov’s Science Fiction Magazine, September 1985, cover by J.K. Potter

The novella Green Mars was originally published in Isaac Asimov’s Science Fiction Magazine in September, 1985 and should not be confused with Robinson’s 1993 novel Green Mars. It was nominated for the Hugo Award and the Nebula Award.

Roger Clayborne, who is around 300 years old, has resigned from his position as Minister of the Interior for Mars, a position he has held for 27 years. A member of the Red Party, which championed the maintenance of Mars in its natural state, he has come to realize that his ideology has lost out to the Greens, who have successfully terraformed Mars to an extent that conserving its pristine nature is no longer possible.

In his own attempt to get back to nature, Clayborne signs on with an expedition to climb Olympus Mons, at 22 kilometers, the tallest mountain in the solar system, with a peak that juts out of the planet’s atmosphere. All expert climbers, including a woman Clayborne knew more than 250 years earlier, the trek up the mountain proves dangerous, between the threat of rockfall, weather, and the thinner Martian atmosphere.

Set over the span of several weeks, Clayborne interacts with nearly all of the other members of the expedition in various ways and the expedition leader, Eileen Monday, makes sure to rotate who partners with whom. With a cast of eleven characters, some do get short shrift (only one of the four “Sherpas” is given a last name and none of them are fleshed out), but Robinson does limn out distinctions between most of the characters, from Marie Whillans’ exuberance to Dougal Burke’s quiet competence. Roger’s interactions often depict part of the story, but Robinson makes clear that there are complex relationships behind the scenes.

Robinson also describes the climb in details, introducing the reader to a variety of concepts used to scale mountains and showing that, even with the relatively gentle slope of Olympus Mons, the ascent is difficult, with a lot of climbing and descending as paths and dead ends are discovered and materials are carefully positioned to ensure the expedition’s chance of success. At the same time, injuries happen and must be dealt with, not always in the most obvious ways.

As Clayborne climbs the mountain, the natural beauty and his discussions with the other climbers slowly begins to make him reconsider what it means to be a Red in a world in which terraforming has already taken hold. By the time he reaches the summit, he comes to a conclusion that he can still work to preserve Mars under what he considers to be less than ideal circumstances, but also understands that a terraformed Mars as a beauty all its own.

Both stories are explorations of strange vistas, with Clarke exploring the atmosphere of Jupiter and raising perceptual questions about both the concept of landscapes and life, introducing cloudbanks that were seen as mountains and massive creatures that lived in the atmosphere, never landing. Robinson presented the different layers of Olympus Mons, drawing parallels between mountains and rock formations on Earth with those on Mars as his climbers made the dangerous ascent. However, while both are explorations into the unknown, Robinson also focused on the relationships between the members of his climbing expedition, while Clarke’s protagonist spends most of the story is solitude. The result of this is that the strength of Robinson’s characters highlights the weakness of Clarke’s characters.

Steven H Silver is a twenty-time Hugo Award nominee and was the publisher of the Hugo-nominated fanzine Argentus as well as the editor and publisher of ISFiC Press for eight years. He has also edited books for DAW, NESFA Press, and ZNB. His most recent anthology is Alternate Peace and his novel After Hastings was published in 2020. Steven has chaired the first Midwest Construction, Windycon three times, and the SFWA Nebula Conference numerous times. He was programming chair for Chicon 2000 and Vice Chair of Chicon 7.

 

A House with Good Bonesby T. Kingfisher
What is it about:A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.
"Mom seems off."
Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone.
She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.
But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.
To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.
What did I think of it:I've talked about how Kingfisher is a master at writing horror that works on atmosphere. This book is no exception.
The tiny things that happen don't seem to bad at first, but soon they count up and I totally freaked at a scene that isn't even that bad, has actually happened to me in a minor way, but because of the atmosphere it was so creepy.And that's even with me already suspecting what might be going on.
I was totally caught by this story. Reading the last few chapters into the night because I needed to finish it, needed to see how it would end. I loved everything about it, even the creepy and freaky stuff.
I will pick up the next  Kingfisher book in my TBR very soon.
Why should you read it:It's a beautiful and atmospheric Horror read.

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Cut by C.J. Dotson

Mogsy’s Rating: 3.5 of 5 stars

Genre: Horror

Series: Stand Alone

Publisher: St. Martin’s Press (April 8, 2025)

Length: 304 pages

Author Information: Website | Twitter

The Cut by C.J. Dotson was a book where the cover caught my attention before I even knew what the story was about. I mean, look at it! There’s just something about the image of a slimy tentacle curling out of a shower drain that instantly gives off the heebie-jeebies, and as a horror fan, I was immediately curious. Was this cosmic horror? Or some kind of creature feature? Either way, I was all for it.

At its core, The Cut is a woman trying to rebuild her life after escaping an abusive relationship. After the death of her first husband, Sadie Miles thought she’d found a second chance at love with her new fiancé Sam. But as his words became increasingly controlling and his temper harder to predict, she came to realize she and her toddler would no longer be safe—especially after discovering she was pregnant. Packing up her daughter Izzy and some meager belongings, Sadie flees to a quaint little inn called the L’Arpin Hotel, nestled on the shores of Lake Erie. There, she lands a job as a housekeeper with a temporary live-in arrangement, where she hopes to hide from Sam until she makes enough to afford her own apartment.

From the very first day, however, it’s clear something is off about the hotel and the people who work there. In the dead of night, Sadie hears the unmistakable sound of splashing in the hotel pool, only to find it empty when she arrives to investigate. Yet the management’s response is dismissive, with hints that they might even be hiding something. And when Sadie presses the issue, she begins to uncover strange occurrences that only deepen her fears. Security footage goes missing. The owner of the property next door accuses the hotel of poisoning the land. A maid disappears, which only gets covered up. Then Sadie begins to see things—squirmy things wriggling out from faucets, inside takeout boxes, and seemingly out of the very walls of the hotel itself. Sadie may have escaped Sam for now, bringing her young daughter and unborn child to what she hoped was safety, but the events unfolding at L’Arpin suggest that danger has followed them, just in a different form.

Once the story got going, I found The Cut to be a suspense and unsettling slow burn read, and several main themes began emerging. Sadie is a pregnant and single mom who has no support from her own family, and as a result has to face the challenges of fleeing abuse on her own. Dotson leans hard into the protagonist’s harrowing emotions in order to create suspense but also mixes in the gothic atmosphere of a decaying hotel that’s long past its heyday. And yes, there is a bit of Lovecraftian influence as well, bringing that particular brand of weird fiction and horror element to northwestern Ohio.

As such, this book is definitely more of a “vibe” story, aiming for creeping dread rather than in-your-face terror or all-out gore. One of the strongest aspects of the book is now the supernatural tensions mirror the emotional tensions, playing them up in tandem. The threat of Sadie’s past is never far behind, but it’s also the everyday anxieties—whether she can be the mother her children need or hold down the job that’s keeping a roof over their heads—that weigh the heaviest on her mind. Still, that’s not to say there weren’t plenty of more traditional horror elements in the book, such as disturbing imagery. It’s just not over-the-top, which, as a fan of subtler horror, I appreciated a lot.

That said, The Cut didn’t quite do it for me in every area, especially when it came to the pacing and the ending. The first half dragged in places, with the “Sadie discovers something weird, staff then proceeds to gaslight Sadie and pretend it’s nothing” pattern becoming repetitive. Her character also frustrated me at times, as more than once her decision-making made me question her intelligence. And this might just be me, but I didn’t always care for the way Sadie’s relationship with Izzy was portrayed. At times, the little girl’s behavior bordered on grating, written in a way that made her come off more like a tantum machine than a real child. Sadie’s response to that was just as hokey, as is the obnoxious “stinker” nickname she has for Izzy, making it hard to fully buy into their dynamic. Finally, the ending felt rushed, with the resolution feeling overly tidy considering how much had been built up, especially with the supernatural elements.

Still, despite a few stumbles, there’s a lot to admire here, especially for what I believe is C.J. Dotson’s debut novel. No, it isn’t perfect, but nevertheless it’s an entertaining entry into the horror genre with a strong emotional core that I think many readers will probably be able to relate to. Fans of slow burn horror with a supernatural twist will find a lot to like here, and I’ll be keeping my eye out for what the author writes next.

It’s been a while since we’ve had the chance to bring you a brand-new convention offering, and in 2025 we’re bringing you two. First up is one of the biggest celebrations of all things spooky, creepy, and downright chilling heading to Chicago for the first time this May. GalaxyCon, the powerhouse of fan events, is bringing its first-ever Nightmare Weekend to the Donald E. Stephens Convention Center in Rosemont, Illinois, from May 2-4, 2025 — and it’s shaping up to be an unforgettable fright fest.

“We’re thrilled to deliver our unique fan experience to Chicago,” says Mike Broder, GalaxyCon’s founder and president. “Our events have brought millions to local economies, and we can’t wait to make a positive impact in this area too.”

Translation? A weekend of scares and a boost to local businesses. Win-win!

Over three days, Nightmare Weekend will transform the convention center into a playground for horror lovers including:

• Over 100 hours of programming: Dive into Q&As, comedy, panels, screenings, gaming, and more.
• Late-night mischief: After-dark cosplay competitions, karaoke, dance parties, and cabaret performances.
• Cosplay galore: Show off your creepiest costumes and compete for glory.
• Tattooing and sinister shopping: Pick up unique merchandise or get inked to commemorate the weekend (will this be the event where I get Chris to go under the needle?).
• And the pièce de résistance? A killer lineup of celebrity guests ready to make your horror-loving heart skip a beat.

Prepare for meet-and-greets, photo ops, and autograph sessions with stars from your favorite films and shows. This year’s nightmare-worthy roster includes:

• Cast members from The Walking Dead
• The hilarious crew of What We Do in the Shadows (that’s a big “Hell yes” from us!)
• Stars of Thanksgiving (because who doesn’t love a horror twist on a holiday?)
• The spellbinding witches of Hocus Pocus
• Icons from slashers like Friday the 13th and Scream VI
• The vampy badasses of From Dusk Till Dawn

Whether you’re a hardcore horror fan or just looking for a fun weekend escape, Nightmare Weekend has something for everyone. Tickets start at just $40 and are available now at GalaxyCon’s website.

Our second new outing comes up a month later in June. The Haunted America Conference is making its spine-chilling return for the 28th year, but covering it is a first for Black Gate Photog Chris Z and I. From June 26-29, 2025, the historic town of Alton, Illinois — often hailed as one of the most haunted small towns in America — will host this legendary gathering at Lewis and Clark Community College.

And before you come for me on this one, we just report what we see for your entertainment. If we only wanted to report facts, we’d go work for the BBC.

Besides, this isn’t your typical fan convention. Founded in 1997 by renowned author and paranormal historian Troy Taylor, the Haunted America Conference offers a deep dive into the world of ghosts, hauntings, and all things unexplained. ​

Here’s a glimpse of what’s in store:

• Engaging Presentations: Learn from leading experts about spirits, cryptids, UFOs, and other mysteries that lurk in the shadows. ​
• Hands-On Workshops: Participate in sessions designed to enhance your investigative skills and understanding of the paranormal.​
• After-Hours Events: For those brave enough, exclusive nighttime activities delve deeper into the unknown.​
• Vendor’s Room: Browse a curated selection of eerie merchandise, from haunted relics to the latest ghost-hunting gear.​

Tickets are available now, with general admission granting access to all main events on Friday and Saturday. For a detailed schedule, list of speakers, and ticket information, visit the official Haunted America Conference website.​

So, stay tuned. We’ll be saving all the receipts.

Today’s Women in SF&F Month guest is Antonia Hodgson! She is the author of four historical crime novels and a soon-to-be released epic fantasy novel, The Raven Scholar. The first book in the Eternal Path trilogy, her upcoming novel is an excellent story with factions competing for a throne and a murder mystery that just opens up more and more new questions about the past. Her latest book will be out next week—on April 15 in the US and April […]

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